Peaceableness toward enemies is an idea that will, of course, continue to be denounced as impractical. It has been too little tried by individuals, much less by nations. It will not readily or easily serve those who are greedy for power. It cannot be effectively used for bad ends. It could not be used as the basis of an empire. It does not afford opportunities for profit. It involves danger to practitioners. It requires sacrifice. And yet it seems to me that it is practical, for it offers the only escape from the logic of retribution. It is the only way by which we can cease to look to war for peace. ... Peaceableness is not passive. It is the ability to act to resolve conflict without violence. If it is not a practical and practicable method, it is nothing. As a practicable method, it reduces helplessness in the face of conflict. In the face of conflict, the peaceable person may find several solutions, the violent person only one.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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What the mass media offers is not popular art, but entertainment which is intended to be consumed like food, forgotten, and replaced by a new dish.
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Take not away the life you cannot give; For all things have an equal right to live, Kill noxious creatures where 'tis sin to save; This only just prerogative we have; But nourish life with vegetable food, And shun the sacrilegious taste of blood. Forbear, O mortals, To spoil your bodies with such impious food! There is corn for you, apples, whose weight bears down The bending branches; there are grapes that swell On the vines, and pleasant herbs, and greens Made mellow and soft with cooking; there is milk And clover-honey. Earth is generous With her provision, and her sustenance Is very kind; she offers, for your tables, Food that requires no bloodshed and no slaughter.
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Many people hold onto a grudge because it offers the illusion of power and a perverse feeling of security. But in fact, we are held hostage by our anger. It is never too late to forgive. But you can forgive too soon. I am especially wary of what I call saintly forgiveness. Premature forgiveness is common among people who avoid conflict. They're afraid of their own anger and the anger of others. But their forgiveness is false. Their anger goes underground. I define forgiving as letting someone back into your heart. This returns us to a loving state -- and not merely within the relationship -- we feel good about ourselves and the world. True forgiveness isn't easy, but it transforms us significantly. To forgive is to love and to feel worthy of love. In that sense, it is always worthwhile.
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My 16-year-old brother does the graphics. And my parents have started to help out a lot more now that I'm in college. Even my 6-year-old brother offers me moral support and encouragement.
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'A tour bus driver is driving with a bus load of seniors down a highway when he is tapped on his shoulder by a little old lady. She offers him a handful of peanuts, which he gratefully munches up. After about 15 minutes, she taps him on his shoulder again and she hands him another handful of peanuts. She repeats this gesture about five more times. When she is about to hand him another batch again he asks the little old lady, 'Why don't you eat the peanuts yourself?' 'We can't chew them because we've no teeth', she replied. The puzzled driver asks, 'Why do you buy them then?' The old lady replied, 'We just love the chocolate around them.''
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The thirst for adventure is the vent which Destiny offers a war, a crusade, a gold mine, a new country, speak to the imagination and offer swing and play to the confined powers.
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'A tour bus driver is driving with a bus load of seniors down a highway when he is tapped on his shoulder by a little old lady. She offers him a handful of peanuts, which he gratefully munches up. After about 15 minutes, she taps him on his shoulder again and she hands him another handful of peanuts. She repeats this gesture about five more times. When she is about to hand him another batch again he asks the little old lady, 'Why don't you eat the peanuts yourself?' 'We can't chew them because we've no teeth', she replied. The puzzled driver asks, 'Why do you buy them then?' The old lady replied, 'We just love the chocolate around them.''
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The thirst for adventure is the vent which Destiny offers; a war, a crusade, a gold mine, a new country, speak to the imagination and offer swing and play to the confined powers.
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This is the evolution of a partnership that has already reaped many rewards for both Williams-Sonoma and CBS. We've enjoyed a fruitful relationship with the 'Early Show,' and this new campaign takes that collaboration one giant step forward. We're confident that the penetration in mall and retail centers across the country that Williams-Sonoma offers, as well as their upscale customer base, makes them the ideal partner to launch what is going to be television's most anticipated new schedule.
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Another possible source of guidance for teenagers is television, but television's message has always been that the need for truth, wisdom and world peace pales by comparison with the need for a toothpaste that offers whiter teeth *and* fresher breath.
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No man needs sympathy because he has to work. Far and away the best prize that life offers is the chance to work hard at work worth doing.
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The best bribe which London offers today to the imagination, is, that, in such a vast variety of people and conditions, one can believe there is room for persons of romantic character to exist . . .
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A blocked path also offers guidance.
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I have often noticed that a bribe has that effect -- it changes a relation. The man who offers a bribe gives away a little of his own importance; the bribe once accepted, he becomes the inferior, like a man who has paid for a woman.
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A guidance counselor who has made a fetish of security, or who has unwittingly surrendered his thinking to economic determinism, may steer a youth away from his dream of becoming a poet, an artist, a musician or any other of thousands of things, because it offers no security, it does not pay well, there are no vacancies, it has no future.
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The type of fig leaf which each culture employs to cover its social taboos offers a twofold description of its morality. It reveals that certain unacknowledged behavior exists and it suggests the form that such behavior takes.
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The profession of a prostitute is the only career in which the maximum income is paid to the newest apprentice. It is the one calling in which at the beginning the only exertion is that of self-indulgence; all the prizes are at the commencement. It is the ever-new embodiment of the old fable of the sale of the soul to the Devil. The tempter offers wealth, comfort, excitement, but in return the victim must sell her soul, nor does the other party forget to exact his due to the uttermost farthing.
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What art offers is space - a certain breathing room for the spirit.
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Forward, as occasion offers. Never look round to see whether any shall note it.... Be satisfied with success in even the smallest matter, and think that even such a result is no trifle.
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Too many people in the American media have lost any concept of loyalty to their country -- if they even consider it their country, rather than just their residence. Yeah, that's right, I'm playing the patriotism card. But not the way you think. Our country is at war. And it's a war in which victory absolutely depends on the Muslim world perceiving it as a war between the U.S and its allies on one side, and fanatical murderous terrorists on the other. If it is ever perceived as a war against Islam , then we have lost. The world has lost. So during such a difficult time, even people who think the Iraq War or even the whole war on terror is a horrible mistake still have an obligation of loyalty to the nation that offers them protection, prosperity, and freedom.
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No government can be long secure without a formidable opposition. It reduces their supporters to that tractable number which can be managed by the joint influences of fruition and hope. It offers vengeance to the discontented, and distinction to the ambitious; and employs the energies of aspiring spirits, who otherwise may prove traitors in a division or assassins in a debate.
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Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
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History is fond of her grandchildren, for it offers them the marrow of the bones, which the previous generation had hurt its hands in breaking.
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While history offers us many stories worth telling, some belong to other people, who paid for them with their lives. We may retell their stories badly or well. We may embellish them or get them wrong. But we should not do so blithely, just as we should not scrawl slogans on other people's houses, or stride into their living rooms to replace the furniture. Thinking that we can is not novel history. It's novel morality, unworthy of artists and storytellers.
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This shows an ability for Qantas to interact with a partially owned entity that has a network offering that is complementary to what Qantas offers, operated under a brand that Qantas supports.
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The Multiethnic Cohort offers clues in understanding the racial and ethnic differences in cancer incident rates.
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Conservatism discards Prescription, shrinks from Principle, disavows Progress having rejected all respect for antiquity, it offers no redress for the present, and makes no preparation for the future.
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Passionate hatred can give meaning and purpose to an empty life. Thus people haunted by the purposelessness of their lives try to find a new content not only by dedicating themselves to a holy cause but also by nursing a fanatical grievance. A mass movement offers them unlimited opportunities for both.
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