I exist as I am, that is enough.
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One should always be in love. That is the reason one should never marry.
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If I feel physically as if the top of my head were taken off, I know that is poetry
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The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers. It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow. I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment.
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I've failed over and over and over again in my life and that is why I succeed.
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'Beauty is truth, truth beauty,' -- that is allYe know on Earth, and all ye need to know.
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Another kind of love and compassion is not based on something appearing beautiful or nice, but based on the fact that the other person, just like oneself, wants happiness and does not want suffering and indeed has every right to be happy and to overcome suffering. On such a basis, we feel a sense of responsibility, a sense of closeness toward that being. That is true compassion. This is because the compassion is based on reason, notjust on emotional feeling. As a consequence, it does not matter what the other's attitude is, whether negative, or positive. What matters is that it is a human being, a sentient being that has the experience of pain and pleasure. There is no reason not to feel compassion so long as it is a sentient being.
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It doesn't pay to say too much when you are mad enough to choke. For the word that stings the deepest is the word that is never spoke, Let the other fellow wrangle till the storm has blown away, then he'll do a heap of thinking about the things you didn't say.
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Look you, Doubloon, your zodiac here is the life of man in one round chapter. To begin: there's Aries, or the Ram -- lecherous dog, he begets us; then, Taurus, or the Bull -- he bumps us the first thing; then Gemini, or the Twins -- that is, Virtue and Vice; we try to reach Virtue, when lo! comes Cancer the Crab, and drags us back; and here, going from Virtue, Leo, a roaring Lion, lies in the path -- he gives a few fierce bites and surly dabs with his paw; we escape, and hail Virgo, the virgin! that's our first love; we marry and think to be happy for aye, when pop comes Libra, or the Scales -- happiness weighed and found wanting; and while we are very sad about that, Lord! how we suddenly jump, as Scorpio, or the Scorpion, stings us in rear; we are curing the wound, when come the arrows all round; Sagittarius, or the Archer, is amusing himself. As we pluck out the shafts, stand aside! here's the battering-ram, Capricornus, or the Goat; full tilt, he comes rushing, and headlong we are tossed; when Aquarius, or the Waterbearer, pours out his whole deluge and drowns us; and, to wind up, with Pisces, or the Fishes, we sleep.
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I've missed more than 9000 shots in my career. I've lost almost 300 games. 26 times, I've been trusted to take the game winning shot and missed. I've failed over and over and over again in my life. And that is why I succeed.
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To mourn a mischief that is past and gone is the next way to draw new mischief on.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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Surely your gladness need not be the less for the thought that you will one day see a brighter dawn than this - when lovelier sights will meet your eyes than any waving trees or rippling waters - when angel-hands shall undraw your curtains, and sweeter tones than ever loving Mother breathed shall wake you to a new and glorious day - and when all the sadness, and the sin, that darkened life on this little earth, shall be forgotten like the dreams of a night that is past!
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Ah, to build, to build! That is the noblest art of all the arts. Painting and sculpture are but images, are merely shadows cast by outward things on stone or canvas, having in themselves no separate existence. Architecture, existing in itself, and not in seeming a something it is not, surpasses them as substance shadow.
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Beauty is truth, truth beauty. That is all ye know, and all ye need to know.
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My friends and my road-fellows, pity the nation that is full of beliefs and empty of religion. Pity the nation that wears a cloth it does not weave, eats a bread it does not harvest, and drinks a wine that flows not from its own winepress. Pity the nation that acclaims the bully as hero, and that deems the glittering conqueror bountiful. Pity the nation that raises not its voice save when it walks in a funeral, boasts not except among its ruins, and will rebel not save when its neck is laid between the sword and the block. Pity the nation whose statesman is a fox, whose philosopher is a juggler, and whose art is the art of patching and mimicking. Pity the nation that welcomes its new ruler with trumpetings, and farewells him with hootings, only to welcome another with trumpetings again. Pity the nation divided into fragments, each fragment deeming itself a nation.
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He that is giddy thinks the world turns round.
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Today we all speak, if not the same tongue, the same universal language. There is no one center, and time has lost its former coherence: East and West, yesterday and tomorrow exist as a confused jumble in each one of us. Different times and different spaces are combined in a here and now that is everywhere at once.
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It is essential to know that to be a happy person, a happy family, a happy society, it is very crucial to have a good heart, that is very crucial. World peach must develop from inner peace. Peace is not just the absence of violence but the manifestation of human compassion.
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Dear Signore Direttore,
Now I am a-tella you a story wot I was a-treated at your hotella.
I am a-comma from Roma as tourist to London an stay as a-younga cristan man at your hotella.
When I comma in my room I see there is no shit in my bed - how can I sleep whit no shit i my bed? So I calla down to the receptione and tella: 'I wanta shit'. They tella me: 'Go to toilet'. I say: 'No,no I wanta shit in my bed'. They say: 'You better not shit in your bed, you sonna-wa-bitch'. What is sonna-wa-bitch?
I go down for breakfast into restorante. I order bacon and egga and two pissis of toast. I getta only one piss of toast. I tella waitress, and point at toast: 'I wanta piss'. She tella me: 'Go to toilet'. I say: 'I wata piss on my plate'. She then say to me: 'You'd bloody not piss on the plate, you sonna-wa-bitch'.
That is the second person who do not even know me calla me 'sonna-wa-bitch', an why is your staff replying 'Go to toilet', is that a modern tella? I do no understand, Please tella me!
Later I go for dinner in your restorante. Spoon and knife is laid out, but no fock. I tella waitress: 'I wanta fock'. And she tella me: 'Sure, everyone wanta fock'. I say: 'No,no you dont understanda me, I wanta fock on the table'. She tella me: So you sonna-wa-bitch wanta fock on the table? Get your ass out of here!
How comma this cristian hotel tella the guest in such bad manner?
So I go to receptioneand ask for bill, I no wanta stay in this hotel no more. When I have paid the a-billa the portier say to me: 'Thank you and piss on you'. I say: 'Piss on you too, you sonna-wa-bitch, I go back to Italy'.
Direttore, I never gonna stay in your hotella no more, you sonna-wa-bitch.
Sincerely
Dicci Elgre
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If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.
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We feel at first as if some opportunities of kindness and sympathy were lost, but learn afterward that any pure grief is ample recompense for all. That is, if we are faithful; -- for a spent grief is but sympathy with the soul that disposes events, and is as natural as the resin of Arabian trees. -- Only nature has a right to grieve perpetually, for she only is innocent. Soon the ice will melt, and the blackbirds sing along the river which he frequented, as pleasantly as ever. The same everlasting serenity will appear in this face of God, and we will not be sorrowful, if he is not.
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As long as I can remember I feel I have had this great creative and spiritual force within me that is greater than faith, greater than ambition, greater than confidence, greater than determination, greater than vision. It is all these combined. My brain becomes magnetized with this dominating force which I hold in my hand.
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It was getting dark so suddenly that Alice thought there must be a thunderstorm coming on. What a thick black cloud that is! she said. And how fast it comes! Why I do believe it's got wings!
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When we honestly ask ourselves which person in our lives mean the most to us, we often find that it is those who, instead of giving advice, solutions, or cures, have chosen rather to share our pain and touch our wounds with a warm and tender hand. The friend who can be silent with us in a moment of despair or confusion, who can stay with us in an hour of grief and bereavement, who can tolerate not knowing, not curing, not healing and face with us the reality of our powerlessness, that is a friend who cares.
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History leaves no doubt that among of the most regrettable crimes committed by human beings have been committed by those human beings who thought of themselves as civilized. What, we must ask, does our civilization possess that is worth defending? One thing worth defending, I suggest, is the imperative to imagine the lives of beings who are not ourselves and are not like ourselves: animals, plants, gods, spirits, people of other countries, other races, people of the other sex, places and enemies.
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I was lucky enough to see with my own eyes the recent stock-market crash, where they lost several million dollars, a rabble of dead money that went sliding off into the sea. Never as then, amid suicides, hysteria, and groups of fainting people, have I felt the sensation of real death, death without hope, death that is nothing but rottenness, for the spectacle was terrifying but devoid of greatness... I felt something like a divine urge to bombard that whole canyon of shadow, where ambulances collected suicides whose hands were full of rings.
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Would you who judge of the lawfulness or unlawfulness of pleasure, take this rule; whatever weakens your reason, impairs the tenderness of your conscience, obscures your sense of God, or takes off the relish of spiritual things; in short; whatever increases the strength and authority of your body over your mind, that is sin to you; however innocent it may be in itself.
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Experience, though noon auctoritee Were in this world, were right ynogh to me To speke of wo that is in mariage.
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With proud thanksgiving, a mother for her children, England mourns for her dead across the sea. Flesh of her flesh they were, spirit of spirit, Fallen in the cause of the free. Solemn the drums thrill: Death august and royal Sings sorrow up into immortal spheres. There is music in the midst of desolation And a glory that shines upon our tears. They went with songs to the battle, they were young, Straight of limb, true of eye, steady and aglow. They were staunch to the end against odds uncounted, They fell with their faces to the foe. They shall grow not old, as we that are left grow old; Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them. They mingle not with laughing comrades again; They sit no more at familiar tables of home; They have no lot in our labour of the day-time; They sleep beyond England's foam. But where our desires are and our hopes profound, Felt as a well-spring that is hidden from sight, To the innermost heart of their own land they are known As the stars are known to the Night; As the stars that shall be bright when we are dust, Moving in marches upon the heavenly plain, As the stars that are starry in the time of our darkness, To the end, to the end, they remain.
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