Were I called on to define, very briefly, the term Art, I should call it the reproduction of what the Senses perceive in Nature through the veil of the soul. The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of Artist.
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The child with his sweet pranks, the fool of his senses, commanded by every sight and sound, without any power to compare and rank his sensations, abandoned to a whistle or a painted chip, to a lead dragoon, or a gingerbread dog, individualizing everything, generalizing nothing, delighted with every new thing, lies down at night overpowered by the fatigue, which this day of continual pretty madness has incurred. But Nature has answered her purpose with the curly, dimpled lunatic. She has tasked every faculty, and has secured the symmetrical growth of the bodily frame, by all these attitudes and exertions --an end of the first importance, which could not be trusted to any care less perfect than her own.
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Nothing can cure the soul but the senses, just as nothing can cure the senses but the soul.
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Five senses; an incurably abstract intellect; a haphazardly selective memory; a set of preconceptions and assumptions so numerous that I can never examine more than minority of them - never become conscious of them all. How much of total reality can such an apparatus let through?
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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Under the general name of Commodity, I rank all those advantages which our senses owe to nature. This, of course, is a benefit which is temporary and mediate, not ultimate, like its service to the soul. Yet although low, it is perfect in its kind, and is the only use of nature which all men apprehend. The misery of man appears like childish petulance, when we explore the steady and prodigal provision that has been made for his support and delight on this green ball which floats him through the heavens. What angels invented these splendid ornaments, these rich conveniences, this ocean of air above, this ocean of water beneath, this firmament of earth between? this zodiac of lights, this tent of dropping clouds, this striped coat of climates, this fourfold year? Beasts, fire, water, stones, and corn serve him. The field is at once his floor, his work-yard, his play-ground, his garden, and his bed.
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Objects of knowledge maintain an infinite distance from us who are the knowers. For knowledge is not union. Therefore the further world of freedom awaits us there where we reach truth, not through feeling it by senses or knowing it by reason, but thr
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I was afraid that by observing objects with my eyes and trying to comprehend them with each of my other senses I might blind my soul altogether.
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I believe in a prolonged profound derangement of the senses.
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Every Universe exists depending on the Knowledge that reflects it and not in its absence. It is absolutely true that our ancestors saw this universe before and after we were born and this is why we think that the Universe exists irrespective of our existence. It is an illusion as big as the Illusion of our Life with our entire universe, because our ancestors too saw the world through these senses that we have too, they were human being too, a part of the human race. For the members of a tribe, for instance, their Universe expands up to the borders on their Knowledge of this world. If these borders are very small, the world will be very small and the other way around. Our Universe will look completely different to an animal, even if we think it sees the same images we do. It is true that we are aware, in the Illusion of our Life that the animal sees the same images, but he will interpret them differently, depending on his level of competence, which will entail a different image of the Universe. The same happens with human beings, who think based on a Logical Coefficient 2 and cannot conceive a world where the beings think and see an universe based on Logical Coefficient superior to the one of the man. That world and the universe that will include it will be completely different to the one that reflects and includes our world. Then the meaning of the man�s existence in this world which is for us vanity of the vanities, for a different thinking belonging to a different Logical Coefficient, can be something different.
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The notion of this universe, its heavens, hells, and everything within it, as a great dream dreamed by a single being in which all the dream characters are dreaming too, has in India enchanted and shaped the entire civilization. The ultimate dreamer is Vishnu floating on the cosmic Milky Ocean, couched upon the coils of the abyssal serpent Ananta, the meaning of whose name is Unending. In the foreground stand the five Pandava brothers, heroes of the epic Mahabharata, with Draupadi, their wife: allegorically , she is the mind and they are the five senses. They are those whom the dream is dreaming. Eyes open, ready and willing to fight, the youths address themselves to this world of light in which we stand regarding them, where objects appear to be distinct from each other, and an Aristotelian logic prevails, and A is not not-A . Behind them a dream-door has opened, however, to an inward, backward dimension where a vision emerges against darkness...
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If alcohol is queen, then tobacco is her consort. It's a fond companion for all occasions, a loyal friend through fair weather and foul. People smoke to celebrate a happy moment, or to hide a bitter regret. Whether you're alone or with friends, it's a joy for all the senses. What lovelier sight is there than that double row of white cigarettes, lined up like soldiers on parade and wrapped in silver paper? I love to touch the pack in my pocket, open it, savor the feel of the cigarette between my fingers, the paper on my lips, the taste of tobacco on my tongue. I love to watch the flame spurt up, love to watch it come closer and closer, filling me with its warmth.
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Taste is only to be educated by contemplation, not of the tolerably good but of the truly excellent. I therefore show you only the best works; and when you are grounded in these, you will have a standard for the rest, which you will know how to value, without overrating them.
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We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature and living by complicated artifice, man in civilisation surveys the creature through the glass of his knowledge and sees there by a feather magnified and the whole image in distortion. We patronize them for their incompleteness, for their tragic fate for having taken form so far below ourselves. And therein do we err. The animal shall not be measured by man. In a world older and more complete than ours, they move finished and complete, gifted with extension of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren; they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendor and travail of the earth.
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Were I called on to define, very briefly, the term Art, I should call it "the reproduction of what the Senses perceive in Nature through the v...
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Yes, I sing songs about relationships on the edge, relationships of all kinds, but remember I did not write them all, ... They are not all based on my experiences. Years ago, I wrote with Dennis Walker and Bruce Bromberg, who were 10 years older and divorced two or three times. They had great senses of humor, which is where lines like 'a boatload of lawyers just sank' came from. It is their stories on Strong Persuader, my breakthrough album from 1986. Sneaking out the window, 'Porch Light,' they are not my songs or lines. So, my life is not as miserable as some of the music makes it out to be. My wife Sue and I have been married for 15 years. She's an actor, but Sue gets the credit she deserves on some of my songs.
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But all art is sensual and poetry particularly so. It is directly, that is, of the senses, and since the senses do not exist without an object for their employment all art is necessarily objective. It doesn't declaim or explain, it presents.
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When the shriveled skin of the ordinary is stuffed out with meaning, it satisfies the senses amazingly.
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Be like the lions in the spiritual field, rule over the forest of the senses and roam fearlessly with full faith in victory.
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All credibility, all good conscience, all evidence of truth come only from the senses.
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Faith certainly tells us what the senses do not, but not the contrary of what they see; it is above, not against them.
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Fear of error which everything recalls to me at every moment of the flight of my ideas, this mania for control, makes men prefer reason's imagination to the imagination of the senses. And yet it is always the imagination alone which is at work.
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Whether or not his newspaper and a set of senses reduced to five are the main sources of the so-called "real life" of the so- called average m...
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But all art is sensual and poetry particularly so. It is directly, that is, of the senses, and since the senses do not exist without an object for their employment all art is necessarily objective. It doesn't declaim or explain, it presents.
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There are strange flowers of reason to match each error of the senses.
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The subtlety of nature is greater many times over than the subtlety of the senses and understanding.
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It takes a wonderful brain and exquisite senses to produce a few stupid ideas.
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Not the senses I have but what I do with them is my kingdom.
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Despair, night in the grieving senses.
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The seeing of objects involves many sources of information beyond those meeting the eye when we look at an object. It generally involves knowledge of the object derived from previous experience, and this experience is not limited to vision but may include the other senses: touch, taste, smell, hearing, and perhaps also temperature or pain.
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