I carry your heart with me (I carry it in my heart) I am never without it (anywhere I go you go, my dear; and whatever is done by only me is your doing, my darling) I fear no fate (for you are my fate, my sweet) I want no world (for beautiful you are my world, my true) and it's you are whatever a moon has always meant and whatever a sun will always sing is you. Here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than the soul can hope or mind can hide) and this is the wonder that's keeping the stars apart. I carry your heart (I carry it in my heart).
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Were I called on to define, very briefly, the term Art, I should call it the reproduction of what the Senses perceive in Nature through the veil of the soul. The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of Artist.
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Why should they ask me to put on a uniform and go 10,000 miles from home and drop bombs and bullets on Brown people in Vietnam while so-called Negro people in Louisville are treated like dogs and denied simple human rights? No I
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Bump! Bump! Bump! Did you ever ride a wump? We have a Wump with just one hump. But, we know a man called Mr. Gump. Mr Gump has a seven hump Wump. So... if you Bump! Bump! Just jump on the hump on the Wump of Gump.
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The Greeks said grandly in their tragic phrase, Let no one be called happy till his death; to which I would add, Let no one, till his death be called unhappy.
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Most of the luxuries, and many of the so-called comforts of life, are not only indispensable, but positive hindrances to the elevation of mankind. Cultivate poverty like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. The very simplicity and nakedness of man's life in the primitive ages imply this advantage, at least, that they left him still but a sojourner in nature. To be awake is to be alive. Time is but the stream I go a-fishing in. Every man is a builder of a temple, called his body, to the god he worships, after a style purely his own, nor can he get off by hammering marble instead. We are all sculptors and painters, and our material is our own flesh and blood and bones. Any nobleness begins at once to refine a man's features, any meanness or sensuality to imbrute them. Rather than love, than money, than fame, give me truth.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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Once on a yellow piece of paper with green lines he wrote a poem And he called if 'Chops' because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it 'Autumn' because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it Once on a paper torn from his notebook he wrote a poem And he called it 'Innocence: A Question' because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it 'Absolutely Nothing' Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen
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If the use of animal food be, in consequence, subversive to the peace of human society, how unwarrantable is the injustice and the barbarity which is exercised toward these miserable victims. They are called into existence by human artifice that they may drag out a short and miserable existence of slavery and disease, that their bodies may be mutilated, their social feelings outraged. It were much better that a sentient being should never have existed, than that it should have existed only to endure unmitigated misery.
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Oh, oh, you will be sorry for that word! Give back my book and take my kiss instead. Was it my enemy or my friend I heard, What a big book for such a little head! Come, I will show you now my newest hat, And you may watch me purse my mouth and prink! Oh, I shall love you still, and all of that. I never again shall tell you what I think. I shall be sweet and crafty, soft and sly; You will not catch me reading any more: I shall be called a wife to pattern by; And some day when you knock and push the door, Some sane day, not too bright and not too stormy, I shall be gone, and you may whistle for me.
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His intimate friends called him `Candle-ends', / And his enemies `Toasted-cheese'.
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He said true things, but called them by wrong names.
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Man is a rational animal who always loses his temper when he is called upon to act in accordance with the dictates of reason.
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No man can be called friendless when he has God and the companionship of good books.
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You make your own dream. That's the Beatles' story, isn't it? That's Yoko's story. That's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.
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Death be not proud, though some have called thee Mighty and dreadfull, for thou art not so, For, those, whom thou thinkst, thou dost overthrow, die not, poor death, nor yet canst thou kill me.
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If experience has established any one thing in this world, it has established this: that it is well for any great class and description of men in society to be able to say for itself what it wants, and not to have other classes, the so-called educated and intelligent classes, acting for it as its proctors, and supposed to understand its wants and to provide for them. A class of men may often itself not either fully understand its wants, or adequately express them; but it has a nearer interest and a more sure diligence in the matter than any of its proctors, and therefore a better chance of success.
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Firm, faithful, and devoted, full of energy and zeal, and truth, he labors for his race; he clears their painful way to improvement; he hews down like a giant the prejudices of creed and caste that encumber it. He may be stern; he may be exacting; he may be ambitious yet; but his is the sternness of the warrior Greatheart, who guards his pilgrim convoy from the onslaught of Apollyon. His is the exaction of the apostle, who speaks but for Christ, when he says, Whosoever will come after Me, let him deny himself, and take up his cross and follow Me. His is the ambition of the high master-spirit, which aims to fill a place in the first rank of those who are redeemed from the earth -- who stand without fault before the throne of God, who share the last mighty victories of the Lamb, who are called, and chosen, and faithful.
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A human being is part of a whole, called by us the Universe, a part limited in time and space. He experiences himself, his thoughts and feelings, as something separated from the rest--a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest us. Our task must be to free ourselves from this prison by widening our circles of compassion to embrace all living creatures and the whole of nature in its beauty.
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Why shouldn't I work for the NSA? That's a tough one. But I'll take a shot. Say I'm workin' at the NSA and somebody puts a code on my desk, somethin' no one else can break. Maybe I take a shot at it and maybe I break it and I'm real happy with myself cause I did my job well, but maybe that code was the location of some rebel army in North Africa or the Middle East and once they have that location, they bomb the village where the rebels are hiding, fifteen hundred people I never met, never had no problem with get killed.
Now the politicains are sayin' 'Oh send in the marines to secure the area, cause they don't give a shit, won't be their kid over there gettin' shot just like it wasn't them when their number got called cause they were all pullin' a tour in the National Guard. It'll be some kid from Southy over there takin' shrapnel in the ass. He comes back to find that the plant he used to work at, got exported to the country he just got back from, and the guy that put the shrapnel in his ass got his old job cause he'll work for 15 cents a day and no bathroom breaks.
Meanwhile, he realises the only reason he was over there in the first place was so that we could install a government that would sell us oil at a good price, and ofcourse the oil companies use a little skirmish over there to scare up domestic oil prices, a cute little ancilliary benefit for them, but it ain't helpin' my buddy at 2.50 a gallon. Their takin' their sweet time bringin' the oil back, of course maybe they even took the liberty of hiring an alcoholic skipper who likes to drink martini's and fuckin' play slolum with the icebergs. It ain't to long til he hits one, spills the oil, and kills all the sea life in the North Atlantic... so now my buddy's out of work, he can't afford to drive, so he's walkin' to the fuckin' job interviews which sucks cause the shrapnel in his ass is givin' him cronic hemroids and meanwhile, he's starvin' cause everytime he tries to get a bite to eat the only blue plate special their serving is North Atlantic scrod with Quaker State....
so what did I think? I'm holdin' out for somethin' better. I figure fuck it, while Im at it why not just shoot my buddy, take his job, give it to his sworn enemy, hike up gas prices, bomb a village, club a baby seal, hit the hash pipe, and join the National Guard. I could be elected President.
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Chicago is known as the Windy City, and Montana is called the Big Sky State, so I think that we should somehow combine the two to create the ultimate kite-flying experience.
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Readers of the twenty-first chapter must decide for themselves whether it enhances the book they presumably know or is really a discardable limb. I meant the book to end in this way, but my aesthetic judgement may have been faulty. Writers are rarely their own best critics, nor are critics. 'Quod scripsi scripsi' said Pontius Pilate when he made Jesus Christ the King of the Jews. 'What I have written I have Written.' We can destroy what we have written but we cannot unwrite it. I leave what I wrote with what Dr. Johnson called frigid indifference to the judgement of that .00000001 of the American population which cares about such things. Eat this sweetish segment or spit it out. You are free.
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Few white citizens are acquainted with blacks other than those projected by the media and the so—called educational system, which is nothing...
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To me a book is a message from the gods to mankind; or, if not, should never be published at all. A message from the gods should be delivered at once. It is damnably blasphemous to talk about the autumn season and so on. How dare the author or publisher demand a price for doing his duty, the highest and most honorable to which a man can be called?
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I am sick unto death of obscure English towns that exist seemingly for the sole accommodation of these so-called limerick writers -- and even sicker of their residents, all of whom suffer from physical deformities and spend their time dismembering relatives at fancy dress balls.
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In view of all this, I have no doubt that Cambyses was completely out of his mind; it is the only possible explanation of his assault upon, and mockery of, everything which ancient law and custom have made sacred in Egypt. If anyone, no matter who, were given the opportunity of choosing from amongst all the nations in the world the set of beliefs which he thought best, he would inevitably, after careful consideration of their relative merits, choose that of his own country. Everyone without exception believes his own native customs, and the religion he was brought up in, to be the best; and that being so, it is unlikely that anyone but a madman would mock at such things. There is abundant evidence that this is the universal feeling about the ancient customs of one's country. One might recall, in particular, an anecdote of Darius. When he was king of Persia, he summoned the Greeks who happened to be present in his court, and asked them what they would take to eat the dead bodies of their fathers. They replied that they would not do it for any money in the world. Later, in the presence of the Greeks, and through an interpreter, so that they could understand what was said, he asked some Indians, of the tribe called the Callatiae, who do in fact eat their parents' dead bodies, what they would take to burn them. They uttered a cry of horror and forbade him to mention such a dreadful thing. One can see by this what custom can do, and Pindar, in my opinion, was right when he called it king of all.
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If we knew what it was we were doing, it would not be called research, would it?
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The power of accurate observation is commonly called cynicism by those who have not got it.
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Economics Teacher In 1930, the Republican-controlled House of Representatives, in an effort to alleviate the effects of the... Anyone Anyone... the Great Depression, passed the... Anyone Anyone The tariff bill The Hawley-Smoot Tariff Act Which, anyone Raised or lowered... raised tariffs, in an effort to collect more revenue for the federal government. Did it work Anyone Anyone know the effects It did not work, and the United States sank deeper into the Great Depression. Today we have a similar debate over this. Anyone know what this is Class Anyone Anyone Anyone seen this before The Laffer Curve. Anyone know what this says It says that at this point on the revenue curve, you will get exactly the same amount of revenue as at this point. This is very controversial. Does anyone know what Vice President Bush called this in 1980 Anyone Something-d-o-o economics. Voodoo economics.
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Socrates called beauty a short-lived tyranny; Plato, a privilege of nature; Theophrastus, a silent cheat; Theocritus, a delightful prejudice; Carneades, a solitary kingdom; Aristotle, that it was better than all the letters of recommendation in the world; Homer, that it was a glorious gift of nature; and Ovid, that it was favor bestowed by the gods.
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