Long Cane Poems
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I could recall some years ago
The day that sealed the deeds of the deal
And dot the long journey of nine months
In my calendar of the years
The same brought about the cry
That started the journey of my childhood…
What a honey of motherhood?
An answer to your heart cry
You were assisted and ushered
Into the labor room
Like my savior was accompanied
To Gethsemane and went further
With the burden of sin of perishing souls
He bent His knees in prayers;
He sweated blood
So you lingered 'un-angered'
With the burden of a baby boy
You genuflected in labor
Fear with joy loomed in the air
Swimming in the ocean tides of the clouds
And I could see water dripping
Down your cheeks and nostrils
All because of me
Could I see any one that flogged you?
No! It's I beating you from within
Not with cane but with pains
Like a sheep before its shearer
You journeyed between life and death
All because of me!
It would have been simple if that was all
But I could see
Like two of your younger ones
Even of your daughter's age
Shouting at you
Push! Push! Push!
Else you kill this baby
What ridicule leading a miracle?
All because of me!
Push! Push! Push!
That was their shout and cry
That ushered me into a new world
Right at their ward
That was not because they're wayward
It was a labor room
It was labor for you
That which ignited my favour
What a pain heralding a gain?
But it was like a pay to me
I took it for a ride but
It was mother’s pride and joy
I thought it was play
Until she smacked and spanked me
Yet they succeeded
As they persuaded you and encouraged you
Then and there with flow of water
And pool of blood you pushed forth
And you pushed through.
I thought it was a favour and for my good
Only to see her hand carried me
As if she was all out to help
But it was only to cut the cord
While I held my hands together
Lost in the comfort and dream
Of the cosy womb
She took me out of the comfort zone
She smacks and spanks me
Again, again, and again
She made me to cry and never cared to say sorry
But told stories
He's another boy, she said
Right there she baptized me
Into a new world
She dragged that thing
She called cot to your side
And placed me in it
Alone I was laid crying
And all she did was to laugh at me
Mum. Her white uniform belied her act
Dedicated to V.A Aderounmu.
© Fisayo Aderounmu.2012
An English Life
It is midnight the Milk train pulls into darnall station
No ordinary passengers here
Steelworkers with their families
Loaded with fishing tackle, sandwiches and maggots
The Fossdyke in Lincolnshire, their destination
The fare Half a crown for happiness
The long walk in the dark,
A stairway to heaven in my memory
Dawn on the Foss and a cup of tea,
Fever in the blood, the first eel of the day
Our cane rods lovingly handed down from father to son.
I remember, Pheasants looking for mates
Shrieking their songs of love
Swans begging for scraps
Their majestic white necks, nodding,
A greeting into their kingdom
The mist off the water revealing families,
being together, laughing, enjoying what was free.
For tomorrow the grime returns.
A conversation with a stranger then out of a bag,
The rabbits, sometimes hare, sometimes pheasant.
Onions and carrots, shortly follow
The smell, forever linked with summer
The scent of my childhood
Summers were hotter then;
At times I drank the Foss, for I was nature’s child
Being clean was never a priority,
Catching fish was, never killed always returned,
Our Covenant with Nature.
For it is the sport that we honour.
And with age comes reflection,
Poor I may have been, my education neglected
But I have a Doctorate in nature, for I have seen the dawn
Away from the factories, where the pheasant runs free
And where the swan reins king, I was part of them.
It was here I learned what family was,
To share, my last drink of pop with my neighbour,
A simple life, maybe, but what a life
For I have seen what Constable painted
Lived every word that Wordsworth wrote
Understood the Fragrance of the Flowers
And revelled in the poets dream.
I loved every colour, every sound, every scent,
And every fish I ever caught.
Father and mother are gone now,
Never complained about their Station in life,
For they found paradise on the Foss.
They left me the seeds to their heaven
And the key to my happiness
A key forged in a mans worth
To open up my soul to the beauty
That surrounds us all.
Dawn on the Foss, was my church
My soul was cleansed here
And my heart was shaped here
My memories kept safe here
And the Foss fever still resides here
I will die on some bank side, one day
Rod in hand, and I will be content,
So Tight lines my fellow Anglers.
1. This ole world is cavalcading escalading, towing down;
Falling down into the premises of unusualness;
Solid confines to the missions hell bent;
Loss in its shame, borrowing time;
Everyone everywhere is swallowing sin;
While the naysayers keep welcoming them in..
Chorus:
Spinning, and turning and whirling of things;
Tell me God what does it bring;
All these things I've mentions above;
Up, up above my head;
Up above my head;
2. Image now, how would it be, could you be free;
Left alone drinking miscalculated teas;
Raisin cane and eat manna breeze from the trees;
What does it mean is it a dream?
And all these things again, mention above;
Where is t he love?, what? where is the love?
Chorus:
Spinning, and turning and whirling of things;
Tell me God what does it bring?
All these things I've mentions above;
Up, up above my head;
Up above my head;
3. Missing mountains and trail condescending;
No one is gathering everyone meandering;
What must I do to love and embrace you;
Shovel in my hand standing in the sand;
Feeling the heartbreak of mankind demeanor;
Leaving hatred in a container of oven cleaner;
Chorus:
Spinning, and turning and whirling of things;
Tell me God what does it bring?
All these things I've mentions above;
Up, up above my head;
Up above my head;
And all these things again, mention above;
Up, up above my head, up above my head;
I'd rather be living than dying dead;
Heaven is where I want to lay my head;
All these things I've mentions above;
Up, up above my head;
4. I'd rather be living than dying dead;
Heaven is where I want to lay my head;
Mysteries and non compliances and misguided judgements;
All but a dream, every hates no love in their hearts see what I mean;
I have a motion that we won't judge them;
Chorus:
Spinning, and turning and whirling of things;
Tell me God what does it bring?
All these things I've mentions above;
Up, up above my head;
Up above my head;
And all these things again, mention above;
Up, up above my head, up above my head;
I'd rather be living than dying dead;
Heaven is where I want to lay my head;
All these things I've mentions above;
Up, up above my head;
Written word by James Edward Lee 1974
Arranged music by James Edward Lee & The Corinthian
From demo album "The World May End Tomorrow" 1970,1974,2017 (c)
Human history is full of trouble because religion has duped the human race and creates a lot of doubles all over the place. If I could turn the clock back in time, I would not change anything, but I would get what is rightfully mine.
If I could go back in time, I would conquer the mountains and build a shopping center in the middle of the tobacco land; I would expand the livestock and plant a gigantic cane field in the back yard.
I would develop the cotton farm and plant a sunflower field on the Lawn and pump cooking oil out of the belly of the beast and drain the color out of the human race and let it cover the entire street.
The color is full of trouble, and it has cast a sticky pigment on the universe and make us believe that the human body is made up of dirt, the British created this religious narrative with Adam and Eve at the center of the stage and the Prophet Mohammed dominating the Muslim race.
The narrative is so strong that it brainwashes every human being upon the barren land; it started from the babe in the womb, and it came to life in the temple of doom.
The scientist explains it and the religion fanatics’ shout about it but have no evidence to prove it. They continue to live a living lie and cast their breads upon the water until the day they die.
The romans started it and the British perfected it and everyone was brainwashed by it and start to believe it. Thanks to the Americans and the new world that rescued the human race from it.
The British is bound in traditions, they have created much of the history books on the land; the color trouble runs through the pages and create conflict among the human races.
Some people never overcome it, they die and go to the grave with it and a new generation is born with the color trouble spread out all over their face.
The stigma is still around and it has dogged some people in the town, color on food, color on face, color on house, color mingling in the dirt, color running on the street, color disrupting my heart beat, you must mix the two troublesome colors and make they stay together and if you think that it is improper let the different conflicting colors meet and let the Devil prowl around the street.
I would never change my color if you gave me a billion dollars. Let my color run all over the street until you accept my heartbeat.
Character.
That's where the biggest measurements,
truest tests of worth
should lie.
And yet, 'tis not so.
Sometimes, mostly, I believe
that it's indeed enough.
That being a good man
is enough to keep me afloat.
Sometimes, rarely, . . .
I don't.
How many good men die?
How many great people, nice guys,
saintly women, shining paragons of humanity -
are shunned?
People don't always look at you
with virtue in mind,
don't gaze through honor's eyes;
too often they look through you, into you,
to what you can do for them.
Too often they choose,
not to see the real source of light in front of them,
but instead just the glow of fool's gold;
warping your worth to mean usefulness
instead of selflessness,
utility instead of altruism.
Or they misread you entirely;
focusing solely on your looks,
or your wealth, or your mannerisms,
your attitudes;
one is chosen, only one is seen -
the one made to blemish and demean.
Very few gaze on the whole picture,
take in the whole work;
these are those you treasure.
The ones, also, of value,
the ones who are what they claim
and claim little more than living
in a respectable way.
But still, in this life,
character matters oft too little;
gathers all but nothing corporeal.
In the end, one must make a choice;
tangible wealth, or wealth of pride?
What matters to one more -
the character of the substance,
or the substance of the character?
I strive to continue
to believe that great people are there;
that who you are
makes a damn bit of difference.
But throughout that strife,
ever am I haunted, shadowed,
by one ceaseless question.
How many good men die?
That's it. That's what I want to know.
That's what follows and taunts me.
How many of them fall, without ever knowing
just what they've meant to those they've helped -
those they've served, protected, assisted, befriended?
Whether it was a much-needed pat on the back,
picking up a dropped cane, searching for something lost;
or something bigger -
a life given, an oath fulfilled,
a love or a friendship began and striven for -
how many never believe they've made a difference, however slight,
never realize what they truly were?
How many good men die,
having once or more asked a question of their own -
am I a good man,
was I a good man-
without their answer?
You came home from Quebec,
you were never alone;
your shadow chased you around town
like a dog in love or out of love.
They told me you have been to places
where flies sat conveniently on the ledges of your lips,
you've eaten ugali with your fingers, someone else's fingers,
soaked in saliva and the red juices of greens and beef liver
I remember you leaving Scott County to drive along the roads
of summer with green trees waving at you. You were famous.
You sent a picture of Niagara. Before a mirror,
I saw my eyes in the falls that should've lectured you,
then you sent Alberta dressed in flora and sunshine,
but before a mirror, I saw where sorrow dug trenches in my brow.
At sunsets, I watched the tired lights walked slowly westward like an old lady on quad cane ... and I forgot the sound of my name on your lips
When July entered our town with loud children, you were in Whistler. His mother is continuing in Paris,
and poor James, God rested his bones somewhere in London.
You killed me with Yellowknife when you spoke of the northern lights,
but not once questioned my lonesome nights in White Sulphur
where fresh winds licked the skirt of a White horse to ignite a horseplay
You say Saint John spoke proudly of Como,
so I searched the map to find you where you would sit to sip something
that spoke proudly of Campari Spritz.
I found Whistle Pig Stout.
Some nights, I'd search for you when my finger was tired of scooping peanut butter from a jar. I traced from Revelstoke to Squamish, then to Halifax,
but I found no lobsters big enough to keep you there.
You called about Ottawa, and I found Rideau Canal, a lazy river that still works for the people. You told me Tofino spoke proudly of Costa Del Sol,
so I searched the map to find you where you would drive along something that spoke proudly of Ruta del Sol y del Aguacate.
I found Chesterman Beach Road.
December drove you home, pulling down your dress
to cover the spots where the cold winds were touching you.
I am getting used to being single.
Written 03\28\20
Our drive started out like any typical summer trip into Philadelphia. Both buses rolling down the highway loaded with screaming teens, eager to reach their destination in a hurry. Rush-hour traffic was heavy, the white lines hidden beneath watery mirages that lifted only briefly beneath underpasses. The skyscrapers were barely visible through the thick haze of summer's heat. The skyline had the appearance of night and day clashing off in the distance. You could smell the rain approaching.
along city streets
slight breeze carries aroma
food and wet pavement
Once the children were safely inside, the buses continued to 30th street station, the only place the city allows buses to park free. The windows were all still down and the roof hatches open as the skyline grew darker. A light show was off in the distance and approaching quickly. The homeless people were now entering the train station in hopes to stay dry and earn a meal or some quick cash.
almost homeless
young girl wears a sign
on the corner
Inside the train station a young family sits on a bench awaiting the arrival of a family member. The benches line the hallway with vendors tucked in the center isle. We sit across from the young family, facing them as an elderly gentleman approaches them. In his arms he carries a sketchpad and a piece of charcoal. The little boy, probably about 10 years old, has grown tired of sitting by now, and his teenage sitters seem agitated by his silly games, the mother in frustration hands him money for a sketch.
with quick hands
he carefully sketches
to perfection
The oldest sister now amazed asks for her's as well. The man sketches her picture to a beautiful black and white replica. The mother refuses to spend another dime and sends him away without paying. Behind us sits another elderly man. He seems to be carrying on a very intelligent conversation with himself. This amazes the children for their final hour and fills them with much knowledge as they slide in to listen.
an old man speaks
as he looks to his right
just his cane sits
The last train has now entered the station and the crowds of people are disappearing outside. The storm has now passed and the sky left a permanent black with the coming of night. We headed outside to the buses to begun our return trip home.
on the street
two yellow buses
filled with rain
I only learned one thing in school
And that was how to fight
The teachers were always so good at it
And they were always right.
One teacher was nicknamed spitfire
Because she'd spit as she spoke
All the teachers wore mortar board hats
And wore long black cloaks.
Always late for lessons
Always got the cane.
School books hidden in your trousers never worked
You had to feel the pain.
One teachers face got so red when he got mad
We only had a riot in class nothing unusual
Didn't think we were that bad.
Our sports teacher used to whack us hard
When we forgot our P,E kir
And make us run through nettles
In bare feet the hurt more than a bit.
In science we always tried to make a bomb
And leave the gas taps on
We'd make pea shooters from biro pens
And when the teachers were facing the blackboard
We'd shoot at them then sit poker faced wasn't me Sir.
We'd hide around building corners
To gamble and smoke a crafty cigarette
Until one day a teacher came around suddenly
With a water jet.
One teacher had an affair with an other teacher
With a very pretty one with nice legs and blonde hair
I used to dream about
In my fantasies she was mine
It just wasn't fair.
I was convinced they were not human
But came from some other planet one day in spaceships
And not cars
Maybe they were from Mars.
We'd put condoms on door handles
Let the teachers tyres down on their car
Sneak into the girls changing room for an eye full
And steal their knickers and their bras
Sing rude words to songs at morning assembly
Throw stink bombs in the teachers lounge
Draw funny pictures in our books of our teachers with their trousers down.
Sometimes I'd be madly in love with a teacher or a girl pupil
And do nothing but day dream all day long
Skipping through fields of sunflowers hand in hand
Kissing like to clams under a tree all day long
Oh I was always in love with someone
And would often burst out in song.
I got good at forging homework diary signatures
Explaining why my homework wasn't done
It was always some far fetched story
Like I was chased by Atilla the Hun.
Ahh school days yes we were nothing more than savages
But the teachers were savages too
They should have changed the name school
To Human Zoo.
''I was a good boy I was''.
Peter Dome. Copyright.2015. June.
We Are One
Dear Ancient Sister
I hear your distant calls finding me on a gentle breeze
You have lived in my dreams for many seasons
My voice
Your voice
My soul
Your soul
And our Coming of Age
I have always known you...
I have heard your
Quiet whispers echoing in
The night coming close to me
I call to you ...
Let me be a part of your breath
I have always known your wounds and sorrow
I see the light and magic in your eyes...
The pain you carry so eloquently
I see your reflection in the clouds above
Carrying your soul wound on your sleeve
I see the deep crevasses and lines
In your grandmother’s hands
I hear the secrets beneath the earth of
Your grandfather’s footsteps
I see your reflection in the twilight
Of the evening... against pink watermelon hills
Your voice beckoning me onward closer to you
I see you in the moon and stars
Your buckskin dress adorned with
Ceremonial beads
Abalone shell against your forehead
The dirt beneath your moccasins
Grateful for the kiss of your dancing feet
I hear the echo in the distance of songs
The Elders sang...
During their passage here
You are born into a woman
Before my eyes and heart
Before your tribe
Before nature
A wise new feline
A mystical power with endless allure
A force that lifts and unites us all
As one
Your rays blessing us and leaving
A welcome imprint on our hearts
My Ancient sister
I drink in your wisdom and grace
I fly on your wings
You have shown me your world
Watching you dance
Becoming you for moments in time
Your silhouette etched by
The wild flames behind you
A glow radiating into
The night sky
The stories of your Ancestors
Filling the air with
Words and lessons and song
Notes sung into clenched fists
With bloodstained hands
The children and animals
Sensing all that was
And all that will ever be...
The call of a distant bird
The thumping of your cane on
The hungry earth
Keeping time with
The movements of your body
You will look back on this
Day as you walk with the
Same cane down the path of
Old Age...
Your wisdom
Cupping your heart gently
Ancient Sister of mine
I am in gratitude for
Your strength and courage
The kiss of your words and
The teardrops of your loss
Susan Lawrence
Copyright 2020
Original Artwork
Susan Lawrence
From the moment we became grandparents we have felt conflicted
at the way, in books and media, grandparents are depicted.
But we’ve been grandparents for a while now
(one grandchild just graduated college)
So we believe it is time to share some grand-parental knowledge…
When a cartoonist draws a grandma her hair is invariably in a bun
If she’s not wearing a sweater…chances are she’s knitting one.
When she walks it’s with a cane and we will forever take offense
how she’s always wearing glasses and has no fashion sense
When a cartoonist draws a grandpa he is never very tall
His hair is a vibrant shade of gray or white…if he has any hair at all.
His plaid pants never match his shirt…his glasses are as thick as a window pane
He could be in a wheel chair or like Grandma…walking with a cane.
If you look around at grandparents today, you’ll find us agile and nimble and spry
In fact you’ll discover to your amazement those old stereotypes don’t apply.
Deborah doesn’t wear a muumuu…her hair is never in a bun,
If you ask our grandchildren what they think, they’ll say their Nana’s fun.
She’s creative, she’s compassionate, she’s patient and I can verify
She’s great with babies, loves to bake and sings a soothing lullaby.
As for me, though I am a little bald, I don’t wear plaid pants, never would.
snd if I do say so myself, I make the clothes I wear look good.
I do not fish, don’t watch much TV, I don’t read the Farmer’s Almanac
When my grandchildren ask to play football…guess who’s the quarterback?
Deborah and I will try jumping rope, playing soccer and climbing trees too
because in this day and age, in our generation, that’s what grandparents do!
We are a mix of old and new, we are much cooler and hipper than before
(Even though I’m pretty sure people don’t say cooler or hipper anymore!)
We embrace some of the traits of our grandparents, yes the good ones have survived
but speaking for Deborah and the grandparents I know, a new generation has arrived!
So cartoonists when you draw Deborah draw her with style, grace and fun
And if you’re drawing her baking cupcakes, make sure they’re funky ones.
And when you take your pencils out don’t draw me in a rocking chair
Instead…draw me climbing up a tree or in a top hat
and if you want…
you can add more hair.