Draw a crazy picture,Write a nutty poem,Sing a mumble-gumble song,Whistle through your comb.Do a loony-goony dance'Cross the kitchen floor,Put something silly in the worldThat ain't been there before.
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We held hands on the last night on earth. Our mouths filled with dust, we kissed in the fields and under trees, screaming like dogs, bleeding dark into the leaves. It was empty on the edge of town but we knew everyone floated along the bottom of the river. So we walked through the waste where the road curved into the sea and the shattered seasons lay, and the bitter smell of burning was on you like a disease.In our cancer of passion you said, 'Death is a midnight runner.' The sky had come crashing down like the news of an intimate suicide. We picked up the shards and formed them into shapes of stars that wore like an antique wedding dress. The echoes of the past broke the hearts of the unborn as the ferris wheel silently slowed to a stop. The few insects skidded away in hopes of a better pastime. I kissed you at the apexof the maelstrom and asked if you would accompany me ina quick fall, but you made me realize that my ticket wasn't good for two. I rode alone. You said,'The cinders are falling like snow.' There is poetry in despair, and we sang with unrivaled beauty, bitter elegies of savagery and eloquence.Of blue and grey. Strange, we ran down desperate streets and carvedour names in the flesh of the city. The sun has stagnated somewhere beyond the rim of the horizon and the darkness is a mystery of curves and line.Still, we lay under the emptiness and drifted slowly outward,and somewhere in the wilderness we foundsalvation scratched into the earth like a message. the untitled poem--afi
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The story of life is quicker than the blink of an eye The story of love is hello and goodbye Until we meet again
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I THINK that I shall never see A poem lovely as a tree. A tree whose hungry mouth is prest Against the sweet earth's flowing breast; A tree that looks at God all day, And lifts her leafy arms to pray; A tree that may in summer wear A nest of robins in her hair; Upon whose bosom snow has lain; Who intimately lives with rain. Poems are made by fools like me, But only God can make a tree.
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Once on a yellow piece of paper with green lines he wrote a poem And he called if 'Chops' because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it 'Autumn' because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it Once on a paper torn from his notebook he wrote a poem And he called it 'Innocence: A Question' because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it 'Absolutely Nothing' Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen
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The adventitious beauty of poetry may be felt in the greater delight with a verse given in a happy quotation than in the poem.
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History is a cyclic poem written by Time upon the memories of man.
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Reading it aloud – poetry is, after all, just written down speech – allow the poem to have a moment to exist. The reader has to put as much care into the reading of the poem as the poet has into writing it. In the relationship between poet, poem and reader, every element has to pull its weight.
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Like a French poem is life; being only perfect in structure when with the masculine rhymes mingled the feminine are.
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(Poetry) It’s the place in language we are most human and we can see ourselves fully – far more than prose in fiction. A poem is able to hold so much in so little space. It’s a time capsule, a Tardis so much bigger on the inside than it seems on the outside.
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The art of writing is mysterious; the opinions we hold are ephemeral , and I prefer the Platonic idea of the Muse to that of Poe, who reasoned, or feigned to reason, that the writing of a poem is an act of the intelligence. It never fails to amaze me that the classics hold a romantic theory of poetry, and a romantic poet a classical theory.
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One ought, every day at least, to hear a little song, read a good poem, see a fine picture and, if possible, speak a few reasonable words.
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A good poem is a contribution to reality. The world is never the same once a good poem has been added to it. A good poem helps to change the shape of the universe, helps to extend everyone's knowledge of himself and the world around him.
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You can tear a poem apart to see what makes it tick... You're back with the mystery of having been moved by words. The best craftsmanship always leaves holes and gaps... so that something that is not in the poem can creep, crawl, flash or thunder in.
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A poet who has not produced a good poem before he is twenty-five, we may conclude cannot, and never will do so.
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To name an object is to deprive a poem of three-fourths of its pleasure, which consists in a little-by-little guessing game; the ideal is to suggest.
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Every poem can be considered in two ways--as what the poet has to say, and as a thing which he makes.
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After listening to a lecture on evolution by a science professor, a student wrote a poem and titled it ''The Amazing Professor.'' The poem read: Once I was a tadpole when I began to begin. Then I was a frog with my tail tucked in. Next I was a monkey on a coconut tree. Now I am a doctor with a Ph.D.
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They (Poems) come from lots of places: from personal experience; from memory. Things can be emotionally true even if they are not factually true. Not every poem has to be ‘from’ you even if it is ‘by’ you – other people’s voices come into my poetry.
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Arranging a bowl of flowers in the morning can give a sense of quiet in a crowded day - like writing a poem, or saying a prayer.
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The figure a poem makes. It begins in delight and ends in wisdom... in a clarification of life - not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion.
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Every time a poet writes a poem it’s like it’s the first time. When you’ve finished a poem, you don’t know if you’ll ever write another one. Some poems arrive with a weight that’s more significant than other poems and you know it will take a lot of care to do it justice. Poetry, for so long now, has been the way I relate to everything. It’s like a companion. I can’t imagine ever being separated from it.
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The minute you decide to write a poem you are making artistic and technical decisions about rhyme and form and structure. Each one of those decisions pushes it away from the personal and makes it an artwork. If you were writing entirely personally, you would just write in that “Oh my god I’m so in love, I don’t know what to do with myself” voice. A poem moves away from you as you write it.
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A Haiku is just like a normal American poem except that it doesn't rhyme and it's totally stupid.
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On occasions, after drinking a pint of beer at luncheon, there would be a flow into my mind with sudden and unaccountable emotion, sometimes a line or two of verse, sometimes a whole stanza, accompanied, not preceded by a vague notion of the poem which they were destined to form a part of.... I say bubble up because, so far as I could make out, the source of the suggestions thus proffered to the brain was the pit of the stomach.
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Perhaps first and foremost is the challenge of taking what I find as a reader and making it into a poem that, primarily, has to be a plausible poem in English.
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I think that I shall never see A poem lovely as a tree.
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I think that I shall never see A poem lovely as a tree.
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A poem may be an instance of morality, of social conditions, of psychological history; it may instance all its qualities, but never one of them alone, nor any two or three; never less than all.
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Nun: You don't believe in God because of Alice in Wonderland? Loki: No, 'Through the Looking Glass.' That poem, 'The Walrus and the Carpenter,' that's an indictment of organized religion. The walrus, with his girth and his good nature, he obviously represents either Buddha, or...or with his tusk, the Hindu elephant god, Lord Ganesha. That takes care of your Eastern religions. Now the carpenter, which is an obvious reference to Jesus Christ, who was raised a carpenter's son, he represents the Western religions. Now in the poem, what do they do...what do they do? They...they dupe all these oysters into following them and then proceed to shuck and devour the helpless creatures en masse. I don't know what that says to you, but to me it says that following these faiths based on mythological figures ensure the destruction of one's inner being. Organized religion destroys who we are by inhibiting our actions...by inhibiting our decisions, out of...out of fear of some...some intangible parent figure who...who shakes a finger at us from thousands of years ago and says...and says, 'Do it-do it and I'll fuckin' spank you!'
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