Long Floor Poems
Long Floor Poems. Below are the most popular long Floor by PoetrySoup Members. You can search for long Floor poems by poem length and keyword.
The Halloween Party was in full swing
Witches, wizards and an alien thing
with tentacles and one huge eye
Flourishing a laser gun shouting "Die".
Alison and her friends Ada and Jo
Were all dressed as feline kittens "meow"
Carl and Simon had laced the fruit punch bowl
As the evening drew on it took it's tole.
Drunkenly a bet was stupidly placed
Who of them would last and not be outpaced
A nightly vigil at Haunted Creek
Where rode a phantom horseman, there to seek.
Everyone there all knew the awful tale
Making in unison a quick inhale
It was long ago in 1702
A mounted stallion there cast a shoe
The rider's name was Squire Abraham Knight
Was set upon and put up a good fight
He was then butchered for a gold doubloon
Was then thrown in the creek and found at noon
Unexplained sightings, that then disappear
have been recorded, it is very unclear
Warnings come from parents to their own child
No-one goes there, it is left to grow wild
With youthful bravado they all met there
Torches flashed around, as the trees stood bare
Alison and her friends huddled together
Shivering in the inclement weather
Bart and his brother camped down for the night
on a hillock, keeping the creek in sight
Joining them was the terror gang of four
Troublemakers, who all acted hardcore.
Two hours later it started to snow
Huge flakes falling and wind began to blow
"I've had enough of this" said Alison
"I'm all for going home. I'm all done!"
Eagerly agreeing, walked back in step
Suddenly Jo tripped up and in pain wept
"Can't go further, my ankle is wrecked"
Leaning on shoulders, onwards they all trekked.
"No, I can't, please, you must stop", poor Jo wailed
"It's agony! she gasped and then inhaled.
"Come on Jo, we can stop at Adam's place".
"We will make it there at a slower pace.
Adam's place was an old abandoned farm
"No, not there!" said Ada-May in alarm
"Afraid of ghosts and ghouls?" mocked Alison
"More like rats and spiders and not much fun!".
Giggling they arrived at old Adam's place
The moonlight showing fear on each girl's face
"We have to go in there, we have no choice"
Jo jumped. "Was that whinnying of a horse?"
On that retort they threw open the door
Stepping inside, they all dropped through the floor
Not one of them survived their dreadful doom
Trapped, without rescue, in the dark, dark room.............
Your words, which seem to be my words,
are but footprints on the fen floor of
the white page, echoes of wand'ring lyric loping.
And if, perhaps, the P's that B have blessed,
they click, they crunch, they sweetly rot underlip.
Tearing words from mind, squeezing through that jealous heartspace.
Tearing follows, wetting page after page, piling into a formless stream.
They clatter upon the mocking whiteness, an array in disarray.
A shattered and graphic mythography, mud clots on tile
after a hike. Why do not my hot words summon Leidenfrost?
I love words, no...I love meaning.
I love meaning, I don't love
the promise of words' bringing of
meaning.
It is National Poetry Month and Shakespeare.
died today.* The first time he died today was
four hundred years ago. I am set to write and read
'publicly' (which spellcheck insists and my heart
does not insist is better writ as 'public ally') some
'poetry' while dancers carve the air, in response to,
in love with, in relation to, hand/heart drawn trees
which have drawn, well-
wishers to wine 'n cheese' 'n chit 'n chat
an opening. A gallery.
But Prince died last night.
The artist formerly known as Prince Rogers Nelson,
and formerly known as a symbol,
and now formerly known as Prince. He died.
The symbol has gone and I don't know what it means.
The words are here behind my teeth, within my fingertips,
astride my heart, tickling that lump in my throat.
It is Earth Day, too. I'm supposed to say some words and make
them meaningful. And make them sing. And ring in the hearts as though
my ditherings are one tine of a tuning fork and the other is the spirits
of those dearly beloved, gathered here. Our coils unshuffled, for in our
sleep of life what dreams may come. But we stand upon, today, both
the funeral's grounds and the corpse to be. The Earth. We are meant
to celebrate her life as she withers. Strangled, starved, and trampled. And I?
I can't.
I just...
cant.
-ShhDragon
*He died today but every day we don't give birth to him with our tongue, on the stages of our heart, he remains a fetid, rotting, beautiful corpse. ’Lo four hundred years ago he died, but every day he isn't summoned, isn't animated, he remains dead. The fact of anniversary is our failing, our repeated failings, to bring forth what might be dead.
Did Shakespeare ever fall in love?
A rose by any other name would
stink as sweet!
What would Y'eshua say if indeed
Magdalene was his favorite disciple?
What miracles would he impress her
with
So as to savor her forbidden apple?
O woman!
Is that why god made you last of all
nature's enviable beauty?
If before he said let there be light
You were the first thing his devine
eyes saw
I bet creation would have been a
different theory altogether.
If love at first sight was a figure of
speech
Then I swear I love you like a
metaphor
And your smile is a typo
They meant to say a simile
I will kiss your face like a blank page
And my lips will be the tip of my
pencil
Drawing drooling hieroglyphs like
the hand of god
Inscribing Ten Commandments of
Love
On the tablets of your breasts
Because my name is Moses
A stammerer on a voyage to save a
lonely soul
From the shackles of cynicism
On love affairs.
I would love to laugh while making
rough love to you
On the dark floor of my solitude cell
Where torn pages of amatuerish
poems lay as a carpet
Because you are my words:
Maybe your face is the sky
And your eyes are the stars
Maybe your laughter is a symphony
Of a million harps from a million
virgin angels
I have written about love a million
times
And still you remain elusive
A mystery
Are you an acrostic;
So each letter tells your tale?
Maybe a couplet or limerick?
Are you a sonnet? Or a ballad? Or a
metre without a rhyme?
Maybe you are a mere syllable I
mumble at every sudden ******.
Your body is a symmetry of regular
ryhthm
Consumate from five to seven
And back to five
Haiku:
Japanese poets should build a
pedestal for you
And all lustful lads
Should come and slink the slank at
your feet
Indeed lady,
Your gait and pride and smell of
shaven armpits and eyeballs might
make a eunuch have an ********
And that to me
Is amorous injustice!
Tell me,
What can a scribe do?
When all I write about is human
weakness
And wickedness?
When writing to me is an escape
from adjectives I can't utter over a
cup of coffee?
To me,
The strand of your hair alone
Deserves atleast umpteenth stanzas
of praise
A prerequisite.
If I say I love you
Will you giggle at my palpability?
Why bore you with parables
When all you yearn for is a touch
And forever?
I will say no more.
"Puzzle Stomped"
Pieces scattered
placed on a table
with boundaries
between
the incarcerated margins
there are strict conditions
Time drips
its wet connection
each piece a stair fitted
imperfectly
perfect
towards upwards
new mirror reflection
a cracked heart piercing
the tear with savage dedication
behind her veil
the known Morpheus assails
her compromised senses
holding her captured
behind the external view
eyes blindfolded
the blue sashes now let loose
opening green windows to
free the redressed vicissitudes
to undress the crisp breeze of her
monk chanting wake
a new phantom arrives caressing secrets
gambled on a fresh Delius
composing his unfinished symphony
he’s looking for her singular notes
Somewhere,
he stands behind her
sharp as a needle,
cutting tall poppy
each step she takes
towards her freedom gate
In his hands he cups
the hidden
missing piece
The sewing of pages
she continues to bind
in her sleep
along a strong spine
turning and folding stories
uncommon ne'er sublime
their spelt magic
grows majestically spoilt
seeded from a sweet perfume
conducting intoxicating notes
stories flying black-winged
off all the slippery knaves
and wax-sealed pages
like ebony feathers
mummerating starlings
turn into suffocating
dream stealing
king crows smiling maces
She the Smythsewer
laying tenuous imprints
for a new road home
He the myth Beyond
shakes the game board
peace in pieces, a long forgotten song
the chance card thrown
the blanket of romance
thundering over a stormy mind grows
patch worked with glassed-in
jarred ghost bees, the old
puzzle of a story stomped on
He places his feet
firmly between hers
closing in on time
Beyond takes her hand
And sensually whispers
along all her fairest fears
sweeping all pieces off her
tattered story board
fallen irretrievable
forgotten
left lacking
on the harsh floor
Cum dederit
dilectis suis somnum,
Ecce haereditas
to the tune of fate
there is so much more
the words are sewn and sung
the child in time fled
long gone, as if all was pure fantasy
destiny arrives supernaturally too soon
Time for a new story
He says darkly
and swiftly closes
Past’s door.
(LadyLabyrinth / 2020)
It was the Halloween Ball
In the season of the fall
A mysterious bachelor called
To the attention of us all
The biggest mansion party
The cooks food is hearty
The host is definitely tardy
For most of his own party
The musicians play the last dance
The men try to romance
But don't stand a chance
For the host is here! They glance
To a man dressed in black wear
In Old Spanish attire bare
The women began to stare
For he was a young stallion, a Mare
From a top the stairs he walks
The ladies gather to stalk
The man who doesn't talk
Like birds they came in flocks
He wore black clothes and a red sash
White trim and a black mask
To find a dancer is his task
But who will he ask?
The only girl not drawn to attention
Is sitting alone no words to mention
He takes her hand There is no tention
Soft as a doves wings a cool sensation
The proceed to the middle of the floor
She doesn't know what's in store
A lot of musicians come in..there is more!
Some of them rich, some are poor
He takes his tunic off then starts
The music is written from the heart
The stand at attention far apart
Then the solo with the silver harp
The drum beat starts going
They come together emotions flowing
His risque' dance he is showing
To her mind he is boasting
They move and dance like magic
For five minutes the song's romantic
The crowd watching in motionless static
The songs end was very tragic
The last beats were hard to miss
They drew close and started to kiss
For her it was a mystical bliss
His every movement caressed her lips
The awkward silence he starts to leave
The young lady can hardly breathe
She starts to faint...she can't see
The wings appeare and she falls asleep
The girl awakes in her bed it seems
In her school clothes it was only a dream
The sound of water foils the scene
Her eyes still blurry it's hard to see
She wanted this for real
Her heart is sealed
Then fate will have to deal
Her new loves appeal
She notices something on the ground
It's the wings and mask she found
And a CD blank is bound
She puts it in and the sound...
Is the unforgettable song
It was to her so long
But there was something wrong
Where did this come from?
In the CD case is an Old Engligh letter
It said "Undoubtedly for the better
I am gone with the weather
Your kiss I will always remember forever and ever
Form:
It's about time we talk of ruins.
So, let us talk, for you never know,
How long ears of hope will remain receptive.
Your lips are missing, and your kisses fall,
Like ripe plums and tint my confession,
Like coffee stains with smell of rust.
Looking back, dreams had stories,
About laughters blooming in dews on trembling grass,
With roots growing into layers of blue skies.
That dark sweater you began knitting,
Lies lifeless by a woollen ball,
Like buried half of a rainbow.
My greys are silvery now, and my smile
Looks like a scar, but my heart
Keeps shredding dead skins.
Footprints covered by caddish shadows
Of hubristic tongues,
Never to be retraced, and
The wish to carry your whispers beyond life,
Scavenged by beaks of time,
Is nothing but a piece of
History's torn chorion.
Entangled in my pensive repentance,
Memory of a girl (assuming),
Whose playful steps ruefully erased
Even before she was assisted into the world,
Stares back from an obsolete painting.
I sense blood seething in my veins,
But with no ill-will.
If only i could stop this hour from passing away,
And touch life one more time,
Gently and wisely, perhaps sweet palpitations
Would be heard knocking from within.
Lying in the heap of fallen bricks
Of dilapidated castle of Eros,
Where, once upon a time,
Our romance was folktale for angels and fairies,
I'm supposed to be bleeding the high-noon sun
To feed yesterday's vampiric fleas.
My body no longer lives on bread and grains,
But on tears and prayers, and
Keeps on living, surprising the undertaker and
my foes,
Who begin to think
I am here to stay indefinitely.
So, I labour to hasten my swan song
To gladden those who want to witness my exit.
The yarn with which
I began weaving a flag,
Has been sold to brothels of politics,
Where patriotism is only a slang
In perorations of capricious pimps.
My nights are haunted by ghosts
Of betrayed slogans
I once coined on fisting graffiti.
Standing amidst graves of words
Spoken inconspicuously,
I see soldiers placing putrid shocks and
Ugly boots
On books strewn across the floor
Of my old school's library
Which is now a fortified barrack.
But when I see tombs sleeping like babies,
In quietness of a cemetery,
I beg you -
Don't let me die without a wound, and
Even if it is in pretensive nostalgia,
Bury me with bloodstained kiss.
you call me when its good for you
which is hardly ever
its like I'm a convient friend
one who wont sever.
keeping me in mind
you say to yourself
"oh i call her later"
you stick me on the shelf.
You take me down
when there is none left
one doll friend of many
my heart is going deaf.
what is it with you
and your "I'm sorry"s
if you took the time
you wouldn't have to make up stories.
Am i that convient?
am i your chore?
what keeps you around?
Our friendship is on the floor.
you have tons of people
you talk to each day
i guess i should understand how easy it is
to throw your best friend away.
"I love you so much Ravin
your the best of a friend to me"
your words fall upon deaf ears anymore
what ever happened to WE?
" you will always be the one i come to"
" you are my bestest friend"
you say these thing so carefully
in hopes it never ends.
"I'll call you later"
"no not today"
" I'm at the bar"
" cant find a way"
when i call you are so occupied
you haven't listened to a word i have said
" hold on" 8 or 9 times
the "call you back" lies you fed
you know i am here
and i love you so much
i come to you about everything
its my heart that is crushed
I thought i was good enough
for you to come to anytime or day
why is it you put me on this back burner
and leave me here to decay.
you'll see one day
there is none like me
your TRUE friend is still here
but yet you choose not to see
you seem not to care
as much as i thought you did
why should i still be here?
because i am a REAL friend.
you have crushed me a few times
only to see me come back
you use me when there is no one else
you talk to me to pick up slack.
so here i sit a paper wait
waiting to be used again
will you ever realize
I'm your number one fan?
i keep all this dust hidden
on that shelf you put me on
waiting for a call from you
why am i not gone?
so i sit here today
writing aloud
spilling my heart to you
hoping you hear my sound.
keep from that shelf
keep me close to you
don't use me when I'm convient
I have better things to do
I love you with all my heart
Is it impossible to see?
I try to be the best i can be to you
but what about me?
"its a best friend thing"
is what we used to say
you seem so distant now
what made you go away?
leaving you with this
please know i am here
just give it some thought
and keep me near.
Form:
i was eight
the first time-
i saw Yin-Yang Mountain.
the height of it’s peak
contrasted by
the light on one side
dark on the other.
as the sun travels
from east to west
the color of the slopes change-
the light becoming dark
the dark becoming light.
i stand on the peak of Yin-Yang Mountain
watching the shifting
light and dark.
the line dividing the sinuous halves
is my being.
am I dark or light?
a white line or
a black line?
i am the curve between.
i am the difference.
i am the deciding factor.
i stand now
beside the River of Life.
my feet bare-
i step into the cool waters
observing the shifting reflection
and shadow.
the current swirls the dark and the light.
this life giving, fluid filled gully
brings darkness when one is consumed
by its waters.
above the light is reflected-
below it is swallowed.
soothed i sit-
resting below the shelter
of the Tree of Constance.
the trunk is thick
made of layers of living matter within-
dead matter out.
the dead bark surrounds
the living core-
protecting.
from this sturdy core
branches shoot towards the light.
from those branches shoot buds-
which contain life-giving seeds.
the seeds fall to the ground below.
laying upon the dark
mineral rich earth-
i imagine.
below my body burrow
insects and roots.
they depend upon the fertile
ground for survival.
humans have turned this earth into
a burial ground for the fallen.
the rotting bodies consumed in darkness
feed the creatures who dwell
in the earth.
these departed whisper
knowledge to fallen seeds.
imparting wisdom-
to ensure growth.
I return to the peak-
of Yin-Yang Mountain.
from this peak i observe
the mixture around me.
here on this peak I know
the answers.
i am the wisdom.
this knowledge has paralyzed me.
with this gift i have been silenced.
i am the dividing line-
i am the question.
with faith I fall-
from the peak of Yin-Yang Mountain
into the icy waters of the
River of Life.
it’s turbulent ebb and flow
fills me with life
and destroys me when dragged upon its floor.
i wash upon the shore
gasping for air-
clinging to the root.
I succumb.
i begin to rot-
feeding the earth-
that feeds the tree-
that thrives beside the river-
which dwells upon the slopes
of Yin-Yang Mountain.
here i will remain-
until discovered-
and then understood-
this
my Youth in Asia.
"Bat Crazy 5"
Some say
she was batsh** crazy
life hits the windscreens
in the labyrinth of life
that way
the foot remains pinned
to the metal, fast to the floor
full speed, left brained left hand
holding hard-gripped the gear stick
an upwards inflection, “You know”,
in the Queen’s Land, "all under control"
the open palm under the shaft
moving all the way up to 5,
reflecting on the mirror rearview
she watches the eyes
of her child
dreaming of open highways
the foot remains pinned
to the metal, fast to the floor
full speed, left brained left hand
holding hard-gripped the gear stick
never once moving from 5
the left all the way up to targa 5
right hand up on the wheel
left hand down right up to 5
windows spitting emeralds
like a baphomet
the two finger salute
the other above so below
watches on
"here we go again",
the 1 above it all
watches on
as above so below
that 1's long-suffering
that way, aghast, but resolute,
that 1 has never-ending reserves
of eternal patience
and watches on
perplexed
her mind geared on
how to kill off
a spider
and his sister, next
changing lanes
easier said than done
when you're hell-bent on
Freedom
the highway sign
Happy New Year
flashes ever onwards by,
foot to the floor
left brain baffled
at forgiveness
at Christmas
long gone by
right hand on the wheel
left hand down
open palmed
shifting gears
accelerating increduality
towards the accuracy
in the justice of karma
drivers sitting on both shoulders
inside the vehicle
holding the wheel
the internal speaks
to the universe
listening
for kindness
and answers
on a lost highway
Blue Sky
nods, as if in agreement,
that 1's always amused -
but never confused, that way
(LadyLabyrinth / 2023)
“Is it possible to switch dimensions?
There is currently no conceivable way to get to these if they exist, and they may only be possible, not actual. To travel between realities, they need to be in proximity. To be in proximity and not interact, they need to be incompatible. If it is a compatible universe you could travel to, it is already here.”
"Won’t you let me know,
if you made it home that night
Oh won’t you let me know
If our bones made it home alright..."
To MOM; March 11,1979
This is the story of an animal trainer,
Whose mettle and courage, couldn't be plainer.
A search'd reveal if you'd care to explore,
None greater exists than El Eleanor.
She's faced the very meanest big game
And transformed them all , smiling and tame.
There's Big Daddy Harry, King of the Brood,
He fights in the jungle and brings home the food.
When the hunting is hard, his scorn can be raw.
El soothes the pain, takes a thorn from the Pa.
The next animal is Rusty the Red.
The patron saint of unmade beds.
A beast of habits, bad ones galore,
His head s in the clouds, his, clothes on the floor.
El's plans are to put an end to his bad mannered life,
By chasing him within,an inch, of. his wife.
Lindsey's the next, she's no longer wild.
El taught her well when she was. a child,
Out of the home and into the night,
She's now a trainer in her own right.,
By way of taming by putting a smile on,
She's done a dog, a .cat, and one big Italian.
The animal Robert likes his milk whole,
Drinks only unmixed, unopened and cold.
Devour, he can, a whole pound of meat,
Sharing with him sure ain't a treat.
El''s main defense against his devour'n,
Is a refrigerator as big as a cavern.
Next on the tour tour is Kristin Clothes-Horse.
Her closet is full, but never her purse.
El hopes to prevent a new"confederacy"
One which would a poor man, namely, "Poverty Lee".
Now we find Jenny the Baker.
With time, she's become quite the good pastry maker.
Jenny however''s a wrestling cook,
An odd combination that's not in the book,
She has her own reasons, for truth to tell, son,
The cooking is a wrestling move called a"full Nelson".
Hilary's a creature who likes to get around
In automobiles at the speed of sound.
She doesn't always though, 'specially not at night,
Then she likes to travel at the speed of light.
It's hard to see now but she's on the track,you see,
Of her own future business - called Hilary's Taxis.
Nori's the last, but not the least,
A full member of this zoo, and like the rest a beast.
A paradox of sorts, this Blue Prize winner,
Is proof that church schools are chock full of sinners,
Thus we are the animal house,
And though we may complain and grouse,
Everyone, no matter his status,
Thinks El Eleanor's got to be, the World's Greatest!
Happy Fifty-fifth Birthday,
From son Rusty,