Long Consonants Poems
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The Composition of Shadows
by Michael R. Burch
“I made it out of a mouthful of air.”—W. B. Yeats
We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.
And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape—
curved like the heart. Here, resonant,
sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face—
long-frozen words trapped in a glaze
that insulates our hearts. Nowhere
can love be found. Just shrieking air.
Published by The Lyric, Candelabrum, Iambs & Trochees, Triplopia, Romantics Quarterly, Hidden Treasures, ImageNation (United Kingdom), Yellow Bat Review, Poetry Life & Times, Vallance Review, Poetica Victorian
Vowels stir in the back of your mind,
while consonants lack a foundation.
And the page taunts, with its virgin white,
as doldrums morph into frustration.
Ideas trip over each other,
unable to realign anew.
And sparks of inspiration get doused
by sweat, trying to salvage a few.
Your pen is poised just above the page;
wit dangling tauntingly from its tip.
And as blood and ink drip and mingle,
you realize you've bitten your lip.
It feels like your muse abandoned you,
as thoughts vanish like wisps of vapor.
Yet all that you can do is sit there;
staring at the unblemished paper.
The things people do with the poetic forms:
the Japanese nature’s to keep the thing short;
the Welsh and the Irish like gnashing their teeth.
They’re smashing glass ceilings and breaking the norms.
Just add one more rule, and we’ll name it for you.
The things people do with the poetic forms…
The tanka’s a haiku plus two line retort;
The monoku rests on a line of its own.
The Japanese nature’s to keep the thing short.
Seems ‘seadna’ is shay-nay, and ‘gywydd’, good grief!
Six consonants strung and you say it ‘gee-youth’?
The Welsh and the Irish like gnashing their teeth.
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A Cascade: this one seems full of possibilities. You write a stanza
of N lines, then write N more stanzas where each line from the first
stanza is the last line of the subsequent stanzas. There's no other
requirement, but I added a little rhyming: ABC/axA/bxB/cxC.
https://www.writersdigest.com/write-better-poetry/poetic-form-cascade-poem
Among a stone-wreathed, sun-fried declivity
On earth’s raised stomach, a shack. Common
With the nervousness of heat, such shack-up
Points bury their heads in shame forever...
School hours brought me to such beginnings,
Such introductions, transient and loosely
Translated into vulgar languages aired by
A hairless harum scarum – MY LANDLADY!
Her vowels, resonant with crudity, frayed the
Walls, reaching the cruel apex of wanton folly,
Embellished with tattered pollutions of crimson
Air. Her consonants, tongue in cheek, jeered at
Remote efforts applied to disarm a vector with
Borrowed proboscis. Paraphrased sex lined up
Lips that chewed with primed caution, when
Pressed to announce, through optimistic,
Sarcastic leverage:
‘YOUR RENT IS DUE! ’
But the moon always winked at me. All four
Phases richly painted, slowly sketched to crawl,
And not by any fast means, run. The seasons
Nudged me to remind me they were not yet run
Over by the wheels of time.
But she befriended the calendar, stiff with hard
Resolutions to turn over her pages. By a runnel’s
Course, she evoked the late principles of buried
Time, calculating the length of days, the width of
Nights and the circumference of her wilted
Patience. Hourglass was polished clean to reflect
The sun’s glare through holes pierced by decibels
Of eastern hymns, composed before the waking of
Larks, when like an underpaid courtesan, she would
Hammer her now contagious sign-slogan, but
Now robustly rephrased:
‘YOUR RENT IS OVERDUE! ’
The Composition of Shadows (II)
by Michael R. Burch
We breathe and so we write;
the night
hums softly its accompaniment.
Pale phosphors burn;
the page we turn
leads onward, and we smile, content.
And what we mean
we write to learn:
the vowels of love, the consonants’
strange golden weight,
the blood’s debate
within the heart. Here, resonant,
sounds’ shadows mass
against bright glass,
within the white Labyrinthian maze.
Through simple grace,
I touch your face,
ah words! And I would gaze
the night’s dark length
in waning strength
to find the words to feel
such light again.
O, for a pen
to spell love so ethereal.
Published by Contemporary Rhyme and The Eclectic Muse
From The Desk of :Diminuendo Battuta Alcuna
President of Musicolgy School Of dance and Music
Groovey Beats Lane
Money Grip City U.S.A.
50005-0010
Attention: Suite Muisca Staves and Staff
Soothology and Emo_Glam Initiative
A>K>A>: "The Power of Opportunity"
Forward to:Bel Ragazzo and
Moglie Sessuale of Big-Money Music LLC.
and
"No Jive Radio"
2.8 Diphthongs – Essential of Linguistics
Part One Precedes the Following
Consonants are the opposite of vowels. They are sounds made with a restricted airflow, where the tongue, teeth, or lips are used to block or modify the flow of air.
Y as a Vowel:roasted pork tongue with lettuce tomato cheese and best taco sauce seasoned with cumin and cilantro and lime juice. on a soft shell taco
.gliding Sound:
Unlike a monophthong (a single, pure vowel sound), a diphthong involves a continuous movement or glide from one vowel sound to another.
One Syllable:
The two vowel sounds in a diphthong occur within the same syllable.
Examples:
Common examples in English include the sounds in "boy" (/??/), "out" (/a?/), and "my"
Origin:
The word "diphthong" comes from the Greek word "diphthongs," meaning "having two sounds".
Not Just Two Vowels:
It's important to note that not all combinations of two vowels are diphthongs. For example, "book" or "sheep" have two vowels but only one vowel sound.
Variations:
The specific diphthongs and their pronunciation can vary slightly between different dialects of English.
Diphthong Definition & Meaning - Merriam-Webster
Pronunciation Practice Difficult Vowel Sounds [DIPHTHONGS]
really great English practice for you so what the heck is a diff thong. it's a complicated word that you will probably
2.8 Diphthongs – Essential of Linguistics
punctuation walks
on eggshells
when
words like
water
falls
flow into nothingness,
soaked in syrupy syllables
behind veiled vowels
assonance is the twin of
consonance as
a e i o u
are an
unfinished bridge
without connection
of consonants
weaved together
in visible
unspoken actions
woven without words
just like rhythmic meter
of thunder with lightning
like a lost refrain in a poem
assembled with enjambment
metaphorical reflections of a
reflective metaphor portray a
m i r a g e less sincere than silence
value blossoms
when the body adopts
a gospel language
where speech
is unnecessary
unless expressed
through true
dialects of conduct
without the use of
lyrical accessories.
?? ? ADAGIO ? ??
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Apparatus Daily Disclaimer
__________________ Written By: N.P.P>
Reducing or modifying an accent involves learning the physical placement and sounds of a new target dialect rather than simply "getting rid" of your own. True accent modification requires patience and involves building new muscle memory for different vowels, consonants, and rhythm pattern
Loving a partner deeply while knowing you do not want to become a parent is a valid, deeply personal boundary. It is an emotional conflict that requires open communication to ensure both partners are on the same page for their future.
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2/1 H+1/1 H ------>3/2He + y
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E = ?m c2
------------------------------------
Enmeshment ?
------------------------------------
"Affording to be me" usually means managing your expenses so your authentic lifestyle aligns with your income, without falling into debt. It involves figuring out what you actually spend, trimming back on non-essentials, and matching your daily habits to what you truly value.-
Traditional terms to establish tension, solemnity, or dramatic gravity in your performance or script.
Membership of I.C.Y. Limited to Vacancy.
B. Valentino, sposerai questa donna, che è incinta, e avrai il tuo bambino, Valentino!
"I'll Say It Again!:go dig minerals find gems make ring and Marry!
B. Valentino, sposerai questa donna, che è incinta, e avrai il tuo bambino, Valentino!
Feed your goldfish before you leave
Love them as you love yourself
The bible tells us all fish are created equal
Some people prefer baby guppies
Because their mouths move slow and oval
They are smaller and talk in pantomime
Can breath underwater
And even look like one another all the time
Never throw small things in the toilet
Bony creatures can get stuck when flushing
Fish go better in a soup
Don't tell them that
Or add too much seasoning without a reason
Be truthful to your fish
Be faithful as you wish them to be
They swim about for a living
The Iliad and Odyssey are recommended reading
For people, not aquatic types
Anything other than Greek might suffice
Goldfish don't speak Greek
Don't know about the Trojans either
Luwian is foreign and hard to pronounce
Too many vowels and consonants
Along with cuneiform and hieroglyphic characters
Goldfish are not conversant in such languages
We recommend leaving them in a bowl
Preferably filled with water
That way they can grow old
Don't confuse them with gray guppies
Goldfish are gold
Some say orange or red
Love your fishes any way
Like the good book says
….or was it the cook book?
Dear commissar wherever you are? There's never been times I've felt so far
That this place is like the deadest star, no orbit or purpose apart from travel
Will it go supernova? which way will it unravel.? Perhaps galactic ice will
Overtake? From the lagoon of despair, in massive lake's to then become a sea
Of doom? Reflecting many itinerant moons; just hurtling round the net in a loop
With a never-ending dismal group, of astrologers; to chart it's demise
Through ever more forbidding astral skies, oh commissar; oh commissar'
Can't you change direction? It's not too far.' Just a million light years away'
Where a Sun is shining, where inspiration can blossom near and far.
Yet maybe there is no commissar? No commissar.. Or book of rules.'
Adhered to by..Well by no doubt gilded fools' surely though there must some be?
In consonants prison, just you mark me' adrift on that silly bubbles sea
Why do they venture? Before anyone interupts ) I'm asking me.!
There's the tide the moon runs, and the tide of emotion for someone.)
Bad tidings ever fleet; at any hour, the tidings of joy bestowing power,
A tide of mice, or'tops the land, by two times thrice no harvest stands
There is also a consumer tide, in which we wallow, and take much pride'
We'd changed for deisel, propane gas now electric, 10 billion cars to scrap effective?
Then there will be even more to make, ever to build' always to be take.'
There's much aversion to any red pill, just pop those blues.' Keep them coming
You can be a wireless object with what's a' humming it's going fast if it hits you'll never know'
What mask to wear on the radio, no matter that your face isn't seen its all about the
Image; yet I'm not that keen' and like why are we all so lost in this smog from such dirty Green.'