My skin is kind of sort of brownish Pinkish yellowish white. My eyes are greyish blueish green, But I'm told they look orange in the night. My hair is reddish blondish brown, But it's silver when it's wet. And all the colors I am inside Have not been invented yet.
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Retreat was out of hope,— Behind, a sealed route, Eternity's white flag before, And God at every gate.
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Fair flower, that dost so comely grow, Hid in this silent, dull retreat, Untouched thy honied blossoms blow, Unseen thy little branches greet; ...No roving foot shall crush thee here, ...No busy hand provoke a tear. By Nature's self in white arrayed, She bade thee shun the vulgar eye, And planted here the gaurdian shade, And sent soft waters murmuring by; ...Thus quietly thy summer goes, ...Thy days declinging to repose. Smit with those charms, that must decay, I grieve to see your future doom; They died--nor were those flowers more gay, The flowers that did in Eden bloom; ...Unpitying frosts, and Autumn's power ...Shall leave no vestige of this flower. From morning suns and evenign dews At first thy little being came: If nothing once, you nothing lose, For when you die you are the same; ...The space between, is but an hour, ...The frail duration of a flower.
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Oh the thumb-sucker's thumb May look wrinkled and wet And withered, and white as the snow, But the taste of a thumb Is the sweetest taste yet (As only we thumb-sucker's know).
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The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world. The last scud of the day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre for your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.
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I live in the Managerial Age, in a world of "Admin." The greatest evil is not now done in those sordid "dens of crime" that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern.
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I am the Turquoise Woman's Son, On top of Belted Mountain beautiful horses--slim like a weasel! My horse with a hoof like a striped agate, with his fetlock like a fine eagle plume: my horse whose legs are like quick lightning whose body is an eagle-plumed arrow: my horse whose tail is like a trailing black cloud. The Little Holy Wind blows through his hair. My horse with a mane made of short rainbows. My horse with ears made of round corn. My horse with eyes made of big starts. My horse with a head made of mixed waters. My horse with teeth made of white shell. The long rainbow is in his mouth for a bridle and with it I guide him.
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Each dead child coiled, a white serpent, One at each little Pitcher of milk, now empty.
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...The city fireman-the fire that suddenly bursts forth in the close-pack'd square, The arriving engines, the hoarse shouts, the nimble stepping and daring, The strong command through the fire-trumpets, the falling in line, the rise and fall of the arms forcing the water, The slender, spasmic, blue-white jets-the bringing to bear of the hooks and ladders, and their execution, The crash and cut away of connecting wood-work, or through floors, if the fire smoulders under them, The crowd with their lit faces, watching-the glare and dense shadows;....
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An' for all 'is dirty 'ide / 'E was white, clear white inside / When 'e went to tend the wounded under fire.
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Our flag is red, white and blue, but our nation is a rainbow -- red, yellow, brown, black and white -- and we're all precious in God's sight.
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I live in the Managerial Age, in a world of 'Admin.' The greatest evil is not now done in those sordid 'dens of crime' that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern.
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Rudyard Kipling coined the phrase: 'The female of the species is more deadly than the male.' Well - look at Jeannette Rankin. Probably a hundred men in Congress would have liked to do what she did. Not one of them had the courage to do it. The Gazette entirely disagrees with the wisdom of her position. But, Lord, it was a brave thing!
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Once on a yellow piece of paper with green lines he wrote a poem And he called if 'Chops' because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it 'Autumn' because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it Once on a paper torn from his notebook he wrote a poem And he called it 'Innocence: A Question' because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it 'Absolutely Nothing' Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen
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I've also always been fascinated by weddings... those surreal performances where the audience plays an integral part -- the joy, the sadness, the passion... all unfolding firstly in a house where God is served and ultimately in a house where beer is served... the knife inserted ritually into the virginal white cake to reveal the dark fruity interior... that ugly pagan concept of the father handing over his daughter to her new master... the mothers crying because they're losing a daughter, the page boys crying because they have to wear such stupid clothes... those embarrassing speeches and drunken uncles on the dance floor...
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While walking in a toy store The day before today, I overheard a Crayon Box With many things to say. I don't like red! said Yellow. And Green said, Nor do I! And no one here likes Orange, But no one knows quite why. We are a box of crayons that really doesn't get along, Said Blue to all the others. Something here is wrong! Well, i bought that box of crayons And took it home with me And laid out all the crayons So the crayons could all see They watched me as I colored With Red and Blue and Green And Black and White and Orange And every color in between They watched as Green became the grass And Blue became the sky. The Yellow sun was shining bright On White clouds drifting by. Colors changing as they touched, Becoming something new. They watched me as I colored. They watched till I was through. And when I'd finally finished, I began to walk away. And as I did the Crayon box Had something more to say... I do like Red! said the Yellow And Green said, So do I! And Blue you are terrific! So high up in the sky. We are a Box of Crayons Each of us unique, But when we get together The picture is complete.
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Both read the Bible day and night, But thou read'st black where I read white
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The white American man makes the white American woman maybe not superfluous but just a little kind of decoration. Not really important to turning around the wheels of the state. Well the black American woman has never been able to feel that way. No black American man at any time in our history in the United States has been able to feel that he didn't need that black woman right against him, shoulder to shoulder -- in that cotton field, on the auction block, in the ghetto, wherever.
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Boxing is a lot of white men watching two black men beat each other up
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Their errors have been weighed and found to have been dust in the balance; if their sins were as scarlet, they are now white as snow: they have been washed in the blood of the mediator and the redeemer, Time.
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Cold hearted orb that rules the night, Removes the colours from our sight Red is grey, and yellow white But we decide which is right. And which is an illusion.
Pinprick holes in a colourless sky, Let incipient figures of light pass by, The mighty light of ten thousand suns, Challanges infinity and is soon gone.
Night time, to some, a brief interlude, To others, the fear of solititude. Brave Helios, wake up your steeds, Bring us the warmth the countryside needs.
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His breast was deep and white, cold and caressable; his eyes were red glass, much to be desired.
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Language is political. That's why you and me, my Brother and Sister, that's why we supposed to choke our natural self into the weird, lying, barbarous, unreal, white speech and writing habits that the schools lay down like holy law. Because, in other words, the powerful don't play; they mean to keep that power, and those who are the powerless (you and me) better shape up --mimic/ape/suck --in the very image of the powerful, or the powerful will destroy you --you and our children.
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When the great white silence comes and fills the boughs of the trees with a thickening, glistening brilliance, and all is cold and barren, where be the blossom? It is in the memory. It is in the wisdom. It is in the growth of last spring, and it is coming forth again. For when the season has turned and winter is gone, the buds come again, and behold, there is another blossom. If the ongoingeness of life is beheld in a single blossom, why do you think that you are less that its life? Do you think that you only bloom in sping, produce your fruit in summer, drop your leaves in autumn and then die in winter? But are you not greater than the greatest blossom? Is not your life more important? Indeed it is. And as the blossoms continue to bloom every spring, so will you live, life after life. What a story your blossoms could tell of all the seasons you've seen.
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First of all, Papa Smurf didn't create Smurfette. Gargamel did. She was sent in as Gargamel's evil spy with the intention of destroying the Smurf village, but the overwhelming goodness of the Smurf way of life transformed her. And as for the whole gang-bang scenario, it just couldn't happen. Smurfs are asexual. They don't even have reproductive organs under those little white pants. That's what's so illogical, you know, about being a Smurf. What's the point of living if you don't have a dick?
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The draft is white people sending black people to fight yellow people to protect the country they stole from the red people.
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I have almost reached the regrettable conclusion that the Negro's great stumbling block in the stride toward freedom is not the White Citizen's Councilor or the Ku Klux Klanner, but the white moderate, who is more devoted to 'order' than to justice who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice who constantly says 'I agree with you in the goal you seek, but I cannot agree with your methods of direct action' who paternalistically believes he can set the timetable for someone else's freedom who lives by a mythical concept of time and who constantly advises the Negro to wait for a 'more convenient season.'
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The snow doesn't give a soft white damn whom it touches.
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A poet can read. A poet can write. A poet is African in Africa, or Irish in Ireland, or French on the left bank of Paris, or white in Wisconsi...
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Breathe deep the gathering gloom Watchlights fade from every room Bedsitter people look back and lament Another days useless energies spent Empassioned lovers wrestle as one Lonely man cries for love and has none New mother picks up and settles her son Senior citizens wish they were young Cold hearted orb that rules the night Removes the colors from our sight Red is gray and yellow white But we decide which is right And which is an illusion
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