Hold fast to dreams, for if dreams die, life is a broken winged bird that cannot fly.
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I cannot live with you.
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That the whole free people of any nation ought to be exercised to arms, not only the example of our ancestors, as appears by the acts of parliament made in both kingdoms to that purpose, and that of the wisest governments among the ancients; but the advantage of choosing out of great numbers, seems clearly to demonstrate. For in countries where husbandry, trade, manufactures, and other mechanical arts are carried on, even in time of war, the impediments of men are so many and so various, that unless the whole people be exercised, no considerable numbers of men can be drawn out, without disturbing those employments, which are the vitals of the political body. Besides, that upon great defeats, and under extreme calamities, from which no government was ever exempted, every nation stands in need of all the people, as the ancients sometimes did of their slaves. And I cannot see why arms should be denied to any man who is not a slave, since they are the only true badges of liberty; and ought never, but in times of utmost necessity, to be put into the hands of mercenaries or slaves: neither can I understand why any man that has arms should not be taught the use of them.
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History, despite its wrenching pain, cannot be unlived, however, if faced with courage, need not be lived again.
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Though I am young and cannot tell Either what death or love is well,...
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Hold fast to dreams for if dreams die, life is a broken winged bird that cannot fly.
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Peaceableness toward enemies is an idea that will, of course, continue to be denounced as impractical. It has been too little tried by individuals, much less by nations. It will not readily or easily serve those who are greedy for power. It cannot be effectively used for bad ends. It could not be used as the basis of an empire. It does not afford opportunities for profit. It involves danger to practitioners. It requires sacrifice. And yet it seems to me that it is practical, for it offers the only escape from the logic of retribution. It is the only way by which we can cease to look to war for peace. ... Peaceableness is not passive. It is the ability to act to resolve conflict without violence. If it is not a practical and practicable method, it is nothing. As a practicable method, it reduces helplessness in the face of conflict. In the face of conflict, the peaceable person may find several solutions, the violent person only one.
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Time is but the stream I go a-fishing in. I drink at it; but while I drink, I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish fill the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born.
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My true-love hath my heart, and I have his, By just exchange, one for the other given: I hold his dear, and mine he cannot miss, There never was a better bargain driven.
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Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain, - the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man - perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest - a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end.
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I spent millons of years in the world of inorganic things as a star, as a rock... Then I died and became a plant-- Forgetting my former existence because of its otherness Then I died and became an animal-- Forgetting my life as a plant except for inclinations in the season of spring and sweet herbs-- like the inclination of babes toward their mother's breast Then I died and became a human My intelligence ripened, awakening from greed and self-seeking to become wise and knowing I behold a hundred thousand intelligences most marvelous and remember my former states and inclinations And when I die again I will soar past the angels to places I cannot imagine Now, what have I ever lost by dying?
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The pure, the bright, The beautiful that stirred our hearts in youth, The impulses to wordless prayer, The streams of love and truth, The longing after something lost, The spirit's yearning cry, The striving after better hopes; These things can never die. The timid hand stretched forth to aid a brother in his need, A kindly word in grief's dark hour that proves a friend indeed; The plea for mercy softly breathed, When justice threatens high, The sorrow of a contrite heart; These things shall never die, shall never die. Let nothing pass, For every hand must find some work to do, Lose not a chance to waken love. Be firm and just and true, So shall a light that cannot fade beam on thee from on high, And angel voices say to thee; These things can never die.
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Ponder deep wisdom, dark or clear, Each secret fishy hope or fear. Fish say, they have their Stream and Pond; But is there anything Beyond? This life cannot be All, they swear, For how unpleasant, if it were! One may not doubt that, somehow, Good Shall come of Water and of Mud; And, sure, the reverent eye must see A Purpose in Liquidity.
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There is a terrible war coming, and these young men who have never seen war cannot wait for it to happen, but I tell you, I wish that I owned every slave in the South, for I would free them all to avoid this war.
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The man who does not read good books has no advantage over the man who cannot read them.
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Separated lovers cheat absence by a thousand fancies which have their own reality. They are prevented from seeing one another and they cannot write nevertheless they find countless mysterious ways of corresponding, by sending each other the song of birds, the scent of flowers, the laughter of children, the light of the sun, the sighing of the wind, and the gleam of the stars-all the beauties of creation.
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Take my love, take my land Take me where I cannot stand I don't care, I'm still free You can't take the sky from me Take me out to the black Tell 'em I ain't comin' back Burn the land and boil the sea You can't take the sky from me There's no place I can be Since I found serenity But you can't take the sky from me
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Dogma is actually the only thing that cannot be separated from education. It IS education. A teacher who is not dogmatic is simply a teacher who is not teaching. There are no uneducated people; only most people are educated wrong. The true task of culture today is not a task of expansion, but of selection-and rejection. The educationist must find a creed and teach it.
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The ordinary reverence, the reverence defined and explained by the dictionary, costs nothing. Reverence for one's own sacred things--parents, religion, flag, laws and respect for one's own beliefs--these are feelings which we cannot even help. They come natural to us; they are involuntary, like breathing. There is no personal merit in breathing. But the reverence which is difficult, and which has personal merit in it, is the respect which you pay, without compulsion, to the political or religious attitude of a man whose beliefs are not yours. You can't revere his gods or his politics, and no one expects you to do that, but you could respect his belief in them if you tried hard enough; and you could respect him, too, if you tried hard enough. But it is very, very difficult; it is next to impossible, and so we hardly ever try. If the man doesn't believe as we do, we say he is a crank, and that settles it. I mean it does nowadays, because we can't burn him.
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Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adults themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence.... When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man, I put away childish things, including the fear of childishness and the desire to be very grown up.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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Thinking as I do that the Creator of this world is a very cruel being, and being a worshipper of Christ, I cannot help saying: the Son, O how unlike the Father! First God Almighty comes with a thump on the head. Then Jesus Christ comes with a balm to heal it.
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There are as many nights as days, and the one is just as long as the other in the year's course. Even a happy life cannot be without a measure of darkness, and the word 'happy' would lose its meaning if it were not balanced by sadness.
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The martyr cannot be dishonored. Every lash inflicted is a tongue of fame; every prison a more illustrious abode.
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I am only one; but still I am one. I cannot do everything, but still I can do something; I will not refuse to do the something I can do.
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The mystic prophets of the absolute cannot save us. Sustained by our history and traditions, we must save ourselves, at whatever risk of heresy or blasphemy. We can find solace in the memorable representation of the human struggle against the absolute in the finest scene in the greatest of American novels. I refer of course to the scene when Huckleberry Finn decides that the '' plain hand of Providence '' requires him to tell Miss Watson where her runaway slave Jim is to be found. Huck writes his letter of betrayal to Miss Watson and feels '' all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. '' He sits there for a while thinking '' how good it was all this happened so, and how near I come to being lost and going to hell .'' Then Huck begins to think about Jim and the rush of the great river and the talking and the singing and the laughing and friendship. '' Then I happened to look around and see that paper. . . . I took it up, and held it in my hand. I was a-trembling because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: 'All right, then, I'll go to hell' - and tore it up .''
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The Public - a thing I cannot help looking upon as an enemy, and which I cannot address without feelings of hostility.
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Be men, or be more than men. Be steady to your purposes and firm as a rock. This ice is not made of such stuff as your hearts may be; it is mutable and cannot withstand you if you say that it shall not.
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The idea that nations should love one another, or that business concerns or marketing boards should love one another, or that a man in Portugal should love a man in Peru of whom he has never heard --it is absurd, unreal, dangerous. The fact is we can only love what we know personally. And we cannot know much.
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A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
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