Anti-Poem— “Going To See Honey Sanchez”
gloria and me we take a yellow taxi from canoga park
we go to see honey sanchez at the olympic on grand
she be the dragon lady on skates she and terri lynch
both of them girls be tough as nails in their ripe beauty
both wearing thunderbird white riding fire and blood
lighting up the banked track against the texas outlaws
gloria keep telling shirley hardman she be dead wrong
stop your mean ways shirley girl stop beating on honey
baby she say to me could I get her a soda and peanuts
the crowd be all noisy tonight and I can smell hot dogs
the people here they be rowdy and angry they scream
cuss words eating greasy onion rings and drinking beer
my gloria she be saying only one skater be her top hero
I says who and she smiles and say it be honey sanchez—
skater dragon lady at 18th and grand in her ripe beauty
Moratorium On Auditorium
There must be a well-made moratorium
On Trump when he was in an auditorium
Pain in you know where,
And also here and there;
Can burn body to ashes in a crematorium.
Jim Horn
In the Auditorium de la Panacée,
Maria had a fit and fell on a red carpet.
Many were the hands that came to assist.
They laid her down on it and administered first aid.
She bettered quick
In the Auditorium de la Panacée,
And sat up to look around at the first aiders
In her midst and by her side.
They could be her friends, these people,
And join her on Reddit when they weren't
At the Auditorium de la Panacée,
But then she changed her mind.
She did not want reminding of her fit
At the Auditorium, or any part of it,
So she left without hearing off-pat words
On Tuggener, or some other guy.
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Julia Ward,
8/24/2015
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Part II was composed and sent today by rob carmack,
so please see his excellent follow-up to my poem.
In the Auditorium de la Panacée,
not yet perfume or pheromone,
but only what he can see,
drawn exit as she heads home.
Every step on pulse of Montpellier,
one dropped program chances today.
Prudent for an approach easier,
when she stops at a Café.
Took a sip and tripped closer,
now pierced by what he can’t see.
Courtesy of Swiss industry and a photographer
in the Auditorium de la Panacée.
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A collaboration with Julia Ward who composed Part I which can be found on her list.