Long Furniture Poems
Long Furniture Poems. Below are the most popular long Furniture by PoetrySoup Members. You can search for long Furniture poems by poem length and keyword.
Through her window,she could see nothing in the clear blue sky.
Its deep colour was reflected in the calm waters
Of the estuary which spread out in the distance.
Even the normal busy shipping traffic
Seemed to have been lulled to sleep this hot summer afternoon.
There would usually be the sound of ships' horns
Out in the Elbe as they signalled for the lock gates to open.
Water was calm, sky was calm.
It felt to Petra that she was looking at a painting where nothing
Was really alive but only replicated in oilpaint.
The ever-growing buzz in the sky was the only indication that the scene was real.
Others had heard the sound as well.
Like hundreds of bees, but these had a special sting
The temperature was high and it was very dry
There had been no rain for some time. Now there was a rain of bombs.
Petra saw the explosions through her window before she heard them
In the distance as the skyful of B17 s unloaded their cargoes.
Petra and her little sister were terrified, struck immobile in fright.
Their window bellied in like a giant glass balloon suddenly over-inflated,
And jagged, face-ripping shards of glass snarled across the hall
And embedded themselves in the cushions of the sofa.
The woolly innards of the cushions spewed out,
Dangling lifeless from the slash-wounds.
Luckily the girls were not cut.
Suddenly, the whole area became one big fire
With air being sucked in with the force of a storm.
Fires joined together, temperatures rose to melting lead,
Wind speed picked up to hurricane levels,
Trees were hurled into the flames, furniture, cars, even people hurled in.
Fire trucks unable to get through roads blocked by rubble.
Dying by carbon monoxide poisoning
When all the air was drawn out of their basement shelters,
The shelters were filled, but few people were really alive.
And then it was over. As the exploding fireballs gradually died away,
The drone and throb of the buzzing B17s faded off
To the blue sky of the east, to torment some other part of the city.
Walls crashed to the ground, gas lines exploded, people cried and screamed,
The girls shook with terror, but the B17s had gone.
History called it 28 July 1943 - Hamburg firestorm.
Petra always called it Day of the Bees.
.. .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Entered in Debbie Guzzi's Contest Hot Time Summer in the City
My elementary school was a box full of broken crayons.
You know, the kind that no one likes to use because they fit inside your hands like a hug that lasts three seconds too long.
Me and my classmates wore
hand-me-down smiles.
They were too big for our faces. We figured that eventually we would somehow grow into the sound of our own laughter, put on our happiness like gloves and wear our skin as if our bodies were made by Louie Vuitton, just hoping to be more than tattered pages ripped from the torso of coloring books.
More than the aftermath of two runaway trains headed to the same direction. Our parents drove their affection without insurance, and we are just head on collisions with no coverage. We got shattered windshields for eyes, and tongues made out of safely glass held together by super glue. It’s no wonder we spoke broken English.
With an entire orchestra drowning inside our throats, veins like guitar strings, our voices cracked like the self esteem of single mothers who carried us in their wombs like Molotov cocktails, and prayed that we would somehow find a way to mature into land mines
exploding underneath the feet that have trampled them for too long. These women, they dream in a language only fully understood by the tiles of an abortion clinic on a busy afternoon.
They raised us on top of broken promises made by men with grape jelly in their spines who were too busy jamming to their own
two-cent mix tape that they chose over their priceless women.
We didn’t come with a screwdriver. There is no picture on our box to show you what we should look like when this all is over.
We were just put into this world with a note that read
“Some assembly required.”
We were built inside of a neighborhood that looked as though it was slowly loosing a fist fight to cancer and kemotherapy claimed all of it’s dreams.
You see at a young age I was told that no matter how much furniture you move with a Honda Civic, it’ll never be a pick up truck
but have you ever wanted to be more than what you were made for?
Was there ever moment in your life when all you wanted was to be more than the wounded options that circumstance has nailed to your shoulders?
People question why we even have the audacity to breathe. That’s why when we walk it looks as though we are apologizing for our lungs.
But we ate not sorry for living this loudly.
It’s the only way we know how.
Seven Mossad Agents came to Norway a winter day
when a snow drowns the needs of the homeless
asleep in a shop's doorway absorbing the sarcastic smell
of coffee and the aroma of a Napoleon cream cake.
Their mission was to assassinate a man called a terrorist
by them, but freedom fighters by others.
The target had been located, a man of 47 bearded, with
prematurely gray hair, Semitic features, and a nose somewhat bigger than what is the norm in a Nordic land
He works as a waiter at a cafe, and take the bus home
a quarter past ten in the evening, to his bed-sit, about ten minutes ride from the town.
The group needed two taxis to take them to a hotel called, “Larsen's ski lodge” a pleasant little place with
modern IKEA furniture, giving rooms an airy ambiance
the group went to work at once, the leader carrying a
heavy mobile phone, trying to make contact to base, one presumes an embassy, but failed.
One of the women donned a blond wig, walked to the cafe to be sure their target was there
a quarter past ten two men entered the bus, one of them
who spoke a few word in Swedish, asked for two ticket to Husly which was the lat stop before the bur turned around and back to town
when the “terrorist” alighted the bus the two assassins followed.
No point going into details here, but they got their man
and hid his body in a snow drift.
Cooley, they stood by the stop to catch the bus on its return trip, smoking cigarettes of a foreign brand oblivious eyes saw them at the bus stop
The assassins had overlooked one thing, the man had a girlfriend and when he didn't appeared as usual she went out looking for him with the help of neighbors
Her boyfriend was found in the snowdrift
the police quickly knew what they were dealing with
but since they, the local police were not armed, they waited for reinforcement, when in the morning the assassin group came out to go to the railways station
the group were arrested.
Then the bomb dropped, they had murdered the wrong man, another Arab, they quickly insinuated was a terrorist too, what else was he doing in Norway
The court case took a long time, one of the prosecutors
fell in love with the woman with a fake wig, tried to
say she was an innocent bystander, it didn't wash
the case dragged on, in the end, and since the holocaust
was invoked, the guilty only got a few years.
I
A queue to a doorway
No-one knows what´s
On sale there
It could be washing powder
Almonds or diamonds
You think this was some
Yesterday
Look out your
Ghost smeared
Window
This is now
II
Throw stones at the
Motorcade
The pin pricked
Giant will barely
Pause
At banners & petitions
Faded pendants
Worthless paper
Riding out for a
Losing battle
Looking to a broken sky
For some Mon´s Angel
Less an army
More a mob
To the castle!
To the castle!
With flaming
Molotov
You awake in darkness
Hopeful
So many crusades
Begin in dreams
III
Tobolski late summer
With blankets for curtains
Tapestry dust
Stirred into
Koptyski forest soil
The former holy
The highest
Dragged
Splintered
Made human
Or less
IV
Each new dawning day
Spins us up to escape velocity
To be spat out to unthinking stars
Made passive by the weight of reason & history
We stare out into the rain
Believing wolves rule beyond the clearing
Elsewhere there is dancing
Cruise ships leave a wake of
Halved grapefruits
Shirts and skirts worn once
Gilded, seamless they glide
Oblivious to the hidden knife
The newspaper wrapped revolver
Passed under the café table
At the platform´s edge
All are equal to the justice
Of the approaching train
V
Red Emma
Red Emma
Won´t you send Berkman over
With a satchel full
Of dynamite
On a Chicago bound
Train
VI
Part six
In which
I dig a hole
To bury past dreams
And convictions
I brain-grew
At a factory lathe
Always knowing
There was escape
A high window climb
And as any fool knows
The fresh-turned soil
Of any deep hole
Can be easy seen
From the public road
VII
My advice to you
Young devil-cared rebel
Why don´t you climb on the roof
While your parents are sleeping
Try & flag down a passing
Black star liner
The busted sewer pipe
Has flooded the basement
Wet pages spin like lily pads
Stashed furniture corpse-bloats
Full boxes mush-mold
Time is tight
Young devil-cared pilgrim
Take with you only
What your pockets can hold
VIII
Among the defeated
Slack faces on rusted fairground rides
Among the defeated
Eating smoke rain mocked
Among the defeated
Careless cigarettes burn umbrella holes
Among the defeated
Landlocked padlocked frozen out
IX
Don´t
try a handstand
Your coins will
Fall out
X
Under the tar
The chariot ruts
A Golem
Is stirring.
I've got a fist full of Buddha,
And a fist full of Rand,
A pocket full of Jesus,
And the other's filled with sand,
That's in case I need to make some glass,
As it will proceed my foot in relation to your class,
That's a diametric description of an uncommon process,
I use it to repel obnoxious thoughts and logic,
The political storm seems to be the hot topic,
But what I see is dinosaurs in power,
Who don't want to get off it,
The ball, you dropped it,
Gigs up, you lost it,
Wings done, let's sauce 'em,
Awareness has blossomed,
We done playing possum,
You're boss, we want him,
Bring him down to the bottom,
And let's make him aware of our consciousness.
Are you really missing this?
Yo this is Excentrix,
Rich's psyche been known to split in an instant,
I represent a hulk like samurai witch,
Equipped to solve problems via the switch,
Cuz the man inside there is just a little kid,
See I tell the truth even when I lie,
Puttin' juice in busted axioms like Pie in the Sky,
"Yo dude, you know that's an idiom?"
Suck it, you're an idiot,
Guards, get rid of him!
I'm a linguistic mystic,
Suffering from a transpiritual sickness,
Where I'll always be a kid,
And live through my own deliverance.
Witness as I stab my own body of Christ,
Feels so nice to bleed emotion into the night,
With Excentrix as my weapon of my own conception,
I can justify intervention into the seas of deception,
Cleverly apply art to the lesson,
Of respecting yourself and recognizing transgression,
I don't need a stinking studio session,
Just flex my pen and in the end I'm winning,
My mental digestion invents a feeling,
That feeling going to climb me to the top of nimbus,
Behind us is a portal to another dimension,
Forgot to mention I'm the medium for the transmission,
I must be the exception because I'm good at listening.
I flip furniture when pressured,
Then turn a lecture,
Into a story told next to a lectern,
No disrespect sir,
But I'm disturbed by your indiscretion,
So curb your enthusiasm,
Before I burn this whole place down with plasma,
I got the EMP flow I brought back from the Matrix,
Excentrix is MVP for knowing when to go back to the basics,
Take it from me,
The artistic process is worth taking a stab at,
Just to prove that we're all humans,
And American Celebrity is mostly a magic act.
Loneliness of Gray
by Odin Roark
Could It Be…
The mirror by which we see ourselves
This captive freedom of art in all of us
This necessity to communicate
Desire to become
Is but destiny’s
Loneliness of Gray
For if
As in physics
The typical complementary colors
Blue and yellow
Red and green
Passion's mainstay
When mixed
Yield gray
Then why
When one’s being
Claims gray
Must disappointment ensue
When there is such empirical truth at hand
When there is no opposite for gray
As it is its own opposite
It’s own quintessential purity
Of emotion’s blend
why
Yes
Some would say
The artist’s mind lives unique perceptions
Available to all
Yet determined by most
As out of reach
Few
Accept this fourth dimension
Others reject
Where hands and feet
Colors and viewpoint
Change about
Inviting the dual organs
Nostrils
Ears
Eyes
To express like colors
Embracing opposites
Allowing vocal cords of multiple mode
To render art’s communication
Imagination’s reverse tongue
Creativity’s spoken proclivity
To forever accept extremities of the mind
As wonderment
As living
Ever notice
How simple the artists’ walk
It appears to be on whatever surface
Imagination might volunteer
Be it floor
Path
Greensward
Or bomb-rutted road
Where surfaces creatively experienced
Reveal a virtually abstract pressure-balancing of gravity
Requiring little of tactile distinctiveness
But merely an accommodation
Today’s levitational force
Accomplishing needed transfers of altitude
Where the climbing of stairs
But a walk up from lower levels of existence
To higher realms of selection
To the Artist
Passage from one scene to another
Needn’t be a factor
Rather trust in gliding
Where shadow and blurred focus
Claim one’s mingled curiosity
Into a chosen whole
Where much of vision
Voids transient objects
Ambiguous appearances like
Furniture
Or details of vegetation
Seeking instead
A diffuse lighting of every scene
Rendering the scheme of reversed colors and texture
Bright red grass
Yellow sky
A conundrum of black and gray cloud-forms
Down to the white tree-trunks
Green brick walls
Embracing
A Lovingly
Angelical grotesquerie
Such reveals one’s essence
One’s creation
One’s smile at chance
Depending on how
The mirror might be hanging
The first time I met Madame La Laurie, was in 1832 When she and her third husband (Dr. Louis La Laurie) purchased me. My first impression of Madame La Laurie was that she was soft spoken, of fine breeding, and very beautiful.
Upon her arrival, she wasted no time filling every nook and cranny at 1140 Royal Street with the finest furniture and china that money could buy. No one looking at the plain exterior of this house, would ever expect such opulence within it walls.
She wore the latest fashions from Paris with a flare beyond rival, even by the most inducted social lights of the hour, which did not go unnoticed. Both men and women, would stop in their tracks to gaze upon this regal beauty as she strolled down the main streets of New Orleans.
Soon, with the aide of her husbands connections through his practise, she, gained acceptance into the higher circles of the community and began hosting what would become, the most sought after dinner invitations in all of New Orleans.
This was the one side of Madame La Laurie that the world saw, but it was I, who bore witness to the other side. NEVER could anyone have ever imagined the atrocities this women committed in her chamber of horrors on the 3rd floor as she maimed, tortured and murdered any slave that displeased her.
~~~
I was burned badly, when one slave, wanting to end his misery, set a fire in the kitchen, finally bringing her reign of terror to and end, where upon she fled in her hell driven carriage, into the night, never to be seen again.
Today, I stand here at 1140 Royal street, completely unrecognizable. I have a different face now. The only thing left one would recognize from that day, would be the old path that runs between me and the adjacent house.
Lush green foliage now grows along its edge, in what I like to think, a remembrance to the tortured souls who died here.
Between these brick walls
Bright light filters from above
Old seeds bloom again
BUT...IF YOU DARE to walk between these walls, you...like me, THAT OLD HOUSE IN NEW ORLEANS, might see the apparitions of the tortured souls still residing there.
~~~
Poetry form: Haibun
For the contest, A House In New Orleans, sponsor, Lin Lane
PLACED SECOND
Misshapen limbs of the Palo Verde trees add an artistic touch to the landscape. While
Honeysuckle twine about the old rail fence and the spiny Ocotillo flash scarlet plumes.
Mesquite trees, older than the homestead, reach out and cast much appreciated shade.
Saguaro's flank the hard packed drive. Desert poppies lead the way to the home.
Built of stone. Hand laid by calloused hands. Topped with thick rough hewned timbers
and clay tiles. The home welcomes all.
Windows sparkle in the late afternoon sun. Reflecting brilliance that hurts the eye.
Once inside, a coolness calms and refreshes. The native stone keeping the desert heat
at bay.
Beams hewn from the Mesquite adorn the ceiling. Stucco interior walls add a softness
and Spanish flavor.
Arched doorways lead to halls and bedrooms. Each with it's own distinctive fashion.
Soft beds with hand woven blankets. Each depicting a different Indian Spirit. Deep set
windows to let in the cool breeze of spring and fall. Thick draperies to block out the
summer heat and winter cold.
The kitchen, sparse and utilitarian. A soap stone sink, slate counters and open faced
cabinets. dried herbs, onions and peppers hang from hand forged hooks. As do the
pots and pans used to cook simple fare that fills the belly and warms the soul.
A blue speckled coffee pot with a chipped spout is always on the newfangled gas stove.
The old woodburner sit as before. Used in winter to warm the kitchen and bake the
daily bread.
A place of gathering, is the plank top table. With it's brightly colored cover and always
full cookie jar.
back in the main room is a beehive fireplace in the corner. It's bulbous form giving
character to the otherwise plain room. More exposed beams extol the strength and
longevity of the home. While wood and leather furniture offer comfort and rest.
Beautiful hand crafted wood cabinets and shelves hold antiques found on travels.
Shadow boxes hold arrowheads found on desert hikes. Pottery from the local tribes
finish out the decor.
Homes like this are becoming extinct. To find souls who appreciate it's honest design
and accept the happiness that simplicity can bring, is becoming rare. I am one of those
souls. My search is on going to find my place in The Valley Of The Sun.
Form:
Before I met you this emptiness lived inside of me
Nothing lived here, there was to much space
Emptiness dwelled inside of me refusing to leave me alone
So emptiness unpacked it's bags and crawled inside of me and found a place
called
home
It made to much noise
Refused to pay the rent
Was late on paying the bills
Got the lights cut off
There was no gas
So my heart grew cold
Than I met you
And emptiness got bored
Packed it's bags and left
Left no forwarding address, where it could be reached
And love was passing by
Had no place to go
No place to call home
And one evening it knocked
And the door was open
Because emptiness forgot to lock it
So love came in
Saw what it could see
Unpacked it's bags and it possessed me
It filled me up
Until there was no space for nothing else
It threw wild parties
Never turned off the lights
Kept the neighbors up at night
It told bad jokes
It made me laugh
I never felt cold
It kept me warm
Always a smile on my face
It reached inside of me with all that it had and it made me feel safe
For I knew love was with me forever and would never leave
And than you left
And one morning I awoke and found love not laying beside me
It stayed out all night
Didn't even call
I searched and searched and could not find it
I wondered where it was and why did it leave
Damn it, why did it leave without telling me
Days passed and love was no where to be found
The bills were over due
I felt so all alone
Love didn't come home
like it always did
One day love appeared
Never said where it had been
From that moment I knew something had changed
It went to bed early
Turned off all the lights
Didn't keep me up at night
Didn't even smile
Days passed by and inside of me got quite
I couldn't feel a thing
I was still inside
I went to visit love
Because it hadn't been by
I knocked on the door
And the door opened
So I went inside
The lights weren't on
All the furniture was gone
I looked inside of me
and saw emptiness forwarding address
laying next to my heart
No more need for me to explore
For I knew from that moment as I walked through the door
Just like you
Love didn’t live here anymore
It didn’t call
Won’t answer the phone
So am asking you
What do you do, when the Love is gone
Form:
It is not like these restaurants in America
with their sterile atmospheres: slick new furniture,
stylized art, ambient lights, and every angle
rationalized to the judgment of specialized interests.
It is a restaurant filled with details,
inviting customers to take in an experience while eating and drinking,
to converse casually and caress senses
with a collage of décor less convenient.
One side is open to the city,
looking out on multi-story hotels with lush landscaping,
palm frond trees and a pine tree
with spreading branches and a green cloud of needles above any tourists.
Short squat curved posts hold up a wide concrete rail
with two bouquets of flowers on it: one has small yellow blooms
while the other has white daises mixed with tiny red blooms.
A Mediterranean influence can be seen in columns
supporting a large opening onto the street.
It is also present in a mural painted on the wall.
In the mural a tall woman baring her breasts
looks down on an angel reaching out to her,
below them is a rural town and above them two puffy white clouds.
Painted around the kitchen doorway’s edge is a grapevine.
Near the doorway a statue of a nude child blows a horn.
At his feet are a bouquet of daises and some yellow candles.
In the center of the room is a wide wood column,
on which appears a green copper statue of a woman in a long dress,
holding a large round bouquet of live yellow daisies above her head.
There are four groups of people in the restaurant.
Two are near the wall.
Two are in the center of the room.
All sit at round tables draped with white linen trimmed with intricate patterns.
The chairs are curved with no angles.
Two small rams’ heads are carved on the top back pieces of each chair.
Each table has a bouquet of red flowers and a large yellow candle.
Customers drink beer from green bottles and tall clear glasses.
A waiter rushes out with the empties.
A man with a dark complexion, thick hair, and mustache
beams with friendly eyes and expressive hands
talking about things that interest common people.
For him common, in his place of impractical details.
For travelers far away from their bare, stripped, planned environment
his speech has a life that is new, different,
paced with living rather than practiced in haste.