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Best Famous Sake Poems

Here is a collection of the all-time best famous Sake poems. This is a select list of the best famous Sake poetry. Reading, writing, and enjoying famous Sake poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sake poems.

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Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch.
"Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?" Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by, Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair; Smith bent on him his eyes of doom, shook back his lion mane of hair; Said: "Is there one in my chosen line, writer of forthright tales my peer? Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue; Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame.
" Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift; This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; Never shall it see printed line: here, by the living God I swear.
" Brown on a Bible laid his hand; Smith, great writer of stories, sighed: "Comrade, I trust you, and understand.
Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store; Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript, Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head.
"The story is not for sale, " he said.
Jones went away, then others came.
Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field; Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth Garretless in the gloom and grime, singing his glad, mad songs of earth: So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones, Who should chance to behold his plight, but the publisher, the plethoric Jones; Peered at him for a little while, held out a bill: "NOW, will you sell?" Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!" Brown enrolled in the homeless host, sleeping anywhere, anywhen; Suffered, strove, became a ghost, slave of the lamp for other men; For What's-his-name and So-and-so in the abyss his soul he stripped, Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair, Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail: "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name; You have a manuscript, they say, worth a thousand -- think, man! the shame.
.
.
.
" Brown with his heart pain-pierced the while, with his stern, starved face, and his lips stone-pale, Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol.
" While poor Brown in the leer of dawn wrestled with God for the sacred fire, Came there a woman weak and wan, out of the mob, the murk, the mire; Frail as a reed, a fellow ghost, weary with woe, with sorrowing; Two pale souls in the legion lost; lo! Love bent with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain; Then came the doctor, grave and grey; spoke of decline, of nervous strain; Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! .
.
.
the manuscript! A thousand dollars! his only hope! he gazed and gazed at the garret wall.
.
.
.
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break: "Oh, my dearest! what shall I do? shall I not sell it for your sake?" Ghostlike she lay, as still as doom; turned to the wall her weary head; Icy-cold in the pallid gloom, silent as death .
.
.
at last she said: "Do! my husband? Keep your vow! Guard his secret and let me die.
.
.
.
Oh, my dear, I must tell you now -- the women he loved and wronged was I; Darling! I haven't long to live: I never told you -- forgive, forgive!" For a long, long time Brown did not speak; sat bleak-browed in the wretched room; Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife; To keep his vow, to save her name, yet at the cost of what? Her life! A moment's space did he hesitate, a moment of pain and dread and doubt, Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out.
.
.
.
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell, Locked in the silence of the heart, for the awful records of Heav'n and Hell.
) Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above: "Glorious tidings! Egypt, dear! The book is accepted -- life and love.
"


Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.
Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses.
Once again I see These hedgerows, hardly hedgerows, little lines Of sportive wood run wild; these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone.
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye; But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration—feelings too Of unremembered pleasure; such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love.
Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened—that serene and blessed mood, In which the affections gently lead us on— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul; While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.
If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer through the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again; While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years.
And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led—more like a man Flying from something that he dreads than one Who sought the thing he loved.
For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.
—I cannot paint What then I was.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.
—That time is past, And all its aching joys are now no more, And all its dizzy raptures.
Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense.
For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.
And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.
Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear—both what they half create, And what perceive; well pleased to recognize In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
Nor perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes.
Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings.
Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service; rather say With warmer love—oh! with far deeper zeal Of holier love.
Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!
Written by Charles Bukowski | Create an image from this poem

Let It Enfold You

 either peace or happiness,
let it enfold you

when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted mind, a pecarious upbringing.
I was hard as granite,I leered at the sun.
I trusted no man and especially no woman.
I was living a hell in small rooms, I broke things, smashed things, walked through glass, cursed.
I challenged everything, was continually being evicted,jailed,in and out of fights,in and aout of my mind.
women were something to screw and rail at,i had no male freinds, I changed jobs and cities,I hated holidays, babies,history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, english accents,spain, france,italy,walnuts and the color orange.
algebra angred me, opera sickened me, charlie chaplin was a fake and flowers were for pansies.
peace an happiness to me were signs of inferiority, tenants of the weak an addled mind.
but as I went on with my alley fights, my suicidal years, my passage through any number of women-it gradually began to occur to me that I wasn't diffrent from the others, I was the same, they were all fulsome with hatred, glossed over with petty greivances, the men I fought in alleys had hearts of stone.
everybody was nudging, inching, cheating for some insignificant advantage, the lie was the weapon and the plot was emptey, darkness was the dictator.
cautiously, I allowed myself to feel good at times.
I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark.
the less i needed the better i felt.
maybe the other life had worn me down.
I no longer found glamour in topping somebody in conversation.
or in mounting the body of some poor drunken female whose life had slipped away into sorrow.
I could never accept life as it was, i could never gobble down all its poisons but there were parts, tenous magic parts open for the asking.
I re formulated I don't know when, date,time,all that but the change occured.
something in me relaxed, smoothed out.
i no longer had to prove that i was a man, I did'nt have to prove anything.
I began to see things: coffe cups lined up behind a counter in a cafe.
or a dog walking along a sidewalk.
or the way the mouse on my dresser top stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful.
then- it was gone.
I began to feel good, I began to feel good in the worst situations and there were plenty of those.
like say, the boss behind his desk, he is going to have to fire me.
I've missed too many days.
he is dressed in a suit, necktie, glasses, he says, "i am going to have to let you go" "it's all right" i tell him.
He must do what he must do, he has a wife, a house, children.
expenses, most probably a girlfreind.
I am sorry for him he is caught.
I walk onto the blazing sunshine.
the whole day is mine temporailiy, anyhow.
(the whole world is at the throat of the world, everybody feels angry, short-changed, cheated, everybody is despondent, dissillusioned) I welcomed shots of peace, tattered shards of happiness.
I embraced that stuff like the hottest number, like high heels,breasts, singing,the works.
(dont get me wrong, there is such a thing as cockeyed optimism that overlooks all basic problems justr for the sake of itself- this is a sheild and a sickness.
) The knife got near my throat again, I almost turned on the gas again but when the good moments arrived again I did'nt fight them off like an alley adversary.
I let them take me, i luxuriated in them, I bade them welcome home.
I even looked into the mirror once having thought myself to be ugly, I now liked what I saw,almost handsome,yes, a bit ripped and ragged, scares,lumps, odd turns, but all in all, not too bad, almost handsome, better at least than some of those movie star faces like the cheeks of a babys butt.
and finally I discovered real feelings fo others, unhearleded, like latley, like this morning, as I was leaving, for the track, i saw my wif in bed, just the shape of her head there (not forgetting centuries of the living and the dead and the dying, the pyarimids, Mozart dead but his music still there in the room, weeds growing, the earth turning, the toteboard waiting for me) I saw the shape of my wife's head, she so still, i ached for her life, just being there under the covers.
i kissed her in the, forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive.
feeling warm to the fingertips, down to my foot on the gas pedal, I entered the world once more, drove down the hill past the houses full and emptey of people, i saw the mailman, honked, he waved back at me.
Written by Ogden Nash | Create an image from this poem

Very Like a Whale

 One thing that literature would be greatly the better for
Would be a more restricted employment by the authors of simile and
metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts, Can't seem just to say that anything is the thing it is but have to go out of their way to say that it is like something else.
What does it mean when we are told That that Assyrian came down like a wolf on the fold? In the first place, George Gordon Byron had enough experience To know that it probably wasn't just one Assyrian, it was a lot of Assyrians.
However, as too many arguments are apt to induce apoplexy and thus hinder longevity.
We'll let it pass as one Assyrian for the sake of brevity.
Now then, this particular Assyrian, the one whose cohorts were gleaming in purple and gold, Just what does the poet mean when he says he came down like a wold on the fold? In heaven and earth more than is dreamed of in our philosophy there are great many things.
But I don't imagine that among them there is a wolf with purple and gold cohorts or purple and gold anythings.
No, no, Lord Byron, before I'll believe that this Assyrian was actually like a wolf I must have some kind of proof; Did he run on all fours and did he have a hairy tail and a big red mouth and big white teeth and did he say Woof Woof? Frankly I think it is very unlikely, and all you were entitled to say, at the very most, Was that the Assyrian cohorts came down like a lot of Assyrian cohorts about to destroy the Hebrew host.
But that wasn't fancy enough for Lord Byron, oh dear me no, he had to invent a lot of figures of speech and then interpolate them, With the result that whenever you mention Old Testament soldiers to people they say Oh yes, they're the ones that a lot of wolves dressed up in gold and purple ate them.
That's the kind of thing that's being done all the time by poets, from Homer to Tennyson; They're always comparing ladies to lilies and veal to venison, And they always say things like that the snow is a white blanket after a winter storm.
Oh it is, is it, all right then, you sleep under a six-inch blanket of snow and I'll sleep under a half-inch blanket of unpoetical blanket material and we'll see which one keeps warm, And after that maybe you'll begin to comprehend dimly What I mean by too much metaphor and simile.
Written by Rabindranath Tagore | Create an image from this poem

The Hero

 Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.
You are riding in a palanquin and I am trotting by you on a red horse.
It is evening and the sun goes down.
The waste of Joradighi lies wan and grey before us.
The land is desolate and barren.
You are frightened and thinking-"I know not where we have come to.
" I say to you, "Mother, do not be afraid.
" The meadow is prickly with spiky grass, and through it runs a narrow broken path.
There are no cattle to be seen in the wide field; they have gone to their village stalls.
It grows dark and dim on the land and sky, and we cannot tell where we are going.
Suddenly you call me and ask me in a whisper, "What light is that near the bank?" Just then there bursts out a fearful yell, and figures come running towards us.
You sit crouched in your palanquin and repeat the names of the gods in prayer.
The bearers, shaking in terror, hide themselves in the thorny bush.
I shout to you, "Don't be afraid, mother.
I am here.
" With long sticks in their hands and hair all wild about their heads, they come nearer and nearer.
I shout, "Have a care, you villains! One step more and you are dead men.
" They give another terrible yell and rush forward.
You clutch my hand and say, "Dear boy, for heaven's sake, keep away from them.
" I say, "Mother, just you watch me.
" Then I spur my horse for a wild gallop, and my sword and buckler clash against each other.
The fight becomes so fearful, mother, that it would give you a cold shudder could you see it from your palanquin.
Many of them fly, and a great number are cut to pieces.
I know you are thinking, sitting all by yourself, that your boy must be dead by this time.
But I come to you all stained with blood, and say,"Mother, the fight is over now.
" You come out and kiss me, pressing me to your heart, and you say to yourself, "I don't know what I should do if I hadn't my boy to escort me.
" A thousand useless things happen day after day, and why couldn't such a thing come true by chance? It would be like a story in a book.
My brother would say, "Is it possible? I always thought he was so delicate!" Our village people would all say in amazement, "Was it not lucky that the boy was with his mother?"


Written by Rudyard Kipling | Create an image from this poem

The Ballad of the Red Earl

 (It is not for them to criticize too minutely
the methods the Irish followed, though they might deplore some of
their results.
During the past few years Ireland had been going through what was tantamount to a revolution.
-- EARL SPENCER) Red Earl, and will ye take for guide The silly camel-birds, That ye bury your head in an Irish thorn, On a desert of drifting words? Ye have followed a man for a God, Red Earl, As the Lod o' Wrong and Right; But the day is done with the setting sun Will ye follow into the night? He gave you your own old words, Red Earl, For food on the wastrel way; Will ye rise and eat in the night, Red Earl, That fed so full in the day? Ye have followed fast, ye have followed far, And where did the wandering lead? From the day that ye praised the spoken word To the day ye must gloss the deed.
And as ye have given your hand for gain, So must ye give in loss; And as ye ha' come to the brink of the pit, So must ye loup across.
For some be rogues in grain, Red Earl, And some be rogues in fact, And rogues direct and rogues elect; But all be rogues in pact.
Ye have cast your lot with these, Red Earl; Take heed to where ye stand.
Ye have tied a knot with your tongue, Red Earl, That ye cannot loose with your hand.
Ye have travelled fast, ye have travelled far, In the grip of a tightening tether, Till ye find at the end ye must take for friend The quick and their dead together.
Ye have played with the Law between your lips, And mouthed it daintilee; But the gist o' the speech is ill to teach, For ye say: "Let wrong go free.
" Red Earl, ye wear the Garter fair, And gat your place from a King: Do ye make Rebellion of no account, And Treason a little thing? And have ye weighed your words, Red Earl, That stand and speak so high? And is it good that the guilt o' blood, Be cleared at the cost of a sigh? And is it well for the sake of peace, Our tattered Honour to sell, And higgle anew with a tainted crew -- Red Earl, and is it well? Ye have followed fast, ye have followed far, On a dark and doubtful way, And the road is hard, is hard, Red Earl, And the price is yet to pay.
Ye shall pay that price as ye reap reward For the toil of your tongue and pen -- In the praise of the blamed and the thanks of the shamed, And the honour o' knavish men.
They scarce shall veil their scorn, Red Earl, And the worst at the last shall be, When you tell your heart that it does not know And your eye that it does not see.
Written by Kahlil Gibran | Create an image from this poem

A Poets Voice XV

 Part One


The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry.
My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty.
Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark.
I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire.
For I am a poet, and if I cannot give, I shall refuse to receive.
Humanity rages like a tempest, but I sigh in silence for I know the storm must pass away while a sigh goes to God.
Human kinds cling to earthly things, but I seek ever to embrace the torch of love so it will purify me by its fire and sear inhumanity from my heart.
Substantial things deaden a man without suffering; love awakens him with enlivening pains.
Humans are divided into different clans and tribes, and belong to countries and towns.
But I find myself a stranger to all communities and belong to no settlement.
The universe is my country and the human family is my tribe.
Men are weak, and it is sad that they divide amongst themselves.
The world is narrow and it is unwise to cleave it into kingdoms, empires, and provinces.
Human kinds unite themselves one to destroy the temples of the soul, and they join hands to build edifices for earthly bodies.
I stand alone listening to the voice of hope in my deep self saying, "As love enlivens a man's heart with pain, so ignorance teaches him the way of knowledge.
" Pain and ignorance lead to great joy and knowledge because the Supreme Being has created nothing vain under the sun.
Part Two I have a yearning for my beautiful country, and I love its people because of their misery.
But if my people rose, stimulated by plunder and motivated by what they call "patriotic spirit" to murder, and invaded my neighbor's country, then upon the committing of any human atrocity I would hate my people and my country.
I sing the praise of my birthplace and long to see the home of my children; but if the people in that home refused to shelter and feed the needy wayfarer, I would convert my praise into anger and my longing to forgetfulness.
My inner voice would say, "The house that does not comfort the need is worthy of naught by destruction.
" I love my native village with some of my love for my country; and I love my country with part of my love for the earth, all of which is my country; and I love the earth will all of myself because it is the haven of humanity, the manifest spirit of God.
Humanity is the spirit of the Supreme Being on earth, and that humanity is standing amidst ruins, hiding its nakedness behind tattered rags, shedding tears upon hollow cheeks, and calling for its children with pitiful voice.
But the children are busy singing their clan's anthem; they are busy sharpening the swords and cannot hear the cry of their mothers.
Humanity appeals to its people but they listen not.
Were one to listen, and console a mother by wiping her tears, other would say, "He is weak, affected by sentiment.
" Humanity is the spirit of the Supreme Being on earth, and that Supreme Being preaches love and good-will.
But the people ridicule such teachings.
The Nazarene Jesus listened, and crucifixion was his lot; Socrates heard the voice and followed it, and he too fell victim in body.
The followers of The Nazarene and Socrates are the followers of Deity, and since people will not kill them, they deride them, saying, "Ridicule is more bitter than killing.
" Jerusalem could not kill The Nazarene, nor Athens Socrates; they are living yet and shall live eternally.
Ridicule cannot triumph over the followers of Deity.
They live and grow forever.
Part Three Thou art my brother because you are a human, and we both are sons of one Holy Spirit; we are equal and made of the same earth.
You are here as my companion along the path of life, and my aid in understanding the meaning of hidden Truth.
You are a human, and, that fact sufficing, I love you as a brother.
You may speak of me as you choose, for Tomorrow shall take you away and will use your talk as evidence for his judgment, and you shall receive justice.
You may deprive me of whatever I possess, for my greed instigated the amassing of wealth and you are entitled to my lot if it will satisfy you.
You may do unto me whatever you wish, but you shall not be able to touch my Truth.
You may shed my blood and burn my body, but you cannot kill or hurt my spirit.
You may tie my hands with chains and my feet with shackles, and put me in the dark prison, but who shall not enslave my thinking, for it is free, like the breeze in the spacious sky.
You are my brother and I love you.
I love you worshipping in your church, kneeling in your temple, and praying in your mosque.
You and I and all are children of one religion, for the varied paths of religion are but the fingers of the loving hand of the Supreme Being, extended to all, offering completeness of spirit to all, anxious to receive all.
I love you for your Truth, derived from your knowledge; that Truth which I cannot see because of my ignorance.
But I respect it as a divine thing, for it is the deed of the spirit.
Your Truth shall meet my Truth in the coming world and blend together like the fragrance of flowers and becoming one whole and eternal Truth, perpetuating and living in the eternity of Love and Beauty.
I love you because you are weak before the strong oppressor, and poor before the greedy rich.
For these reasons I shed tears and comfort you; and from behind my tears I see you embraced in the arms of Justice, smiling and forgiving your persecutors.
You are my brother and I love you.
Part Four You are my brother, but why are you quarreling with me? Why do you invade my country and try to subjugate me for the sake of pleasing those who are seeking glory and authority? Why do you leave your wife and children and follow Death to the distant land for the sake of those who buy glory with your blood, and high honor with your mother's tears? Is it an honor for a man to kill his brother man? If you deem it an honor, let it be an act of worship, and erect a temple to Cain who slew his brother Abel.
Is self-preservation the first law of Nature? Why, then, does Greed urge you to self-sacrifice in order only to achieve his aim in hurting your brothers? Beware, my brother, of the leader who says, "Love of existence obliges us to deprive the people of their rights!" I say unto you but this: protecting others' rights is the noblest and most beautiful human act; if my existence requires that I kill others, then death is more honorable to me, and if I cannot find someone to kill me for the protection of my honor, I will not hesitate to take my life by my own hands for the sake of Eternity before Eternity comes.
Selfishness, my brother, is the cause of blind superiority, and superiority creates clanship, and clanship creates authority which leads to discord and subjugation.
The soul believes in the power of knowledge and justice over dark ignorance; it denies the authority that supplies the swords to defend and strengthen ignorance and oppression - that authority which destroyed Babylon and shook the foundation of Jerusalem and left Rome in ruins.
It is that which made people call criminals great mean; made writers respect their names; made historians relate the stories of their inhumanity in manner of praise.
The only authority I obey is the knowledge of guarding and acquiescing in the Natural Law of Justice.
What justice does authority display when it kills the killer? When it imprisons the robber? When it descends on a neighborhood country and slays its people? What does justice think of the authority under which a killer punishes the one who kills, and a thief sentences the one who steals? You are my brother, and I love you; and Love is justice with its full intensity and dignity.
If justice did not support my love for you, regardless of your tribe and community, I would be a deceiver concealing the ugliness of selfishness behind the outer garment of pure love.
Conclusion My soul is my friend who consoles me in misery and distress of life.
He who does not befriend his soul is an enemy of humanity, and he who does not find human guidance within himself will perish desperately.
Life emerges from within, and derives not from environs.
I came to say a word and I shall say it now.
But if death prevents its uttering, it will be said tomorrow, for tomorrow never leaves a secret in the book of eternity.
I came to live in the glory of love and the light of beauty, which are the reflections of God.
I am here living, and the people are unable to exile me from the domain of life for they know I will live in death.
If they pluck my eyes I will hearken to the murmers of love and the songs of beauty.
If they close my ears I will enjoy the touch of the breeze mixed with the incebse of love and the fragrance of beauty.
If they place me in a vacuum, I will live together with my soul, the child of love and beauty.
I came here to be for all and with all, and what I do today in my solitude will be echoed by tomorrow to the people.
What I say now with one heart will be said tomorrow by many hearts
Written by Anne Bronte | Create an image from this poem

Power of Love

 Love, indeed thy strength is mighty
Thus, alone, such strife to bear --
Three 'gainst one, and never ceasing --
Death, and Madness, and Despair! 
'Tis not my own strength has saved me;
Health, and hope, and fortitude,
But for love, had long since failed me;
Heart and soul had sunk subdued.
Often, in my wild impatience, I have lost my trust in Heaven, And my soul has tossed and struggled, Like a vessel tempest-driven; But the voice of my beloved In my ear has seemed to say -- 'O, be patient if thou lov'st me!' And the storm has passed away.
When outworn with weary thinking, Sight and thought were waxing dim, And my mind began to wander, And my brain began to swim, Then those hands outstretched to save me Seemed to call me back again -- Those dark eyes did so implore me To resume my reason's reign, That I could not but remember How her hopes were fixed on me, And, with one determined effort, Rose, and shook my spirit free.
When hope leaves my weary spirit -- All the power to hold it gone -- That loved voice so loudly prays me, 'For my sake, keep hoping on,' That, at once my strength renewing, Though Despair had crushed me down, I can burst his bonds asunder, And defy his deadliest frown.
When, from nights of restless tossing, Days of gloom and pining care, Pain and weakness, still increasing, Seem to whisper 'Death is near,' And I almost bid him welcome, Knowing he would bring release, Weary of this restless struggle -- Longing to repose in peace, Then a glance of fond reproval Bids such selfish longings flee And a voice of matchless music Murmurs 'Cherish life for me!' Roused to newborn strength and courage, Pain and grief, I cast away, Health and life, I keenly follow, Mighty Death is held at bay.
Yes, my love, I will be patient! Firm and bold my heart shall be: Fear not -- though this life is dreary, I can bear it well for thee.
Let our foes still rain upon me Cruel wrongs and taunting scorn; 'Tis for thee their hate pursues me, And for thee, it shall be borne!
Written by Walt Whitman | Create an image from this poem

Thoughts

 1
OF these years I sing, 
How they pass and have pass’d, through convuls’d pains as through parturitions; 
How America illustrates birth, muscular youth, the promise, the sure fulfillment, the
 Absolute
 Success, despite of people—Illustrates evil as well as good; 
How many hold despairingly yet to the models departed, caste, myths, obedience,
 compulsion, and
 to infidelity; 
How few see the arrived models, the Athletes, the Western States—or see freedom or
 spirituality—or hold any faith in results,
(But I see the Athletes—and I see the results of the war glorious and
 inevitable—and
 they again leading to other results;) 
How the great cities appear—How the Democratic masses, turbulent, wilful, as I love
 them; 
How the whirl, the contest, the wrestle of evil with good, the sounding and resounding,
 keep on
 and on; 
How society waits unform’d, and is for awhile between things ended and things begun; 
How America is the continent of glories, and of the triumph of freedom, and of the
 Democracies,
 and of the fruits of society, and of all that is begun;
And how The States are complete in themselves—And how all triumphs and glories are
 complete in themselves, to lead onward, 
And how these of mine, and of The States, will in their turn be convuls’d, and serve
 other
 parturitions and transitions, 
And how all people, sights, combinations, the Democratic masses, too, serve—and how
 every
 fact, and war itself, with all its horrors, serves, 
And how now, or at any time, each serves the exquisite transition of death.
2 OF seeds dropping into the ground—of birth, Of the steady concentration of America, inland, upward, to impregnable and swarming places, Of what Indiana, Kentucky, Ohio and the rest, are to be, Of what a few years will show there in Nebraska, Colorado, Nevada, and the rest; (Or afar, mounting the Northern Pacific to Sitka or Aliaska;) Of what the feuillage of America is the preparation for—and of what all sights, North, South, East and West, are; Of This Union, soak’d, welded in blood—of the solemn price paid—of the unnamed lost, ever present in my mind; —Of the temporary use of materials, for identity’s sake, Of the present, passing, departing—of the growth of completer men than any yet, Of myself, soon, perhaps, closing up my songs by these shores, Of California, of Oregon—and of me journeying to live and sing there; Of the Western Sea—of the spread inland between it and the spinal river, Of the great pastoral area, athletic and feminine, of all sloping down there where the fresh free giver, the mother, the Mississippi flows, Of future women there—of happiness in those high plateaus, ranging three thousand miles, warm and cold; Of mighty inland cities yet unsurvey’d and unsuspected, (as I am also, and as it must be;) Of the new and good names—of the modern developments—of inalienable homesteads; Of a free and original life there—of simple diet and clean and sweet blood; Of litheness, majestic faces, clear eyes, and perfect physique there; Of immense spiritual results, future years, far west, each side of the Anahuacs; Of these leaves, well understood there, (being made for that area;) Of the native scorn of grossness and gain there; (O it lurks in me night and day—What is gain, after all, to savageness and freedom?)
Written by Robert William Service | Create an image from this poem

The Call Of The Wild

 Have you gazed on naked grandeur where there's nothing else to gaze on,
 Set pieces and drop-curtain scenes galore,
Big mountains heaved to heaven, which the blinding sunsets blazon,
 Black canyons where the rapids rip and roar?
Have you swept the visioned valley with the green stream streaking through it,
 Searched the Vastness for a something you have lost?
Have you strung your soul to silence? Then for God's sake go and do it;
 Hear the challenge, learn the lesson, pay the cost.
Have you wandered in the wilderness, the sagebrush desolation, The bunch-grass levels where the cattle graze? Have you whistled bits of rag-time at the end of all creation, And learned to know the desert's little ways? Have you camped upon the foothills, have you galloped o'er the ranges, Have you roamed the arid sun-lands through and through? Have you chummed up with the mesa? Do you know its moods and changes? Then listen to the Wild -- it's calling you.
Have you known the Great White Silence, not a snow-gemmed twig aquiver? (Eternal truths that shame our soothing lies.
) Have you broken trail on snowshoes? mushed your huskies up the river, Dared the unknown, led the way, and clutched the prize? Have you marked the map's void spaces, mingled with the mongrel races, Felt the savage strength of brute in every thew? And though grim as hell the worst is, can you round it off with curses? Then hearken to the Wild -- it's wanting you.
Have you suffered, starved and triumphed, groveled down, yet grasped at glory, Grown bigger in the bigness of the whole? "Done things" just for the doing, letting babblers tell the story, Seeing through the nice veneer the naked soul? Have you seen God in His splendors, heard the text that nature renders? (You'll never hear it in the family pew.
) The simple things, the true things, the silent men who do things -- Then listen to the Wild -- it's calling you.
They have cradled you in custom, they have primed you with their preaching, They have soaked you in convention through and through; They have put you in a showcase; you're a credit to their teaching -- But can't you hear the Wild? -- it's calling you.
Let us probe the silent places, let us seek what luck betide us; Let us journey to a lonely land I know.
There's a whisper on the night-wind, there's a star agleam to guide us, And the Wild is calling, calling .
.
.
let us go.

Book: Shattered Sighs