Long Substance Poems
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The poem "VANTABLACK" exhibits a profound exploration of emotions and existential themes. As a poet, one would appreciate the nuanced use of language and the depth of introspection conveyed through the verses.
The title, "VANTABLACK," immediately draws attention to the darkest substance known, emphasizing a profound sense of darkness or void that permeates the poem. The tumultuous street and the notion in flight evoke a sense of chaos and uncertainty, setting the stage for the emotional journey that follows.
The poet skillfully employs imagery and metaphor to convey the complex emotions experienced. The notion that "hastens in haste" and then "averts its gaze" suggests a fleeting and elusive quality, mirroring the transient nature of emotions. The descent of the heart's echo into a "crimson abyss" hints at the depth of emotional turmoil, perhaps symbolizing pain or longing.
The lines "Your name, I called, yet emptiness replied" and "A bloom of yours, I drew, withering away" express a sense of loss and unfulfilled connection. The act of calling a name and drawing a bloom implies a desire for presence and beauty, but the responses are characterized by emptiness and withering, adding a layer of melancholy.
The exploration of choices in the lines "Life's lines extend before me, To choose, where your love resides" delves into the existential theme of navigating through life's possibilities and seeking love. The word "resides" suggests a search for a meaningful connection within the vastness of life.
The recurring ritual mentioned in "This ritual unfolds each day" implies a cyclical nature of introspection and perhaps a daily struggle with emotions. The poet peers within, describing it as a "melancholy abode," suggesting that the internal landscape is characterized by sadness.
The concluding lines, "Where my heart, a vantablack canvas, remains," encapsulate the essence of the poem. The heart being a "vantablack canvas" signifies an emotional void, absorbing and reflecting no light, emphasizing the depth of emotional darkness or emptiness.
As a poet, one might commend the poet for the rich tapestry of emotions woven through carefully chosen words and metaphors. The poem invites readers to contemplate the complexities of human emotions, the ephemeral nature of connections, and the existential quest for meaning in the face of emotional voids.
I stayed awake all night listening to the sounds fighting with the night and battle raging in the street erupting my heart beat, one bad news after the other the body lie waiting in the gutter and the morning crowd kept walking on without a music or a song, and I said to myself what on earth is going on?
It is the question you usually hear when the dogs’ barks late at nights and the stars over your head are shining brightly and hope looks at you from the window. You cannot read it; you cannot understand it and you cannot deny it.
It looks like a pecan pie rolling sitting on the table with shoes and hat getting ready to connect the dot and the man in the dressing room is walking with a gun strapped to his side and a beach ball bouncing in front of him.
I am still wrestling with this heavy feeling inside it is not pain or any form of physical aliment, it is the environment and its occupants that is sucking the raw energy out of me and the urgency to tell a prolific story. I can’t tell it alone; I have to tell it in a night gown with incandescent lights around my bed and a bulletproof roof over my head. When the tension fades and morning weight subsides, we will write this story together and it will serve for the next century.
The temperature is rising and the squirrels are coming out of the ground they have fist like man and sand to cover the entire land. They are running up and down the streets trying to escape the beguiling heat but the sun creates a simple track and mercy is holding on to the rock with the pipers and the minstrel playing a merry tune
It is not the rhythm that you usually hear or the one that is saturated in the atmosphere, it is not the sound of death that is running the marathon around the track, it is the formula that you dig out of ice and the jewel that is sold at a very high price, it is the type of rhythm that make me feel nice. For one moment the cluttered space around me evaporate in thin air.
The window is wide open in my face and I can see everyone that entered the race, they are still walking under heavy burden covering grounds and surveying the town, and looking for substance all around but just before 2:00pm the ship will dock in the harbor and you will have fine spices and tea for th rest of your life; the window is open wide and I can see you standing in awe gallivanting with your new bride.
A magical chemical infatuation
to disregard the tradition
of natures connectivity and diversity
dragged to the will of its subjugation
to dig into the complex cells intimacy
its mass increments of the yields
killing off the birds and the insects
for the sake of crop conformity
in the unnatural fields
A perfectly poisonous promise
released in defusable clouds
through the early morning mists
chugged and pumped out grotesque deformity
in silent avenues of crop conformity
the deathly dew eliminates
all so ripe so well protected
in latent morbidity awaits
Layers by "half-life" lifeless inherited
in this chemists manufacturing of a chemical romance
the inorganic compounds of devastation
bound by an economical tourniquet
to plough again the blighted earth
split breakdown the biological integration
a quick fix to be persuaded
a million years of evolution
the symbiosis of the world in Gods hand
was not a patent so diligently as patiently perfected
or so insidiously infected in the land
Mechanized desert to produce the taste
a tasteless morsel of a savored remembrance
to its colour yet another substance added
organophosphates persistently digested
concentrations in environmental compartments
disarrange the circles tilt the balance
the enemy is natures necessity
needs be defeated
swap it over transmit a hell-bent malignancy
Collusion's by crude oil alchemy
improving on a profitable perimeter
this chemical romance of manufactured efficiency
O = HO - P - HO - NH - O - OH ! OH !
take a look at what marvelous science has made !
broad spectrum killer
needs be to murder off bio-diversity
and 5-enolpyruvylshikimate-3 phosphate synthase
is so much better
so much cleverer than natures ways
so taint the population with polluted fodders feed
killing off the birds and the bees
killing off the fish, the insects and the fungi
and killing off our babies
So perfectly formed
and so perfectly preserved
perfectly free of any blemish
all sitting on the billion shelves
of a million supermarkets
So perfectly wrapped
and so perfectly presented
the perfectly picture of health
and in its cells something so insidious
and the perfectly poisonous
is its promise
So perfectly formed
and so perfectly preserved
perfectly free of any blemish
all sitting on the billion shelves
of a million supermarkets
Interpretivity is a measure of a person’s rate of understanding. A person’s rate of
interpretation shows the individual’s ability to unlock, identify, simplify, solve,
measure accurately, try to understand, restore, think, re-think, unveil, transcribe,
translate and hence it has a role to play in an individual’s creativity. Since the rate of
understanding is directly proportional to creativity, an individual’s level of
interpretivity is a measure of an individual's understanding i.e. ability to read,
receive, interpret(internalize-explore-externalize). Intuitivity and inquisitivity play
important roles with this parameter. It is the link that bridges receptivity and
reproductivity.
Narrativity ability to read and give back – reproduce without necessarily understanding
what is read. A very high level of receptivity, low interpretivity and expressivity
exhibit narrativity.
Reproductivity – ability to give back exactly what has been given, read, thought e.t.c.
without any sort of addition, creativity, subtraction, alteration e.t.c. It is totally
different from re-creativity. A high level of understanding is needed for reproductivity.
Re-creativity – this is the ability to re-modify, re-adjust, re-define, re-alter,
re-model, re-shape e.t.c. an already existing-created-discovered altered creativity. For
re-creativity to be achieved, some absolute understanding about the substance in question
i.e. to be re-created must have been undergone. It is an alteration to creativity. It is
correctional adjustment to creativity.
Correctivity is the process of re-mending-mending, re-molding-molding, re-fixing-fixing of
an altered creativity-substance. It requires absolute-ultimate not only mastery but total
understanding of the altered creativity in order to perform this process.
Understanding is having an absolute knowledge and wisdom about something. It is the
interpretation i.e. (pure-total reception, highly active intuitivity-individual
perception-inquisitivity and maximal expressivity) that eventually must lead to
creativity. When understanding is at its peak creativity is inevitable whether by
derivations from the original-truth or copies of the-from the original-truth. If
understanding is directly proportional to the vividness of imagination then the rate of
creativity will-must vary from one person to another.
Form:
Water moves continually Over land, evaporation and transpiration
common chemical substance
essential to all forms of life
the substance has a solid state, ice,
and a gaseous state, water vapor.
About 1,460 teratonnes (Tt) of water covers 71% of the Earth's surface,
in oceans and other large water bodies,
with 1.6% of water below ground in aquifers
and 0.001% in the air as vapor,
clouds (formed of solid and liquid water particles suspended in air),
and precipitation.
Can cause hurricanes when global warming extends
entire villages left submerged as in people's streets
submeerged.
Earth's water is contained
within man-made and natural objects
near the Earth's surface as water towers,
animal and plant bodies, manufactured products, and food stores.
Water moves continually
Saltwater oceans hold ing 97% of surface water,
glaciers and polar ice caps 2.4%,
and other land surface water such as rivers and lakes 0.6%.
Water moves continually
Water moves continually through a cycle of evaporation or transpiration,
precipitation, and runoff, reaching the sea.
Water moves continually over land
Winds carry water vapor over land
at the same rate as runoff into the sea,
about 36 Tt per year.
Over land, evaporation and transpiration
contribute another 71 Tt per year to the precipitation
of 107 Tt per year over land.
Some water is trapped
for varying periods in ice caps, glaciers, aquifers, or in lakes,
providing fresh water for life on land.
Clean, fresh water is essential to human and other life.
In many parts of the world, it is in short supply.
Many organic molecules as well as salts, sugars,
acids, alkalis, and some gases (especially oxygen), are soluble in water.
Water is essential for all life on Earth.
Humans can survive for several weeks without food,
but for only a few days without water.
more than one billion people
in low and middle-income countries
lack access to safe water for drinking,
personal hygiene and domestic use.
more than 20 percent of the world’s people.
close to 2 billion people
did not have access to adequate sanitation facilities.
leading causes of morbidity
and mortality in low- and middle-income countries, frequently called developing
countries.
over 1.1 billion people are currently without safe drinking water.
Character.
That's where the biggest measurements,
truest tests of worth
should lie.
And yet, 'tis not so.
Sometimes, mostly, I believe
that it's indeed enough.
That being a good man
is enough to keep me afloat.
Sometimes, rarely, . . .
I don't.
How many good men die?
How many great people, nice guys,
saintly women, shining paragons of humanity -
are shunned?
People don't always look at you
with virtue in mind,
don't gaze through honor's eyes;
too often they look through you, into you,
to what you can do for them.
Too often they choose,
not to see the real source of light in front of them,
but instead just the glow of fool's gold;
warping your worth to mean usefulness
instead of selflessness,
utility instead of altruism.
Or they misread you entirely;
focusing solely on your looks,
or your wealth, or your mannerisms,
your attitudes;
one is chosen, only one is seen -
the one made to blemish and demean.
Very few gaze on the whole picture,
take in the whole work;
these are those you treasure.
The ones, also, of value,
the ones who are what they claim
and claim little more than living
in a respectable way.
But still, in this life,
character matters oft too little;
gathers all but nothing corporeal.
In the end, one must make a choice;
tangible wealth, or wealth of pride?
What matters to one more -
the character of the substance,
or the substance of the character?
I strive to continue
to believe that great people are there;
that who you are
makes a damn bit of difference.
But throughout that strife,
ever am I haunted, shadowed,
by one ceaseless question.
How many good men die?
That's it. That's what I want to know.
That's what follows and taunts me.
How many of them fall, without ever knowing
just what they've meant to those they've helped -
those they've served, protected, assisted, befriended?
Whether it was a much-needed pat on the back,
picking up a dropped cane, searching for something lost;
or something bigger -
a life given, an oath fulfilled,
a love or a friendship began and striven for -
how many never believe they've made a difference, however slight,
never realize what they truly were?
How many good men die,
having once or more asked a question of their own -
am I a good man,
was I a good man-
without their answer?
15.8
“Have faith, my son, have faith
You are Awareness alone
the Self, the One
You are the Lord of Nature”
15.9
“The body is made of worldly stuff
It comes, it lingers, it goes
The Self neither comes nor goes, yet remains
Why mourn the body?”
15.10
“If the body lasts until the end of time
or perishes today—
is there gain or loss for you?
You who are Awareness?”
15.11
“Let the waves of the universe rise and fall as they will
You have nothing to gain or lose
You are the ocean”
15.12
“You are the substance of Consciousness
The world is You
Who is it that thinks
he can accept or reject it?
And where does he stand?”
15.15
“Leave behind such distinctions
as “I am He, the Self,”
and “I am not this.”
Consider everything Self
Be desireless
Be happy”
15.16
“Your ignorance alone creates the universe
In reality One alone exists
There is no person or god other than You”
15.17
“One who knows for certain
that the universe is illusion,
a no-thing,
becomes desireless,
pure Awareness,
and finds peace in the existence of nothing”
The zone of deep silence
Beyond mind
Presence in self existence
Formless space aligned
(21-August-2019)
~~~~~~~~~~~~
Verses revisited on 02-December-2021
Let’s begin then, by exiting self-hypnosis
Enslavement to lower mind
Melding mind, soul, spirit, Perichoresis
Exiting narrow thoughts that bind
Our innate aliveness, where is it located
Is it in the head or the heart
Desire enmeshed thought, has us agitated
Until we add love to cart
Head and heart meld, in a stillness continuum
Devoid of thought, fears and desires recede
There remains in mind-body, no ego residuum
Layer by layer, erst habit patterns we weed
There is no thought, yet our awareness remains
Poised in the void in childlike wonderment
Soul cleansed of feral stains, measuring not gains
Magnetised, reveals innate essence luminescent
We may call this Holy Spirit, kundalini or grace
There is no one now within, to assign any label
In timeless time, we may see God face to face
Inner alignment being all it takes for this miracle
Becoming the answer, we need no translator
Yet the light that already is, we cannot transmit
Ceasing to be a doer, as a humble receptor
Know God in-dwells all, when we cease to resist
Although I am doing my best to wrap my brains around all of this, there's just no way to dismiss some meaningful things I dearly miss. Quarantining for the purpose of containment of a deadly virus is something we have to live with for the survival of all of us.
This morning about a half-past six, I became fixated on a venue that had to be curtailed because of the CoronavirusCOVID 19. The venue was very meaningful to the group, and as I thought upon the beauty of the Tuesday mornings we shared, I began to write. It's easy to think about what was, when it's hard to do something new. For nearly two years I have met with a few other men for breakfast. By the way, to all concerned, methinks this is a good time to make it clear that it isn't true that we only talk about cars, sports, and weather forecasts.
Anyway, initially, I thought that I could never appreciate and be an integral part of something that did not have prayer or Bible as the centerpiece of its focus. But as I meditated on the matter, I dared myself to do something different and began to like the entire idea. It was basically a 'Get-together about nothing'. I recalled that one of my best TV shows was 'a show about nothing'.
The beauty of nothingness can be seen in an atmosphere where there is no agenda. The platform is open, the plan is tossed, and the props are removed and demolished. The purpose is certain and always Christian based, but the process is a mystery. It's an 'outside the box' experience where things could go over the top, but there is no yearning to get to the bottom of things. It's a time of 'just let it happen, or not'. It's a potluck of fellowship and familiarity where nothing of certainty is brought to the table, but where a heart full of substance is always taken from the table. It's a gathering where life is fluid and flows like a peaceful river. It's a river that's very aware that its greatest asset is its tributaries. The beauty of nothingness is not a preplanned analysis of skin-deep or beneath the surface modeling; but rather, it is an ocean of discovery. On this early Tuesday morning, I'm quarantined and ok, but I'm missing something.
033120PoSp
It was sunny the day our hearts broke away.
A decade has passed—but some wounds ignore clocks.
The news bloomed like bruises on a nation’s chest.
Shoreham stood still.
Time forgot how to move.
Eleven men.
Men of mornings and small routines.
Lunchboxes. Laughter. Motorbikes.
Some had children. Others were children—still.
And one…
one kept wildflowers on his phone.
Too shy to say, “This made me think of you.”
There’s no symmetry to this grief.
It leans sideways and doesn’t apologise.
It smells like engine oil and funeral flowers.
It hums in the throat of widows and mothers,
grows moss in the cracks of pub tables,
clings to the wings of the plane that didn’t stop.
Somewhere, a bottle of red remains uncorked.
Somewhere, a bike rests against a wall no one will move.
Somewhere, wildflowers still bloom—
and someone remembers
the man who loved flight,
but stayed grounded
for everyone but himself.
Still.
Author’s Note:
For the eleven lives lost on 22 August 2015 at Shoreham:
Dylan Archer, Richard Smith, James Mallinson, Mark Trussler,
Matt Jones, Matthew Grimstone, Jacob Schilt, Daniele Polito,
Tony Brightwell, Mark Reeves, Maurice Abrahams.
You are remembered.
Dear Editor,
I won’t let you stand on my throat—
Stifle my compassion,
Weigh down my shoulders
With a chip — not sweet like chocolate,
But sharp like ice.
Not from the old block,
But cracked from the freeze
You placed in my bones.
You guillotine my fire
And return me only grief.
Dear Editor,
I know your job is important—
But is it louder than the truth
That begs to be heard?
Just because a stanza doesn’t touch you,
Or it ends without rhyme or convention,
Does that make it any less real?
Dear Editor,
Please see the substance beneath the design.
We poets are crucified
For daring to call out—
For letting our voices
Tremble, burn, and bleed.
Dear Editor,
I once wrote about loss
So heavy, it cracked the sky.
A plane fell — and a friend was gone.
And I wrote it raw.
And I sent it whole.
And it came back with silence.
Maybe the timing was wrong,
But the pain was right.
Dear Editor,
I beseech you:
Look into your heart,
And look at the piece.
Admire the craft,
But let truth ring through.
Then maybe more of the unheard,
The undervalued,
And the unpolished
Will shine, too.
Where would I live if I were richest, and had all the money in the world?
Outside the square box, where no doors exist, and locks will never block
My entrance or exit, without four walls or framed bricked structure this
Is where I’d live and do now!
Again I’m asked where this address is, what fancy abode or country,
This location the French Rivera, or maybe even the city of romance Paris?
Nope none of these places will do for the likes of me, my substance
Is worth more than glitz’s and glamour allow, after all am I not
The richest person in the world?
I live within the valley of the thunder storms heartbeat, where flesh
And bone melt together as one unit, here passions lightning collide
Against the rocky torrent of desires epic flame,
Never to be extinguished or dowsed, by emotions ocean of doubt
Or regret!
But again these outsiders ask me once more but where, we’d like
To know, for we’ve never heard of such a place, give us the answer
To this riddle of yours Madame, for you are the richest person on
Earth the world must have the answer, as the paparazzi flash
Their gossiping, chattering, Cameras!
But these hungry mongers will never know the truth of the matter
At hand, for they’ve never experienced truth wealth of feeling,
Or valued anything but the almighty dollars golden card, of worthlessness!
Oh what an empty world, do these poor souls exist upon, a baron plain of
Dancing dollar signs, where false illusions seem real or tangible to the
Touch, but in reality are delusions images melting away, as time fades
The fame to the beauty factor unto nothing remains at all!
Nay I’m here in reality’s penthouse on high, beyond the fake staining of the
Smoke and mirrors game being played below, in this devotional residence
Without numbers!
For again the question was and is where would I live, if I had all the money
In the world, I’d live within the heart of this man whom dwells beside me,
He who’s sacrificed all for me, loved me always through thick and thin,
My shoulder of endurance and tenderness!
For what is true wealth my friend, but love itself my world begins
As his eyes open in the morning light, and ends when his close at night’s
Final twilight hour, where do I live within this man whom loves me!
BY: CHERYL ANNA DUNN
NOVEMBER 11, 2015
HAPPY BIRTHDAY TO MY BABY OF 55 THOMAS