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Written by Edna St Vincent Millay | Create an image from this poem

Ode To Silence

 Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar, I come from temples where her altars are, From groves that bear her name, Noisy with stricken victims now and sacrificial flame, And cymbals struck on high and strident faces Obstreperous in her praise They neither love nor know, A goddess of gone days, Departed long ago, Abandoning the invaded shrines and fanes Of her old sanctuary, A deity obscure and legendary, Of whom there now remains, For sages to decipher and priests to garble, Only and for a little while her letters wedged in marble, Which even now, behold, the friendly mumbling rain erases, And the inarticulate snow, Leaving at last of her least signs and traces None whatsoever, nor whither she is vanished from these places.
"She will love well," I said, "If love be of that heart inhabiter, The flowers of the dead; The red anemone that with no sound Moves in the wind, and from another wound That sprang, the heavily-sweet blue hyacinth, That blossoms underground, And sallow poppies, will be dear to her.
And will not Silence know In the black shade of what obsidian steep Stiffens the white narcissus numb with sleep? (Seed which Demeter's daughter bore from home, Uptorn by desperate fingers long ago, Reluctant even as she, Undone Persephone, And even as she set out again to grow In twilight, in perdition's lean and inauspicious loam).
She will love well," I said, "The flowers of the dead; Where dark Persephone the winter round, Uncomforted for home, uncomforted, Lacking a sunny southern slope in northern Sicily, With sullen pupils focussed on a dream, Stares on the stagnant stream That moats the unequivocable battlements of Hell, There, there will she be found, She that is Beauty veiled from men and Music in a swound.
" "I long for Silence as they long for breath Whose helpless nostrils drink the bitter sea; What thing can be So stout, what so redoubtable, in Death What fury, what considerable rage, if only she, Upon whose icy breast, Unquestioned, uncaressed, One time I lay, And whom always I lack, Even to this day, Being by no means from that frigid bosom weaned away, If only she therewith be given me back?" I sought her down that dolorous labyrinth, Wherein no shaft of sunlight ever fell, And in among the bloodless everywhere I sought her, but the air, Breathed many times and spent, Was fretful with a whispering discontent, And questioning me, importuning me to tell Some slightest tidings of the light of day they know no more, Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door, And harked a moment, holding up my hand,—and for a space A hush was on them, while they watched my face; And then they fell a-whispering as before; So that I smiled at them and left them, seeing she was not there.
I sought her, too, Among the upper gods, although I knew She was not like to be where feasting is, Nor near to Heaven's lord, Being a thing abhorred And shunned of him, although a child of his, (Not yours, not yours; to you she owes not breath, Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place And later learn, too late, how all the while, With her still face, She had been standing there and seen me pass, without a smile, I sought her even to the sagging board whereat The stout immortals sat; But such a laughter shook the mighty hall No one could hear me say: Had she been seen upon the Hill that day? And no one knew at all How long I stood, or when at last I sighed and went away.
There is a garden lying in a lull Between the mountains and the mountainous sea, I know not where, but which a dream diurnal Paints on my lids a moment till the hull Be lifted from the kernel And Slumber fed to me.
Your foot-print is not there, Mnemosene, Though it would seem a ruined place and after Your lichenous heart, being full Of broken columns, caryatides Thrown to the earth and fallen forward on their jointless knees, And urns funereal altered into dust Minuter than the ashes of the dead, And Psyche's lamp out of the earth up-thrust, Dripping itself in marble wax on what was once the bed Of Love, and his young body asleep, but now is dust instead.
There twists the bitter-sweet, the white wisteria Fastens its fingers in the strangling wall, And the wide crannies quicken with bright weeds; There dumbly like a worm all day the still white orchid feeds; But never an echo of your daughters' laughter Is there, nor any sign of you at all Swells fungous from the rotten bough, grey mother of Pieria! Only her shadow once upon a stone I saw,—and, lo, the shadow and the garden, too, were gone.
I tell you you have done her body an ill, You chatterers, you noisy crew! She is not anywhere! I sought her in deep Hell; And through the world as well; I thought of Heaven and I sought her there; Above nor under ground Is Silence to be found, That was the very warp and woof of you, Lovely before your songs began and after they were through! Oh, say if on this hill Somewhere your sister's body lies in death, So I may follow there, and make a wreath Of my locked hands, that on her quiet breast Shall lie till age has withered them! (Ah, sweetly from the rest I see Turn and consider me Compassionate Euterpe!) "There is a gate beyond the gate of Death, Beyond the gate of everlasting Life, Beyond the gates of Heaven and Hell," she saith, "Whereon but to believe is horror! Whereon to meditate engendereth Even in deathless spirits such as I A tumult in the breath, A chilling of the inexhaustible blood Even in my veins that never will be dry, And in the austere, divine monotony That is my being, the madness of an unaccustomed mood.
This is her province whom you lack and seek; And seek her not elsewhere.
Hell is a thoroughfare For pilgrims,—Herakles, And he that loved Euridice too well, Have walked therein; and many more than these; And witnessed the desire and the despair Of souls that passed reluctantly and sicken for the air; You, too, have entered Hell, And issued thence; but thence whereof I speak None has returned;—for thither fury brings Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.
" Oh, radiant Song! Oh, gracious Memory! Be long upon this height I shall not climb again! I know the way you mean,—the little night, And the long empty day,—never to see Again the angry light, Or hear the hungry noises cry my brain! Ah, but she, Your other sister and my other soul, She shall again be mine; And I shall drink her from a silver bowl, A chilly thin green wine, Not bitter to the taste, Not sweet, Not of your press, oh, restless, clamorous nine,— To foam beneath the frantic hoofs of mirth— But savoring faintly of the acid earth, And trod by pensive feet From perfect clusters ripened without haste Out of the urgent heat In some clear glimmering vaulted twilight under the odorous vine .
Lift up your lyres! Sing on! But as for me, I seek your sister whither she is gone.


Written by Edna St Vincent Millay | Create an image from this poem

Travel

 I should like to rise and go 
Where the golden apples grow;-- 
Where below another sky 
Parrot islands anchored lie, 
And, watched by cockatoos and goats, 
Lonely Crusoes building boats;-- 
Where in sunshine reaching out 
Eastern cities, miles about, 
Are with mosque and minaret 
Among sandy gardens set, 
And the rich goods from near and far 
Hang for sale in the bazaar;-- 
Where the Great Wall round China goes, 
And on one side the desert blows, 
And with the voice and bell and drum, 
Cities on the other hum;-- 
Where are forests hot as fire, 
Wide as England, tall as a spire, 
Full of apes and cocoa-nuts 
And the ***** hunters' huts;-- 
Where the knotty crocodile 
Lies and blinks in the Nile, 
And the red flamingo flies 
Hunting fish before his eyes;-- 
Where in jungles near and far, 
Man-devouring tigers are, 
Lying close and giving ear 
Lest the hunt be drawing near, 
Or a comer-by be seen 
Swinging in the palanquin;-- 
Where among the desert sands 
Some deserted city stands, 
All its children, sweep and prince, 
Grown to manhood ages since, 
Not a foot in street or house, 
Not a stir of child or mouse, 
And when kindly falls the night, 
In all the town no spark of light.
There I'll come when I'm a man With a camel caravan; Light a fire in the gloom Of some dusty dining-room; See the pictures on the walls, Heroes fights and festivals; And in a corner find the toys Of the old Egyptian boys.
Written by Ogden Nash | Create an image from this poem

A Tale Of The Thirteenth Floor

 The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame Illumes the lobby garish, A gilded snare just off Times Square For the maidens of the parish.
The revolving door swept the grimy floor Like a crinoline grotesque, And a lowly bum from an ancient slum Crept furtively past the desk.
His footsteps sift into the lift As a knife in the sheath is slipped, Stealthy and swift into the lift As a vampire into a crypt.
Old Maxie, the elevator boy, Was reading an ode by Shelley, But he dropped the ode as it were a toad When the gun jammed into his belly.
There came a whisper as soft as mud In the bed of an old canal: "Take me up to the suite of Pinball Pete, The rat who betrayed my gal.
" The lift doth rise with groans and sighs Like a duchess for the waltz, Then in middle shaft, like a duchess daft, It changes its mind and halts.
The bum bites lip as the landlocked ship Doth neither fall nor rise, But Maxie the elevator boy Regards him with burning eyes.
"First, to explore the thirteenth floor," Says Maxie, "would be wise.
" Quoth the bum, "There is moss on your double cross, I have been this way before, I have cased the joint at every point, And there is no thirteenth floor.
The architect he skipped direct From twelve unto fourteen, There is twelve below and fourteen above, And nothing in between, For the vermin who dwell in this hotel Could never abide thirteen.
" Said Max, "Thirteen, that floor obscene, Is hidden from human sight; But once a year it doth appear, On this Walpurgis Night.
Ere you peril your soul in murderer's role, Heed those who sinned of yore; The path they trod led away from God, And onto the thirteenth floor, Where those they slew, a grisly crew, Reproach them forevermore.
"We are higher than twelve and below fourteen," Said Maxie to the bum, "And the sickening draft that taints the shaft Is a whiff of kingdom come.
The sickening draft that taints the shaft Blows through the devil's door!" And he squashed the latch like a fungus patch, And revealed the thirteenth floor.
It was cheap cigars like lurid scars That glowed in the rancid gloom, The murk was a-boil with fusel oil And the reek of stale perfume.
And round and round there dragged and wound A loathsome conga chain, The square and the hep in slow lock step, The slayer and the slain.
(For the souls of the victims ascend on high, But their bodies below remain.
) The clean souls fly to their home in the sky, But their bodies remain below To pursue the Cain who each has slain And harry him to and fro.
When life is extinct each corpse is linked To its gibbering murderer, As a chicken is bound with wire around The neck of a killer cur.
Handcuffed to Hate come Doctor Waite (He tastes the poison now), And Ruth and Judd and a head of blood With horns upon its brow.
Up sashays Nan with her feathery fan From Floradora bright; She never hung for Caesar Young But she's dancing with him tonight.
Here's the bulging hip and the foam-flecked lip Of the mad dog, Vincent Coll, And over there that ill-met pair, Becker and Rosenthal, Here's Legs and Dutch and a dozen such Of braggart bullies and brutes, And each one bends 'neath the weight of friends Who are wearing concrete suits.
Now the damned make way for the double-damned Who emerge with shuffling pace From the nightmare zone of persons unknown, With neither name nor face.
And poor Dot King to one doth cling, Joined in a ghastly jig, While Elwell doth jape at a goblin shape And tickle it with his wig.
See Rothstein pass like breath on a glass, The original Black Sox kid; He riffles the pack, riding piggyback On the killer whose name he hid.
And smeared like brine on a slavering swine, Starr Faithful, once so fair, Drawn from the sea to her debauchee, With the salt sand in her hair.
And still they come, and from the bum The icy sweat doth spray; His white lips scream as in a dream, "For God's sake, let's away! If ever I meet with Pinball Pete I will not seek his gore, Lest a treadmill grim I must trudge with him On the hideous thirteenth floor.
" "For you I rejoice," said Maxie's voice, "And I bid you go in peace, But I am late for a dancing date That nevermore will cease.
So remember, friend, as your way you wend, That it would have happened to you, But I turned the heat on Pinball Pete; You see - I had a daughter, too!" The bum reached out and he tried to shout, But the door in his face was slammed, And silent as stone he rode down alone From the floor of the double-damned.
Written by Edna St Vincent Millay | Create an image from this poem

The Suicide

 "Curse thee, Life, I will live with thee no more!
Thou hast mocked me, starved me, beat my body sore!
And all for a pledge that was not pledged by me,
I have kissed thy crust and eaten sparingly
That I might eat again, and met thy sneers
With deprecations, and thy blows with tears,—
Aye, from thy glutted lash, glad, crawled away,
As if spent passion were a holiday!
And now I go.
Nor threat, nor easy vow Of tardy kindness can avail thee now With me, whence fear and faith alike are flown; Lonely I came, and I depart alone, And know not where nor unto whom I go; But that thou canst not follow me I know.
" Thus I to Life, and ceased; but through my brain My thought ran still, until I spake again: "Ah, but I go not as I came,—no trace Is mine to bear away of that old grace I brought! I have been heated in thy fires, Bent by thy hands, fashioned to thy desires, Thy mark is on me! I am not the same Nor ever more shall be, as when I came.
Ashes am I of all that once I seemed.
In me all's sunk that leapt, and all that dreamed Is wakeful for alarm,—oh, shame to thee, For the ill change that thou hast wrought in me, Who laugh no more nor lift my throat to sing Ah, Life, I would have been a pleasant thing To have about the house when I was grown If thou hadst left my little joys alone! I asked of thee no favor save this one: That thou wouldst leave me playing in the sun! And this thou didst deny, calling my name Insistently, until I rose and came.
I saw the sun no more.
—It were not well So long on these unpleasant thoughts to dwell, Need I arise to-morrow and renew Again my hated tasks, but I am through With all things save my thoughts and this one night, So that in truth I seem already quite Free,and remote from thee,—I feel no haste And no reluctance to depart; I taste Merely, with thoughtful mien, an unknown draught, That in a little while I shall have quaffed.
" Thus I to Life, and ceased, and slightly smiled, Looking at nothing; and my thin dreams filed Before me one by one till once again I set new words unto an old refrain: "Treasures thou hast that never have been mine! Warm lights in many a secret chamber shine Of thy gaunt house, and gusts of song have blown Like blossoms out to me that sat alone! And I have waited well for thee to show If any share were mine,—and now I go Nothing I leave, and if I naught attain I shall but come into mine own again!" Thus I to Life, and ceased, and spake no more, But turning, straightway, sought a certain door In the rear wall.
Heavy it was, and low And dark,—a way by which none e'er would go That other exit had, and never knock Was heard thereat,—bearing a curious lock Some chance had shown me fashioned faultily, Whereof Life held content the useless key, And great coarse hinges, thick and rough with rust, Whose sudden voice across a silence must, I knew, be harsh and horrible to hear,— A strange door, ugly like a dwarf.
—So near I came I felt upon my feet the chill Of acid wind creeping across the sill.
So stood longtime, till over me at last Came weariness, and all things other passed To make it room; the still night drifted deep Like snow about me, and I longed for sleep.
But, suddenly, marking the morning hour, Bayed the deep-throated bell within the tower! Startled, I raised my head,—and with a shout Laid hold upon the latch,—and was without.
* * * * Ah, long-forgotten, well-remembered road, Leading me back unto my old abode, My father's house! There in the night I came, And found them feasting, and all things the same As they had been before.
A splendour hung Upon the walls, and such sweet songs were sung As, echoing out of very long ago, Had called me from the house of Life, I know.
So fair their raiment shone I looked in shame On the unlovely garb in which I came; Then straightway at my hesitancy mocked: "It is my father's house!" I said and knocked; And the door opened.
To the shining crowd Tattered and dark I entered, like a cloud, Seeing no face but his; to him I crept, And "Father!" I cried, and clasped his knees, and wept.
* * * * Ah, days of joy that followed! All alone I wandered through the house.
My own, my own, My own to touch, my own to taste and smell, All I had lacked so long and loved so well! None shook me out of sleep, nor hushed my song, Nor called me in from the sunlight all day long.
I know not when the wonder came to me Of what my father's business might be, And whither fared and on what errands bent The tall and gracious messengers he sent.
Yet one day with no song from dawn till night Wondering, I sat, and watched them out of sight.
And the next day I called; and on the third Asked them if I might go,—but no one heard.
Then, sick with longing, I arose at last And went unto my father,—in that vast Chamber wherein he for so many years Has sat, surrounded by his charts and spheres.
"Father," I said, "Father, I cannot play The harp that thou didst give me, and all day I sit in idleness, while to and fro About me thy serene, grave servants go; And I am weary of my lonely ease.
Better a perilous journey overseas Away from thee, than this, the life I lead, To sit all day in the sunshine like a weed That grows to naught,—I love thee more than they Who serve thee most; yet serve thee in no way.
Father, I beg of thee a little task To dignify my days,—'tis all I ask Forever, but forever, this denied, I perish.
" "Child," my father's voice replied, "All things thy fancy hath desired of me Thou hast received.
I have prepared for thee Within my house a spacious chamber, where Are delicate things to handle and to wear, And all these things are thine.
Dost thou love song? My minstrels shall attend thee all day long.
Or sigh for flowers? My fairest gardens stand Open as fields to thee on every hand.
And all thy days this word shall hold the same: No pleasure shalt thou lack that thou shalt name.
But as for tasks—" he smiled, and shook his head; "Thou hadst thy task, and laidst it by," he said.
Written by Edna St Vincent Millay | Create an image from this poem

Interim

 The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—

Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,— The very essence, hush-distilled, of Death— Has strangled that habitual breath of home Whose expiration leaves all houses dead; And wheresoe'er I look is hideous change.
Save here.
Here 'twas as if a weed-choked gate Had opened at my touch, and I had stepped Into some long-forgot, enchanted, strange, Sweet garden of a thousand years ago And suddenly thought, "I have been here before!" You are not here.
I know that you are gone, And will not ever enter here again.
And yet it seems to me, if I should speak, Your silent step must wake across the hall; If I should turn my head, that your sweet eyes Would kiss me from the door.
—So short a time To teach my life its transposition to This difficult and unaccustomed key!— The room is as you left it; your last touch— A thoughtless pressure, knowing not itself As saintly—hallows now each simple thing; Hallows and glorifies, and glows between The dust's grey fingers like a shielded light.
There is your book, just as you laid it down, Face to the table,—I cannot believe That you are gone!—Just then it seemed to me You must be here.
I almost laughed to think How like reality the dream had been; Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down! Perhaps you thought, "I wonder what comes next, And whether this or this will be the end"; So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed Out of the room, rocked silently a while Ere it again was still.
When you were gone Forever from the room, perhaps that chair, Stirred by your movement, rocked a little while, Silently, to and fro.
.
.
And here are the last words your fingers wrote, Scrawled in broad characters across a page In this brown book I gave you.
Here your hand, Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t," And here another like it, just beyond These two eccentric "e's.
" You were so small, And wrote so brave a hand! How strange it seems That of all words these are the words you chose! And yet a simple choice; you did not know You would not write again.
If you had known— But then, it does not matter,—and indeed If you had known there was so little time You would have dropped your pen and come to me And this page would be empty, and some phrase Other than this would hold my wonder now.
Yet, since you could not know, and it befell That these are the last words your fingers wrote, There is a dignity some might not see In this, "I picked the first sweet-pea to-day.
" To-day! Was there an opening bud beside it You left until to-morrow?—O my love, The things that withered,—and you came not back That day you filled this circle of my arms That now is empty.
(O my empty life!) That day—that day you picked the first sweet-pea,— And brought it in to show me! I recall With terrible distinctness how the smell Of your cool gardens drifted in with you.
I know, you held it up for me to see And flushed because I looked not at the flower, But at your face; and when behind my look You saw such unmistakable intent You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made, I think.
) And then your hands above my heart Drew down its stem into a fastening, And while your head was bent I kissed your hair.
I wonder if you knew.
(Beloved hands! Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust In your bright hair.
) What is the need of Heaven When earth can be so sweet?—If only God Had let us love,—and show the world the way! Strange cancellings must ink th' eternal books When love-crossed-out will bring the answer right! That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere, And yet,—I am not sure.
I am not sure, Even, if it was white or pink; for then 'Twas much like any other flower to me Save that it was the first.
I did not know Then, that it was the last.
If I had known— But then, it does not matter.
Strange how few, After all's said and done, the things that are Of moment.
Few indeed! When I can make Of ten small words a rope to hang the world! "I had you and I have you now no more.
" There, there it dangles,—where's the little truth That can for long keep footing under that When its slack syllables tighten to a thought? Here, let me write it down! I wish to see Just how a thing like that will look on paper! "I had you and I have you now no more.
" O little words, how can you run so straight Across the page, beneath the weight you bear? How can you fall apart, whom such a theme Has bound together, and hereafter aid In trivial expression, that have been So hideously dignified?—Would God That tearing you apart would tear the thread I strung you on! Would God—O God, my mind Stretches asunder on this merciless rack Of imagery! O, let me sleep a while! Would I could sleep, and wake to find me back In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar! How easily could God, if He so willed, Set back the world a little turn or two! Correct its griefs, and bring its joys again! We were so wholly one I had not thought That we could die apart.
I had not thought That I could move,—and you be stiff and still! That I could speak,—and you perforce be dumb! I think our heart-strings were, like warp and woof In some firm fabric, woven in and out; Your golden filaments in fair design Across my duller fibre.
And to-day The shining strip is rent; the exquisite Fine pattern is destroyed; part of your heart Aches in my breast; part of my heart lies chilled In the damp earth with you.
I have been tom In two, and suffer for the rest of me.
What is my life to me? And what am I To life,—a ship whose star has guttered out? A Fear that in the deep night starts awake Perpetually, to find its senses strained Against the taut strings of the quivering air, Awaiting the return of some dread chord? Dark, Dark, is all I find for metaphor; All else were contrast,—save that contrast's wall Is down, and all opposed things flow together Into a vast monotony, where night And day, and frost and thaw, and death and life, Are synonyms.
What now—what now to me Are all the jabbering birds and foolish flowers That clutter up the world? You were my song! Now, let discord scream! You were my flower! Now let the world grow weeds! For I shall not Plant things above your grave—(the common balm Of the conventional woe for its own wound!) Amid sensations rendered negative By your elimination stands to-day, Certain, unmixed, the element of grief; I sorrow; and I shall not mock my truth With travesties of suffering, nor seek To effigy its incorporeal bulk In little wry-faced images of woe.
I cannot call you back; and I desire No utterance of my immaterial voice.
I cannot even turn my face this way Or that, and say, "My face is turned to you"; I know not where you are, I do not know If Heaven hold you or if earth transmute, Body and soul, you into earth again; But this I know:—not for one second's space Shall I insult my sight with visionings Such as the credulous crowd so eager-eyed Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears! My sorrow shall be dumb! —What do I say? God! God!—God pity me! Am I gone mad That I should spit upon a rosary? Am I become so shrunken? Would to God I too might feel that frenzied faith whose touch Makes temporal the most enduring grief; Though it must walk a while, as is its wont, With wild lamenting! Would I too might weep Where weeps the world and hangs its piteous wreaths For its new dead! Not Truth, but Faith, it is That keeps the world alive.
If all at once Faith were to slacken,—that unconscious faith Which must, I know, yet be the corner-stone Of all believing,—birds now flying fearless Across would drop in terror to the earth; Fishes would drown; and the all-governing reins Would tangle in the frantic hands of God And the worlds gallop headlong to destruction! O God, I see it now, and my sick brain Staggers and swoons! How often over me Flashes this breathlessness of sudden sight In which I see the universe unrolled Before me like a scroll and read thereon Chaos and Doom, where helpless planets whirl Dizzily round and round and round and round, Like tops across a table, gathering speed With every spin, to waver on the edge One instant—looking over—and the next To shudder and lurch forward out of sight— * * * * * * * Ah, I am worn out—I am wearied out— It is too much—I am but flesh and blood, And I must sleep.
Though you were dead again, I am but flesh and blood and I must sleep.


Written by Edna St Vincent Millay | Create an image from this poem

When The Year Grows Old

 I cannot but remember
 When the year grows old—
October—November—
 How she disliked the cold!

She used to watch the swallows
 Go down across the sky,
And turn from the window
 With a little sharp sigh.
And often when the brown leaves Were brittle on the ground, And the wind in the chimney Made a melancholy sound, She had a look about her That I wish I could forget— The look of a scared thing Sitting in a net! Oh, beautiful at nightfall The soft spitting snow! And beautiful the bare boughs Rubbing to and fro! But the roaring of the fire, And the warmth of fur, And the boiling of the kettle Were beautiful to her! I cannot but remember When the year grows old — October — November — How she disliked the cold!
Written by Stephen Vincent Benet | Create an image from this poem

The Quality of Courage

 Black trees against an orange sky, 
Trees that the wind shook terribly, 
Like a harsh spume along the road, 
Quavering up like withered arms, 
Writhing like streams, like twisted charms 
Of hot lead flung in snow.
Below The iron ice stung like a goad, Slashing the torn shoes from my feet, And all the air was bitter sleet.
And all the land was cramped with snow, Steel-strong and fierce and glimmering wan, Like pale plains of obsidian.
-- And yet I strove -- and I was fire And ice -- and fire and ice were one In one vast hunger of desire.
A dim desire, of pleasant places, And lush fields in the summer sun, And logs aflame, and walls, and faces, -- And wine, and old ambrosial talk, A golden ball in fountains dancing, And unforgotten hands.
(Ah, God, I trod them down where I have trod, And they remain, and they remain, Etched in unutterable pain, Loved lips and faces now apart, That once were closer than my heart -- In agony, in agony, And horribly a part of me.
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For Lethe is for no man set, And in Hell may no man forget.
) And there were flowers, and jugs, bright-glancing, And old Italian swords -- and looks, A moment's glance of fire, of fire, Spiring, leaping, flaming higher, Into the intense, the cloudless blue, Until two souls were one, and flame, And very flesh, and yet the same! As if all springs were crushed anew Into one globed drop of dew! But for the most I thought of heat, Desiring greatly.
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Hot white sand The lazy body lies at rest in, Or sun-dried, scented grass to nest in, And fires, innumerable fires, Great fagots hurling golden gyres Of sparks far up, and the red heart In sea-coals, crashing as they part To tiny flares, and kindling snapping, Bunched sticks that burst their string and wrapping And fall like jackstraws; green and blue The evil flames of driftwood too, And heavy, sullen lumps of coke With still, fierce heat and ugly smoke.
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And then the vision of his face, And theirs, all theirs, came like a sword, Thrice, to the heart -- and as I fell I thought I saw a light before.
I woke.
My hands were blue and sore, Torn on the ice.
I scarcely felt The frozen sleet begin to melt Upon my face as I breathed deeper, But lay there warmly, like a sleeper Who shifts his arm once, and moans low, And then sinks back to night.
Slow, slow, And still as Death, came Sleep and Death And looked at me with quiet breath.
Unbending figures, black and stark Against the intense deeps of the dark.
Tall and like trees.
Like sweet and fire Rest crept and crept along my veins, Gently.
And there were no more pains.
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Was it not better so to lie? The fight was done.
Even gods tire Of fighting.
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My way was the wrong.
Now I should drift and drift along To endless quiet, golden peace .
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And let the tortured body cease.
And then a light winked like an eye.
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And very many miles away A girl stood at a warm, lit door, Holding a lamp.
Ray upon ray It cloaked the snow with perfect light.
And where she was there was no night Nor could be, ever.
God is sure, And in his hands are things secure.
It is not given me to trace The lovely laughter of that face, Like a clear brook most full of light, Or olives swaying on a height, So silver they have wings, almost; Like a great word once known and lost And meaning all things.
Nor her voice A happy sound where larks rejoice, Her body, that great loveliness, The tender fashion of her dress, I may not paint them.
These I see, Blazing through all eternity, A fire-winged sign, a glorious tree! She stood there, and at once I knew The bitter thing that I must do.
There could be no surrender now; Though Sleep and Death were whispering low.
My way was wrong.
So.
Would it mend If I shrank back before the end? And sank to death and cowardice? No, the last lees must be drained up, Base wine from an ignoble cup; (Yet not so base as sleek content When I had shrunk from punishment) The wretched body strain anew! Life was a storm to wander through.
I took the wrong way.
Good and well, At least my feet sought out not Hell! Though night were one consuming flame I must go on for my base aim, And so, perhaps, make evil grow To something clean by agony .
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And reach that light upon the snow .
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And touch her dress at last .
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So, so, I crawled.
I could not speak or see Save dimly.
The ice glared like fire, A long bright Hell of choking cold, And each vein was a tautened wire, Throbbing with torture -- and I crawled.
My hands were wounds.
So I attained The second Hell.
The snow was stained I thought, and shook my head at it How red it was! Black tree-roots clutched And tore -- and soon the snow was smutched Anew; and I lurched babbling on, And then fell down to rest a bit, And came upon another Hell .
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Loose stones that ice made terrible, That rolled and gashed men as they fell.
I stumbled, slipped .
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and all was gone That I had gained.
Once more I lay Before the long bright Hell of ice.
And still the light was far away.
There was red mist before my eyes Or I could tell you how I went Across the swaying firmament, A glittering torture of cold stars, And how I fought in Titan wars .
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And died .
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and lived again upon The rack .
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and how the horses strain When their red task is nearly done.
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I only know that there was Pain, Infinite and eternal Pain.
And that I fell -- and rose again.
So she was walking in the road.
And I stood upright like a man, Once, and fell blind, and heard her cry .
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And then there came long agony.
There was no pain when I awoke, No pain at all.
Rest, like a goad, Spurred my eyes open -- and light broke Upon them like a million swords: And she was there.
There are no words.
Heaven is for a moment's span.
And ever.
So I spoke and said, "My honor stands up unbetrayed, And I have seen you.
Dear .
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" Sharp pain Closed like a cloak.
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I moaned and died.
Here, even here, these things remain.
I shall draw nearer to her side.
Oh dear and laughing, lost to me, Hidden in grey Eternity, I shall attain, with burning feet, To you and to the mercy-seat! The ages crumble down like dust, Dark roses, deviously thrust And scattered in sweet wine -- but I, I shall lift up to you my cry, And kiss your wet lips presently Beneath the ever-living Tree.
This in my heart I keep for goad! Somewhere, in Heaven she walks that road.
Somewhere .
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in Heaven .
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she walks .
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that .
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road.
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Written by Sir John Suckling | Create an image from this poem

A Ballad upon a Wedding

 I tell thee, Dick, where I have been, 
Where I the rarest things have seen, 
O, things without compare! 
Such sights again cannot be found 
In any place on English ground, 
Be it at wake or fair.
At Charing Cross, hard by the way Where we, thou know'st, do sell our hay, There is a house with stairs; And there did I see coming down Such folks as are not in our town, Forty at least, in pairs.
Amongst the rest, one pest'lent fine (His beard no bigger, though, than thine) Walked on before the rest: Our landlord looks like nothing to him; The King (God bless him!) 'twould undo him, Should he go still so dressed.
At course-a-park, without all doubt, He should have first been taken out By all the maids i' th' town: Though lusty Roger there had been, Or little George upon the Green, Or Vincent of the Crown.
But wot you what? the youth was going To make an end of all his wooing; The Parson for him stayed.
Yet, by his leave, for all his haste, He did not so much wish all past, Perchance, as did the maid.
The maid (and thereby hangs a tale), For such a maid no Whitsun-ale Could ever yet produce; No grape that's kindly ripe could be So round, so plump, so soft, as she, Nor half so full of juice! Her finger was so small the ring Would not stay on, which they did bring; It was too wide a peck: And to say truth (for out it must), It looked like a great collar (just) About our young colt's neck.
Her feet beneath her petticoat, Like little mice, stole in and out, As if they feared the light: But oh! she dances such a way, No sun upon an Easter Day Is half so fine a sight! He would have kissed her once or twice, But she would not, she was so nice, She would not do 't in sight: And then she looked as who should say "I will do what I list today, And you shall do 't at night.
" Her cheeks so rare a white was on, No daisy makes comparison, (Who sees them is undone), For streaks of red were mingled there, Such as are on a Catherine pear, (The side that's next the sun).
Her lips were red, and one was thin Compared to that was next her chin, - (Some bee had stung it newly); But, Dick, her eyes so guard her face, I durst no more upon them gaze Than on the sun in July.
Her mouth so small, when she does speak Thou'dst swear her teeth her words did break, That they might passage get; But she so handled still the matter, They came as good as ours, or better, And are not spent a whit.
If wishing should be any sin, The Parson himself had guilty been, (She looked that day so purely); And, did the youth so oft the feat At night, as some did in conceit, It would have spoiled him surely.
Just in the nick, the cook knocked thrice, And all the waiters in a trice His summons did obey.
Each servingman, with dish in hand, Marched boldly up, like our trained band, Presented, and away.
When all the meat was on the table, What man of knife or teeth was able To stay to be entreated? And this the very reason was, Before the parson could say grace, The company was seated.
The business of the kitchen's great, For it is fit that man should eat; Nor was it there denied.
Passion o' me, how I run on! There's that that would be thought upon, I trow, besides the bride.
Now hats fly off, and youths carouse, Healths first go round, and then the house: The bride's came thick and thick; And when 'twas named another's health, Perhaps he made it hers by stealth.
And who could help it, Dick? O' th' sudden, up they rise and dance; Then sit again and sigh and glance; Then dance again and kiss.
Thus several ways the time did pass, Whilst every woman wished her place, And every man wished his! By this time all were stolen aside To counsel and undress the bride; But that he must not know; And yet 'twas thought he guessed her mind, And did not mean to stay behind Above an hour or so.
When in he came, Dick, there she lay Like new-fallen snow melting away ('Twas time, I trow, to part).
Kisses were now the only stay, Which soon she gave, as one would say, "God-be-with-ye, with all my heart.
" But, just as Heavens would have, to cross it, In came the bridesmaids with the posset: The bridegroom ate in spite; For, had he left the women to 't, It would have cost two hours to do 't, Which were too much that night.
At length the candle's out, and now All that they had not done they do; What that is, who can tell? But I believe it was no more Than thou and I have done before With Bridget and with Nell.
Written by Stephen Vincent Benet | Create an image from this poem

The White Peacock

 (France -- Ancient Regime.
) I.
Go away! Go away; I will not confess to you! His black biretta clings like a hangman's cap; under his twitching fingers the beads shiver and click, As he mumbles in his corner, the shadow deepens upon him; I will not confess! .
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Is he there or is it intenser shadow? Dark huddled coilings from the obscene depths, Black, formless shadow, Shadow.
Doors creak; from secret parts of the chateau come the scuffle and worry of rats.
Orange light drips from the guttering candles, Eddying over the vast embroideries of the bed Stirring the monstrous tapestries, Retreating before the sable impending gloom of the canopy With a swift thrust and sparkle of gold, Lipping my hands, Then Rippling back abashed before the ominous silences Like the swift turns and starts of an overpowered fencer Who sees before him Horror Behind him darkness, Shadow.
The clock jars and strikes, a thin, sudden note like the sob of a child.
Clock, buhl clock that ticked out the tortuous hours of my birth, Clock, evil, wizened dwarf of a clock, how many years of agony have you relentlessly measured, Yardstick of my stifling shroud? I am Aumaury de Montreuil; once quick, soon to be eaten of worms.
You hear, Father? Hsh, he is asleep in the night's cloak.
Over me too steals sleep.
Sleep like a white mist on the rotting paintings of cupids and gods on the ceiling; Sleep on the carven shields and knots at the foot of the bed, Oozing, blurring outlines, obliterating colors, Death.
Father, Father, I must not sleep! It does not hear -- that shadow crouched in the corner .
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Is it a shadow? One might think so indeed, save for the calm face, yellow as wax, that lifts like the face of a drowned man from the choking darkness.
II.
Out of the drowsy fog my body creeps back to me.
It is the white time before dawn.
Moonlight, watery, pellucid, lifeless, ripples over the world.
The grass beneath it is gray; the stars pale in the sky.
The night dew has fallen; An infinity of little drops, crystals from which all light has been taken, Glint on the sighing branches.
All is purity, without color, without stir, without passion.
Suddenly a peacock screams.
My heart shocks and stops; Sweat, cold corpse-sweat Covers my rigid body.
My hair stands on end.
I cannot stir.
I cannot speak.
It is terror, terror that is walking the pale sick gardens And the eyeless face no man may see and live! Ah-h-h-h-h! Father, Father, wake! wake and save me! In his corner all is shadow.
Dead things creep from the ground.
It is so long ago that she died, so long ago! Dust crushes her, earth holds her, mold grips her.
Fiends, do you not know that she is dead? .
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"Let us dance the pavon!" she said; the waxlights glittered like swords on the polished floor.
Twinkling on jewelled snuffboxes, beaming savagely from the crass gold of candelabra, From the white shoulders of girls and the white powdered wigs of men .
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All life was that dance.
The mocking, resistless current, The beauty, the passion, the perilous madness -- As she took my hand, released it and spread her dresses like petals, Turning, swaying in beauty, A lily, bowed by the rain, -- Moonlight she was, and her body of moonlight and foam, And her eyes stars.
Oh the dance has a pattern! But the clear grace of her thrilled through the notes of the viols, Tremulous, pleading, escaping, immortal, untamed, And, as we ended, She blew me a kiss from her hand like a drifting white blossom -- And the starshine was gone; and she fled like a bird up the stair.
Underneath the window a peacock screams, And claws click, scrape Like little lacquered boots on the rough stone.
Oh the long fantasy of the kiss; the ceaseless hunger, ceaselessly, divinely appeased! The aching presence of the beloved's beauty! The wisdom, the incense, the brightness! Once more on the ice-bright floor they danced the pavon But I turned to the garden and her from the lighted candles.
Softly I trod the lush grass between the black hedges of box.
Softly, for I should take her unawares and catch her arms, And embrace her, dear and startled.
By the arbor all the moonlight flowed in silver And her head was on his breast.
She did not scream or shudder When my sword was where her head had lain In the quiet moonlight; But turned to me with one pale hand uplifted, All her satins fiery with the starshine, Nacreous, shimmering, weeping, iridescent, Like the quivering plumage of a peacock .
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Then her head drooped and I gripped her hair, Oh soft, scented cloud across my fingers! -- Bending her white neck back.
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Blood writhed on my hands; I trod in blood.
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Stupidly agaze At that crumpled heap of silk and moonlight, Where like twitching pinions, an arm twisted, Palely, and was still As the face of chalk.
The buhl clock strikes.
Thirty years.
Christ, thirty years! Agony.
Agony.
Something stirs in the window, Shattering the moonlight.
White wings fan.
Father, Father! All its plumage fiery with the starshine, Nacreous, shimmering, weeping, iridescent, It drifts across the floor and mounts the bed, To the tap of little satin shoes.
Gazing with infernal eyes.
Its quick beak thrusting, rending, devil's crimson .
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Screams, great tortured screams shake the dark canopy.
The light flickers, the shadow in the corner stirs; The wax face lifts; the eyes open.
A thin trickle of blood worms darkly against the vast red coverlet and spreads to a pool on the floor.
Written by Edna St Vincent Millay | Create an image from this poem

Renascence

 All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line Of the horizon, thin and fine, Straight around till I was come Back to where I'd started from; And all I saw from where I stood Was three long mountains and a wood.
Over these things I could not see; These were the things that bounded me; And I could touch them with my hand, Almost, I thought, from where I stand.
And all at once things seemed so small My breath came short, and scarce at all.
But, sure, the sky is big, I said; Miles and miles above my head; So here upon my back I'll lie And look my fill into the sky.
And so I looked, and, after all, The sky was not so very tall.
The sky, I said, must somewhere stop, And—sure enough!—I see the top! The sky, I thought, is not so grand; I 'most could touch it with my hand! And reaching up my hand to try, I screamed to feel it touch the sky.
I screamed, and—lo!—Infinity Came down and settled over me; Forced back my scream into my chest, Bent back my arm upon my breast, And, pressing of the Undefined The definition on my mind, Held up before my eyes a glass Through which my shrinking sight did pass Until it seemed I must behold Immensity made manifold; Whispered to me a word whose sound Deafened the air for worlds around, And brought unmuffled to my ears The gossiping of friendly spheres, The creaking of the tented sky, The ticking of Eternity.
I saw and heard, and knew at last The How and Why of all things, past, And present, and forevermore.
The Universe, cleft to the core, Lay open to my probing sense That, sick'ning, I would fain pluck thence But could not,—nay! But needs must suck At the great wound, and could not pluck My lips away till I had drawn All venom out.
—Ah, fearful pawn! For my omniscience paid I toll In infinite remorse of soul.
All sin was of my sinning, all Atoning mine, and mine the gall Of all regret.
Mine was the weight Of every brooded wrong, the hate That stood behind each envious thrust, Mine every greed, mine every lust.
And all the while for every grief, Each suffering, I craved relief With individual desire,— Craved all in vain! And felt fierce fire About a thousand people crawl; Perished with each,—then mourned for all! A man was starving in Capri; He moved his eyes and looked at me; I felt his gaze, I heard his moan, And knew his hunger as my own.
I saw at sea a great fog bank Between two ships that struck and sank; A thousand screams the heavens smote; And every scream tore through my throat.
No hurt I did not feel, no death That was not mine; mine each last breath That, crying, met an answering cry From the compassion that was I.
All suffering mine, and mine its rod; Mine, pity like the pity of God.
Ah, awful weight! Infinity Pressed down upon the finite Me! My anguished spirit, like a bird, Beating against my lips I heard; Yet lay the weight so close about There was no room for it without.
And so beneath the weight lay I And suffered death, but could not die.
Long had I lain thus, craving death, When quietly the earth beneath Gave way, and inch by inch, so great At last had grown the crushing weight, Into the earth I sank till I Full six feet under ground did lie, And sank no more,—there is no weight Can follow here, however great.
From off my breast I felt it roll, And as it went my tortured soul Burst forth and fled in such a gust That all about me swirled the dust.
Deep in the earth I rested now; Cool is its hand upon the brow And soft its breast beneath the head Of one who is so gladly dead.
And all at once, and over all The pitying rain began to fall; I lay and heard each pattering hoof Upon my lowly, thatched roof, And seemed to love the sound far more Than ever I had done before.
For rain it hath a friendly sound To one who's six feet underground; And scarce the friendly voice or face: A grave is such a quiet place.
The rain, I said, is kind to come And speak to me in my new home.
I would I were alive again To kiss the fingers of the rain, To drink into my eyes the shine Of every slanting silver line, To catch the freshened, fragrant breeze From drenched and dripping apple-trees.
For soon the shower will be done, And then the broad face of the sun Will laugh above the rain-soaked earth Until the world with answering mirth Shakes joyously, and each round drop Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here, While overhead the sky grows clear And blue again after the storm? O, multi-colored, multiform, Beloved beauty over me, That I shall never, never see Again! Spring-silver, autumn-gold, That I shall never more behold! Sleeping your myriad magics through, Close-sepulchred away from you! O God, I cried, give me new birth, And put me back upon the earth! Upset each cloud's gigantic gourd And let the heavy rain, down-poured In one big torrent, set me free, Washing my grave away from me! I ceased; and through the breathless hush That answered me, the far-off rush Of herald wings came whispering Like music down the vibrant string Of my ascending prayer, and—crash! Before the wild wind's whistling lash The startled storm-clouds reared on high And plunged in terror down the sky, And the big rain in one black wave Fell from the sky and struck my grave.
I know not how such things can be; I only know there came to me A fragrance such as never clings To aught save happy living things; A sound as of some joyous elf Singing sweet songs to please himself, And, through and over everything, A sense of glad awakening.
The grass, a-tiptoe at my ear, Whispering to me I could hear; I felt the rain's cool finger-tips Brushed tenderly across my lips, Laid gently on my sealed sight, And all at once the heavy night Fell from my eyes and I could see,— A drenched and dripping apple-tree, A last long line of silver rain, A sky grown clear and blue again.
And as I looked a quickening gust Of wind blew up to me and thrust Into my face a miracle Of orchard-breath, and with the smell,— I know not how such things can be!— I breathed my soul back into me.
Ah! Up then from the ground sprang I And hailed the earth with such a cry As is not heard save from a man Who has been dead, and lives again.
About the trees my arms I wound; Like one gone mad I hugged the ground; I raised my quivering arms on high; I laughed and laughed into the sky, Till at my throat a strangling sob Caught fiercely, and a great heart-throb Sent instant tears into my eyes; O God, I cried, no dark disguise Can e'er hereafter hide from me Thy radiant identity! Thou canst not move across the grass But my quick eyes will see Thee pass, Nor speak, however silently, But my hushed voice will answer Thee.
I know the path that tells Thy way Through the cool eve of every day; God, I can push the grass apart And lay my finger on Thy heart! The world stands out on either side No wider than the heart is wide; Above the world is stretched the sky,— No higher than the soul is high.
The heart can push the sea and land Farther away on either hand; The soul can split the sky in two, And let the face of God shine through.
But East and West will pinch the heart That can not keep them pushed apart; And he whose soul is flat—the sky Will cave in on him by and by.

Book: Shattered Sighs