Rise, brothers, rise; the wakening skies pray to the morning light, The wind lies asleep in the arms of the dawn like a child that has cried all night. Come, let us gather our nets from the shore and set our catamarans free, To capture the leaping wealth of the tide, for we are the kings of the sea! No longer delay, let us hasten away in the track of the sea gull's call, The sea is our mother, the cloud is our brother, the waves are our comrades all. What though we toss at the fall of the sun where the hand of the sea-god drives? He who holds the storm by the hair, will hide in his breast our lives. Sweet is the shade of the cocoanut glade, and the scent of the mango grove, And sweet are the sands at the full o' the moon with the sound of the voices we love; But sweeter, O brothers, the kiss of the spray and the dance of the wild foam's glee; Row, brothers, row to the edge of the verge, where the low sky mates with the sea.
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Busy old fool, unruly Sun, why dost thou thus through windows and through curtains call on us? Must to thy motions lovers seasons run?
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What men call sovereignty is a worldly strife and constant war;
Worship of God is the highest throne, the happiest of all estates.
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Were I called on to define, very briefly, the term Art, I should call it the reproduction of what the Senses perceive in Nature through the veil of the soul. The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of Artist.
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I have great faith in fools; self-confidence, my friends call it.
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I have great faith in fools -- self confidence my friends call it.
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What is grace? It is the inspiration from on high: it is love; it is liberty. Grace is the spirit of law. This discovery of the spirit of law belongs to Saint Paul; and what he calls "grace" from a heavenly point of view, we, from an earthly point, call "rigtheousness."
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I have great faith in fools; My friends call it self-confidence.
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Call a truce, then, to our labors -- let us feast with friends and neighbors, and be merry as the custom of our caste; for if faint and forced the laughter, and if sadness follow after, we are richer by one mocking Christmas past.
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English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren't invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren't sweet, are meat.
We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don't fing, grocers don't groce and hammers don't ham? If the plural of tooth is teeth, why isn't the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it?
If teachers taught, why didn't preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? Sometimes I think all the English speakers should be committed to an asylum for the verbally insane. In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites?
Have you noticed that we talk about certain things only when they are absent? Have you ever seen a horsefull carriage or a strapfull gown? Met a sung hero or experienced requited love? Have you ever run into someone who was combobulated, gruntled, ruly or peccable? And where are all those people who ARE spring chickens or who would actually hurt a fly?
You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on.
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What is Art? It is the response of man's creative soul to the call of the Real.
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All, or the greatest part of men that have aspired to riches or power, have attained thereunto either by force or fraud, and what they have by craft or cruelty gained, to cover the foulness of their fact, they call purchase, as a name more honest. Howsoever, he that for want of will or wit useth not those means, must rest in servitude and poverty.
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I believe in the practice and philosophy of what we have agreed to call magic, and what I must call the evocation of spirits, though I do not know what they are, in the power of creating magic illusions in the visions of truth in the depths of the minds when the eyes are closed.
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The cost of a thing is the amount of what I will call life which is required to be exchanged for it, immediately or in the long run.
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If being an egomaniac means I believe in what I do and in my art or music, then in that respect you can call me that ... I believe in what I do, and I'll say it.
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I call demonic the restlessness which is innate and essential in every human being ... (that which) drives one beyond one's limits into the in...
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Many people hold onto a grudge because it offers the illusion of power and a perverse feeling of security. But in fact, we are held hostage by our anger. It is never too late to forgive. But you can forgive too soon. I am especially wary of what I call saintly forgiveness. Premature forgiveness is common among people who avoid conflict. They're afraid of their own anger and the anger of others. But their forgiveness is false. Their anger goes underground. I define forgiving as letting someone back into your heart. This returns us to a loving state -- and not merely within the relationship -- we feel good about ourselves and the world. True forgiveness isn't easy, but it transforms us significantly. To forgive is to love and to feel worthy of love. In that sense, it is always worthwhile.
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I shall love her all my life, shall be to her a faithful friend, and if I can not remain loyal to both God and her I shall renounce her and never see her face again. You call this folly; to me it is a hard duty, and the more I love her the worthier of her will I endevour to become by my own integrity of soul.
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I call upon the scientific community in our country, those who gave us nuclear weapons, to turn their great talents now to the cause of mankind and world peace: to give us the means of rendering these nuclear weapons impotent and obsolete.
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There is a great solitude about such a shore. The woods are never solitary- they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery- we may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only- a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.
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Appreciation of life itself, becoming suddenly aware of the miracle of being alive, on this planet, can turn what we call ordinary life into a miracle. We come awake to such a realization when we recognize our connection to a spiritual dimension.
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There are certain queer times and occasions in this strange mixed affair we call life when a man takes the whole universe for a vast practical joke.
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What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.
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My sole inspiration is a telephone call from a director.
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Music has often been compared with language itself, and the comparison is quite legitimate. While it combines easily with actual language, it also speaks a language of its own, which it has become a platitude to call universal. To understand the significance of the organizing factors of rhythm, melody, harmony, tone color and form, the analogy of a familiar language is helpful. Music has its own alphabet of only seven letters, as compared with the twenty-six of the English alphabet. Each of these letters represents a note, and just as certain letters are complete words in themselves, so certain notes may stand alone, with the force of a whole word. Generally, however, a note of music implies a certain harmony, and in most modern music the notes take the form of actual chords. So it may be said that a chord in music is analogous to a word in language. Several words form a phrase, and several phrases a complete sentence, and the same thing is true in music. Measured music corresponds to poetry, while the old unmeasured plain-song might be compared with prose.
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I started in to cry and call his name, ...
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The Volunteer AT dawn, he said, I bid them all farewell, To go where bugles call and rifles gleam. And with the restless thought asleep he fell, And glided into dream. A great hot plain from sea to mountain spread, - Through it a level river slowly drawn: He moved with a vast crowd, and at its head Streamed banners like the dawn. There came a blinding flash, a deafening roar, And dissonant cries of triumph and dismay; Blood trickled down the river's reedy shore, And with the dead he lay. The morn broke in upon his solemn dream, And still, with steady pulse and deepening eye, Where bugles call, he said, and rifles gleam, I follow, though I die!
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Can you really ask what reason Pythagoras had for abstaining from flesh? For my part I rather wonder both by what accident and in what state of soul or mind the first man did so, touched his mouth to gore and brought his lips to the flesh of a dead creature, he who set forth tables of dead, stale bodies and ventured to call food and nourishment the parts that had a little before bellowed and cried, moved and lived. How could his eyes endure the slaughter when throats were slit and hides flayed and limbs torn from limb? How could his nose endure the stench? How was it that the pollution did not turn away his taste, which made contact with the sores of others and sucked juices and serums from mortal wounds?
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If your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not a poet enough to call forth its riches; for to the creator there is no poverty and no poor indifferent place.
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Much of what we call evil is due entirely to the way men take the phenomenon. It can so often be converted into a bracing and tonic good by a simple change of the sufferer's inner attitude from one of fear to one of fight; its string can so often depart and turn into a relish when, after vainly seeking to shun it, we agree to face about and bear it...
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