Everything has its wonders, even darkness and silence, and I learn, whatever state I am in, therein to be content.
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Behind him lay the gray Azores, Behind the gates of Hercules; Before him not the ghost of shores, Before him only shorless seas. The good Mate said, Now we must pray, For lo! the very stars are gone. Brave Admiral, speak, what shall I say? Why say, 'Sail on! sail on! and on! My men grow mutinous day by day; My men grow ghastly wan and weak! The stout Mate thought of home; a spray Of salt wavewashed his swarthy cheek. What shall I say, brave Admiral, say, If we sight naught but seas at dawn? Why, you shall say at break of day, 'Sail on! sail on! sail on! and on!' They sailed. They sailed. Then spake the Mate; This mad sea shows its teeth tonight. He curls his lip, he lies in wait, With lifted teeth, as if to bite! Brave Admiral, say but one good word; What shall we do when hope is gone? The words leapt like a leaping sword; Sail on! sail on! sail on! and on! Then, pale and worn, he kept his deck And peered through darkness. Ah! that night Of all dark nights! And then a speck -- A light! A light! A light! A light! It grew, a starlit flag unfurled! It grew to be Time's burst of dawn. He gained a world; he gave that world Its greatest lesson: On! sail on!
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Don't let them fool ya, Or even try to school ya! Oh, no! We've got a mind of our own, So go to hell if what you're thinking is not right! Love would never leave us alone, A-yin the darkness there must come out to light.
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We held hands on the last night on earth. Our mouths filled with dust, we kissed in the fields and under trees, screaming like dogs, bleeding dark into the leaves. It was empty on the edge of town but we knew everyone floated along the bottom of the river. So we walked through the waste where the road curved into the sea and the shattered seasons lay, and the bitter smell of burning was on you like a disease.In our cancer of passion you said, 'Death is a midnight runner.' The sky had come crashing down like the news of an intimate suicide. We picked up the shards and formed them into shapes of stars that wore like an antique wedding dress. The echoes of the past broke the hearts of the unborn as the ferris wheel silently slowed to a stop. The few insects skidded away in hopes of a better pastime. I kissed you at the apexof the maelstrom and asked if you would accompany me ina quick fall, but you made me realize that my ticket wasn't good for two. I rode alone. You said,'The cinders are falling like snow.' There is poetry in despair, and we sang with unrivaled beauty, bitter elegies of savagery and eloquence.Of blue and grey. Strange, we ran down desperate streets and carvedour names in the flesh of the city. The sun has stagnated somewhere beyond the rim of the horizon and the darkness is a mystery of curves and line.Still, we lay under the emptiness and drifted slowly outward,and somewhere in the wilderness we foundsalvation scratched into the earth like a message. the untitled poem--afi
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Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses, you build up a whole suit of armor, so that nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life...You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a real gets-inside-you-and-rips-you-apart pain. I hate love.
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There are as many nights as days, and the one is just as long as the other in the year's course. Even a happy life cannot be without a measure of darkness, and the word 'happy' would lose its meaning if it were not balanced by sadness.
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Our haughty life is crowned with darkness, Like London with its own black wreath,
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Such is the remorseless progression of human society, shedding lives and souls as it goes on its way. It is an ocean into which men sink who have been cast out by the law and consigned, with help most cruelly withheld, to moral death. The sea is the pitiless social darkness into which the penal system casts those it has condemned, an unfathomable waste of misery. The human soul, lost in those depths, may become a corpse. Who shall revive it?
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Down, down, down into the darkness of the grave Gently they go, the beautiful, the tender, the kind;...
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With proud thanksgiving, a mother for her children, England mourns for her dead across the sea. Flesh of her flesh they were, spirit of spirit, Fallen in the cause of the free. Solemn the drums thrill: Death august and royal Sings sorrow up into immortal spheres. There is music in the midst of desolation And a glory that shines upon our tears. They went with songs to the battle, they were young, Straight of limb, true of eye, steady and aglow. They were staunch to the end against odds uncounted, They fell with their faces to the foe. They shall grow not old, as we that are left grow old; Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them. They mingle not with laughing comrades again; They sit no more at familiar tables of home; They have no lot in our labour of the day-time; They sleep beyond England's foam. But where our desires are and our hopes profound, Felt as a well-spring that is hidden from sight, To the innermost heart of their own land they are known As the stars are known to the Night; As the stars that shall be bright when we are dust, Moving in marches upon the heavenly plain, As the stars that are starry in the time of our darkness, To the end, to the end, they remain.
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Along a parabola life like a rocket flies, Mainly in darkness, now and then on a rainbow.
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One summer night, out on a flat headland, all but surrounded by the waters of the bay, the horizons were remote and distant rims on the edge of space. Millions of stars blazed in darkness, and on the far shore a few lights burned in cottages. Otherwise there was no reminder of human life. My companion and I were alone with the stars: the misty river of the Milky Way flowing across the sky, the patterns of the constellations standing out bright and clear, a blazing planet low on the horizon. It occurred to me that if this were a sight that could be seen only once in a century, this little headland would be thronged with spectators. But it can be seen many scores of nights in any year, and so the lights burned in the cottages and the inhabitants probably gave not a thought to the beauty overhead; and because they could see it almost any night, perhaps they never will.
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The notion of this universe, its heavens, hells, and everything within it, as a great dream dreamed by a single being in which all the dream characters are dreaming too, has in India enchanted and shaped the entire civilization. The ultimate dreamer is Vishnu floating on the cosmic Milky Ocean, couched upon the coils of the abyssal serpent Ananta, the meaning of whose name is Unending. In the foreground stand the five Pandava brothers, heroes of the epic Mahabharata, with Draupadi, their wife: allegorically , she is the mind and they are the five senses. They are those whom the dream is dreaming. Eyes open, ready and willing to fight, the youths address themselves to this world of light in which we stand regarding them, where objects appear to be distinct from each other, and an Aristotelian logic prevails, and A is not not-A . Behind them a dream-door has opened, however, to an inward, backward dimension where a vision emerges against darkness...
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Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.
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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all doing direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
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Death devours all lovely things; Lesbia with her sparrow Shares the darkness—presently Every bed is narrow.
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You are part of my existence, part of myself. You have been in every line I have ever read. You have been in every prospect I have ever seen - on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea in the streets. You have been the embodiment of every graceful fancy that my mind has ever become accquainted with. The stones of which the strongest London buildings are made are not more real, or more impossible to be displaced by your hands, than your presence and influence have been to me, there and everywhere, and will be. To the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil. But in this separation, I associate you only with the good, and I will faithfully hold you to that always, for you must have done me far more good than harm. Let me feel now what sharp distress I may.
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Pregnancy demonstrates the deterministic character of woman's sexuality. Every pregnant woman has body and self taken over by a chthonian force beyond her control. In the welcome pregnancy, this is a happy sacrifice. But in the unwanted one, initiated by rape or misadventure, it is a horror. Such unfortunate women look directly into nature's heart of Darkness. For a fetus is a benign tumor, a vampire who steals in order to live. The so-called miracle of birth is nature getting her own way.
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A man can no more diminish God's glory by refusing to worship Him than a lunatic can put out the sun by scribbling the word, 'darkness' on the walls of his cell.
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We have seen when the earth had to be prepared for the habitation of man, a veil, as it were, of intermediate being was spread between him and its darkness, in which were joined in a subdued measure, the stability and insensibility of the earth, and the passion and perishing of mankind.
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The whole fauna of human fantasies, their marine vegetation, drifts and luxuriates in the dimly lit zones of human activity, as though plaiting thick tresses of darkness. Here, too, appear the lighthouses of the mind, with their outward resemblance to less pure symbols. The gateway to mystery swings open at the touch of human weakness and we have entered the realms of darkness. One false step, one slurred syllable together reveal a man's thoughts.
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Light is meaningful only in relation to darkness, and truth presupposes error. It is these mingled opposites which people our life, which make it pungent, intoxicating. We only exist in terms of this conflict, in the zone where black and white clash.
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It was a dark and stormy night the rain fell in torrents--except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.
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Heresy is like a tree, its roots lie in the darkness whilst its leaves wave in the sun and to those who suspect nought it has an attractive and pleasing appearance. Truly, you can prune away its branches, or even cut the tree to the ground, but it will grow up again ever the stronger and ever more comely. Yet all awhile the root grows thick and black, gnawing at the bitter soil, drawing its nourishment from the darkness, and growing even greater and more deeply entrenched.
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We penetrated deeper and deeper into the heart of darkness. It was very quiet there. At night sometimes the roll of the drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day ... The dawn were heralded by a chill stillness; the wood-cutters slept, their fires burned low; the snapping of a twig would make you start. We were wanderers on a prehistoric planet ... But suddenly, as we struggled round a bend, there would be a glimpse of rush walls, of peaked grass-roof, a burst of yells, a whirl of black limbs, a mass of hands clapping, of feet stamping, of bodies swaying, of eyes rolling, under the droops of heavy and motionless foliage.
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Ever since we crawled out of that primordial slime, that's been our unifying cry, More light. Sunlight. Torchlight. Candlight. Neon, incandescent lights that banish the darkness from our caves to illuminate our roads, the insides of our refrigerators. Big floods for the night games at Soldier's field. Little tiny flashlights for those books we read under the covers when we're supposed to be asleep. Light is more than watts and footcandles. Light is metaphor. Light is knowledge, light is life, light is light.
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Lawrence had done it in a way, and Joyce. But I think it's an important thing to do now and then, to describe the sex act as our descent, or adventure, into a primordial or strange world, having very little to do with how we look in suits or what our educations have been. It's a well of darkness, as it were, that leaves you refreshed.
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O Queen of air and darkness, I think 'tis truth you say, And I shall die to-morrow; But you will die to-day.
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I shall always remember you-slyly, touchingly, but with great shouting and confusion-pumping hot water into our sleeping car in the frosty darkness of a December morning in order that we might not know, in order that we might never realize, to how primitive a land we had come.
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I wrung from the darkness—that the darkness flung me— Is worthless as ignorance: nothing comes from nothing,...
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