An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
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Oh! Pilot! 'tis a fearful night, There's danger on the deep, I'll come and pace the deck with thee, I do not dare to sleep. Go down, the sailor cried, go down, This is no place for thee; Fear not! but trust in Providence, Wherever thou mayst be. Ah! Pilot, dangers often met We all are apt to slight, And thou hast known these raging waves But to subdue their might. It is not apathy, he cried, That gives this strength to me, Fear not but trust in Providence, Wherever thou mayst be. On such a night the sea engulphed My father's lifeless form; My only brother's boat went down In just so wild a storm; And such, perhaps, may be my fate, But still I say to thee, Fear not but trust in Providence, Wherever thou mayst be.
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The ordinary acts we practice every day at home are of more importance to the soul than their simplicity might suggest.
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An hour of winter day might seem too short To make it worth life's while to wake and sport.
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I might show facts as plain as day: but, since your eyes are blind, you'd say, Where? What? and turn away.
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I fixed my eyes on the larget cloud, as if, when it passed out of my sight, I might have the good luck to pass with it.
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I would not that death should take me asleep. I would not have him merely seize me, and only declare me to be dead, but win me, and overcome me. When I must shipwreck, I would do it in a sea, where mine impotency might have some excuse; not in a sullen weedy lake, where I could not have so much as exercise for my swimming.
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Oh, fuck you! Fuck you, pal! There you go again trying to pass the buck. I'm the source of all your misery. Who closed the store to play hockey? Who closed the store to go to a wake? Who tried to win back his ex girlfriend without even discussing how he felt about it with his present girlfriend? 'I'm not even supposed to be here today.' You sound like an asshole! Jesus, nobody twisted your arm to be here today. You're here under your own volition. You like to think that the weight of the world rests on Dante's shoulders. Like this place would fall apart if Dante wasn't here. Christ, you overcompensate for what's basically a monkey's job. You push fucking buttons. Anybody can just waltz in here and do our jobs. You're so obsessed with making it seem so much more epic and important than it really is. You work at a convenience store, Dante! And badly, I might add! I work at a shitty video store, badly as well. That guy Jay's got it right, man. He's got no delusions about what he does. Us, we like to think that we're so much more advanced than the people that come in here everyday to buy paper, or, god forbid, cigarettes. Well, if we're so fucking advanced, what are we doing working here?
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If I were to try to read, much less answer, all the attacks made on me, this shop might as well be closed for any other business. I do the very best I know how, the very best I can, and I mean to keep doing so until the end. If the end brings me out all right, what is said against me won't amount to anything. If the end brings me out wrong, ten angels swearing I was right would make no difference.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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No gray hairs streak my soul, no grandfatherly fondness there! I shake the world with the might of my voice, and walk --handsome, twenty-two year old.
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His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to me to be such an extraordinary fact that I could hardly realize it. You appear to be astonished, he said, smiling at my expression of surprise. Now that I do know it I shall do my best to forget it. To forget it! You see, he explained, I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones. But the Solar System! I protested. What the deuce is it to me? he interrupted impatiently: you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.
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More than 20 years ago, President Kennedy defined an approach that is as valid today as when he announced it. So let us not be blind to our differences,'' he said, but let us also direct attention to our common interests and to the means by which those differences can be resolved.''Well, those differences are differences in governmental structure and philosophy. The common interests have to do with the things of everyday life for people everywhere. Just suppose with me for a moment that an Ivan and an Anya could find themselves, oh, say, in a waiting room, or sharing a shelter from the rain or a storm with a Jim and Sally, and there was no language barrier to keep them from getting acquainted. Would they then debate the differences between their respective governments? Or would they find themselves comparing notes about their children and what each other did for a living?Before they parted company, they would probably have touched on ambitions and hobbies and what they wanted for their children and problems of making ends meet. And as they went their separate ways, maybe Anya would be saying to Ivan, Wasn't she nice? She also teaches music.'' Or Jim would be telling Sally what Ivan did or didn't like about his boss. They might even have decided they were all going to get together for dinner some evening soon. Above all, they would have proven that people don't make wars.People want to raise their children in a world without fear and without war. They want to have some of the good things over and above bare subsistence that make life worth living. They want to work at some craft, trade, or profession that gives them satisfaction and a sense of worth. Their common interests cross all borders.
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In the fall, when you see geese heading south for the winter fly along in v formation, one might consider what science has discovered as to why geese fly this way. Each bird flaps its wings creating uplift for the bird immediately following. A flock has a greater flying range in formation than a single bird would have on its own. When a goose falls out of formation, it feels the drag and resistance of trying to fly alone and quickly rejoins the formation. The goose takes advantage of the lifting power of the bird in front. The geese in formation honk from behind to encourage those flying up front to keep their speed. When a goose gets sick or wounded and falls out of formation, two other geese will fall out of formation with that goose to follow it down to lend help and protection. They stay with that fallen goose until it is able to fly or it dies. Only then do they launch out on their own or with another formation to catch up with their flock. People, who share a common direction and sense of community, can reach a goal more quickly and easily because they are traveling on the thrust of one another. It is harder to do something alone than together. It is beneficial to take turns doing demanding work. By sharing leadership and depending upon others in a group, there is a chance to lead and an opportunity to rest.
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So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term 'visiting hours' didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy. Nobody could possibly understand you, right Will? Yet you presume to know so much about me because of a painting you saw. You must know everything about me. You're an orphan, right? Do you think I would presume to know the first thing about who you are because I read 'Oliver Twist?' And I don't buy the argument that you don't want to be here, because I think you like all the attention you're getting. Personally, I don't care. There's nothing you can tell me that I can't read somewhere else. Unless we talk about your life. But you won't do that. Maybe you're afraid of what you might say.
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Cruel, but composed and bland, Dumb, inscrutable and grand, So Tiberius might have sat, Had Tiberius been a cat.
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Ah Christ, that it were possible For one short hour to see The souls we loved, that they might tell us What and where they be.
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as if fire was shooting through my veins. Now I might marry, set up my own home and plough my own field.
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What I want to fix your attention on is the vast overall movement towards the discrediting, and finally the elimination, of every kind of human excellence -- moral, cultural, social or intellectual. And is it not pretty to notice how 'democracy' (in the incantatory sense) is now doing for us the work that was once done by the most ancient dictatorships, and by the same methods The basic proposal of the new education is to be that dunces and idlers must not be made to feel inferior to intelligent and industrious pupils. That would be 'undemocratic.' Children who are fit to proceed may be artificially kept back, because the others would get a trauma by being left behind. The bright pupil thus remains democratically fettered to his own age group throughout his school career, and a boy who would be capable of tackling Aeschylus or Dante sits listening to his coeval's attempts to spell out A CAT SAT ON A MAT. We may reasonably hope for the virtual abolition of education when 'I'm as good as you' has fully had its way. All incentives to learn and all penalties for not learning will vanish. The few who might want to learn will be prevented who are they to overtop their fellows And anyway, the teachers -- or should I say nurses -- will be far too busy reassuring the dunces and patting them on the back to waste any time on real teaching. We shall no longer have to plan and toil to spread imperturbable conceit and incurable ignorance among men.
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I was afraid that by observing objects with my eyes and trying to comprehend them with each of my other senses I might blind my soul altogether.
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Men are not to be told anything they might find too painful; the secret depths of human nature, the sordid physicalities, might overwhelm or damage them. For instance, men often faint at the sight of their own blood, to which they are not accustomed. For this reason you should never stand behind one in the line at the Red Cross donor clinic.
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Frank Well, uh I guess I, deep down, am feeling a little confused. I mean, suddenly, you get married, and you're supposed to be this entirely different guy. I don't feel different. I mean, take yesterday for example. We were out at the Olive Garden for dinner, which was lovely. And uh, I happen to look over at a certain point during the meal and see a waitress taking an order, and I found myself wondering what color her underpants might be. Her panties. Uh, odds are they are probably basic white, cotton, underpants. But I sort of think well maybe they're silk panties, maybe it's a thong. Maybe it's something really cool that I don't even know about. You know, and uh, and I started feeling... what what I thought we were in the trust tree in the nest, were we not
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For an athlete to function properly, he must be intent. There has to be a definite purpose and goal if you are to progress. If you are not intent about what you are doing, you aren't able to resist the temptation to do something else that might be more fun at the moment.
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Oh, what a might is this whose single frown Doth shake the world as it would shake it down?...
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Your children are not your children. They are the sons and daughters of Life's longing for itself. They come through you but not from you. And though they are with you, yet they belong not to you. You may give them your love but not your thoughts. For they have their own thoughts. You may house their bodies but not their souls, For their souls dwell in the house of tomorrow, Which you cannot visit, not even in your dreams. You may strive to be like them, but seek not to make them like you, For life goes not backward nor tarries with yesterday. You are the bows from which your children as living arrows are sent forth. The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrows might go swift and far. Let your bending in the archer's hand be for gladness; For even as He loves the arrow that flies, so He loves also the bow that is stable.
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Alas, human vices, however horrible one might imagine them to be, contain the proof (were it only in their infinite expansion) of man's longing for the infinite; but it is a longing that often takes the wrong route. It is my belief that the reason behind all culpable excesses lies in this depravation of the sense of the infinite.
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If you think only of yourself, if you forget the rights and well-being of others, or, worse still, if you exploit others, ultimately you will lose. You will have no friends who will show concern for your well-being. Moreover, if a tragedy befalls you, instead of feeling concerned, others might even secretly rejoice. By contrast, if an individual is compassionate and altruistic, and has the interests of others in mind, then irrespective of whether that person knows a lot of people, wherever that person moves, he or she will immediately make friends. And when that person faces a tragedy, there will be plenty of people who will come to help.
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And nice to have seen you, Sue. Good luck, he called after her as she disappeared down the path, a pretty girl in a hurry, her smooth hair swinging, shining - just such a young woman as Nancy might have been. Then, starting home, he walked toward the trees, and under them, leaving behind him the big sky, the whisper of wind voices in the wind-bent wheat.
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Music has often been compared with language itself, and the comparison is quite legitimate. While it combines easily with actual language, it also speaks a language of its own, which it has become a platitude to call universal. To understand the significance of the organizing factors of rhythm, melody, harmony, tone color and form, the analogy of a familiar language is helpful. Music has its own alphabet of only seven letters, as compared with the twenty-six of the English alphabet. Each of these letters represents a note, and just as certain letters are complete words in themselves, so certain notes may stand alone, with the force of a whole word. Generally, however, a note of music implies a certain harmony, and in most modern music the notes take the form of actual chords. So it may be said that a chord in music is analogous to a word in language. Several words form a phrase, and several phrases a complete sentence, and the same thing is true in music. Measured music corresponds to poetry, while the old unmeasured plain-song might be compared with prose.
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The war, therefore, if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are set at such an angle that they are incapable of hurting one another. But though it is unreal it is not meaningless. It eats up the surplus of consumable goods, and it helps to preserve the special mental atmosphere that a hierarchical society needs. War, it will be seen, is now a purely internal affair. In the past, the ruling groups of all countries, although they might recognize their common interest and therefore limit the destructiveness of war, did fight against one another, and the victor always plundered the vanquished. In our own day they are not fighting against one another at all. The war is waged by each ruling group against its own subjects, and the object of the war is not to make or prevent conquests of territory, but to keep the structure of society intact. The very word 'war', therefore, has become misleading. It would probably be accurate to say that by becoming continuous war has ceased to exist. The peculiar pressure that it exerted on human beings between the Neolithic Age and the early twentieth century has disappeared and been replaced by something quite different. The effect would be much the same if the three super-states, instead of fighting one another, should agree to live in perpetual peace, each inviolate within its own boundaries. For in that case each would still be a self-contained universe, freed for ever from the sobering influence of external danger. A peace that was truly permanent would be the same as a permanent war. This
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