Wisdom and spirit of the Universe Thou soul is the eternity of thought That giv'st to forms and images a breath And everlasting motion Not in vain By day or star-light thus from by first dawn Of childhood didst thou intertwine for me The passions that build up our human soul, Not with the mean and vulgar works of man, But with high objects, with enduring things, With life and nature, purifying thus The elements of feeling and of thought, And sanctifying, by such discipline Both pain and fear, until we recognize A grandeur in the beatings of the heart.
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It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.
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Objects of knowledge maintain an infinite distance from us who are the knowers. For knowledge is not union. Therefore the further world of freedom awaits us there where we reach truth, not through feeling it by senses or knowing it by reason, but thr
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The notion of this universe, its heavens, hells, and everything within it, as a great dream dreamed by a single being in which all the dream characters are dreaming too, has in India enchanted and shaped the entire civilization. The ultimate dreamer is Vishnu floating on the cosmic Milky Ocean, couched upon the coils of the abyssal serpent Ananta, the meaning of whose name is Unending. In the foreground stand the five Pandava brothers, heroes of the epic Mahabharata, with Draupadi, their wife: allegorically , she is the mind and they are the five senses. They are those whom the dream is dreaming. Eyes open, ready and willing to fight, the youths address themselves to this world of light in which we stand regarding them, where objects appear to be distinct from each other, and an Aristotelian logic prevails, and A is not not-A . Behind them a dream-door has opened, however, to an inward, backward dimension where a vision emerges against darkness...
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I was afraid that by observing objects with my eyes and trying to comprehend them with each of my other senses I might blind my soul altogether.
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Objects as they exist in time the clean eye and camera give us. Not falsified by seeing.
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The term up has no meaning apart from the word down. The term fast has no meaning apart from the term slow. In addition such terms have no meaning even when used together, except when confined to a very particular situation... most of our language about the organization and objective's of government is made up of such polar terms. Justice and injustice are typical. A reformer who wants to abolish injustice and create a world in which nothing but justice prevails is like a man who wants to make everything up. Such a man might feel that if he took the lowest in the world and carried it up to the highest point and kept on doing this, everything would eventually become up. This would certainly move a great many objects and create an enormous amount of activity. It might or might not be useful, according to the standards which we apply. However it would never result in the abolishment of down.
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Familiarity, the first myth of reality: What you know the best, you observe the least.
Devotion, the second myth of reality: The faithful are most hurt by the objects of their faith.
Conviction, the third myth of reality: Only those who seek the truth can be deceived.
Fellowship, the fourth myth of reality: As the tides of war shift, so do loyalties.
Trust, the fifth myth of reality: Every truth holds the seed of betrayal.
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All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.
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Innately, children seem to have little true realistic anxiety. They will run along the brink of water, climb on the window sill, play with sharp objects and with fire, in short, do everything that is bound to damage them and to worry those in charge of them, that is wholly the result of education; for they cannot be allowed to make the instructive experiences themselves.
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If there is a species which is more maltreated than children, then it must be their toys, which they handle in an incredibly off-hand manner. Toys are thus the end point in that long chain in which all the conditions of despotic high-handedness are in play which enchain beings one to another, from one species to another --cruel divinities to their sacrificial victims, from masters to slaves, from adults to children, and from children to their objects.
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In my opinion, one of the greatest animal-welfare problems is the physical abuse of livestock during transportation.... Typical abuses I have witnessed with alarming frequency are; hitting, beating, use of badly maintained trucks, jabbing of short objects into animals, and deliberate cruelty.
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My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.
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Natives who beat drums to drive off evil spirits are objects of scorn to smart Americans who blow horns to break up traffic jams.
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I cannot undertake to lay my finger on that article of the Constitution which granted a right to Congress of expending, on the objects of benevolence, the money of their constituents
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The seeing of objects involves many sources of information beyond those meeting the eye when we look at an object. It generally involves knowledge of the object derived from previous experience, and this experience is not limited to vision but may include the other senses: touch, taste, smell, hearing, and perhaps also temperature or pain.
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Above all, we are coming to understand that the arts incarnate the creativity of a free people. When the creative impulse cannot flourish, when it cannot freely select its methods and objects, when it is deprived of spontaneity, then society severs the root of art.
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According to Democritus, truth lies at the bottom of a well, the water of which serves as a mirror in which objects may be reflected. I have heard, however, that some philosophers, in seeking for truth, to pay homage to her, have seen their own image and adored it instead.
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Works of art, in my opinion, are the only objects in the material universe to possess internal order, and that is why, though I don't believe that only art matters, I do belive in Art for Art's sake.
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Something ignoble, loathsome, undignified attends all associations between people and has been transferred to all objects, dwelling, tools, even the landscape itself.
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I paint objects as I think them, not as I see them.
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Being bound to the world with attachment to worldly objects is negative approach.
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The opening of a foreign trade, by making them acquainted with new objects, or tempting them by the easier acquisition of things which they had not previously thought attainable, sometimes works a sort of industrial revolution in a country whose resources were previously undeveloped for want of energy and ambition in the people: inducing those who were satisfied with scanty comforts and little work, to work harder for the gratification of their new tastes, and even to save, and accumulate capital, for the still more complete satisfaction of those tastes at a future time.
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Do the days work. If it be to protect the rights of the weak, whoever objects, do it. If it be to help a powerful corporation better to serve the people, whatever the opposition, do that. Expect to be called a stand-patter, but dont be a stand-patter. Expect to be called a demagogue, but dont be a demagogue. Dont hesitate to be as revolutionary as science. Dont hesitate to be as reactionary as the multiplication table. Dont expect to build up the weak by pulling down the strong. Dont hurry to legislate. Give administration a chance to catch up with legislation.
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Anger and jealousy can no more bear to lose sight of their objects than love.
Anger
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Anger and jealousy can no more bear to lose sight of their objects than love.
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If the secret sorrows of everyone could be read on their forehead, how many who now cause envy would suddenly become the objects of pity.
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Odors have an altogether peculiar force, in affecting us through association; a force differing essentially from that of objects addressing the touch, the taste, the sight or the hearing.
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I began reviewing my life in relation to its objectives. I saw no objects, I saw only states.
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Change begets change. Nothing propagates so fast. If a man habituated to a narrow circle of cares and pleasures, out of which he seldom travels, step beyond it, though for never so brief a space, his departure from the monotonous scene on which he has been an actor of importance would seem to be the signal for instant confusion. The mine which Time has slowly dug beneath familiar objects is sprung in an instant; and what was rock before, becomes but sand and dust.
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