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A MIRROR TO SOCEITY? UPDATED WED 17TH - Brian Strand's Blog

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English experiential poet of open verse& creator of the FOOTLE (singular form)&EMAGI digital reverse ekphrasis.A regular @PS since 2007 ,with 9500+ poems posted&sponsor of 1260 contests ( Amazon books- (500+) reviews)GOOGLE my POETRY BLOGS @https://www.blogger.com/profile/02166493604739619406.Read an Ekphrasis e-book for free @ http://free-ekphrasis-ebook.blogspot.com/

 

 

 

 

 

 


A MIRROR TO SOCEITY? UPDATED WED 17TH

Blog Posted:5/16/2017 7:25:00 PM

Poets have ,with their poetry ,often been a mirror to their contemporary soceity.The WW1 poets and the late Seamus Heaney(Nobel prixe winner) being good examples ,the latter thereof with some of his later work

I have written a number myself of some aspects of recent times.

Such poetry perhaps is the equivalent of a letter to the newspaper columns,.They have the immediacy and often the emotion of the moment ...and yet...

can such writing ,the bird's eye view ,be too close? 

do they lack a true perspective ? is the poet too involved ? 

Maybe a longer view ,a retrospective , yet within their lifetime be more accurate and a fairer view .

What do you think? Do you write such poetry? 

Do you use our art this way, to get things off your chest, about a contemporary issue?

 

UPDATE A an example at the time

Here is the kind of thing I'm thinking of in regard to WW1 ,whereby Kipling's My Boy Jack ' holds a mirror to that particular event',the link to the poem is below

http://www.kiplingsociety.co.uk/poems_jack.htm

UPDATE B a personal retrospective 90 years after(by yours truly)

In memorium *

He put his rifle safe,
pulled up the blanket
against the cold.The Spring
rain dripped in rivulets
down his trench wall.

The blossoms of the hops
would be just flowering
back home. He dreamed on
of the girl he met on his 
last leave. In this

hell on earth, to dream
was to live, for a few
moments; to escape the
monotony of this endless
unreality. The face of

his mother, filled this dream,
Harriet was crying, whispering 
her love; hopelessness had
permeated his last letter. He
awoke, suddenly with a start,

It was time; the big push
was on. The ‘final battle’
the officer had said. Perhaps
I will be on furlough for harvest, 
he thought, smiling inwardly,

day-dreaming for a second
or two, he joined the line.
‘Into your hands O lord’ the
Padre’s murmured benediction
the last words, he heard.

*Albert Strand 1890-1918


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Date: 5/18/2017 1:36:00 PM
Enjoyed this poem very much Brian and it brings to mind my favorite poet of that era, Rupert Brooke. (You have good genes)
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Brian Strand
Date: 5/18/2017 1:40:00 PM
You are too kind Craig,thanks
Date: 5/18/2017 12:54:00 AM
I like this example by Albert Strand. Putting something into a personal perspective. That is what poetry, for me, is all about. And I don't know if Agnes ever said one has to live an experience to be able to write about it, but for what Seeker is saying below, I think we can write from what we feel about events. I too wrote about Rwanda, but I saw the Hotel Rwanda movie and was inspired by that. I think learning about something and being able to visually connect with it like I did with that movie makes it something easier to write about.
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Brian Strand
Date: 5/18/2017 3:25:00 AM
Thank Andrea, glad you liked my poem in tribute to my great uncle Albert who died in one of the last major battles of WW1
Date: 5/17/2017 9:26:00 AM
Brian I just placed in one of your contests with a piece on society.I have written many poems about ourselves.One in particular I wrote titled City of Gulls was about abuse of power..here is the last 6 lines..children play where glass always lay shattered..and homeless snore on all the darkened streets..among the crowd women whose clothes are tattered..find life lifeless when a child's death defeats..far from the rubble and city's broken walls..greedy men of oath,toss scraps to gulls..I wished more poets wrote of such things
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Brian Strand
Date: 5/17/2017 10:35:00 AM
Yes Frederic,I recall your podium poem ' Inner City',two things stood out,the ' photo-journalistic images' and the coup!et presentation accentuated the content.Cyndi's pub night blog of the 5May Rooftops by Phillip Steele ,impressed me in the same way.Thanks for supporting my contests with such quality writing
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Frederic Parker
Date: 5/17/2017 9:53:00 AM
My only reply Cyndi is at some point I believe a poet should write something about the culture in which they live, not that there's anything wrong with writing about flowers, it's just the poet has the eyes to see and express what they see and I think speak of injustice
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Cyndi Macmillan
Date: 5/17/2017 9:44:00 AM
Left a comment on the poem, Frederic. WOW!!!!!!!!!!!! Look at you! Stunning work worthy to share on at the poetry pub. Glad I read it... its with me still...
Date: 5/17/2017 9:11:00 AM
The poems in the blog update hopefully show how poets can hold a mirror to particular events.The first(the link) from a bereft father at the time.The second from the perspective of Albert's great nephew,based on historical fact but written 90 years after the event and with some poetic licence .
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Brian Strand
Date: 5/17/2017 11:18:00 AM
not really taai, as 'the great nephew' I was using my imagination (poetic licence) from what I discovered about Uncle Albert,in my research for my book on my ancestral line and used it as a personal poetic reflection upon WW1 .The retrospective poetic view I mention in my blog
Date: 5/17/2017 8:52:00 AM
I think we must be careful in using the word 'should' in regard to poets(or anyone for that matter).Poets are motivated to pick up a pen by many things,images etc.We are all different and unique,and the beauty of a workshop like PS ,is the mosaic images in words
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Cyndi Macmillan
Date: 5/17/2017 9:03:00 AM
Gotta fly. My daughter is home .. doing well, but not 100% better. My poem will go full tilt HOWL.
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Cyndi Macmillan
Date: 5/17/2017 9:00:00 AM
Actually, I think I've been inspired to write a poem... I'll try to pen it tonight. It's title will be "Poets Should"
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Cyndi Macmillan
Date: 5/17/2017 8:57:00 AM
You're right. Nobody should care.
Date: 5/17/2017 8:25:00 AM
All too often historians use government minutes and official sources etc ,to compile their histories.The actual reality of WWI for example was seen through many poets eyes,(some of whom died in the trenches )and writers like Murpugo 'War Horse' (film and book)and painters who were there.
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Cyndi Macmillan
Date: 5/17/2017 8:38:00 AM
So, my point is that if a poet doesn't care about human rights, injustice, suffering, child labour and cares more about the sparrow on the fence, then they shouldn't write about Aleppo, Haiti or racial divides.
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Cyndi Macmillan
Date: 5/17/2017 8:34:00 AM
"First Source" history documents: diaries, personal letters, poems... and I do believe with every GRAIN of my being that EMPATHY can connect continents. I understand that poetry should not be written without emotion. The poet must CARE about the issue or it comes across like a dusty lesson, no wail, no PULSE.
Date: 5/17/2017 7:06:00 AM
I think the most effective poetry about societal issues usually comes from poets who are in the midst of the issue, not from poets who write about it with historical detachment. I have rarely written about these themes, but I read my share, especially in my youth growing up in a communist country, and I found the poems who spoke to me were written by people for whom the issue was an immediate part of their lives. I do not think it is the role of the poet to provide an objective perspective (leave that for the historians)
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Cyndi Macmillan
Date: 5/18/2017 1:54:00 PM
You are a wise woman, Agnes. Give me time and I'll catch up with you ;) Hope you have a good weekend. Cyndi
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Agnes Krampe
Date: 5/18/2017 8:06:00 AM
Oh, I completely agree, Cyndi. The records are very important, the voice of people who felt the currents of their time.
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Cyndi Macmillan
Date: 5/17/2017 10:08:00 PM
A poet can capture the "FEEL" of the times, the undercurrents... Ginsberg's HOWL is a (figurative) timeline that THROBS with the voice of a generation. 'We Real Cool" "Phenomenal Woman" and I could go on ... and those poems are as valid and even more relevant than any sterile, lifeless analysis.
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Cyndi Macmillan
Date: 5/17/2017 9:41:00 PM
I guess I was speaking figuratively? I KNOW what a true historian is... I also know that an archivist organizes and preserves archived material, doesn't actually write logs... I was trying to say that poets and other creative writers RECORD history. No, its not objective history. Neither is a cave man's drawings ... but it still SPEAKS...
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Agnes Krampe
Date: 5/17/2017 2:01:00 PM
But I completely agree that poetry is not about the beautiful - it can, and should be, also about the painful and ugly.
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Agnes Krampe
Date: 5/17/2017 2:01:00 PM
I see the role of poets and historians differently. Anne Frank was a witness, but no historian. The historian works on a systematic study, has to be guided by fact and works from a point of detachment. A person immersed in the situation cannot, I believe, be a historian: she can serve as a witness and recorder, but is not in the position to deliver the rational *analysis* the discipline requires. History is a social science, poetry is an art.
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Cyndi Macmillan
Date: 5/17/2017 8:04:00 AM
I do believe it should be the role of all poets to record not only the beautiful, the good, and the personal, but also the ugly, the horrific and the state of the world in which they live in. And poets ARE historians, as are all creative writers or those who document what it is to be fully alive, aware of the world around them. Wasn't Anne Frank a historian? I think she was...
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Cyndi Macmillan
Date: 5/17/2017 8:00:00 AM
We are all different. I find it disturbing that in the midst of the worst famine since WWII, people are writing about barbeques and birthday cakes. I find this to be a form of detachment that HAS racist, cold and nauseating historical relevance.
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Cyndi Macmillan
Date: 5/17/2017 7:56:00 AM
I get what you're saying here, Agnes. But knowledge of history can also impassion a write. Though a lyric and not a poem, per say, "We are the World" was written by a well-fed white guy who empathized with starving Africans. It can be done well if coming from the right, heartfelt intentions, yes? So, what you speak of is detachment, too much fact and not enough CONNECTION, I think?
Date: 5/17/2017 6:33:00 AM
Taking a bit from Cyndi's remarks below, perhaps we might all be aware of the history of current issues as we write. Thanks, Brian, for initiating such thoughtful issues.
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Brian Strand
Date: 5/17/2017 8:13:00 AM
Thanks Kathleen
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Cyndi Macmillan
Date: 5/17/2017 8:05:00 AM
Hi Kathleen! Being aware is a good thing. :)
Date: 5/16/2017 8:59:00 PM
Sometimes. Sadly though, many of these 'contemporary' issues are cyclical & are as old as society itself. Civil unrest, class oppression, war, sexism, work conditions, those who live on the fringe...are the very same themes extolled by Shakespeare himself. These issues are immortal because history has taught mankind absolutely nothing. I don't consider such writing "getting something off my chest." I consider it speaking for the people & a peaceful protest, a call for change. My personal poetry, about relationships, experiences, regrets and wishes, lost moments, hurts and anger-- those are things I get off my chest. A poem for an innocent man incarcerated for twenty years? It's for him, not about me. GOOD BLOG.
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Kathleen Kroll
Date: 5/17/2017 6:26:00 AM
Well said!
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Craig Cornish
Date: 5/16/2017 9:46:00 PM
Thoughtful....not much has truly changed except technology etc---the rest is pretty much the same except for some creeping equalities that have some poet to thank yet, in the end, we give ourselves too much credit--but no harm in trying---sorry I'm usually a half full guy.

My Past Blog Posts

 
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