Long Dying Poems
Long Dying Poems. Below are the most popular long Dying by PoetrySoup Members. You can search for long Dying poems by poem length and keyword.
"Color me red" this he did say
This is Satan and you must obey
The call of the wild for is it ok?
Who cares as I destroy the day
The red you color is from your vein
The ink that spilled from ever shame
You raped a child in the name of me
You will now suffer ever in eternity
I feel the words escape from your dying breath, "Please Lord dont take it out with
a noose around my neck"
For if you kill me you kill your religion, I promise you, if this noose falls through
the gallow then I will trek
I will find your kind in the after life, even if it down in the basement with your wife, I
will come and get you
You're the one who told me so, created my mind to enlist your blow, is this a
reason you are telling me?
That I must not fight but run away in flee? I'm a coward like you, you see, I die for I
believe in your creed
"My son you are not one of mine
I enlist your soul to preach my kind
You create your own from words of mine
Now rot in hell for the breach of time
And conjur a smell to remember your lie
Befriend your mind as you are left to die
Alone as you wish for your wish is a cry
You are no longer a part of my embassy
Trade your wings for the treatory that be
For a mask supposed to look like me
Horns for you stab at your constant envy
Dont you ever compare you with thee
For are weak and f&ck all that you percieve
Form:
Through her window,she could see nothing in the clear blue sky.
Its deep colour was reflected in the calm waters
Of the estuary which spread out in the distance.
Even the normal busy shipping traffic
Seemed to have been lulled to sleep this hot summer afternoon.
There would usually be the sound of ships' horns
Out in the Elbe as they signalled for the lock gates to open.
Water was calm, sky was calm.
It felt to Petra that she was looking at a painting where nothing
Was really alive but only replicated in oilpaint.
The ever-growing buzz in the sky was the only indication that the scene was real.
Others had heard the sound as well.
Like hundreds of bees, but these had a special sting
The temperature was high and it was very dry
There had been no rain for some time. Now there was a rain of bombs.
Petra saw the explosions through her window before she heard them
In the distance as the skyful of B17 s unloaded their cargoes.
Petra and her little sister were terrified, struck immobile in fright.
Their window bellied in like a giant glass balloon suddenly over-inflated,
And jagged, face-ripping shards of glass snarled across the hall
And embedded themselves in the cushions of the sofa.
The woolly innards of the cushions spewed out,
Dangling lifeless from the slash-wounds.
Luckily the girls were not cut.
Suddenly, the whole area became one big fire
With air being sucked in with the force of a storm.
Fires joined together, temperatures rose to melting lead,
Wind speed picked up to hurricane levels,
Trees were hurled into the flames, furniture, cars, even people hurled in.
Fire trucks unable to get through roads blocked by rubble.
Dying by carbon monoxide poisoning
When all the air was drawn out of their basement shelters,
The shelters were filled, but few people were really alive.
And then it was over. As the exploding fireballs gradually died away,
The drone and throb of the buzzing B17s faded off
To the blue sky of the east, to torment some other part of the city.
Walls crashed to the ground, gas lines exploded, people cried and screamed,
The girls shook with terror, but the B17s had gone.
History called it 28 July 1943 - Hamburg firestorm.
Petra always called it Day of the Bees.
.. .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Entered in Debbie Guzzi's Contest Hot Time Summer in the City
Imagine waiting for something or maybe it’s someone. Someone you look for in everyone you pass by but not someone that is easy to find. Everytime you pass by these people you look at their feet first, see what kind of shoes they have on. Destroyed black sneakers that are stained darker with red. Then you move up to their ankles, boney and sticking out like balls of compressed dirt, filled with worms and insects on the inside. Your gaze moves up to their knobby bruised knees that look like perhaps they’ve been painted on with watercolors. Next your eyes follow upwards to their thighs. You already know that they say it’s just their cat. Past their skirt you get up to their short-cut top, their ribs sticking out from their skin, looking like they’re trying to rip through to be free. You move your eyes up to their scarf wrapped around their neck hiding the bruises from their so-called lovers. Finally you reach up to their face. So sweet yet such a saddened look going across it. Pale white skin with tints of blue from the veins trying to shine through. Yellow and brown eyelids like dying sunflowers in a sad vase left behind and forgotten in a dark room with the blinds shut tight. Eyes that look like drops of golden honey or maybe even sap from a maple tree dripped into them, giving them the somewhat ‘life’ that they long to have. Their nose, glazed with hints of red around the openings from being wiped so many times to get away the excess ‘powders’ that make them feel again what they believe to be called joy and happiness. Lips redder than a blood moon that occurs only twice a year, peeling apart from the hours upon hours of picking and ripping apart with their teeth. Lastly your eyes wander up to their thinning hair which was once before very lucious and thick. Your eyes return to theirs as the passing is almost finished. You can see the worry in their eyes slowly go away a little bit as they find comfort in a stranger's eyes, yours. You smile and they return the expression back. You look back down at their mouth when they smile, their decaying teeth slightly showing right before their mouth goes right back shut to its distressed resting position. After you two pass all the way you start to wonder, do other people do the same? Do other people observe others as you do with everyone, looking for that person in someone else that you forever will long to be with?
When Mortimer Manders collapsed in the street,
his daughter, Muriel, was with him.
Though now seventy-five,
he’d continued to thrive,
in spite of the irregular rhythm
his heart was now keeping. But this was quite grave.
He hit the hard sidewalk real sudden.
When Muriel knelt
beside him, and felt
to locate where his pulse was, she couldn’t.
Soon, passers-by stopped and gathered around,
but no-one had medical knowledge.
“It’s good, I suppose,
If you loosen his clothes:
I think that’s what they told us in college …”
She looked wildly around, and thought that she’d found
a willing and capable saviour.
A red firehouse lay
thirty metres away –
(might as well have been Outer Moravia!)
When Muriel pounded the firehouse door,
a voice answered back through the panels,
“You make think it inept,
but we’ll only accept
an approach through appropriate channels.”
“But he pays your wages,” she argued with force:
and, pointing to where he was lying,
“You’ve got to come quick –
he’s collapsed on the bricks –
my father is probably dying!”
“You don’t understand how these things are arranged,”
said the voice, from the depths of the station:
“You just call nine-one-one.
If we try to respond,
we are risking adverse litigation.”
Running into the roadway, she flagged down a car,
and the driver agreeably shocked her:
with a white coat and bag
and a hospital tag,
he said, “Yes, you are right, I’m a doctor.”
As the quack pulled away, he turned briefly to say,
in a voice that was suitably gloomy,
“I will not touch that man,
for if I lend a hand
and he happens to die, you can sue me.”
The ambulance came, but things got more lame,
as Mortimer started to weaken:
though the ambulance crew
looked resplendent in blue,
the responders were all Costa Rican.
“We’ve lived here some time and our English is fine,
but we can’t touch our defibrillator.
To avoid getting screwed,
we must talk to him through
an officially-sanctioned translator.”
“But you sound good to me, and it’s peachy, you see,
for my father speaks German and Spanish.”
“But your ganso is cooked.
No interpreter’s booked.”
And the ambulance packed up and vanished.
So the moral is clear. Clear of medics please steer.
Your best course, if you’re feeling nervous, is
lay on linguists each day
in Magyar and Malay
– and don’t call emergency services.
Sappho Translations I
Sappho, fragment 132 (Lobel-Page 132)
loose translation/interpretation by Michael R. Burch
1.
I have a delightful daughter
fairer than the fairest flowers, Cleis,
whom I cherish more than all Lydia and lovely Lesbos.
2.
I have a lovely daughter
with a face like the fairest flowers,
my beloved Cleis …
It bears noting that Sappho mentions her daughter and brothers, but not her husband. We do not know if this means she was unmarried, because so many of her verses have been lost.
Sappho, fragment 131 (Lobel-Page 131)
loose translations/interpretations by Michael R. Burch
1.
You reject me, Attis,
as if you find me distasteful,
flitting off to Andromeda ...
2.
Attis, you forsake me
and flit off to Andromeda ...
Sappho, fragment 140 (Lobel-Page 140)
loose translation/interpretation by Michael R. Burch
He is dying, Cytherea, the delicate Adonis.
What shall we lovers do?
Rip off your clothes, bare your breasts and abuse them!
Sappho, fragment 36
loose translation/interpretation by Michael R. Burch
Vain woman, foolish thing!
Do you base your worth on a ring?
Sappho, fragment 130
loose translation/interpretation by Michael R. Burch
May the gods prolong the night
—yes, let it last forever!—
as long as you sleep in my sight.
... a sweet-voiced maiden ...
—Sappho, fragment 153, loose translation/interpretation by Michael R. Burch
I have the most childlike heart ...
—Sappho, fragment 120, loose translation/interpretation by Michael R. Burch
There was no dance,
no sacred dalliance,
from which we were absent.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch
I love the sensual
as I love the sun’s ecstatic brilliance.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch
I love the sensual
as I love the sun’s splendor.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch
You anointed yourself
with most exquisite perfume.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch
Awed by the moon’s splendor,
stars covered their undistinguished faces.
Even so, we.
—Sappho, fragment 34, loose translation/interpretation by Michael R. Burch
Keywords/Tags: Sappho, Lesbos, Greek, translation, epigram, epigrams, love, sex, desire, passion, lust, lesbian, LGBTQ
As I looked upon her face
Solace was there in her eyes
Of acceptance running out into fate
My fingers grasping for the memories
As to slipping through her silky hair
In selfishness to embrace denial
Was the choking upon every single tear
Her, now simply lying…
In my open arms…
And dying
Along with all our years
Squeezing her tightly,
Hoping to bring back the life
With sobs to Madeline
“It’s not fair!” “It’s not fair!”
The calmness was…
Her own demeanor without despair…
Her lips, once vibrant, now colorless… began to move nearer
And whispers to my ear…
“I’m so sorry”
Were words breaking from an angel
And what took hold was confused
I didn’t know what to think
Or what to do?
This fading vision is my whole
And with her, my heart fulfilled
But, what was this confession?
What is her sin?
My replies were weeping questions
Of why’s to her apologies
And my own declarations
“If protector, then I should wear the blame”
“Your only crime to bring joy to a man”
Then, the tears fell
Along with the august rain
Rolled down our cheeks to our lips
And landed on her last
But, fading sweet bitter words
"Before the ricochet...
I was pregnant with our son”
4.
Now things started to become clear,
Both Alahsar and Salahmar in the same space,
One would find Victory, the other, leave this place,
light and dark in the eternal battle.
Alahsar, of God's light,
Salahmar, of dark's evil joys,
which of them would wane away?
Devil's fear, or Heaven's glory.
For Alahsar, the city of light,
mortals, their lives laying down,
numbers falling as Algahrs push forward,
is this the end of light, hearts filled with hate.
From the golden gates a mighty moving,
women, they come forth with speed,
hate filled eyes and trembling cries,
yelling out their cry of war.
Still the foe were many more,
the Algahrs always to the front,
mightily they begin their push,
the might of dark within each beast.
Too hold the foe would take great strength,
strength was fading, ebbing away,
the Algahrs now did mighty push,
death and destruction on Badicha lay.
Still mortals stood, though blood did flow,
man and woman, power decreasing,
children watch from mighty walls,
as parents and friends meet their end.
Dark Man fighting, vengeance dear,
Warrior Queen spreading fear,
the bloodiest scene before the gates,
blood for blood,by sorrow's river.
Utamol, with almost life of own,
cutting, slicing, stabbing home,
Dark Man with his awesome grace,
Sends evil from this land of light.
Warrior Queen with power and speed,
destroying all this evil seed,
cries of pain are everywhere,
so many lost, their dead eyes stare.
On the plain great dust clouds rising,
screams of mortals and beasts fill the air,
lightning flashing, thunder crashing,
onward the struggle of life goes on.
Within the heart of living terror,
weapons crashing, teeth a-gnashing,
will miracle come to Badicha?
Shall mortals halt their slow retreat?
Alahsar's own are falling back,
dead and dying are underfoot,
now mortals they must hold the foe,
forward warriors, toe to toe.
No battle ranks or strategy to follow,
Hold position and strike down the foe,
Dark Man now in heat of battle,
Arlaghs feel the hate of Utamol.
In this time before time,
sorrow's song, the last song to be sung?
Strike with rage, power and might,
Become battle Gods, the power of light.
Cry goes up, "Walk in the light,"
the arms are weary, still fight for life,
still the battle crashes on,
what end shall be, before the dawn.
To Be Concluded..........
I awake with the sweat of a distant dream....
Thinking of what I'd seen
Remembering what was in my mind's eye
Such sad, sad thoughts of a time gone by
I remember the heat of the desert and the dangers of camouflage men
of small remote villages.......and the people within
I recall a child.......I can still see her smile
Black was her hair, her hands they were oh so small
I can still see her face.........I remember it all
Erelah, yes that was her name
and ever since I met her my life's not been the same
She'd come to our station almost everyday
coming for her hunger, always to play
running round and round, hiding from us all
I still can hear her laughter........ I remember it all
Such a small girl, born into a ruthless world
A world where men prey upon men, and life is simply discarded like sand to the wind
Sunlight and shadows
One illuminates while the other falls
As days become weeks, distant voices call............
Messages of distress come over the wire
speaking of death, fire
of a small village, of evil men who rape, murder, and pillage
Cloaked with the tools of Azreal, the tarmac erupts
Awash in wind and sand, we're elevated into the air
Nap-of-the-earth quickly, mountains, valleys pass by fast
Distant souls burning, we ascend upon the village at last
Pyre smoke engulfs the senses, as it swirls around and around
Hovering high above, we descend swiftly to the chard ground
Toils of men are revealed in the dawn's light
The departed are scattered about as we scour for signs of life
From one burnt structure to another
We find nothing but hopelessness and despair
Only the dead and the dying, Iblis has been here
A familiar door, one I passed through many times before
Reluctantly I peer in, and to my great sadness I'd see
Little Erelah laying by her mother, still deep within a "dream"
But from this "dream" she'll not awake, nor shall she ever play
Both her innocence and life were taken
Never to learn to read, never to learn to write
Never to run and sing again, due to man's mindless strife
I promised to protect the children ever since that day
And always defend them against man's evil ways
And never ever forget her
That angel from above, or her simple message
LOVE.........
To me she was a moment of Spring, in a lifetime of endless Winter
She is but a dream..........
“Speak from the heart”
What a load of crap
Cut straight to the point
did this all even matter?
From the start, the middle to that bitter-sweet end
A strange affair
A compilation of half-assed dates
Boring moments between two boring individuals
A couple of airheads
A blind trust formed by dimwits
Strangely normal, strangely plain
Formless wandering in a hollow husk
Dead, dirty skin flakes off my shoulders
Brain-dead is labeled across my head in bold
Casually tossing what remains out on the curb
I don’t seem to care
Remaining the same day by day;
“There’s always tomorrow,”
“I can’t reach the phone, try again tomorrow,”
“It will have to wait for tomorrow,”
“Today is not tomorrow.”
Monotony brought flowers to my door
You preached about Today when Tomorrow was yesterday
All those tears won’t get you anywhere
what made you sad, anyways?
Turning away from closed doors and shaken dreams
what were you fighting for, anyways?
There’s someone willing to bid a “Goodbye”
what are you waiting for, anyways?
It’s all so maddening, tumbling, waking, apologizing
Shaking my fists in anger
falling down a steep cliff
rising with the morning sun
crying on my knees
Was I ever prepared for walking this world alone; life is throwing a curveball and I’m no batter
Hunched over the bathroom sink, my eyes see something extraterrestrial
like a bad trip on drugs I can’t seem to break that nasty spell
Viewing life through a fish-eyed lens
the photo prints Hell
Oh, such a horrid sight but I can’t find the will to look away
Find a way to kill me
I can’t stand this any longer
Death is my only resolve
It’s all so maddening, tumbling, waking, apologizing
Shaking my fists in anger
falling down a steep cliff
rising with the morning sun
crying on my knees
Was I ever prepared for walking this world alone; life is throwing a curveball and I’m no batter
Hunched over the bathroom sink, my eyes see something extraterrestrial
like a bad trip on drugs I can’t seem to break that nasty spell
Viewing life through a fish-eyed lens
the photo prints dying
Oh, such a pleasant sight and I can’t find the will to look away
Find a way to kill me
I can’t stand the wait any longer
Death is my only resolve
When the clock strikes twelve
When the night is at its peak
When the dark has spread through the room
Striking down— a bullseye!
If you've lived in outback Queensland just as I have,
you must've faced at times the scourge of drought.
You'd have watched the senseless dying of your livestock
and felt completely drained and numb no doubt.
Did you ponder on why life can bring such sorrow,
when other times you’re dealt a joyful hand?
Though the bitterest of blows is when the children
express, "Dear Daddy, we don't understand."
How I hate to see the hurt upon their faces,
but more so when they give your hand a squeeze.
And the question that forever haunts my thinking,
"What do I tell my children? Tell me, please!"
Then one balmy morn way back there in September,
my children settled down upon the floor,
as they planned to watch Play School on television,
but little did we know what was in store.
How they sat perplexed at seeing the explosions
of buildings there upon the tele screen
and the aftermath then left the children reeling -
left wond'ring at the images they'd seen.
Though I sensed the children's minds took on the notion,
that things they viewed were happening overseas,
how that question still forever haunts my thinking,
"What do I tell my children? Tell me, please!"
Hosts of men, who searched the mountainous piles of rubble,
live vividly within each young child's mind,
plus the endless walls of pictures of lost loved ones,
placed there by anxious folk now left behind.
In their classrooms children talk about the horror
and can man stop the threat of war somehow?
Though our home is miles away from New York City,
our children know that life is altered now.
As my children leave the light on in their bedrooms,
lock windows which exclude a nightly breeze,
yes, that question still forever haunts my thinking,
"What do I tell my children? Tell me, please!"
We had planned to fly the children to their grandma’s,
who lives just north of Brisbane on the coast,
but the thought of going on a 'plane is not on,
as flying is the thing they fear the most.
So as parents we have organised this summer,
a camping trip with some of their close friends,
but I fear the world will never be the same place,
though live in hope the terrorism ends.
All I wish is for my children to be happy,
that innocent young minds can be at ease.
Though that question still forever haunts my thinking,
"What do I tell my children? Tell me, please!"