Long Talk of Poems
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It's about time we talk of ruins.
So, let us talk, for you never know,
How long ears of hope will remain receptive.
Your lips are missing, and your kisses fall,
Like ripe plums and tint my confession,
Like coffee stains with smell of rust.
Looking back, dreams had stories,
About laughters blooming in dews on trembling grass,
With roots growing into layers of blue skies.
That dark sweater you began knitting,
Lies lifeless by a woollen ball,
Like buried half of a rainbow.
My greys are silvery now, and my smile
Looks like a scar, but my heart
Keeps shredding dead skins.
Footprints covered by caddish shadows
Of hubristic tongues,
Never to be retraced, and
The wish to carry your whispers beyond life,
Scavenged by beaks of time,
Is nothing but a piece of
History's torn chorion.
Entangled in my pensive repentance,
Memory of a girl (assuming),
Whose playful steps ruefully erased
Even before she was assisted into the world,
Stares back from an obsolete painting.
I sense blood seething in my veins,
But with no ill-will.
If only i could stop this hour from passing away,
And touch life one more time,
Gently and wisely, perhaps sweet palpitations
Would be heard knocking from within.
Lying in the heap of fallen bricks
Of dilapidated castle of Eros,
Where, once upon a time,
Our romance was folktale for angels and fairies,
I'm supposed to be bleeding the high-noon sun
To feed yesterday's vampiric fleas.
My body no longer lives on bread and grains,
But on tears and prayers, and
Keeps on living, surprising the undertaker and
my foes,
Who begin to think
I am here to stay indefinitely.
So, I labour to hasten my swan song
To gladden those who want to witness my exit.
The yarn with which
I began weaving a flag,
Has been sold to brothels of politics,
Where patriotism is only a slang
In perorations of capricious pimps.
My nights are haunted by ghosts
Of betrayed slogans
I once coined on fisting graffiti.
Standing amidst graves of words
Spoken inconspicuously,
I see soldiers placing putrid shocks and
Ugly boots
On books strewn across the floor
Of my old school's library
Which is now a fortified barrack.
But when I see tombs sleeping like babies,
In quietness of a cemetery,
I beg you -
Don't let me die without a wound, and
Even if it is in pretensive nostalgia,
Bury me with bloodstained kiss.
Heartbroken lass bereft of eminent beau
papa doth vicariously experience her
(mine daughter's) grievous woe.
Unfair a budding promising relationship nought
going to incorporate wedded bliss,
when for all the world
the strong humble lad
absconded to Puerto Rican his homeland.
Thus pained University
of Pennsylvania alumna
("star student") since grade one
at Belmont Hills Elementary
whose high school alma mater
i.e. Harriton High School,
now glum Oakland California transplant.
I (biological father),
who helped beget offspring
writhes with agony,
cuz he and the missus
sowed wild oats
during prime time,
when irresistible call of the wild
overtook wisdom to shuck contraceptive
yielding the miracle of life.
Parenthood never ended
just because declaration of independence
and autonomy witnessed natural propensity
for progeny to reliant become on self
forced shoulder living expense
no only for herself,
but deux darling
tortoiseshell dappled
five month old kittens
most certainly a constant reminder,
when she and he "two peas in a pod"
shared so many college campus memories,
whereby appearances hinted
and predicted a shared destiny
between two love birds.
An abrupt cleavage
rent asunder never witnessing
mutual graceful dotage
figuratively saddled once ebullient psyche
unnecessarily bogged our engineering minded lady
with cumbersome equipage
after they spent precious
young adulthood years together
emulating how married couple live, I gauge
such scenario, cuz talk of wedding bells
filled the (telephonic) airwaves,
whereby yours truly feeling blessed
potential prodigal son in law
his earning hand over fist big bucks
employed at Silicon Valley company
geared toward marketing fitness application.
Unsure how said high achiever
bolstered with you go girl refrain,
(who ofttimes communicated with Zayda,
i.e. his demise a crushing sorrow),
which inevitable prolonged decline
sundered special rapport
since more'n threescore
Earth orbits around the sun
papa acquired mechanical engineer degree
working within Aerospace Division
at General Electric.
Impossible mission not to care
despite mein kampf punctuated
with mine wanderlust flair
marital covenant garden variety
wordsmith did greatly impair
triggering hostility within mine humble lair
adulterer letter forcibly donned as outerwear.
Have you ever been in a musical show?
I have done some, so this is how I know.
They first hooked me when I was in high school,
but stage fright made me feel the fool.
So, I began on the backstage crew,
Oh the things we had to do.
Painting sets and handling props,
sometimes I wished I was a farmer harvesting crops.
Dressing all in black the day of the show
moving sets in the dark so no one would know.
We did some things that only a crew can do
I'll try to list a few here for you.
For example, during the "King and I",
There is a tearful scene with a Buddha to cry.
Since our Buddha was a person who spoke to Tuptim,
We did all in our power to get a laugh out of him.
Two of us moved his pedestal onstage,
his scene was to be all the rage.
We had to hide below his pedestal for his soliloquy,
So we tried to crack him up for all to see.
I worked behind the scenes again, for "My Fair Lady",
Some of the things we did there were also shady.
Professor Higgins takes a big drink in one scene
so we decided to pull one of our pranks on him.
The bottle he poured from was usually filled with ginger ale,
when we switched it to the real stuff he turned pale.
He could barely speak the next few lines
and was off key in his song the next time.
The classic we pulled was in "The Unsinkable Molly Brown",
our prank was the talk of the town.
If you don't know the story let me enlighten you
because then you may get a laugh or two.
Molly is aboard the Titanic's first trip
and the scene has to deal with the sinking of the ship.
We had a lifeboat with people on stage with waves across the floor,
she gets their attention by firing several shots in the air.
During the final dress rehearsal before show night
we knew this scene would be just right.
The Titanic sinking in the background, the waves, the lifeboat,
Molly pulls her pistol, raises it to the sky, and began to shoot.
The auditorium goes silent as the people raise their eyes to her to engage,
When a rubber duck came flying from the wings and landed on stage.
You never saw a director as mad as that
if she had a gun she would have blown off your hat.
"Who did that? Who did that?" was all she could say,
as the stage crew just laughed as we went on our way.
I finally got the nerve to perform in some shows later on,
But for now...this is just an introduction.
...Then working with the government,
who always liked more western cash,
they set up an agreement that
they hoped could contain this backlash.
Two scientists could see the arc,
and work to verify its age,
one from Harvard, and one Cambridge,
and to Axum both made their way.
The American, an old man,
Professor Hammond was name,
the Brit was a young grad student,
named Alice, with a genius brain.
As they settled into their work
neither of the scholars could know
that in neighboring Somalia
an evil man plotted a blow.
He went by the name Ibrahim,
whether it was real, no one knew,
established as a terrorist,
an Islamist, quite tried and true.
He’d built a name in civil wars,
the kind that always racked that place,
made a reputation with force,
he left death, and people displaced.
And though the man gained followers,
he was frustrated by his land,
ruined and lacking resources,
Ibrahim was an ambitious man.
When he heard the arc had been found,
an idea grew up in his mind,
Christians and Jews worshipped the thing,
a route to more money he found.
He took with him one hundred men,
slipped the border, went to Axum,
keeping his people outside town
until shadows of nightfall had come.
Then they attacked St. Mary’s Church,
stormed the building with guns blazing,
killing priests, security guards,
anyone they found resisting.
Quickly they sieved the old relic,
took Alice, Hammond, and four priests,
hostages until they got paid,
at which point they {might" be released.
Chased by police they all fled east,
back into the Somali state,
where they hid amongst the chaos,
where all involved did celebrate.
A scheme pulled on the infidel,
they would now pay to arm their foe!
They had no choice, if they did not
then to hell their relic would go!
Ibrahim put out a message,
a video, as such types do,
demanding millions for the arc,
it was seen by more than a few.
And there was a bunch of chatter,
amongst talking heads on TV,
talking of how such a relic
just found, could soon be history.
Religious types the world over
spoke of how it would be a crime
if such a thing would be destroyed,
the loss of a wonderous find.
All knew some action would come soon,
too many folks were up in arms,
talk of commandos, and or raids,
to Ibrahim it raised alarms...
CONTINUES IN PART III.
How can we not have this conversation
where footprints of the poor vanish
beneath the boots of investors,
and the river sings only
to those who can afford its luxury?
In Chobe, the elephants roam free,
but people walk caged in poverty.
We call it coexistence
when tusks are protected,
but mothers bury their sons
gored near neglected kraals.
And no one comes
unless it's a game drive
and the victim is not black.
How can we not speak
when the lion's roar is louder
than a widow's cry for compensation?
When leopards eat goats
and ministries write reports not cheques?
Let's talk about the five-star smiles
that greet foreign tongues
while the Batswana mop floors, serve beer, and sleep on concrete after ten-hour shifts.
Let's talk about uniforms and pay slips
that smell like servitude,
contracts folded into silence
in offices lined with antelope heads.
And let's speak of the racism
how a Black woman was shot by a white woman
who said, "I thought it was a monkey."
As if her body was a silhouette of threat.
As if Blackness is always a blur
on the edge of someone else's comfort.
The river bore witness, but the law shrugged,
and headlines softened the bullet.
Let's talk of fishermen
banished from their birthright,
told their canoes spoil the view,
that their laughter scares the tourists,
that their presence is pollution.
Let's speak of lodge owners
who toss insults like breadcrumbs
to those who clean their sheets
lazy, slow, replaceable.
No chains, but contracts.
No slurs, just smiles
with knives beneath them.
We cannot be quiet
when the sun sets
behind lodges built on lies,
and the river is fenced
not for safety, but exclusion.
How can we not speak
of the politics of permits,
where land is leased
like livestock,
and council seats are auctioned
to the highest foreign bidder?
Corruption blooms like water hyacinth,
choking life from the roots
of communal trust.
The sand knows.
The baobabs know.
Even the crocodiles know
how long we've swallowed
our own tongues
to protect the myth of peace.
So let us talk.
Let us gather in the heat
of midday truth,
where no luxury air-con hums.
Let us speak until the sky listens,
until justice stalks this land
as fiercely as the wild.
Because silence, here,
is complicity.
And we have been quiet
for far too long.
Form:
Our story began behind bars with the broken,
Displaying our armor with truths left unspoken.
Through the gates each day, our counselor hats on,
Where pain wore a face, and hope felt long gone.
You, with your wisdom and counselor’s grace,
Me, burnt out but still showing my face.
We stitched up souls with words and care,
In a world where few even knew we were there.
"Eight and the gate" rang like a drum in our chest,
Till we traded our keys for a long-needed rest.
No longer confined, our world opened wide,
With pups at our heels and friends by our side.
Bella, a farting cutie with sass to spare,
Jack Dangles—cutest dude anywhere,
Ollie, judging all with a skeptical eye,
And mine, loyal, wild, barking at the sky.
We measured our days in tail wags and sparks,
And found light in our dogs when the world turned dark.
You’re my news anchor, my human rant,
My “yes you can” when I swear I can’t.
We share stories and snacks and fried calamari,
And laugh till we wheeze like a nursing home party.
You’re blue as the sky, I’m red underneath,
But we cry the same tears from sorrow and grief.
We talk of the world—no judgment, no shame,
Different opinions, but hearts just the same.
You bring the fire, and I bring the “me,
”?You rage at the news with raw clarity.
(You really should join that Trump-haters squad—
They’d give you a mic and a standing applaud.)
When the world gets too heavy, we know what to do—
Dogs, snacks, the news, and a cry or two.
You’ve saved me from drowning more than you know,
With sarcasm, love, and that fierce Jewish glow.
You check in with care that never feels fleeting—
Usually starting with, “Hey… what you eating?”
You’re braver than you’ll ever admit,
Still fighting each day with your sharp, clever wit.
You ache in the places that scream in the night,
But you rise. You stay. You still fight.
I’m twelve percent Jewish, I love to remind—
Which explains why I cry and complain all the time.
You yell “Borscht!”—I say, “What’s that mean
”You sigh, “Oh hush, just eat something green.”
You’re my friend beyond what words can explain—
Through doctor reports and every bloodstain.
If life’s a long walk with no real map,
I’m glad it’s with you—nap by nap.
We’re still here. We’re still us.
Still wrapped in dog fur, still raising a fuss,
Partners in crime—chaos, a must.
CALIBER:
Burn out the news,
If you think of it being new.
The talk of what I've been through,
Doesn't appear as truth.
It's a risky deal for you.
I'm seeing it with few,
To be an unimaginable conceptualised deal.
Back in our younger days,
Where we just trap to efface.
Something I never accept to taste.
People call me lame of shame,
For I choose to be myself in the game.
Smoking, killing, robbing never my aim.
Wasn't part of reasons why I came.
I get a different plan all the same,
With my red eyes picturing my lane.
Impressing nobody, fear not to be sane.
Go ahead and shoot me Mr. Sake of fame.
What gets me stronger is an undying flame,
Unlimitedly causing magnificence,
Born out of intellectuality walled by faith.
This citation proves my legitimacy on slate.
As I stand by personal competence to be awake,
To clearly elaborate minds laid on await.
At the end we all will be clinged by conjugate.
And our spines will elevate,
Causing a tremendous change to propagate.
No suicide, fratracide would be in minds.
And every heart will show some kind,
Only for that goal to be held as one.
When the table serve some wine,
We then say a good deal is done.
But hold on some minute,
Maybe you're actually not getting it.
Well, Some also might be lost to think,
Especially those folks diregarding this.
This is a reality defining who I am.
I don't go contrary to the norm.
That's going wayward or doing wrong,
Because I don't forget where I'm from.
And I throw no stones to those who conform,
To the system that corrupts.
It's their choice,and I'm informed.
In my circle do I not stay common,
Assertively taking refuge in a dungeon,
Protected by Judah's Greatest Lion.
On him do I forever rely on.
My strength and happiness,
Sourced from his greatness.
Placing me at the top to be fearless.
What then could make my life baseless?
I'm brave and earnest.
Withstanding against pellets,
Discharged to cause breakdowns,
Against my life anyhow.
In fact, this is really detrimental.
Yet, I modify it willfully to be topical.
Funny how the narration goes,
I don't care about it though .
I stay keenly to achieve my goals..
Strictly do I hate to oppose.
And thank God my ambitions is not disclosed,
For my worth to be blemished the most.
Yes,I'm Anderson Walkingshoes!
I'm strong, determined and bold.
Only when the trumpets roar
Angels in chorus, enchanting all music
The day our creator calls.
I surrender my soul, O Holy One, to you
He who casts, out all shadows, from the darkness
striking at the devil's door, he himself will kneel, guilty
To our maker and his.Bowing down kissing his feet
We will raise our hands in prayer
In a regal Heavenly sound, holding the very air, we breathe.
Golden flashing silver chariots on fire blinding with his lightning, Grace
Flashing of beauty, Glory be to God
They come racing out, from the gates, of heaven
We will bow in shame adoring
Each and every single knee,they will bend
In honor to, our Almighty King
He who is reverent ,Father,Lord and Master
When a sun will forever sleep
The sounds of weeping,them bathing, within pools of, a beautiful light
Weeps upon destination, our final day, judgement.
Our redeemer has finally come,unto to earth ,in our salvation
The moon shades red, her light in sorrow
Clouds nacreous upon gossamer wings
sweetly floats, upon a whispering breeze sweetly
Aeolian blowing through deep Psiturism passions
bleeds on our Passover, have mercy
Suffering blood of our brothers and sisters
Generations of our sins ,in the Heaven,s speak
Our Lord and master has spoken
only no one heeds, his Holy voice, or call
All this talk of war, makes one weep, with sadness
suffering in a world, where we are all brothers
born from our mother,s womb, sacred
Sisters reminiscence in past sins
Brought up, with the peace,within understanding and love of God
We are all his flock of children, lost
So much poison, shown on the television
We all sit back guilty and say nothing
This world we live in, is our world
Each and everyone of us, has a very powerful voice
Our rights to, freedom of speech
Ataraxia to all nations calls
Very little love, within this world
Less today, let us pray for tomorrow
We are controlled now, with mans own greed
How heartbreaking sad, it makes one feel inside
Power is in the hands, held with love and peace
With gentle happiness and joy, it would embrace
this ugly world ,we now, live in today
Aeolian [rotating to or caused by wind]
Ataraxia [perfect peace of mind with calmness]
Gossamer [any thin,light fabric]
Nacreous [mother of pearl clouds]
Psiturism [the soul of the wind through the trees]
So you think you know just how us cowboys should behave
But listening to your jawing, I hear Chisholm spinning in his grave
A Cowboy who don’t drink or cuss, I’ll tell you that’s not right
Ain’t you heard of Old Whiskey Row, Where two cowboys got tight?
To go to tying knot’s in the Devil’s tail took more than lemonade
There’s been liquor on the bar in every movie John Wayne made
Back when Chisholm blazed the trail & cattle claimed the West
It was music round a campfire, as the hands settled for a rest
They’d often talk of home or sing a tune to pass the time
You’ve seen that in the movies, when it only cost a dime
They sang of Laredo, Lil Joe or maybe Annie Laurie
Right then & there you decided what a Cowboy ought to be
There are some things we might share with Hoppy, Roy & Gene
But real cowboys won’t ever be like those on the Disney scene
Any buckaroo can sure clean up sharp for a Saturday night dance
Even be persuaded to use pretty words when sparking a romance
We pick a little guitar and some can make that harmonica wail
But you’re just as apt to hear La Bamba as you are a song of the trail
Those cowboys that you talk of, all slick & squeaky clean
All pressed and starched, with proper speech, they ride a silver screen
You see that feller in the corner, all tattered & dusty, that’s the real McCoy
Battered old Stetson, mud & manure spackled jeans, a bonafide Cowboy
He might be rough around the edges and his language a bit coarse
But when he sets to working cattle, You swear he was born on a horse
We are only human after all; sometimes we just need to cut loose
Shoot out the lights, kiss all the ladies; drink our fair share of the booze
We still love our mommas and say grace with most meals
We just don’t handle being boxed, can’t stand the way it feels
Those who don’t tolerate a lot of rules choose the cowboy way
Much like this cowboy you see here before you today
I can see you are trying to sort this out in your head
For all you know of cowboys is what you’ve seen and read
I surely hope this little talk about cowboys made it all a bit clearer
The only one we answer to is the maker and the face in the mirror
I hate to burst your bubble, still you best here it from me
Cowboys can’t be pigeon holed; they must be wild & free
Catherine Lilbit Devine © September 19, 2005
The smoky clubs of thought/ where shadows dance and poets talk of truth whispered low/man, a story without end/ can you dig it, my friend/ improvisation’s the key, always unlocked in time, a jazz riff echoing truth in research of a paradigm/
assumptions about the nature of reality in jazz talk, scales, and harmonies, the framework we embrace/is not life the same? like established knowledge, but thinking out of frame, lighting up the space, to build on a jazz note we create, we innovate, say, give the funky drummer some/
just like Miles on his horn, exploring what's in the score, man, the vibing brain, a hipster’s thought, where networks of creativity ignite, and a conscious soul control breaks through/
The mind unfurls its thinking wings, a melody takes flight in a jazzed-up symphony of science, burning ever so tight/
a rock steady beat, the rhythm deepens, but the jazz spills over, it paints a wider scene, Pollock's action strokes, vibrant, raw, and jazzy, mean/
Oh, but the freedom in his canvas, a rhythm in his hand like McCoy Tyner’s dancing on the keys/
improvisation's spirit, always in jazz and graffiti wall art on subway trains sprayed across the Bronx highlands/Miles himself, he painted too, abstract hues so bold, from horn to brush he journeyed, a creative, restless soul/ life jazz influence profound, taking its hammering toll on his body and soul/
man, the tempo picks up, into the evolution of funk more emphatic, much more in the pocket of James Brown/ ya dig? exploration, a pattern found, a quantum leap into the unknown jazz heap of sounds/ like a jazz horn solo taking a giant step into the ubiquity of a jazz riff, a seed that has been sown across the river of stars/
In science and music, the spirit intertwined/a quest for understanding, etched upon a circle of fifths/ and the universal wind cries Mary, a jazz solo vast like a Jimi Hendrix acid jazz blast/
repeating rhythms echo across jazz music and cosmology/ in spoken word harmonies with in and out thinking with room for improvisation, improvise your life, and breathe it in/ get hip to the rhythm in your soul/ let it flow, man/
Let the jazz of physics make you brilliantly whole/gung-bow-chi, chi, gung-bow/ drums as the backbone to the funk thing/ It’s a strong emotional and spiritual bond into Life, and the physics of the Jazz sound