Long Van gogh Poems
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To the proud parents, Anna and Theo
A serious lad, silent and thorough
A clan of preachers
And dealers of art
From the southern Netherlands came Van Gogh
When sent to school, he did not want to go
The separation led to much sorrow
But he learned to draw
Whatever he saw
Sent off to sell art in Paris, Van Gogh
His happiest time, and now in love, oh
Till the landlady’s daughter told him no
Now a broken heart
Surly to sell art
Fired from his job in Paris, Van Gogh
Vincent sought out a coal miners’ burrow
A priest of sorts, but a squalid fellow
The church was appalled
And cursed his resolve
To the asylum for crazy Van Gogh?
His father baffled, on the verge of foe
Art interest, once again, began to grow
Back to school again
This time, in His name
To paint in the service of God, Van Gogh
School’s out, back to his parents he would go
Using neighbors as subjects to ditto
Proposed to his cousin
Which she found disgustin’
Burning his hand to see her, holy Van Gogh!?!
Now off to The Hague, a family furlough
To live with Sien, a boozing bimbo
A man to see ya…
Caught gonorrhea
Three weeks in the hospital for Van Gogh
The pain of loneliness drove him back home
Once again, a failed love with fair Margot
Then Vincent’s father died
He grieved deeply inside
The tragedy further refined Van Gogh
Finally, Vincent’s work was in the know
“The Potato Eaters” made an art show
Just add more color
Said his dear brother
Rubens brightened the dark gloom of Van Gogh
Vincent’s diet: coffee and tobacco
Mixed with absinthe began to take its toll
Though he kept on painting
Then Paris, more training
The end was getting closer for Van Gogh
The masters: Monet, Degas, Pissarro
Cezanne, and Seurat in his studio
Influenced his style
Learning all the while
That time was running out for Mr. Van Gogh
Then he moved to Arles, bad health in tow
Completing great works the whole world would know
“Sunflowers” (in vase)
“The Café Terrace”
Minus one ear, the frail, ailing Van Gogh
With his tattered mind, and mournful woe
Committed to the asylum, Mausole
With his final works
“The Church at Auvers”
“Starry Night” was painted in pain, Van Gogh
“At Eternity’s Gate”, he was sorrow
Wandered into a field, farmer’s fallow
Put a bullet in his chest
In hopes of peaceful rest
“The sadness will last forever”, Van Gogh
I’m just having a good laugh while I still can dude before life takes its heavy grip
Until the community of clowns in disguise tie my tongue to their altar of reason
You think of a genius in the making but I just blew bubbles from my backside
Need some counter balance as not to think I’m off parity before the next photo
For the record I’m a bit sick of all those Rolling Stones songs on your play list
I can get satisfaction and you will be dancing to my tune as long as I tell you
Not yet silenced I am and you can’t always get what you want but will receive
What you need and moss could grow fat on that stone if you tried hard enough
I am your American dream or just pie in the sky for pi is a resolute number
And while I look like a young Einstein I favour the arts and a poet I’ll be
‘Baby’s got blue eyes holding back the pain’ reflecting the glow on your face
Give me face paint and Munch’s scream will look like Monet’s water colours
And those cute little ears I hear you marvel such fine complete composition
Soon they will find an audition of rebellion ignoring trite shallow advice
Craft verses and rhythm deliver fine words you never dreamt of hearing
The comedy will be shattering with a bit of existential philosophy in the mix
You can project dadada’s and incy-wincy spiders as long as the cows mew
I drink from a fountain of pleasure and spill ink on your canvas of conditioning
Think that I am overanalysing but that is what you do when I smirk and giggle
Canned laughter comes in Campbell’s soup cans and better Warhol than wars
Innocent facial composure lies in the eye of beholders and dreams are for real
Let me play for that is the best I can do when drama and tragedy loom so soon
I’ll have my dreadlocks in plaits and you must not be scared of Sylvia’s mother
Van Gogh had one ear but a writer needs only one incisive tongue to critique
My stream will be subconscious when I write about the meaning of imagination
When naïve contortions depict a world with smiles laughter and freedom
I will not change much from when the photographer took this digital image
Blue eyes stuck out tongue two ears one voice whatever you make of it now
25th April 2019
Written for contest: Baby Face What's You Thinkin
Sponsored by James Edward Lee Sr
Photo 2
Bob, the cat, lives in the room number 13 of the sixth avenue.
He likes fish, rollercoaster, ice cream cones and Sunday papers.
He's an artist. He's a painter. When people ask him about his latest work, he answers:
"I'm painting the meaning of life. I'm coloring it black, but my inner self keeps telling me it's green."
He has gothic way of seeing materials and articles.
He wishes everyone to speak in fragments of literary lyrics, and then he would spend all his days tangling these fragments making an abstract form out of a puzzle.
He goes for a walk before breakfast; walking on two legs, wearing a leather jacket, and whistling after big ass women are his forte.
He passes Mr. Pumpkin floral shop, turns into the eighth avenue, and enters his favorite café called "Your Favorite Café".
He sits on the second chair at the second table, and orders a coffee:
"Black, dark and bitter like a cat's soul", he says to the waiter.
He sits there all morning, sipping his black coffee, dreaming about how it would be if his past, present and future selves exist together, thinking in sync, and communicating through a common medium of artistic sense, saying words in the silence notes of Van Gogh.
He dances all the way home. If anyone cares to ask, he says:
"I'm drunk in Coffea Arabica, a perfect weed to make you tantalize with Arabian dreams and gives your nerves a breakdown."
Dancing along the pavements, he counts the roses in beats.
One, two, three, four… two, two, three, four… three, two, three, four, and so on.
The number of roses is directly proportional to the number of steps he's gonna salsa in the bathroom.
He sits on the toilet bowl, and deciphers the problems with human rights.
He stands on one leg on the bathroom floor, with arms spread like hugging the air, mouth wide opens.
He squeaks like a mouse and tries to hop like a rabbit.
He falls hard, crashing the cold bathroom tiles.
He bleeds red like the color red.
He says "Perfect".
He runs into the bedroom. There stands his actual latest work, the heart of a vampire, portraying himself with a deadly cat fangs and a wicked mustache.
He splashes his blood all over the painting, and shouts "eureka".
He starts to hum Yankee Doodle through his nose.
He falls asleep, and dreams about dinner.
"Scramble eggs with tomatoes".
Vincent…
This is the time of the year
When I see the ravens and the crows
Especially in an open field...
It's when I think of you…
I catch myself remembering…
I have to stop myself and breathe…
I daydream of our starry nights
I think of the ravens and the crows…
I think about your untimely plight
I wonder if you ever felt like me
If you ever felt my presence near you
And I wonder now….wherever you are
If you ever missed me too.
Could you have ever imagined
Could you have possibly known
That I’d still be thinking of you
Missing you...
After more than one long century.
It’s only been a hundred years or so
Since you severed off your ear
Since you shot yourself
Since you killed yourself
Since you shortened all your years.
If I had been there and loved you
Could I have saved you from yourself
Would it have made a difference
Or would everything have turned out the same
Would we both still be feeling lonely
Would you still be thought insane?
I did love you Vincent
I just could never let it show
I didn’t know how to tell you
Back before these 100 years
I just kept hoping
that somehow you would know.
Whenever I am in Chicago
I visit the Art Institute and sigh
As I gaze upon your starry skies
I stand before your paintings in wonder
And look deep within your eyes.
I always have to ponder
If you painted thinking of me
I know that you always knew
That I loved your greens and vibrant blues
I see that you tried to show me
How the stars reflected you in my eyes
I see the colors that you have chosen
Have always revealed your truth.
When I see your painting
Of the ravens and the crows
I know that you remembered
How the sky that day looked too
How it felt to have autumn ending
And winter closing in
How wonderful that day was
How happy we had been.
The last time we were together
Everything seemed so right and true
I had no idea
Your heart had turned so blue.
Your feelings always hidden
You never said a word
How things would tragically end
There never was a clue.
So now I stand here after 100 years
I still miss you Vincent.
I really, really do.
I wonder if you are thinking of me
And if you are happy or if you are blue.
(November 16, 2010 Wausau, Wisconsin)
(c) Copyright 2010 by Christine A Kysely, All Rights Reserved,
Drop picture till six
The land like Pokémon kills
Nearing a tornado’s kiss?
Lift picture to three
The earth seems a lot different
And looks extreme wilderness!
Turn picture upward
Rapid rivers dash inward
Floods hit mountains and stumble!
See Ottoman cries!
Its history in Palestine
Breaks loudly a hurting cry!
Until the see twirls
Syrian shores to Lake Err!
In one tsunami fits in!
Turn picture around
Look at it from the back side
Night time is facing big sigh!
Walk around clockwise
Walk around counter clock’s wise
What’s the difference at bright?
Look carefully at
While standing behind that
Her shoulders and her two arms
South America?
Thirst for the Atlantic’s tap
See a side face that had trapped?
Is there another mountain?
Leaking black gas surrounding
Happy carnival, walking?
See the dancing sleeves?
While wild fire nears the streets
On her leaning arm as seen?
The plate is moving!
South America swimming?
The south is wetting valleys!
Would waters sink in?
Reaching Amazon’s region
From the forest’s province?
Incline her to three
See volcano born from sea?
Crafting her right cheek’s sad fear?
Is it Gibraltar?
Suddenly speaks, spreads horror
Causing Mona Lisa’s shock?
Tilt her down to six
See Morocco’s beaches quick?
Nearing the west in a blink?
Or causing that lint
To near Africa’s dark flint?
Marrying mounts in a blink?
Prop to quarter till
Watch! The height of the waves bring
Over Mona’s head curving!
Prop her upward to
See again what had done to
See fire rocks drop next to!
Is she hugging babe?
Alive or faint but looks dead?
Leaning on her charm screen scared?
She’s holding a rose!
Or holding one stem of corn?
Looks like child’s hand overall!
Near a villager’s
Boat on top of the mountain
Does sail or drifts to go float?
But, a pyramid
More likely to look amid
Mountain tops and gardens’ bits!
Spin picture right this
Minute, a serpent showing
Behind two wed couples’ kiss!
Aruba under
Her nose moving to northeast
Survives a great flood beneath!
Walk ahead the screen
See Mona is still weeping
For two thousand twelve... searching!
By: Nadia F. Shahwan – April 2009. Note: This is an innocent discovery to analyze the
beauty of the famous Mona Lisa by Van Gogh.
Decades of a formula that only he knew about it and drew,
Cascades of his artwork came to a head in his last years,
Glissades of a swan in a lake that only a handful had seen,
Tirades made its mark on him, distant from fellow peers.
~~[Van Gogh]~~
Impressed of his art garnered some interest in his style,
Oppressed, a constant companion only he can befriend,
Obsessed by what he drew insanely violent he withdrew,
Distressed he found salvation in asylums to not descend.
~~[Wheatfield With Crows]~~
Crows, black gawking, feed in a meadow ache for harvest,
Know that art needs to be made, scheme food for thought,
Those sinister birds, a murder of crows festering the grain,
Throes a fit mocking 'em, flys, pained him more than aught.
~~[Starry Night]~~
Bleak sky of blues, stars gave rise to a miracle been made,
Streak of a sprawl unfurls his heavens tethered madness,
Speak not lest he loses his concentration, maintains focus,
Meek town his groundwork, lofty jewel amidst the sadness.
~~[Bedroom At Arles]~~
Red, that laid on a bed, table, chairs, paintings on the wall,
Said was where he severed his ear, water bowl mirror hung,
Head bandaged where he bled, he does a self-portrait of it,
Deadman walking, Gauguin part ways, no song to be sung.
~~[Self-Portrait Bandage Ear And Pipe]~~
Drew closer, when they were both young, be such friends,
Few friends Van Gogh had, Gauguin was at that moment,
Grew apart after Vince shaving Paul, Vince wanted to hurt,
Knew time together was getting just a bit grave and potent.
~~[House At Auvers]~~
Return to Arles made Van Gogh happy for good times there,
Upturn spirits was a rarity, too few and far in the middle,
Discern with him was questionable because he's unstable,
Concern for his good, art kept him busy, else is second fiddle.
~~[Doctor Gachet]~~
Fields back of the house, a pistol, he plans to shoot himself,
Wields his pistol, shoots, nobody hears, years gun lays hidden,
Yields his brother Theo to his side as doctor aides him little,
Shields truth futile, his art was world-renown, dies bedridden.
The following is a tribute to Vincent Van Gogh, the amazing artist who died of his own hand in 1890. He died, tragically alone, and in obvious pain, unrecognized and unappreciated by the people of his day. But, in 1972, a talented young recording artist, Don Mclean, wrote and recorded a beautiful and stirring tribute to the artist, Vincent. The following are the lyrics to the song, featured on the American Pie album. I hope you will appreciate not only the sentiment so beautifully expressed, but the marvelous imagery and flawless poetry. It moves me; I hope it will likewise move you. And now, Vincent:
Starry, starry night,
Paint your palette blue and grey,
Look out on a summer's day,
With eyes that know the darkness in my soul.
Shadows on the hills,
Sketch the trees and the daffodils,
Catch the breeze and the winter chills,
In colors on the snowy linen land.
Now I understand, what you tried to say to me,
And how you suffered for your sanity,
And how you tried to set them free--
They would not listen, they did not know how,
Perhaps they'll listen now.
Starry, starry night,
Flaming flowers that brightly blaze,
Swirling clouds in violet haze,
Reflect in Vincent's eyes of china blue.
Colors changing hue,
Morning fields of amber grain,
Weathered faces lined in pain,
Are soothed beneath the artist's loving hand.
Now I understand,
What you tired to say to me,
And how you suffered for your sanity,
And how you tried to set them free--
They would not listen, they did not know how,
Perhaps they'll listen now.
For they could not love you,
Though your love was true,
And when no hope was left in sight
On that starry, starry night,
You took your life as lovers often do,
But I could have told you, Vincent,
This world was never meant for one as beautiful as you.
Starry, starry night,
Portraits hung in empty halls,
Frameless heads on nameless walls,
With eyes that watch the world and can't forget.
Like the strangers that you've met,
The ragged men in ragged clothes,
The silver thorn of bloody rose,
Lie crushed and broken in the virgin snow.
Now I think I know,
What you tried to say to me,
And how you suffered for your sanity,
And how you tried to set them free--
They would not listen,
They're not listening still...
Perhaps they never will.
~M
PART 1-- VINCENT DIED JULY 29
VINCENT VAN GOGH
Oh Vincent, too soon you said goodbye
Each time your love rejected, emotions set awry
Your hand above, the lamps hot flame
To prove in time, your love won’t wane
Each failure then, became your bane
That memory faded, but love, came not again
Your brothers love, the only one
Throughout your life, you counted on
And those few friends, which once were close
Each in their turn, did you dispose
Like those bad seeds “The Sower” threw
Were tossed aside, and never grew
Regressing shades, of grey from white
Lights that flickered, through the night
You became a somber, tortured soul
You tried but could not, find your role
The acceptance, which you hoped to find
With each descent, you lost your mind
On your release, from “Madhouse Garden”
Your senses dulled, your “Sorrow” hardened
You still envisioned, “Flowering Orchards” blooming
Contrasting days, frustrations looming
Shadows formed, in weightless plumes
From the “Old Cemetery Tower” and its tombs
Soon days of joy, your senses rouse
Bringing renovations, to “The Yellow House”
Long travels through, the countryside
Those paintings that, you did with pride
Enormous swings, from “Wheatfield’s In Rain”
To “Wheatfield With Crows”, that caused you pain
Elemental formulations of healing for the soul
Consequential co-ordinations as we resist growing old
Monumental calculations from a mind in the scientific cold
Fundamental indignation from a heritage that has been cheaply sold
Inspiration from an underground rebellion against corruption
Congregations gathering peacefully while they plan the next outrageous eruption
Elevations of encouragement reserved for the next humble induction
Consternations of conscience as they deliberate the latest disruption
Elated Birthrights of grace that alleviate the suffering of man
Conflated sights of misplaced rights that insight the oppressed to take a stand
Berated knights of armies that fight for the underprivileged lands
Outdated insights from the furtherest from right that cannot reach out to take their neighbours hand
Sorrow amidst the grieving leaves of the oldest oak lined tree
Tomorrow rids the meaning of the boldest manoeuvre to be free
Borrow a reference from those streaming the coldest point of view even though they cannot see
Chateaux of Buddhist Mist resists those seeming as though they understand what it means to just “be”
Retrospective Franz Kafka, Kubrick and Van Gogh are turning in their respective artistic graves
Genuflective baroque bursts out in the streets and illuminates the belligerent and brave
My perspective resists the twists in the narrative that perpetuate the misrepresentation of knowledge in this dying age
Defective subjectives invoke word detectives as contradictions alleviate words from a sage
Retreating from gender and bigotry , racism, discrimination and persecution
Completing a consulate meeting while avoiding contamination of your verbal elocution
Deleting the render of fascism, recrimination and avoiding electrocution
Competing the bender of catachlysm while intimidation forces an absolution
Give peace a chance while you look at him askance and allow a new world to now form
Live through this strange dance while the privilege prance and the poor remain utterly forlorn
Forgive the wanton violent stance of those who are existing war torn
Outlive the demise of the good in disguise as a baby cries after being born
The End Copyright Elizabeth Moroz
You know me as a poet, and writer of poems sad,
I take poetic license, violating rules and conventions;
telling a story using figurative language, I share,
my life's journey and sorrows in beautiful words.
Few beyond this safe harbor have read my poetry,
I write with raw emotion and I lay my soul bare;
my poems are my treasures and I keep them hidden,
oh, fathomless is the pain.
My view on life is somewhat sadly fatalism,
my destiny foretold, it is already written;
there are many facets to me that I share with few,
oh, classical music moves me to write my poetry and words;
I love Chopin, poet of the piano, Mozart, oh that lyrical charmer.
And I am a lover of art, going to the art gallery weekly,
I love Van Gogh, Degas, Pissario, Bernini and Botticello;
Leonardo and of course, Michelangio, I could go on and on.
I am also fascinated in the architecture in my city.
Often, I just walk the streets looking for beauty,
admiring Gothic revival with its arches and vaults;
and I love the Victorian building where I reside,
with my cat.
I have a small garden, created with a love for nature,
a tribute to my mother's great fondness of flowers.
the things you may not imagine about me are many, for example
I adore vintage jewelry and clothes, and antique anything;
and I am a collector of books, reference, dictionaries, all in a clutter.
And one last thing that I find so very odd and strange,
is that although since childhood I have walked with death;
and death haunts me- I am quite happy, although quite internal,
and I do love and absolutely need my silence.
_________________________________
July 30, 2015
Poetry/Verse/All That I Am
Copyright Protected, ID 30-695-897-30
All Rights Reserved, 2015, Constance La France
Submitted to Standard Contest # 260,
sponsor, Brian Strand
Fifth Place
_____________________________
Submitted to Standard contest, 100 In A Row #1,
sponsor, Poet Destroyer
Fifth Place
_______________________________
Submitted Premier to the contest, All That I Am
sponsor, C. Puddifoot,
Seventh Place