Me, we. (Supposedly the shortest quote in the English language delivered at a Harvard graduation.)

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English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren't invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren't sweet, are meat.
We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don't fing, grocers don't groce and hammers don't ham? If the plural of tooth is teeth, why isn't the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it?
If teachers taught, why didn't preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? Sometimes I think all the English speakers should be committed to an asylum for the verbally insane. In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites?
Have you noticed that we talk about certain things only when they are absent? Have you ever seen a horsefull carriage or a strapfull gown? Met a sung hero or experienced requited love? Have you ever run into someone who was combobulated, gruntled, ruly or peccable? And where are all those people who ARE spring chickens or who would actually hurt a fly?
You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on.

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One knows so well the popular idea of health. The English country gentleman galloping after a fox—the unspeakable in full pursuit of the une...

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Life is like a box of chocolates. It's a cheap thoughtless perfunctory gift that nobody ever asks for. Unreturnable becuase all you ever get back is another box of chocolates, so you're stuck with this unidentifiable whipped mint crap that you mindlessly wolf down when there's nothing left to eat. Sure, once in a while there's a peanut butter cup or an English toffee, but they're gone too fast and the taste is fleeting. So you end up with up with nothing but broken bits with hardened jelly and teeth-shattering nuts. If you're desperate enough to eat that, all you have left is an empty box filled with useless brown paper wrappers.'

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The English language is nobody's special property. It is the property of the imagination: it is the property of the language itself.

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I am sick unto death of obscure English towns that exist seemingly for the sole accommodation of these so-called limerick writers -- and even sicker of their residents, all of whom suffer from physical deformities and spend their time dismembering relatives at fancy dress balls.

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I am among those Americans whose ancestors include men and women from many different European countries. The proportion of Americans of this type will steadily increase. I do not believe in hyphenated Americans. I do not believe in German-Americans or Irish-Americans; and I believe just as little in English-Americans. I do not approve of American citizens of German descent forming organizations to force the United States into practical alliance with Germany because their ancestors came from Germany. Just as little do I believe in American citizens of English descent forming leagues to force the United States into an alliance with England because their ancestors came from England.

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Music has often been compared with language itself, and the comparison is quite legitimate. While it combines easily with actual language, it also speaks a language of its own, which it has become a platitude to call universal. To understand the significance of the organizing factors of rhythm, melody, harmony, tone color and form, the analogy of a familiar language is helpful. Music has its own alphabet of only seven letters, as compared with the twenty-six of the English alphabet. Each of these letters represents a note, and just as certain letters are complete words in themselves, so certain notes may stand alone, with the force of a whole word. Generally, however, a note of music implies a certain harmony, and in most modern music the notes take the form of actual chords. So it may be said that a chord in music is analogous to a word in language. Several words form a phrase, and several phrases a complete sentence, and the same thing is true in music. Measured music corresponds to poetry, while the old unmeasured plain-song might be compared with prose.

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A young man idle, an old man needy.

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In the first place we should insist that if the immigrant who comes here in good faith becomes an American and assimilates himself to us, he shall be treated on an exact equality with everyone else, for it is an outrage to discriminate against any such man because of creed, or birthplace, or origin. But this is predicated upon the man's becoming in very fact an American, and nothing but an American...There can be no divided allegiance here. Any man who says he is an American, but something else also, isn't an American at all. We have room for but one flag, the American flag, and this excludes the red flag, which symbolizes all wars against liberty and civilization, just as much as it excludes any foreign flag of a nation to which we are hostile...We have room for but one language here, and that is the English language...and we have room for but one sole loyalty and that is a loyalty to the American people.

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There is a certain age at which a child looks at you in all earnestness and delivers a long, pleased speech in all the true inflections of spoken English, but with not one recognizable syllable. There is no way you can tell the child that if language had been a melody, he had mastered it and done well, but that since it was in fact a sense, he had botched it utterly.

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'I am' is reportedly the shortest sentence in the English language. Could it be that 'I do' is the longest sentence?

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Every immigrant who comes here should be required within five years to learn English or leave the country.

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My father and he had one of those English friendships which begin by avoiding intimacies and eventually eliminate speech altogether.

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If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's, breathing English air, Washed by the rivers, blest by suns of home. And think, this heart, all evil shed away, A pulse in the eternal mind, no less Gives somewhere back the thoughts by England given; Her sights and sounds; dreams happy as her day; And laughter, learnt of friends; and gentleness, In hearts at peace, under an English heaven.

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Every English poet should master the rules of grammar before he attempts to bend or break them.

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Opera in English is, in the main, just about as sensible as baseball in Italian.

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The German intellect wants the French sprightliness, the fine practical understanding of the English, and the American adventure; but it has a certain probity, which never rests in a superficial performance, but asks steadily, To what end? A German public asks for a controlling sincerity.

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Don't dig your grave with your knife and fork.

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Perhaps first and foremost is the challenge of taking what I find as a reader and making it into a poem that, primarily, has to be a plausible poem in English.

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Use soft words and hard arguments.

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The true greatness of a nation is not measured by the vastness of its territory, or by the multitude of its people, or by the profusion of its exports and imports; but by the extent to which it has contributed to the life and thought and progress of the world. A man's greatness is not estimated by the size of his body or of his purse; not by his family connections or social position, however high these may be. He may bulk large in public estimation today, but tomorrow he will be forgotten like a dream, and his very servants may secure a higher position and a name lasting possibly a little longer. A man's greatness is estimated by his influence, not over the votes and empty cheers of a changing and passing crowd, but by his abiding, inspiring influence in their bidden thoughts, upon their ways of thinking, and consequently of acting. That is why the Wycliffes, Shakespeares, Miltons, Newtons, Wesleys, and Gladstones of English history live, and will live, in everlasting memory, while lesser men are remembered only through them, and the crowd of demagogues, pretenders, and self-seekers are named, if ever named, only to point a moral, or adorn a tale. So with nations. A great nation is not one which, like Russia, has an enormous territory ; or, like China, has an enormous population. It is the nation which gives mankind new modes of thought, new ideals of life, new hopes, new aspirations; which lifts the world out of the rut, and sets it going on a cleaner and brighter road.

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I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I. -men, discards from Freud and Jung and a sort of Columnist peep-hole and missing laundry list school. Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.

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Although spoken English doesn't obey the rules of written language, a person who doesn't know the rules thoroughly is at a great disadvantage.

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As you make your bed, so you must lie in it.

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That the use of animal food disposes man to cruel and ferocious action is a fact to which the experience of ages gives ample testimony . . . The barbarous and unfeeling 'sports' (as they are called) of the English - their horse-racing, hunting, shooting, bull and bear baiting, cock-fighting, prize fighting, and the like, all proceed from their immoderate addiction to animal food. Their natural temper is thereby corrupted, and they are in the habitual and hourly commission of crimes against nature, justice, and humanity, from which a feeling and reflective mind, unaccustomed to such a diet, would revolt, but in which they profess to take delight.

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Once more unto the breach, dear friends, once more, Or close the wall up with our English dead In peace there's nothing so becomes a man As modest stillness and humility But when the blast of war blows in our ears, Then imitate the action of the tiger Stiffen the sinews, summon up the blood.

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A blind man will not thank you for a looking-glass.

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An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Sweedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.

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Humor does not include sarcasm, invalid irony, sardonicism, innuendo, or any other form of cruelty. When these things are raised to a high point they can become wit, but unlike the French and the English, we have not been much good at wit since the days of Benjamin Franklin.

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