I find it wholesome to be alone the greater part of the time. To be in company, even with the best, is soon wearisome and dissipating. I love to be alone. I never found the companion that was so companionable as solitude. We are for the most part more lonely when we go abroad among men than when we stay in our chambers. A man thinking or working is always alone, let him be where he will. Solitude is not measured by the miles of space that intervene between a man and his fellows.
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I, the sultan of sultans, and the strongest ruler, the loftiest king who defeats the kingdoms around the world, and the shadow of Allah in the Earth, am the son of Sultan Selim who is the son of Sultan Beyazid, Sultan Suleiman, Caesar of Rome, the sultan of Mediterranean Sea and Black Sea, and Thrace, and Anatolia, and Karaman and the City of Dulkadir and Diyarbakir and Kurdistan, and Iran and Damascus and Aleppo and Egypt and Mecca and Medinah and Jerusalem and the whole Arab land and Yemen and many more lands that our lofty ancestors conquered with their crushing powers and I conquered with my fire-scattering sword...
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I cannot live with you.
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Rise, brothers, rise; the wakening skies pray to the morning light, The wind lies asleep in the arms of the dawn like a child that has cried all night. Come, let us gather our nets from the shore and set our catamarans free, To capture the leaping wealth of the tide, for we are the kings of the sea! No longer delay, let us hasten away in the track of the sea gull's call, The sea is our mother, the cloud is our brother, the waves are our comrades all. What though we toss at the fall of the sun where the hand of the sea-god drives? He who holds the storm by the hair, will hide in his breast our lives. Sweet is the shade of the cocoanut glade, and the scent of the mango grove, And sweet are the sands at the full o' the moon with the sound of the voices we love; But sweeter, O brothers, the kiss of the spray and the dance of the wild foam's glee; Row, brothers, row to the edge of the verge, where the low sky mates with the sea.
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How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace. I love thee to the level of every day's Most quiet need; by sun and candle-light. I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith I love thee with a love I seemed to lose With my lost saints,--I love thee with the breath. Smiles, tears, of all my life!--and, if God choose, I shall but love thee better after death.
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History, despite its wrenching pain, cannot be unlived, however, if faced with courage, need not be lived again.
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April is the cruellest month, breedingLilacs out of the dead land, mixingMemory out of desire, stirringDull roots with spring rain.Winter kept us warm, coveringEarth in a forgetful snow, feedingA little life with dried tubers.
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The quality of strength lined with tenderness is an unbeatable combination, as are intelligence and necessity when unblunted by formal education.
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If then a practical end must be assigned to a University course, I say it is that of training good members of society. Its art is the art of social life, and its end is fitness for the world. It neither confines its views to particular professions on the one hand, nor creates heroes or inspires genius on the other. Works indeed of genius fall under no art; heroic minds come under no rule; a University is not a birthplace of poets or of immortal authors, of founders of schools, leaders of colonies, or conquerors of nations. It does not promise a generation of Aristotles or Newtons, of Napoleons or Washingtons, of Raphaels or Shakespeares, though such miracles of nature it has before now contained within its precincts. Nor is it content on the other hand with forming the critic or the experimentalist, the economist or the engineer, though such too it includes within its scope. But a University training is the great ordinary means to an great but ordinary end; it aims at raising the intellectual tone of society, at cultivating the public mind, at purifying the national taste, at supplying true principles to popular enthusiasm and fixed aims to popular aspiration, at giving enlargement and sobriety to the ideas of the age, at facilitating the exercise of political power, and refining the intercourse of private life. It is the education which gives a man a clear conscious view of his own opinions and judgments, a truth in developing them, an eloquence in expressing them, and a force in urging them.
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I became insane, with long intervals of horrible sanity
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Win with humility; lose with grace.
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I have learned not to worry about love; but to honor its coming with all my heart.
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This life's dim windows of the soul Distorts the heavens from pole to pole And leads you to believe a lie When you see with, not through, the eye.
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The highest praise we can attribute to any writer, painter, sculptor, builder, is, that he actually possessed the thought or feeling with whic...
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From this hour I ordain myself loos'd of limits and imaginary lines, Going where I list, my own master total and absolute, Listening to others, considering well what they say, Pausing, searching, receiving, contemplating, Gently, but with undeniable will, divesting myself of the holds that would hold me.
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Where the voice of the wind calls our wandering feet, Through echoing forest and echoing street, With lutes in our hands ever-singing we roam, All men are our kindred, the world is our home. Our lays are of cities whose lustre is shed, The laughter and beauty of women long dead; The sword of old battles, the crown of old kings, And happy and simple and sorrowful things. What hope shall we gather, what dreams shall we sow? Where the wind calls our wandering footsteps we go. No love bids us tarry, no joy bids us wait: The voice of the wind is the voice of our fate.
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Follow your inclinations with due regard to the policeman round the corner.
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Fair flower, that dost so comely grow, Hid in this silent, dull retreat, Untouched thy honied blossoms blow, Unseen thy little branches greet; ...No roving foot shall crush thee here, ...No busy hand provoke a tear. By Nature's self in white arrayed, She bade thee shun the vulgar eye, And planted here the gaurdian shade, And sent soft waters murmuring by; ...Thus quietly thy summer goes, ...Thy days declinging to repose. Smit with those charms, that must decay, I grieve to see your future doom; They died--nor were those flowers more gay, The flowers that did in Eden bloom; ...Unpitying frosts, and Autumn's power ...Shall leave no vestige of this flower. From morning suns and evenign dews At first thy little being came: If nothing once, you nothing lose, For when you die you are the same; ...The space between, is but an hour, ...The frail duration of a flower.
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The word was born in the blood, grew in the dark body, beating, and took flight through the lips and the mouth. Farther away and nearer still, still it came from dead fathers and from wondering races, from lands which had turned to stone, lands weary of their poor tribes, for when grief took to the roads the people set out and arrived and married new land and water to grow their words again. And so this is the inheritance; this is the wavelength which connects us with dead men and the dawning of new beings not yet come to light.
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Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket--safe, dark, motionless, airless--it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.
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Here is my gift, not roses on your grave, not sticks of burning incense. You lived aloof, maintaining to the end your magnificent disdain. You drank wine, and told the wittiest jokes, and suffocated inside stifling walls. Alone you let the terrible stranger in, and stayed with her alone.
Now you're gone, and nobody says a word about your troubled and exalted life. Only my voice, like a flute, will mourn at your dumb funeral feast. Oh, who would have dared believe that half-crazed I, I, sick with grief for the buried past, I, smoldering on a slow fire, having lost everything and forgotten all, would be fated to commemorate a man so full of strength and will and bright inventions, who only yesterday it seems, chatted with me, hiding the tremor of his mortal pain.
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Life loves to be taken by the lapel and told: I'm with you kid. Let's go.
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Morning Is Yellow Like A Desk Is Square
He always wanted to explain things. But no one cared. So he drew. Sometimes he would draw and it wasn't anything. He wanted to carve it in stone or write it in the sky. He would lie out on the grass and look up in the sky. And it would be only him and the sky and the things inside him that needed saying. And it was after that he drew the picture. It was a beautiful picture. He kept it under his pillow and would let no one see it. And he would look at it every night and think about it. And when it was dark, and his eyes were closed, he could still see it. And it was all of him. And he loved it. When he started school he brought it with him. Not to show anyone, but just to have with him like a friend. It was funny about school. He sat in a square brown desk Like all the other square brown desks And he thought it should be red And his room was a square brown room. Like all the other rooms. And it was tight and close. And stiff. He hated to hold the pencil and chalk, With his arm stiff and his feet flat on the floor. Stiff. With the teacher watching and watching. The teacher came and spoke to him. She told him to wear a tie like all the other boys. He said he didn't like them. And she said it didn't matter. After that they drew. And he drew all yellow and it was the way he felt about morning. And it was beautiful. The teacher came and smiled at him. 'What's this?' she said. 'Why don't you draw something like Ken's drawing? Isn't it beatiful?' After that his mother bought him a tie. And he always drew airplanes and rocket ships like everyone else. And he threw the old picture away. And when he lay alone looking at the sky, It was big and blue and all of everything, But he wasn't anymore. He was square inside. And brown. And his hands were stiff. And he was like everyone else. And the things inside him that needed saying didn't need it anymore. It had stopped pushing. It was crushed. Stiff. Like everything else.
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'I cry'
Sometimes when I'm alone I Cry, Cause I am on my own. The tears I cry are bitter and warm. They flow with life but take no form I Cry because my heart is torn. I find it difficult to carry on. If I had an ear to confiding, I would cry among my treasured friend, but who do you know that stops that long, to help another carry on. The world moves fast and it would rather pass by. Then to stop and see what makes one cry, so painful and sad. And sometimes... I Cry and no one cares about why.
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Wisdom and spirit of the Universe Thou soul is the eternity of thought That giv'st to forms and images a breath And everlasting motion Not in vain By day or star-light thus from by first dawn Of childhood didst thou intertwine for me The passions that build up our human soul, Not with the mean and vulgar works of man, But with high objects, with enduring things, With life and nature, purifying thus The elements of feeling and of thought, And sanctifying, by such discipline Both pain and fear, until we recognize A grandeur in the beatings of the heart.
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If life's journey be endless where is its goal? The answer is, it is everywhere. We are in a palace which has no end, but which we have reached. By exploring it and extending our relationship with it we are ever making it more and more our own. The i
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I answer the heroic question 'Death, where is thy sting' with 'It is here in my heart and mind and memories.'
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Do not say, 'It is morning,' and dismiss it with a name of yesterday. See it for the first time as a newborn child that has no name.
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Double, double toil and trouble; Fire burn, and caldron bubble. Fillet of a fenny snake, In the caldron boil and bake; Eye of newt, and toe of frog, Wool of bat, and tongue of dog, Adder's fork, and blind-worm's sting, Lizard's leg, and owlet's wing,ââ?¬â? For a charm of powerful trouble, Like a hell-broth boil and bubble. Double, double toil and trouble; Scale of dragon; tooth of wolf; Witches' mummy; maw and gulf Of the ravin'd salt-sea shark; Root of hemlock digg'd i the dark; Liver of blaspheming Jew; Gall of goat, and slips of yew Sliver'd in the moon's eclipse; Nose of Turk, and Tartar's lips; Finger of birth-strangled babe Ditch-deliver'd by a drab,ââ?¬â? Make the gruel thick and slab: Add thereto a tiger's chaudron, For the ingrediants of our caldron. Fire burn, and caldron bubble.Double, double toil and trouble; Fire burn, and caldron bubble. Cool it with a baboon's blood, Then the charm is firm and good.
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Stand close around,ye Stygian set, With Dirce in one boat convey'd,...
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