An old Cherokee is teaching his grandson about life: A fight is going on inside me, he said to the boy. It is a terrible fight and it is between two wolves. One is evil - he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other is good - he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. This same fight is going on inside you - and inside every other person, too. The grandson thought about it for a minute and then asked his grandfather,Which wolf will win? The old Cherokee simply replied, The one you feed.
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The election makes me think of a story of a man who was dying. He had only two minutes to live, so he sent for a clergyman and asked him, "Whe...
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If ever two were one, then surely we. If ever man were loved by wife, then thee.
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So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through. If I've killed one man, I've killed two -- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There's a stake in your fat black heart And the villagers never liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I'm through.
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A Native American grandfather was talking to his grandson about how he felt. He said, 'I feel as if I have two wolves fighting in my heart. One wolf is the vengeful, angry, violent one. The other wolf is the loving, compassionate one. The grandson asked him, Which wolf will win the fight in your heart? The grandfather answered, The one I feed.
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We held hands on the last night on earth. Our mouths filled with dust, we kissed in the fields and under trees, screaming like dogs, bleeding dark into the leaves. It was empty on the edge of town but we knew everyone floated along the bottom of the river. So we walked through the waste where the road curved into the sea and the shattered seasons lay, and the bitter smell of burning was on you like a disease.In our cancer of passion you said, 'Death is a midnight runner.' The sky had come crashing down like the news of an intimate suicide. We picked up the shards and formed them into shapes of stars that wore like an antique wedding dress. The echoes of the past broke the hearts of the unborn as the ferris wheel silently slowed to a stop. The few insects skidded away in hopes of a better pastime. I kissed you at the apexof the maelstrom and asked if you would accompany me ina quick fall, but you made me realize that my ticket wasn't good for two. I rode alone. You said,'The cinders are falling like snow.' There is poetry in despair, and we sang with unrivaled beauty, bitter elegies of savagery and eloquence.Of blue and grey. Strange, we ran down desperate streets and carvedour names in the flesh of the city. The sun has stagnated somewhere beyond the rim of the horizon and the darkness is a mystery of curves and line.Still, we lay under the emptiness and drifted slowly outward,and somewhere in the wilderness we foundsalvation scratched into the earth like a message. the untitled poem--afi
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There's only two people in your life you should lie to...the police and your girlfriend.
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Two girls in silk kimonos, both Beautiful, one a gazelle.
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Society is now one polished horde, formed by two mighty tribes - Bores and Bored.
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The success of the first two releases confirms that SAW is a franchise that will continue to have legs for a very long time. The movies combine action, suspense and gore while taking us into the mind of one of the most memorable madmen in horror movie history. While the success at the box office gave SAW II momentum for its home video release, we also ensured that it stood out at retail with unique packaging and an extensive marketing and promotional campaign. With the Valentine's Day opening, we were able to pull out all the stops on a unique overall marketing program that gave the release great visibility leading up to street date.
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For I do not believe God means us thus to divide life into two halves - to wear a grave face on Sunday, and to think it out-of-place to even so much as mention Him on a week-day. Do you think He cares to see only kneeling figures and to hear only tones of prayer - and that He does not also love to see the lambs leaping in the sunlight, and to hear the merry voices of the children, as they roll amoung the hay? Surely their innocent laughter is as sweet in His ears as the grandest anthem that ever rolled up from the "dim religious light" of some solemn cathedral?
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I remember two years ago a bunch of us went out on the boat and it was my birthday. We had a great time out there. That's the little things you miss. Johnny was a great person. He was the first guy to step in front of the media when things weren't right, when things were right.
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Let me tell you a story. The day after Columbine, I was interviewed for the Tom Brokaw news program. The reporter had been assigned a theory and was seeking sound bites to support it. Wouldn't you say, she asked, that killings like this are influenced by violent movies? No, I said, I wouldn't say that. But what about 'Basketball Diaries'? She asked. Doesn't that have a scene of a boy walking into a school with a machine gun? The obscure 1995 Leonardo Di Caprio movie did indeed have a brief fantasy scene of that nature, I said, but the movie failed at the box office, and it's unlikely the Columbine killers saw it. The reporter looked disappointed, so I offered her my theory. Events like this, I said, if they are influenced by anything, are influenced by news programs like your own. When an unbalanced kid walks into a school and starts shooting, it becomes a major media event. Cable news drops ordinary programming and goes around the clock with it. The story is assigned a logo and a theme song; These two kids were packaged as the Trench Coat Mafia. The message is clear to other disturbed kids around the country: If I shoot up my school, I can be famous. The TV will talk about nothing else but me. Experts will try to figure out what I was thinking. The kids and teachers at school will see they shouldn't have messed with me. I'll go out in a blaze of glory.
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Here we sit in a branchy row, Thinking of beautiful things we know; Dreaming of deeds that we mean to do, All complete in a minute or two-- Something noble and grand and good, Won by merely wishing we could. Now we're going to -- never mind, Brother, thy tail hangs down behind!
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There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.
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The mystic prophets of the absolute cannot save us. Sustained by our history and traditions, we must save ourselves, at whatever risk of heresy or blasphemy. We can find solace in the memorable representation of the human struggle against the absolute in the finest scene in the greatest of American novels. I refer of course to the scene when Huckleberry Finn decides that the '' plain hand of Providence '' requires him to tell Miss Watson where her runaway slave Jim is to be found. Huck writes his letter of betrayal to Miss Watson and feels '' all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. '' He sits there for a while thinking '' how good it was all this happened so, and how near I come to being lost and going to hell .'' Then Huck begins to think about Jim and the rush of the great river and the talking and the singing and the laughing and friendship. '' Then I happened to look around and see that paper. . . . I took it up, and held it in my hand. I was a-trembling because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: 'All right, then, I'll go to hell' - and tore it up .''
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Remember, if you ever need a helping hand, you'll find one at the end of your arm. . . . As you grow older you will discover that you have two hands. One for helping yourself, the other for helping others.
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The paradox of our time in history is that we have taller buildings but shorter tempers, wider freeways, but narrower viewpoints. We spend more, but have less; we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness. We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things. We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less. These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete.
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Two roads diverged in a yellow wood, and I choose the one less traveled by, and that has made all the difference.
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For I do not believe God means us thus to divide life into two halves - to wear a grave face on Sunday, and to think it out-of-place to even so much as mention Him on a week-day. Do you think He cares to see only kneeling figures and to hear only tones of prayer - and that He does not also love to see the lambs leaping in the sunlight, and to hear the merry voices of the children, as they roll amoung the hay? Surely their innocent laughter is as sweet in His ears as the grandest anthem that ever rolled up from the 'dim religious light' of some solemn cathedral?
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Two Santa Clauses on the corner. How can you tell the Polish one? The one with the Easter basket.
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Two Polish men at Halloween with burned faces. What happened? They were bobbing for french fries.
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Dear Signore Direttore,
Now I am a-tella you a story wot I was a-treated at your hotella.
I am a-comma from Roma as tourist to London an stay as a-younga cristan man at your hotella.
When I comma in my room I see there is no shit in my bed - how can I sleep whit no shit i my bed? So I calla down to the receptione and tella: 'I wanta shit'. They tella me: 'Go to toilet'. I say: 'No,no I wanta shit in my bed'. They say: 'You better not shit in your bed, you sonna-wa-bitch'. What is sonna-wa-bitch?
I go down for breakfast into restorante. I order bacon and egga and two pissis of toast. I getta only one piss of toast. I tella waitress, and point at toast: 'I wanta piss'. She tella me: 'Go to toilet'. I say: 'I wata piss on my plate'. She then say to me: 'You'd bloody not piss on the plate, you sonna-wa-bitch'.
That is the second person who do not even know me calla me 'sonna-wa-bitch', an why is your staff replying 'Go to toilet', is that a modern tella? I do no understand, Please tella me!
Later I go for dinner in your restorante. Spoon and knife is laid out, but no fock. I tella waitress: 'I wanta fock'. And she tella me: 'Sure, everyone wanta fock'. I say: 'No,no you dont understanda me, I wanta fock on the table'. She tella me: So you sonna-wa-bitch wanta fock on the table? Get your ass out of here!
How comma this cristian hotel tella the guest in such bad manner?
So I go to receptioneand ask for bill, I no wanta stay in this hotel no more. When I have paid the a-billa the portier say to me: 'Thank you and piss on you'. I say: 'Piss on you too, you sonna-wa-bitch, I go back to Italy'.
Direttore, I never gonna stay in your hotella no more, you sonna-wa-bitch.
Sincerely
Dicci Elgre
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Boxing is a lot of white men watching two black men beat each other up
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No gray hairs streak my soul, no grandfatherly fondness there! I shake the world with the might of my voice, and walk --handsome, twenty-two year old.
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If two lives join, there is oft a scar, / They are one and one, with a shadowy third; / One near one is too far.
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Two things are infinite: the universe and human stupidity; and I'm not sure about the universe.
Funny
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Between two evils, I always pick the one I never tried before.
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Two hours is about as long as any American can wait for the close of a baseball game, or anything else for that matter.
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So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term 'visiting hours' didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy. Nobody could possibly understand you, right Will? Yet you presume to know so much about me because of a painting you saw. You must know everything about me. You're an orphan, right? Do you think I would presume to know the first thing about who you are because I read 'Oliver Twist?' And I don't buy the argument that you don't want to be here, because I think you like all the attention you're getting. Personally, I don't care. There's nothing you can tell me that I can't read somewhere else. Unless we talk about your life. But you won't do that. Maybe you're afraid of what you might say.
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