For Africa to me is more than a glamorous fact. It is a historical truth. No man can know where he is going unless he knows exactly where he has been and exactly how he arrived at his present place.
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Shall hope prevail where clamorous hate is rife, Shall sweet love prosper or high dreams have place Amid the tumult of reverberant strife 'Twixt ancient creeds, 'twixt race and ancient race, That mars the grave, glad purposes of life, Leaving no refuge save thy succoring face?
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The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world. The last scud of the day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre for your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.
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The Rich arrived in pairs And also in Rolls Royces; They talked of their affairs In loud and strident voices... The Poor arrived in Fords, Whose features they resembled; They laughed to see so many Lords And Ladies all assembled. The People in Between Looked underdone and harassed, And our of place and mean, And Horribly embarrassed.
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There was no exaggeration in Marian's definition of Flintcomb-Ash farm as a starve-acre place. The single fat thing on the soil was Marian herself; and she was an importation. Of the three classes of village, the village cared for by its lord, the village cared for by itself, and the village uncared for either by itself or by its lord (in other words, the village of a resident squires's tenantry, the village of free or copy-holders, and the absentee-owner's village, farmed with the land) this place, Flintcomb-Ash, was the third. But Tess set to work. Patience, that blending of moral courage with physical timidity, was now no longer a minor feature in Mrs Angel Clare; and it sustained her.
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We are chameleons, and our partialities and prejudices change place with an easy and blessed facility, and we are soon wonted to the change and happy in it.
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We shall not cease from exploration and the end of all our exploring will be to arrive where we started and know the place for the first time.
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Oh! Pilot! 'tis a fearful night, There's danger on the deep, I'll come and pace the deck with thee, I do not dare to sleep. Go down, the sailor cried, go down, This is no place for thee; Fear not! but trust in Providence, Wherever thou mayst be. Ah! Pilot, dangers often met We all are apt to slight, And thou hast known these raging waves But to subdue their might. It is not apathy, he cried, That gives this strength to me, Fear not but trust in Providence, Wherever thou mayst be. On such a night the sea engulphed My father's lifeless form; My only brother's boat went down In just so wild a storm; And such, perhaps, may be my fate, But still I say to thee, Fear not but trust in Providence, Wherever thou mayst be.
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Had he and I but met By some old ancient inn, We should have sat us down to wet Right many a nipperkin! But ranged as infantry, And staring face to face, I shot at him as he at me, And killed him in his place. I shot him dead because-- Because he was my foe, Just so: my foe of course he was; That's clear enough; although He thought he
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Take my love, take my land Take me where I cannot stand I don't care, I'm still free You can't take the sky from me Take me out to the black Tell 'em I ain't comin' back Burn the land and boil the sea You can't take the sky from me There's no place I can be Since I found serenity But you can't take the sky from me
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For I do not believe God means us thus to divide life into two halves - to wear a grave face on Sunday, and to think it out-of-place to even so much as mention Him on a week-day. Do you think He cares to see only kneeling figures and to hear only tones of prayer - and that He does not also love to see the lambs leaping in the sunlight, and to hear the merry voices of the children, as they roll amoung the hay? Surely their innocent laughter is as sweet in His ears as the grandest anthem that ever rolled up from the "dim religious light" of some solemn cathedral?
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In bestowing charity, the main consideration: should be to help those who will help themselves; to provide part of the means by which those who desire to improve may do so; to give those who desire to rise the aids by which they may rise; to assist, but rarely or never to do all. Neither the individual nor the race is improved by almsgiving. Those worthy of assistance, except in rare cases, seldom require assistance. The really valuable men of the race never do, except in case of accident or sudden change. Every one has, of course, cases of individuals brought to his own knowledge where temporary assistance can do genuine good, and these he will not overlook. But the amount which can be wisely given by the individual for individuals is necessarily limited by his lack of knowledge of the circumstances connected with each. He is the only true reformer who is as care ful and as anxious not to aid the unworthy as he is to aid the worthy, and, perhaps, even more so, for in almsgiving more injury is probably done by rewarding vice than by relieving virtue. The rich man is thus almost restricted to following the examples of...others, who know that the best means of benefiting the community is to place within its reach the ladders upon which the aspiring can rise: free libraries, parks, and means of recreation, by which men are helped in body and mind; works of art, certain to give pleasure and improve the public taste; and public institutions of various kinds, which will improve the general condition of the people; in this manner returning their surplus wealth to the mass of their fellows in the forms best calculated to do them lasting good.
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When all the world is young, lad, And all the trees are green; And every goose a swan, lad, And every lass a queen; Then hey for boot and horse, lad, And round the world away; Young blood must have its course, lad, And every dog his day. When all the world is old, lad, And all the trees are brown; And all the sport is stale, lad, And all the wheels run down; Creep home, and take your place there, The spent and maimed amoung: God grant you find one face there, You loved when all was young.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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Oh, fuck you! Fuck you, pal! There you go again trying to pass the buck. I'm the source of all your misery. Who closed the store to play hockey? Who closed the store to go to a wake? Who tried to win back his ex girlfriend without even discussing how he felt about it with his present girlfriend? 'I'm not even supposed to be here today.' You sound like an asshole! Jesus, nobody twisted your arm to be here today. You're here under your own volition. You like to think that the weight of the world rests on Dante's shoulders. Like this place would fall apart if Dante wasn't here. Christ, you overcompensate for what's basically a monkey's job. You push fucking buttons. Anybody can just waltz in here and do our jobs. You're so obsessed with making it seem so much more epic and important than it really is. You work at a convenience store, Dante! And badly, I might add! I work at a shitty video store, badly as well. That guy Jay's got it right, man. He's got no delusions about what he does. Us, we like to think that we're so much more advanced than the people that come in here everyday to buy paper, or, god forbid, cigarettes. Well, if we're so fucking advanced, what are we doing working here?
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I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers at their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever knows. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history. Sometimes a man hits upon a place to which he mysteriously feels that he belongs. Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest.
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As I pass through my incarnations in every age and race, I make my proper prostrations to the Gods of the Market-Place....
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Remember not only to say the right thing in the right place, but far more difficult still, to leave unsaid the wrong thing at the tempting moment.
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Home is the place where, when you have to go there, they have to take you in.
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Most of man's problems in the modern world arise from the constant and unavoidable exposure to the stimuli of urban and industrial civilization, the varied aspects of environmental pollution, the physiological disturbances associated with sudden changes in ways of life, the estrangement from the conditions and natural cycles under which human evolution took place, the emotional trauma and the paradoxical solitude in congested cities, the monotony, boredom and compulsory leisure
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After the cheers have died down and the stadium is empty, after the headlines have been written and after you are back in the quiet of your room and the championship ring has been placed on the dresser and all the pomp and fanfare has faded, the enduring things that are left are: the dedication to excellence, the dedication to victory, and the dedication to doing with our lives the very best we can to make the world a better place in which to live.
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For I do not believe God means us thus to divide life into two halves - to wear a grave face on Sunday, and to think it out-of-place to even so much as mention Him on a week-day. Do you think He cares to see only kneeling figures and to hear only tones of prayer - and that He does not also love to see the lambs leaping in the sunlight, and to hear the merry voices of the children, as they roll amoung the hay? Surely their innocent laughter is as sweet in His ears as the grandest anthem that ever rolled up from the 'dim religious light' of some solemn cathedral?
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(Poetry) It’s the place in language we are most human and we can see ourselves fully – far more than prose in fiction. A poem is able to hold so much in so little space. It’s a time capsule, a Tardis so much bigger on the inside than it seems on the outside.
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After the cheers have died down and the stadium is empty, after the headlines have been written and after you are back in the quiet of your room and the championship ring has been placed on the dresser and all the pomp and fanfare has faded, the enduring things that are left are the dedication to excellence, the dedication to victory, and the dedication to doing with our lives the very best we can to make the world a better place in which to live.
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A family is a place where minds come in contact with one another. If these minds love one another the home will be as beautiful as a flower garden. But if these minds get out of harmony with one another it is like a storm that plays havoc with the garden.
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Volunteers Many will be shocked to find, When the day of judgement nears, That there's a special place in Heaven Set aside for volunteers. Furnished with big recliners, Satin Couches and footstools, Where ther are no committee chairmen, Nor yard sale or rest area coffee to serve. No library duty or bulletin assembly, There will be nothing to print and staple. Not one thing to fold and mail, Telephone lists will be outlawed. But a finger snap will bring Cool drinks and gourmet dinners And rare treats fit for a king. You ask, Who'll serve these privileged few And work for all the're worth? Why, all those who reaped the benifits, And not once volunteered on Earth.
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The working-class is now issuing from its hiding-place to assert an Englishman's heaven-born privilege of doing as he likes, and is beginning to perplex us by marching where it likes, meeting where it likes, bawling what it likes, breaking what it likes.
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Nothing in this world can take the place of persistence. Talent will not; nothing is more common than unsuccessful people with talent. Genius will not; unrewarded genius is almost a proverb.
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Firm, faithful, and devoted, full of energy and zeal, and truth, he labors for his race; he clears their painful way to improvement; he hews down like a giant the prejudices of creed and caste that encumber it. He may be stern; he may be exacting; he may be ambitious yet; but his is the sternness of the warrior Greatheart, who guards his pilgrim convoy from the onslaught of Apollyon. His is the exaction of the apostle, who speaks but for Christ, when he says, Whosoever will come after Me, let him deny himself, and take up his cross and follow Me. His is the ambition of the high master-spirit, which aims to fill a place in the first rank of those who are redeemed from the earth -- who stand without fault before the throne of God, who share the last mighty victories of the Lamb, who are called, and chosen, and faithful.
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This is the true nature of home -- it is the place of Peace; the shelter, not only from injury, but from all terror, doubt and division.
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