mesmerising
bleakness
angst
in
muted
unease
an empty
nothingness
a
glimpse
into
the void
a
dread
from within
this
sombre
sense
of
disenchantment
OPEN FORM in lowercase without grammatical symbols ,uses spaces&breaks relying upon 'the one breath limitation' & as a 'happening' requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood & thus is inherently variable.
phenomena
light
vibrant
frozen
frills
of
layered
energy
exhilerating
diintegrating
dramas
pervasive
impulsive
spheres
scrawled
quasars
conscious
wellsprings
of
evolved
entanglements
OPEN FORM in lowercase without grammatical symbols ,uses spaces&breaks relying upon 'the one breath limitation' & as a 'happening' requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood & thus is inherently variable.
gestures
so
delicate
a
paradox
meticulous
spectral
tactile
an intimate
transience
of
ambiguity
a sequence
segmented
in anonymous
apertures
to
a
transparent
'morrow
OPEN FORM in lowercase without grammatical symbols ,uses spaces&breaks relying upon 'the one breath limitation' & as a 'happening' requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood & thus is inherently variable.
a source
of
inspiration
the
visible
artistic
voice
natural
sensitivities
of
familiar
landscapes
representations
evoking
the
ambiguous
in
elegant
imagery
with
dramatic
visions
enhanced
in realism
serene
&
constrained
OPEN FORM in lowercase without grammatical symbols ,uses spaces&breaks relying upon 'the one breath limitation' & as a 'happening' requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood & thus is inherently variable.
an
avant-garde
experience
intermittently
evident
this
momentary
muse
in
the milieu
a
short
tryst
of
wild abandon
with
an innate
vivid
sense
of
timeless
vignettess
OPEN FORM in lowercase without grammatical symbols ,uses spaces&breaks relying upon 'the one breath limitation' & as a 'happening' requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood & thus is inherently variable.
desultery
make-believe
festooned
in
patterns
of
.pleasured
opulence
a
cornucopia
of
hedonist
innovation
flourishing
interludes
of seismic
seranades
embracing
sumptious
magnificence
AN OPEN FORM uses spaces&breaks without grammatical symbols ,& relies upon 'the one breath limitation' & requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood thus is inherently variable.
sensibility
peering
provoking
reponsibilty
embroidering
language
resembling
affectionate
enthusiasm
whilst
weaving
a tapestery
into
obsession
of
affulent
aesthetic
curiosities
of
simplicity
AN OPEN FORM uses spaces&breaks without grammatical symbols ,& relies upon 'the one breath limitation' & requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood thus is inherently variable.
thoughts
feelings
fantasies
boundaries
in space
&
time
hazy
touching
embolden
upbeat
coherent
organic
notions
oftimes
unpredictable
endeavours
unmediated
unmeasured
deepest
urges
of
the
unimaginable
yet
gratefully
gleaned
AN OPEN FORM uses spaces&breaks without grammatical symbols ,& relies upon 'the one breath limitation' & requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood thus is inherently variable.
OPEN FORM VERSE
in the
shadows
flesh
& feelings
a silent
prescence
intensifies
colours
contrast
dance
alive
in
tentative
abstractions
in
a
heady
interlude
of
daily
drama
in
an assertive
equilibrium
of
an undisclosed
integrity
AN OPEN FORM uses spaces&breaks without grammatical symbols ,& relies upon 'the one breath limitation' & requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood thus is inherently variable.
AN OPEN FORM uses spaces&breaks without grammatical symbols ,& relies upon 'the one breath limitation' & requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood thus is inherently variable.
PROSE PRONUNCED
transformed
now
seen
& heard
each
inflection
injected
with
a pregnant pause
accent
dialect
& emphasis
brings
clarity
to thought
voiced alone
words
once dead
black on white
now rest
within
the hearer’s ear
once imagined
sounds
become
a
unique reality
AN OPEN FORM uses spaces&breaks without grammatical symbols ,& relies upon 'the one breath limitation' & requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood thus is inherently variable.
late summer
at midnight
my candle
burned alone
then
diverged
as beauty
walked
into my heart
a sweet love
beauty
suddenly
like
the cool
morning dew
an air
that
became
a refrain
to me
of
love
of thee
whose name
is
a red rose
OPEN my recited writing
OPEN FORM in lowercase without grammatical symbols ,uses spaces&breaks relying upon 'the one breath limitation' & as a 'happening' requires the 'reader' (reciter) to input &respond in a two way interplay & interpretatIon unique to the moment& changing according to mood & thus is inherently variable.
A BRIAN STRAND FORM 3x5 (2012)
In another life I could be happy,
have no grief or forever sad sorrow,
would not have another day unhappy,
wish another life could be my 'morrow.
Would I still love the song of a sparrow ?
Oh, would I still be a poem writer ?
You see my life has made me a fighter,
with a fire burning bright within me.
Would I still be a story reciter ?
Oh, in another life who would I be ?
a tribute to Mondrian
in an OPEN(organic) captalised FORM of adapted haiga VERSE using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment& changing according to mood is inherently variable.
An unorthodox chair - Mustofa Anwar
Reciter: Shimul Mustapha
Tonight. It is almost five minutes past three now
Godsay , breathed the last.
Time decayed the form through ages, a lot, though
The poor soul died old, passed away, gone soul, dissipating now.
Godsay, a good fellow , was a good one to spare
Everyone was a source of reaching out, in glum and glee
And everyone was accessible to the call. Indeed, it is to be.
Somewhat closer was the soul, soothing the heartache, chest too.
Godsay, a good fellow, was a good one to spare.
Tonight, Godsay breathed the last, at last, there.
Godsay is no more among us, no longer
No longer shall be, no more anymore.
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