Education is not filling a bucket, but lighting a fire.

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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.

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Education is not the filling of a pail, but the lighting of a fire.

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Sunrays, leaning on our southern hills and lighting Wild cloud-mountains that drag the hills along, Oft ends the day of your shifting brilliant laughter Chill as a dull face frowning on a song. Ay, but shows the South-west a ripple-feathered bosom Blown to silver while the clouds are shaken and ascend Scaling the mid-heavens as they stream, there comes a sunset Rich, deep like love in beauty without end.

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But what Kezia liked more than anything, what she liked frightfully, was the lamp. It stood in the middle of the dining-room table, an exquisite little amber lamp with a white globe. It was filled all ready for lighting, though, of course, you couldn't light it. But there was something inside that looked like oil and moved when you shook it. The father and mother dolls, who sprawled very stiff as though they had fainted in the drawing-room, and their two little children asleep upstairs, were really too big for the doll's house. They didn't look as though they belonged. But the lamp was perfect. It seemed to smile at Kezia, to say, 'I live here.' The lamp was real.

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How soon country people forget. When they fall in love with a city it is forever, and it is like forever. As though there never was a time when they didn't love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves: their stronger, riskier selves.

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If a civil word or two will render a man happy, he must be a wretch, indeed who will not give them to him. Such a disposition is like lighting another man's candle by one's own, which loses none of its brilliancy by what the other gains.

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Popular art is normally decried as vulgar by the cultivated people of its time; then it loses favor with its original audience as a new generation grows up; then it begins to merge into the softer lighting of

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I was astonished at the effect my successful landing in France had on the nations of the world. To me, it was like a match lighting a bonfire.

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There is no more miserable human being than one in whom nothing is habitual but indecision, and for whom the lighting of every cigar, the drinking of every cup, the time of rising and going to bed every day, and the beginning of every bit of work, are subjects of express volitional deliberation.

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To Robert Fulton What, sir, would you make a ship sail against the wind and currents by lighting a bonfire under her deck I pray you excuse me. I have no time to listen to such nonsense.

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Freedom is just Chaos, with better lighting.

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It's hard to be religious when certain people don't get incinerated by lighting bolts

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A mother's happiness is like a beacon, lighting up the future but reflected also on the past in the guise of fond memories.

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Matthew 3:16:
As soon as Jesus was baptized, he went up out of the water. At that moment heaven was opened, and he saw the Spirit of God descending like a dove and alighting on him.
(NIV)
And when Jesus was baptized, He went up at once out of the water; and behold, the heavens were opened, and he [John] saw the Spirit of God descending like a dove and alighting on Him.
(AMP)
And Jesus, when he was baptized, went up straightway out of the water: and, lo, the heavens were opened unto him, and he saw the Spirit of God descending like a dove, and lighting upon him:
(KJV)

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The difference between pornography and erotica is lighting.

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This isn't school! This is Hell with flourecent lighting!

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Sometimes the best lighting of all is a power failure.

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A candle loses nothing by lighting another candle.

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