Long Reversed Poems

Long Reversed Poems. Below are the most popular long Reversed by PoetrySoup Members. You can search for long Reversed poems by poem length and keyword.


The Dogs We Called Family

The Dogs we called Family

Tara came first and then there was Ben,
When both of them died we said never again.
Then Sam the runner, got killed in the street,
Prince came and went quick, we didn't know he was sick.
He came from a farm where distemper was rife,
Took him to the vet where he ended his life.
One year had to pass to get our house clear,
Without a mutt there, it seemed without cheer.
One day I was out and the Pound I happened to pass,
I doubled back and I looked through the glass.
Inside I walked, many dogs ignoring my stare,
Until one at the end looked up at me square,
Sat on her haunches both paws outstretched.
She's the one, I knew, so my family I fetched.
I said nothing to them of the dog I had seen,
When they saw the same one I knew they were keen.
The dog was due for the jab that very hour,
To save her life now was in our power, you see.
We paid the fee for her life, Our Lucy was free.
She was the new member added to our family of four,
She lived with us and loved us for 19 years more.
While she was with us we had another to add,
Along came Jamie the Yorkie,he was a bit of a lad.
Like Ben he stayed near ten years and sadly passed.
Lucy died of old age, we said it's time to give in.
Our Garden Cemetery of loved ones was full to the brim.
To Cyprus we came to retire and live in the sun,
Of a dog in the family we didn't want one.
Then a visit to Larnaca was to change our life again,
Because along came Lexi to start it all over again.
She was soon followed by Levi, he was a lively one,
Then came Eli, the whirlwind and pain in the bum.
So from just us two forever as we'd planned,
Now we were five and life was once again grand.
A sad day loomed we had no idea of what was to come,
Levi was walking wrong so we took him to the vet
He had hurt his spine, as bad as it could get.
His rear end gave out and could not be reversed.
He was paralyzed, and getting steadily worse.
The love he gave us in his life reduced us to tears.
The vet said it's time he confirmed our worst fears.
We let him go to where he could romp with all the rest,
All the dogs in our family, they were the best.
With Tara and Ben, Jamie,Charlie the Pinscher and Lucy too
Neo the Collie  and Big Ben & Storm the Rottweilers two,
Newfoundland Curtis and Demon the Chow,
All Pals together, in the Big Kennel now.

© Dave Timperley May 5th 2016
Form: Epitaph


A Rift In Time Part 1

A Rift in Time

By Elton Camp

	Henry Higgins, B.A., M.A. Ph.D., graduate in physics from the Massachusetts Institution of Technology, is missing.  Born August 8, 1950, he was thought of as a genius by some, but as a crackpot by others.  Revolutionary theories on the possibility of time travel that he presented at scientific gatherings received a mixture of applause and ridicule.  None of his articles have seen publication in peer-reviewed journals.  

	How his machine works is of a technical nature, thus certain to be of insignificant interest to the readers of this account.  Suffice it to say that it works very well.  Henry had seen his device disappear and reappear multiple times after being programmed to slide both forward and backward in time.  

	Finally came the day to test it in person.  Surprisingly athletic for a man of his years, Henry strapped himself into place before the control panel, adjusted his eyeglasses and pulled a protective helmet over his thick, gray hair.  He set the chronometer to early August of 2040 to determine if he was still living at that advanced age and what honors had been accorded him by the scientific community.  

	With a barely-discernable jerk, the time machine began its slide into the future, the red cancel button prominently alongside the digital display of the date.  The world outside the device became a blur and Henry heard only a low hum from the engine.  All seemed to be well as the years rolled by on the chronometer.  At first, that is.  

	Henry noted with surprise the muscle atrophy and skin changes associated with extreme age.  A slight looseness of his helmet caused him to discover that he was now as bald as his father had been in his late eighties.  Henry’s eyeglasses no longer allowed him to read the control panel clearly.  The truth hit him--he was aging along with the passing years.  The inanimate time machine had shown no such effect, but it was different with a biological organism.  He desperately punched the cancel button, realizing that, if his future self was not still living, his death was impending.  

	To his relief, the chronometer slowed and stopped.  Without input from Henry, the time device began to move backward in time, slowly at first, and then at a brisk clip.  By the time the read-out showed Henry’s present, his physical deterioration had been reversed and all was as before.
© Elton Camp  Create an image from this poem.
Form: Narrative

Premium Member Different Perspectives

She needs to feel in love to drive aside the night,
I love to feel in love, ONE source of joy and light,
When love is not at home, she’s sad to be alone,
When love is not in sight, the world is mine to roam.

Beginnings bring disquiet, thoughts that might implode,
Anticipation puts my heart in singing mode,
A friend’s departure makes her shadows fall,
But I hear stranger’s voices lighting up the hall.

Experience has made her doubt her heart it seems,
While all my failures just enrich unending dreams,
Her mounting fear makes her the slave of every rule,
My foolish faith makes me a 'dead' God’s guileless fool.

She stands alone in following the crowd du jour,
While I’m more fascinated by a life impure,
Imputes blame to the victim’s of life’s latest farce,
While laughingly I stoop to kiss God’s ****.
 
Responsibility can’t live behind her door,
It must be me, (I know I’ve heard this line before.)
One lesson learned (defining sensibility),
Seems all that happen’s my responsibility.

So childlike in her need to feel that all is well,
It fills my soul to tell her, ‘Things are going swell,’
And though it’s true her doubts at times can cause me pain,
I hunger for the chance to tell her so again.

Oct. 12, 2014

Poet's Notes:
Man's redeeming strength, woman's affirming weakness! What makes the world go round! I find it works for me! Even when it's reversed! Viva la difference, viva la diversity! May we ever aspire to the giftings of those we love without jealousy, men learning that bending is not always a sign of weakness, and women learning to trust the strength that comes from God.

The lines...

1. My foolish faith makes me a 'dead' God’s guileless fool

is meant to be tongue in cheek, i.e., even if you thought you could prove that 'God is dead' I would continue to believe in God, your proof of no consequence. I am a questioning but mindless devotee I am afraid. No God is worse than death!

and

2. While I’m more fascinated by a life impure

simply means I take to heart Christ's teaching that no one has ever reconciled himself to God through his own effort, i.e.. justification by obedience (except Christ). If God/Christ can love the sinful you and I, shouldn't I? So yes Merov Tac (PH's resident Troll), that means I feel called by God to love even you, even though I personally hate your behavior.
Form: Rhyme

Premium Member The Coward

Cowards die many times before their deaths…
Julius Caesar, Act II, Scene 2 ~William Shakespeare

spouse 
a souse 
classic grouse 
a big girl's blouse

portent ominous 
assertions blasphemous   
obscure and anonymous 

his skulking is nefarious 
utterances acrimonious
and implicature often dubious 

uxorious but still pusillanimous 
**********************************

An example of a rhopalic verse.
Rhopalism: A rhopalic sentence is one in which each successive word is one letter longer than the previous one. In poetry: where each word is one syllable more, or it might increase each line in a stanza by one syllable (per my example), or a metric foot. 

IN THE SAME CATEGORY OF CONSTRAINED WRITING
The Rhopalic Couplet, also called Wedge Verse, was first used by Homer in the Iliad (3.182). It is a poetic unit of 2 rhopalic lines where each word progresses adding one more syllable than the preceding word in the line, for example, 1, 2, 3, 4 … syllables. The sequence of the syllable count can be identical in the second line, or it may be reversed. The couplet does not need not rhyme.
_____________________________________________________________

In The Coward, stanzas are broken up along the syllables of the end rhymes: spouse, souse, grouse, blouse; om-i-nous, blas-phe-mous, a-non-y-mous; ne-far-i-ous, ac-ri-mo-ni-ous, du-bi-ous & pu-sil-lan-i-mous. 

LEXICON
acrimonious: (adj) (typically of speech or discussion) angry and bitter.
a big girl’s blouse: British idiom, meaning someone is ineffectual or weak; someone failing to show masculine strength of determination
disposition: (n.) inherent characteristics.
grouse: (n.) one who complains constantly. 
implicature: (n.)* the action of implying a meaning beyond the literal sense of what is explicitly stated, for example, saying the picture frame is nice and implying I don’t like the picture. 
innate: (n.) inborn, natural
nefarious: (adj) (typically of an action or activity) wicked or criminal.
portent: (n.) 
1. a sign or warning that a momentous or calamitous event is likely to happen, an omen.
2. (literary) an exceptional or wonderful person or thing. [‘What portent can be greater than a pious notary.’] 
pusillanimous: (adj) showing a lack of courage or determination; timid.
souse: (n.) a drunkard.
Form: Other

Ghosts of Buzzard's Breath

© 2009 (Jim Sularz)

Quiet mounds of yellowed tailings and dead weeds whisper low.
And proud rusting relics telling tales of striking gold.
The rush from East, from North and South, by wagon, train or foot.
Days not all that long ago, in tall ships made of wood.

“A gold rush struck in ’49, all quite by accident.
A burning fever that cut men to bone, in a sea of dingy tents.
Day and night, they toiled and told, many headed home without a cent.
But some packed out bags of glistening gold, and made a stop at Buzzard’s Breath.

The town’s mud logged street, deep with horse manure, bubbled like a shallow grave.
With a Sheriff’s office, a livery stable, and a church for souls to save.
And a fancy house, on a grassy knoll – sign read, “Madam Lil la Tart”.
With soft, curvaceous ladies who mined for hearts – and gold of a different sort.

Didn’t take long before easy gold, was extremely hard to find.
And burly miners, tough as steel, moved in to hard rock mine.
With bloodied knuckles, dented hats, they blasted at a furious pace.
To find the gold, called the mother lode, yellow blood coursing through their veins!

The mine they worked was called “Long Shot”, the men thought that name a curse.
But the miners hankered for the handle, “Buzzard’s Breath”, and the mine’s name was reversed.
As luck would say, they held a royal flush, when they hit that horse-wide vein.
Of the purest gold, yet to be found, this side of the Pearly Gates.

Eyes wide as saucers, they were all in awe, everyone was filthy rich.
The miners should have all retired and should have cashed in all their chips.
But a man’s hard to figure, when his blood is yellow, and he’s stricken with a gold fever.
“Eureka! boys, git the dynamite and a whole lot more mining timbers!”

They mined that vein to the bowels of the earth, and the heat increased by day.
Buzzard’s Breath became the hottest place, to Hell – the shortest way.
And then one day, the men never came back. – Hell must have jumped that claim.
Of the purest gold, yet to be found – that’s where the Devil mines today!”

Quiet mounds of yellowed tailings and dead weeds whisper low.
And proud rusting relics telling tales of striking gold.
The rush from East, from North and South, died a slow and quiet death.
Along with days of tall wooden ships, and the ghosts of Buzzard’s Breath.
© Jim Sularz  Create an image from this poem.
Form: Ballade


Premium Member Loneliness of Gray

Loneliness of Gray
                by Odin Roark

Could It Be…

The mirror by which we see ourselves
This captive freedom of art in all of us
This necessity to communicate
Desire to become
Is but destiny’s
Loneliness of Gray

For if 
As in physics
The typical complementary colors
Blue and yellow
Red and green
Passion's mainstay
When mixed
Yield gray

Then why
When one’s being
Claims gray
Must disappointment ensue

When there is such empirical truth at hand
When there is no opposite for gray
As it is its own opposite
It’s own quintessential purity
Of emotion’s blend
why

Yes

Some would say
The artist’s mind lives unique perceptions
Available to all
Yet determined by most
As out of reach

Few
Accept this fourth dimension
Others reject
Where hands and feet
Colors and viewpoint
Change about
Inviting the dual organs
Nostrils 
Ears
Eyes
To express like colors
Embracing opposites
Allowing vocal cords of multiple mode 
To render art’s communication 
Imagination’s reverse tongue
Creativity’s spoken proclivity
To forever accept extremities of the mind
As wonderment
As living

Ever notice

How simple the artists’ walk
It appears to be on whatever surface
Imagination might volunteer
Be it floor
Path
Greensward
Or bomb-rutted road
Where surfaces creatively experienced
Reveal a virtually abstract pressure-balancing of gravity
Requiring little of tactile distinctiveness
But merely an accommodation
Today’s levitational force
Accomplishing needed transfers of altitude

Where the climbing of stairs
But a walk up from lower levels of existence
To higher realms of selection

To the Artist 
Passage from one scene to another
Needn’t be a factor
Rather trust in gliding
Where shadow and blurred focus
Claim one’s mingled curiosity
Into a chosen whole

Where much of vision
Voids transient objects
Ambiguous appearances like
Furniture
Or details of vegetation
 
Seeking instead

A diffuse lighting of every scene
Rendering the scheme of reversed colors and texture
Bright red grass
Yellow sky
A conundrum of black and gray cloud-forms
Down to the white tree-trunks
Green brick walls
Embracing
A Lovingly
Angelical grotesquerie

Such reveals one’s essence
One’s creation
One’s smile at chance
Depending on how
The mirror might be hanging
© Odin Roark  Create an image from this poem.

Premium Member Sleeping Beauty - Once Upon a Time

Let me tell you a story . . .

     It happened long ago and once upon a time in an enchanted forest,
This is the story of Sleeping Beauty of the Woods, but not the Grimm tale;
          of your childhood, oh no, this one is completely but not totally different.

Now, the King of the woods, King Wind and the Queen, Queen Rain,
     Had a beautiful girl child and she was known as Princess Nature;
          She had seven fairy godmothers, there was Wit, fairy of changing skies,
Grace, of rippling streams, Dance, of falling leaves, Song, of the birds, and;
     Music, of each new dawn, and of course there was Night, of dreams,
                And the last fairy was called Magic . . . 
  Oh I forgot, there was an eighth fairy, an evil one, called Winter.

That evil fairy, Winter was so jealous and mean that she cast an enchantment,
     On Princess Nature, that should she prick her finger on a thorn;
         She would die, but the seventh fairy, Magic reversed the curse somehow,
The Princess would not die should she prick her finger but fall asleep;
     Asleep for one hundred years, and could only be awakened by a certain kiss.

The woods was a lovely place of emerald green and hanging mosses,
     but also there were places of brambles and thorns, and one day, sadly;
        Princess Nature pricked her finger on a thorn and fell into a deep sleep.
The woods became quiet and nothing moved, winter and frost came;
     It covered everything and the woods froze for one hundred years.

Then a Prince came through the tall trees, he had heard of these woods,
     Heard the story of the sleeping Princess, and his name was Prince Spring;
He cut through the ice with his sun sword and soon found the Princess,
          Kneeling he kissed her and she awakened and the woods awakened too. 

               And of course, they married, and lived happily ever after...

_________________________
January 27, 2016

Poetry/Narrative/Sleeping Beauty - Once Upon A Time
Copyright Protected, ID 16-749-715-0
All Rights Reserved.  Written under Pseudonym.

Submitted to the contest, Your best Poem From Any Laura Loo Contest
Sponsor, Laura Loo

First Place 

__________________________________

Written for the contest, Once Upon A Time, 
sponsor, Laura Loo

Second Place
Form: Narrative

Premium Member Nadir

Sometimes, reflections from my mirror,
recall when I slumbered at nature's nadir,
as naysayers whispered in whiskey breaths.
Bewildered, I wandered in the wilderness,
until the mercy of verse reversed the curse.

Poetry you've always been the legacy of my heritage,
a shimmering nimbus, where my words reside by petals,
but if this was my last poem,
it would be the death of an alchemist's magic.

There would be no potion to persecute my pain,
bleeding ink of wounds would have no quill mistress.
Yet, I yearn to leave evidence of my existence,
but my narration is not as lucid as 
black pigment upon white pages, 
because poetic colours have their own stories.
I'm tired from hiding behind idioms,
where metaphors drip in liquid lies,
veiled within tracing lines of heartbreak.

Whilst sleeping under cherry blossom trees,
I look back upon my life wondering
what purpose summons us,
as I've lost all faith in strange dreams coming true.
I've grown up surrounded by the scent of sorrow,
forsaken in seasonal spheres of fragility,
masticating upon mourning morsels,
adorning garlands of grief soaked in rainfall,
plundering like the tears of Earth,
but even when confusion composed its cruelty,
I fought back to rise, each time I fell.

There has always been pressure
from the heavyweight of darkness,
where I screamed songs of desperation,
as lamenting lyrics resembled emotions of a falling star.
When the breeze blew away the confetti of my stardust,
my heart remained like unblossomed florets -
so I became my own poetic gardener
and planted my own blooms.

Sins of humanity plague me into a withering leaf,
turning invisible, softly settling in sinister silence.
I search for a Godforsaken garden,
where my hands can heal fruitless soil.
Poetry, nobody feels like you,
yet, it's you I sacrifice, before my heart clasps,
as the soul sinks in ideologies of faith and fate.
I can't justify shadows with excuses from expression,
I'm letting go of bitter reflections from photographs.
as it's time to heal the scars from my bloody hands.

Wishing to remain quenched, but drenched in love,
so fate can prepare a grave for my sorrows.
I can't waste time wondering if I'll be remembered,
so, I wave goodbye, floating away like a feather,
executing the articulation of my senses.
© Silent One  Create an image from this poem.

Episode one - No limes on Tatooine - A new hope

I’m drunk, but you’re beautiful,
a line I used to rehearse.
The Dreamers’ artistic longing felt noble,
but it came with a curse.
I bought the ticket when I didn’t know better from worse.
Now I’ve got a tale of rebellion,
and I’ll share it in verse,
it all changed one Star Wars Day,
when my thirst reversed.

May the Fourth, and I felt matured.
No Padawan—now Jedi Master,
just a little unmoored.
Met some friends inclined for chilled wine,
drinking enough to feel ruthlessly divine.
That hazy day, glazed in the usual sway.

That familiar vortex, melancholy perturbed.
Soles stained deeply by the absurd,
fermented grapes, chaos,
and the dark side assured.
The dark side calls as we sit with the thirst,
but Skywalker’s force starts thinking first:
“Unlearn what you have learned.”
Yoda’s wisdom, unrehearsed.

I needed a change, something absolute.
Had to break old habits
and reroute my pursuit.
Flip the script, exit the Aristotle loop.

We can still have fun.
Still embrace the absurd.
Someone said, “It’s Star Wars Day,”
and a spark then occurred.
We found a weird café,
celebrating in cosplay,
and somewhere in that moment,
a new hope was incurred.

Arriving at the venue, a little out of town, we found the clan,
Princess Leia sold us tickets on the door deadpan, 
no droids allowed, no stormtroopers,
but there was a sandman,
Inside were Wookies at the bar, slamming shots like my mum can.

Han Solo in carbonite poster hanging on the wall,
Kids having lightsaber fights with bar stools, humming bishoooom loudly down the hall.
Glass cabinets with falcons and dioramas were neat. 
Cantina soundtrack playing curiously on repeat,
Grabbed snacks, Empires on screen, so we found a seat.

We wandered deeper past merch and collector cases,
through aisles of toys and cosplayed faces.
The type of folk draw to these kind of conventions,
You know the type without me having to mention,
They filled the room with joy beyond pretension,

I watched them just be, and I wanted that,
but I found I had to be patient.
I don’t have to keep falling for the trap,
it’s not just escape, it must be more pure.
I lost a friend that day, and yeah, it’s still sore.
He bowed out—boozehound chasing the score,
while I found experience, absurdity, and something more secure.
Form: Rhyme

One December Night (Continuation 2)

One December Night 

     Mama, at the oven, was taking cookies out.  When she turned around quickly to see what 
the shouts were about, the cookies started sliding.  And almost hit the floor.  But the frog 
took his wand from his sack by the door and started to say magic words galore.  
“Alacafrogsky majikazam, make those cookies go back into the pan.”  To everyone's 
surprise, those gingerbread men stopped in thin air, reversed, took a spin.  Then headed 
right back to the pan again.  Wide eyed, that is when the family realized that the frog at their 
table was not like other frogs.  
    And while doing magic, the frog said to the mouse, “You better start running, and I mean 
fast right out of this house.”  And as Dad, with his broom, was about to lower the boom, the 
mouse left the house wearing a great big brown mouse frown.  Then, Dad with a smile and 
real puzzled look put the broom down and the frog's hand he shook.
    At half past mid-night on that cold winter night the frog and his magic brought one family 
delight.  So, he stayed and ate cookies along with the girls.  And he took from his bag, lots of 
toys and some pearls.  He gave each one gifts.  Then, closed up his brown sack.  But as
he headed for the door, together they said, “Wait!  Come back! We have a gift for your 
sack!  
     He turned around fast with a twinkle in his eye.  Then, the children ran to him with hugs 
and with sighs.  They gave him big kisses.  He smiled deep inside as they put one big gift 
marked for Santa in his bag.  
     All of a sudden with no warning at all, a bright cloud of sparkles surrounded the frog.  
Magically, right in front of them all, they discovered that the frog was not a frog at all! In just 
a
few moments, when all of the sparkles were gone, there stood Santa Claus.  Had something 
gone wrong?  His face was delighted.  He had a big smile.  All of the elves hiding began to 
come out.  Those tiny little people sang loudly, and danced. “Santa is back.  They have 
broken the spell.  Be sure to go everywhere and tell, tell, tell!"

        (To be continued...)

© Dane Ann Smith-Johnsen
December 5, 2009

Inspired by:
Poetrysoup member's Contest Anything Goes! 	
Sponsored by: Constance La France  (I took you at your word... It's a LONG story.)
Form: Narrative

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