Long Graffiti Poems
Long Graffiti Poems. Below are the most popular long Graffiti by PoetrySoup Members. You can search for long Graffiti poems by poem length and keyword.
It's about time we talk of ruins.
So, let us talk, for you never know,
How long ears of hope will remain receptive.
Your lips are missing, and your kisses fall,
Like ripe plums and tint my confession,
Like coffee stains with smell of rust.
Looking back, dreams had stories,
About laughters blooming in dews on trembling grass,
With roots growing into layers of blue skies.
That dark sweater you began knitting,
Lies lifeless by a woollen ball,
Like buried half of a rainbow.
My greys are silvery now, and my smile
Looks like a scar, but my heart
Keeps shredding dead skins.
Footprints covered by caddish shadows
Of hubristic tongues,
Never to be retraced, and
The wish to carry your whispers beyond life,
Scavenged by beaks of time,
Is nothing but a piece of
History's torn chorion.
Entangled in my pensive repentance,
Memory of a girl (assuming),
Whose playful steps ruefully erased
Even before she was assisted into the world,
Stares back from an obsolete painting.
I sense blood seething in my veins,
But with no ill-will.
If only i could stop this hour from passing away,
And touch life one more time,
Gently and wisely, perhaps sweet palpitations
Would be heard knocking from within.
Lying in the heap of fallen bricks
Of dilapidated castle of Eros,
Where, once upon a time,
Our romance was folktale for angels and fairies,
I'm supposed to be bleeding the high-noon sun
To feed yesterday's vampiric fleas.
My body no longer lives on bread and grains,
But on tears and prayers, and
Keeps on living, surprising the undertaker and
my foes,
Who begin to think
I am here to stay indefinitely.
So, I labour to hasten my swan song
To gladden those who want to witness my exit.
The yarn with which
I began weaving a flag,
Has been sold to brothels of politics,
Where patriotism is only a slang
In perorations of capricious pimps.
My nights are haunted by ghosts
Of betrayed slogans
I once coined on fisting graffiti.
Standing amidst graves of words
Spoken inconspicuously,
I see soldiers placing putrid shocks and
Ugly boots
On books strewn across the floor
Of my old school's library
Which is now a fortified barrack.
But when I see tombs sleeping like babies,
In quietness of a cemetery,
I beg you -
Don't let me die without a wound, and
Even if it is in pretensive nostalgia,
Bury me with bloodstained kiss.
"BLACK CAT"
SILENCE
prowls on soft paws
with sharp claws
Cutting up the
Middle Road
Dark shadow moves
SILIENCE
In absentia
Empty Absynthe
Puncture wounds
Cold wind blows
Over tracks
Skids softly
like warm
gants de Suède
on
Poets’ Row
Rat goes
Rat goes
Red scream
scarlet ribbons
LIFE
flows
Le Mort
blushes colour
a trite persuade
different streets
different gutters
Torn canvas sheets
contained between
prison bar margins
Drafts on the floor
crumpled
Blue fountain
Heart bursting
Love and Hate
Grows
Save Our Souls
Save Our Souls
Sins
Sisters of Mercy
and
Salvation Army Sargents'
Tambourines
Communion
Nibs lying next to
Garbage Bin
Finally Ash Felt
Rain on her
Bitumen face
Black Minx
Fur Pelt
Unfurls lazy stretch
Glass eyed
Minx
Back Alley Dreaming
Bad Luck
Bad Luck
Rolling loaded dice
blood boiling steaming
Brush strokes
Like glyph a glitch
Like glyph a glitch
Familiar mirror
Walks through Witch
Yesterday
Screams
Like glyph a glitch
Repeat curse
Repeat curse
Black Cat purring
Never lose
Hold tight
Pearls in Purse
7 Devils Dreaming
Sleepwalking
Graffiti Warning
Black Cat
Witch
Glebe
Last Stop Station
Rehearse a
Hearse
LIFE
Glyph a glitch
Reverse
(Lovejoy-Burton/May 2018)
1. Hanged Man
https://www.biddytarot.com/tarot-card-meanings/major-arcana/hanged-man/
2. Death
https://www.biddytarot.com/tarot-card-meanings/major-arcana/death/
3. Temperence
https://www.biddytarot.com/tarot-card-meanings/major-arcana/temperance/
4a. Glyph
noun
a pictograph or hieroglyph.
a sculptured figure or relief carving.
Architecture. an ornamental channel or groove
4b. Glyph
https://www.thoughtco.com/what-is-a-glyph-2086584
5. "Black Cat"/Ladytron (Translation)
http://songmeanings.com/songs/view/3530822107858716200/
6. Silience
http://www.dictionaryofobscuresorrows.com/post/49792543182/silience
7. Seven Devils
- Is a Solitaire card game.
- Seven Deadly Sins
- The Seven Devils of Mary Magdeline
- Florence and the Machine, Seven Devils
8. La Morte, Le Mort, La Mort
Le mort = dead man = un mort, a dead man
La morte (with the e on the end) = dead woman, une morte = a dead woman
La mort (no 'e' on the end) - death; as in the concept of death
And thus began their heroic journey through the fantastical labyrinth of the escape room, where every twist and turn carried the promise of freedom, laughter, and the unforeseen—the perfect remedy for chaos and an unexpected road trip back to normalcy. After all, in a place where even a bunny could be a hero, and a Man is a Woman, anything was possible. Even a Media run Presidential Campaign supported by Big Tech, Google and the FBI !
As Penney and Gus entered the vibrant escape room, the door clicked shut behind them, "Penney parted from the impending loom, weaving her curiosity in a gape driven plume; punctuating the chaotic symphony of the mall with a sense of immediate sanctuary. The room was a kaleidoscope of interesting colors, smells—walls adorned with whimsical murals of enchanted forests, floating bubbles, and scattered stars. Even some Left Wing styled fecal graffiti, as if plastered from the hand to Trump sign out of TDS. It felt like stepping into another world, far removed from the madness outside. A home away from home !
“Okay, what’s the first clue?” Gus asked, glancing around at the eclectic decorations, which ranged from giant inflatable mushrooms to shimmering disco balls. They needed to think fast, and the first challenge awaited like a Mother given the news that the police would be escorting her child home after a bonus round of shoplifting at Castle Megastore had landed her in the "Stoney Loaf".
“Over there!” Penney exclaimed, pointing to a large, comically oversized egg perched precariously atop a pedestal. “There’s bound to be something inside!”
They approached cautiously, the soft thump of their footsteps muffled by the plush carpet that crunched as they stroke on, I mean strode on, apparently-designed to match the room's carnival theme or was it Carnivaal, Carnibaal? No matter, with a gentle push, Gus nudged the egg, and it wobbled dangerously before them. A creaky voice echoed from within, making them jump.
“Beware the wrath of the bouncing bunny, and tell Nanceycat to invest in BlackRock!”, it croaked, before the egg split open, revealing a tangle of colorful ribbons and a single, glittering key.
“Perfect!” Penney cheered, plucking the key from the chaos. “Let’s see what it unlocks.” She scanned the walls for a keyhole, eyeing an intricate door covered in glowing glyphs.
The smoky clubs of thought/ where shadows dance and poets talk of truth whispered low/man, a story without end/ can you dig it, my friend/ improvisation’s the key, always unlocked in time, a jazz riff echoing truth in research of a paradigm/
assumptions about the nature of reality in jazz talk, scales, and harmonies, the framework we embrace/is not life the same? like established knowledge, but thinking out of frame, lighting up the space, to build on a jazz note we create, we innovate, say, give the funky drummer some/
just like Miles on his horn, exploring what's in the score, man, the vibing brain, a hipster’s thought, where networks of creativity ignite, and a conscious soul control breaks through/
The mind unfurls its thinking wings, a melody takes flight in a jazzed-up symphony of science, burning ever so tight/
a rock steady beat, the rhythm deepens, but the jazz spills over, it paints a wider scene, Pollock's action strokes, vibrant, raw, and jazzy, mean/
Oh, but the freedom in his canvas, a rhythm in his hand like McCoy Tyner’s dancing on the keys/
improvisation's spirit, always in jazz and graffiti wall art on subway trains sprayed across the Bronx highlands/Miles himself, he painted too, abstract hues so bold, from horn to brush he journeyed, a creative, restless soul/ life jazz influence profound, taking its hammering toll on his body and soul/
man, the tempo picks up, into the evolution of funk more emphatic, much more in the pocket of James Brown/ ya dig? exploration, a pattern found, a quantum leap into the unknown jazz heap of sounds/ like a jazz horn solo taking a giant step into the ubiquity of a jazz riff, a seed that has been sown across the river of stars/
In science and music, the spirit intertwined/a quest for understanding, etched upon a circle of fifths/ and the universal wind cries Mary, a jazz solo vast like a Jimi Hendrix acid jazz blast/
repeating rhythms echo across jazz music and cosmology/ in spoken word harmonies with in and out thinking with room for improvisation, improvise your life, and breathe it in/ get hip to the rhythm in your soul/ let it flow, man/
Let the jazz of physics make you brilliantly whole/gung-bow-chi, chi, gung-bow/ drums as the backbone to the funk thing/ It’s a strong emotional and spiritual bond into Life, and the physics of the Jazz sound
A light mist of ethereous rain falls
silent on his thin, sharp-angled
face. He lengthens his stride and
leans toward the wind. He walks
through plundered poverty; crumbled
by the weight of exodus. Abandoned
to the blood-rough nails scratching
on the concrete diasporas of multiethnic
history.
Past the playground echoes of PS #59,
as they drift along the faded asphalt
haze of time. Echoes still ring true with
elemental bones of hope: the children
break out and through gunmetal gray,
graffiti covered doors, outside to the
saturated heat of inner-city rage.
Past gothic orthodox cathedral
mausoleums which sit like ancient
stoics and stare through burnt-amber,
azure, crystalline-blue stained glass
eyes; focused out with a kernel of
eternal mustard seed hope: souls will
come again and warm the sacred pews.
Past the Puerto Rican market
where the pig's head led the
carnivore parade of mastication
promise every day. A meat-market
window of letted-blood and death
reminiscent of Amsterdam whores
with their wares on display for the
dead-eyed stares of the men outside.
He comes to the dust and
grime of an empty lot covered
by old and broken concrete slabs.
He stops and lets his mind drift
back to watch a woman who wears
a ratted fox-tail wrap around her
neck. She holds a long, un-filtered
cigarette, loose, between her two
bright, fuchsia painted lips. She
wears a black velvet hat with veil
to her nose and a straight black
dress that flows below her knees,
mid-calf, above her shiny black,
high-heel, patent leather shoes.
He can almost see through the blur
of a chiaroscuro choreography his
mother, visiting with the Kazakhstan
neighbors, in this dreamlike memory.
The multi-plexed, subsidized project,
where he was born, once stood just
beyond his vision of a mother's visit in
high-heel, indigo, tangerine, sibilant
sounds; lit with electric light smiles
of denial.
She would hold her cigarette between
fuchsia lips and wear that ratted fox-tail
wrap until the cancer cough began to spew
Chesterfield blood on the molted fox-tail
head of her beloved fur.
Then she went to bed. Went to sleep. And died.
Pigeons cooed quietly on that New York City night.
Venice, Italy, is a crazy shamozzle of new and old
Where junk, graffiti, decay, stunning beauty,
history and culture poverty and opulence, all reside side by side, bobbing.
Water dominates the landscape, canals and waterways replace all the roads
Everything is carried by boat, food, people, garbage, produce, industrial supplies.
Ambulances, fire engines, delivery trucks and police cars are all replaced by boats.
The disorderly rusty ferries ply the waterways, jostling along with gondolas, magnificent polished wooden water taxis,
Occasionally the historic scene is ruined by modern fiber glass runabouts
with huge outboard motors completely out of place.
Next comes barges with cranes, garbage collecting boats, delivery and construction supply boats, and the many service vehicles.
Grab a table beside the canals and watch the parade of boats old and new jostle and bobble on by.
Walk through the tiny crowded streets and enjoy the kaleidoscope of people of many cultures enjoying themselves.
There are many surprises. Tiny shops with feet in large glass tanks being cleaner by fish.
Everywhere there are places to explore and things to enjoy.
Looming off in the distance you may see huge cruise liners dwarfing the buildings,
These vessels are seemingly populated by ants, as the ships are so big.
The ancient church bells in Venice chime as the ships depart arrive and depart, in homage to the new god of tourism.
The Palace art is simply overwhelming, overloading your senses.
Ancient art is everywhere and often ignored.
Venice is beautiful, but one gets the impression that all the photographs taken in Venice
are gradually sucking out the life force out of the structures, hastening their decay.
There are so many dimensions and experiences, places to explore that you never get tired of Venice.
The more times you visit the better you will like it and the more you will find to do and see.
You have to laugh and ignore the hassles, the jostling crowds, the regimented crowded ferry system,
the pushing and shoving of the crowds in the tiny streets,
simply laugh and have fun.
Venice is crazy, nice, with diverse multi-faceted attractions and lots of things to do.
You will love it!
Venice Trice is Nice.
Lakes and beaches are wiped clean like a whiteboard,
each day by waves, tide, wind.
Then marks of ripples and tracks provide transient tell-tales
of what has gone on since, of what is yet to come.
What caused those ripples? Where did they come from?
What caused those tracks marking crisscross paths on the sand?
From whence did they come? To where are these interlopers going?
The agents and causes know nothing of these things.
They do not care.
They can't know they are being tracked.
They do not wipe their foot or finger prints clean.
They wander furtively wary,
scarily and carefully looking about, but unaware.
They dare not look back,
lest they be cast into salt or stone,
or sent back to hell,
for defacing such clean pristine spaces with
their street-art hieroglyph graffiti.
A hushed stillness lies over the lake at dawn
A single plop or tremble stirs a ripple the mirrored plane.
Soft as a whispered caress on a sleeping cheek,
Perhaps the kiss of wind, barely daring to touch.
Perhaps it's the kiss of fish rising to take a fly.
Perhaps an insect flitting, skittling onto the surface
Or a bird dipping to drink from beak.
The ripple propagates outwards in concentric rings,
echoing and resonating on its journey,
long after the cause has passed and gone.
Where are these ripples of unknown causes going and why,
The sources are untraceable via back-tracking,
remaining hidden and mysterious,
long since gone.
Do these ripples want to cuddle a distant shore,
to caress a foot paddling in the shallows,
to rock a boat with sleepers to sleep,
or to kiss the pebbles puckered up to kiss in rows?
Or to simply go and then fade gently and dissolve from view,
happy in their journey getting there.
In time the wind and water gathers breath,
to blur the lines, to wipe the scroll and slate clean,
To blow the sand grains around to cover the tracks.
The tide comes in, obliterating the imprints.
The wind builds waves to crush the ripples in chaos.
The defaced becomes a pure clean mirror surface unmarked again,
With no trace of regret, or memory to replay.
The defacers, shakers and movers,
long forgotten, forlorn and forgiven,
have faded away, to dreams and memories,
forgotten, hidden, wiped away, until awaken.
Her Cheekbones, smooth as pebbles
Grasped tightly in his sexed up hand, sweating indelicately
Resembling that night the thoughts between the sheets were conceived
Weighing like soaked white carpets
Beneath flea market stands
She Is Beautiful, she is beautiful
Belladonna, noxious
Dusty eyes and wavy hair
Neruda book shoveled away somewhere deep
Inside her closet full of chewed up bones
Illumination, dying in Latin never seemed like
A juxtaposition before the closing of the soul
At least his eyes are a Cambridge blue
Jazz muted in Mortality sings on dangling participles leaking out
From the saxophone
What is that worth?
Thick waist, hourglass coke-a-cola
Mama-sita, mira mira
Lolita-like N.Y.M.P.H.O.ed up eyelashes
Coating tears with manufactured glob
Somebody put in a bottle
The higher your skirt the more your face value
Goes up, up, up pass the mystery between monogyny and the thighs
Right between the slit ice
Like Mmmm, and he slides past the first three bases
Oooh Girl you look so good in those Six Inch Heels
What is it worth,
to throw away your
Worth
For a toaster oven and a washed up guy sitting on your back porch
Scratching his head waiting to be given a pardon for his misdeeds
While American Media stole him away
And blamed it on the graffiti on the Church Walls when it was really
Hipshot for the Hip-Hop , This shameless act of cytotoxicity
when it was really
The Devil trying to slow dance with the pretty girl behind the stage
Eyes that lie time after time and are almond shaped but see no further
Then 6 feet deep and a saxe blue sky
Baby girl, on auction in the club
(Going once, going twice, it’s okay we’ll sell her half price!)
Like a slave, a sycophant child to some sick twisted game
Dancing in the Matrix style of killing the clock
Biting off the hands, to chew them up, spit them out
To pretend like the world isn’t ending over our heads
Seven kids, bloated waist, waitress fingers and lips
Smile, Misfortune dotes on you, Lucky One
What are you going to do when your looks run out?
Heyyy girl, what’s your face value?
(prior to tha ode dee us political stink sans hillary rodham clinton, i scrawled out this poem. her likelihood to grasp to political mantle than considerably greater than fourteen months when another official will help keep america safe and sound from cares and concerns of an uncertain future).
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Bill leave me
Hugh will cause a beloved howel
From him – the divine necromancer with magic dowel
If ambition stirs thee to make presidential bid for we Chelsea
Reverberating throughout terrestrial bowel
Analogous to former reigning supreme ringleader Muhammad Ali!
As an obedient student who crossed his t’s and affixed every “I” with a dot
Although high letter grades this older papa never got
(Undiagnosed anxiety inducing pressure cooker symptoms made me hot)
I recognize brilliance, and thus would immediately cast my lot
From the current secretary of state whose political skills right on spot!
One year hence, this democrat will cast his vote
Without doubt maintaining his party line
No matter campaigners with republican huzzahs will tote
Unable to change opinion of mine
Praying that economic maelstrom she can brazenly smote
If necessary seeking oracle of Delphi for a positive sign
Or devising my own catchy slogan to quote
Common as this generic human dust mote
Whose esprit de corps would to the stratosphere float
Like some over inflated helium filled ballooning goat
Kidding nobody that view from on high depicts sinking American boat!
Please take to heart
From this fellow (among ship of fools)
Who decries special interest groups sway to sabotage and up-end donkey cart
With extreme elephantiasis haunting white house with ghouls
With penchant to undermine sacred constitution with graffiti art!
This Joe schmoe of a lame duck nada so soup per poet
(who idolizes billy eve able applications of a cigar re: monica lewinsky)
would be in awe
And inwardly hee-haw
If this poem affected your name to be on ballot garnering cheers from this paw
And knows that in those random polls made of straw
The former forty second first lady gaga to engender revolutionary thaw!
Looking through frosted glass of windows' sorrowed pain I who
Reflects upon the frozen condensation in the shelter of my mind
Delight that there are crystals on the panel which refract the joy
On the grace bestowed upon me by hindsight observation glare
I do not always have to see what takes place behind the screen of
Time and reason well beyond my grasp and am contained within
The wind brushes against the frame outside and yet holds firm
Its paint has flaked but still reveals the layers of abundant paint
Where coats of varnish cover ageing primers glossing over fissures
Hinges are in need of rust converter and some lubricant although
A bit of grinding jambs on closure reminds me that I hear the sound
That reaches feelings and emotions when my moods begin to jar
I marvel at the crack that gives a certain kind of resilient contours
Which shaped my seasoned soul and tested skills and renovation
So far eluded the need for triple glazing double vision and repair
A spider though renewed its work and spun a web from musky curtains
To shutters up and down and weaved a fragile net quite unperturbed
Flies have lost their battle and I am grateful that I have not been caught
There was temptation to wipe the slate and surface clean and polish
Instead I take crayons out of the box and scribble on adjoining walls
I watch the canvass unfold and listen to the sound of scripted passion
Very soon what is called graffiti or artistic pleasure gives an easy glimpse
Into my heart soul and innermost desires careful not to hold my breath
Keeps some distance though because my exhalation could disturb the scene
Dusk settles quickly and I pull up my socks and wrap up in a knitted blanket
Put another log on the fire to kindle warmth and thoughts among the cold
The candle on the mantlepiece flickers kindly and grants a soft glow evermore
Looking through a frosted glass enhances rather than obscures all of my senses
Gives me the precious freedom to decide which side I'm on when evening falls
Now I can smell the crispy touch and taste of verglas and look out for silence
31st March 2020