Everything has its wonders, even darkness and silence, and I learn, whatever state I am in, therein to be content.
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History, despite its wrenching pain, cannot be unlived, however, if faced with courage, need not be lived again.
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A thing of beauty is a joy forever: its loveliness increases; it will never pass into nothingness.
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If then a practical end must be assigned to a University course, I say it is that of training good members of society. Its art is the art of social life, and its end is fitness for the world. It neither confines its views to particular professions on the one hand, nor creates heroes or inspires genius on the other. Works indeed of genius fall under no art; heroic minds come under no rule; a University is not a birthplace of poets or of immortal authors, of founders of schools, leaders of colonies, or conquerors of nations. It does not promise a generation of Aristotles or Newtons, of Napoleons or Washingtons, of Raphaels or Shakespeares, though such miracles of nature it has before now contained within its precincts. Nor is it content on the other hand with forming the critic or the experimentalist, the economist or the engineer, though such too it includes within its scope. But a University training is the great ordinary means to an great but ordinary end; it aims at raising the intellectual tone of society, at cultivating the public mind, at purifying the national taste, at supplying true principles to popular enthusiasm and fixed aims to popular aspiration, at giving enlargement and sobriety to the ideas of the age, at facilitating the exercise of political power, and refining the intercourse of private life. It is the education which gives a man a clear conscious view of his own opinions and judgments, a truth in developing them, an eloquence in expressing them, and a force in urging them.
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I have learned not to worry about love; but to honor its coming with all my heart.
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I grew up in this town, my poetry was born between the hill and the river, it took its voice from the rain, and like the timber, it steeped itself in the forests.
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No, no, go not to Lethe, neither twist / Wolf 's-bane, tight-rooted, for its poisonous wine.
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All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.
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If life's journey be endless where is its goal? The answer is, it is everywhere. We are in a palace which has no end, but which we have reached. By exploring it and extending our relationship with it we are ever making it more and more our own. The i
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As with most fine things, chocolate has its season. There is a simple memory aid that you can use to determine whether it is the correct time to order chocolate dishes any month whose name contains the letter A, E, or U is the proper time for chocolate.
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Behind him lay the gray Azores, Behind the gates of Hercules; Before him not the ghost of shores, Before him only shorless seas. The good Mate said, Now we must pray, For lo! the very stars are gone. Brave Admiral, speak, what shall I say? Why say, 'Sail on! sail on! and on! My men grow mutinous day by day; My men grow ghastly wan and weak! The stout Mate thought of home; a spray Of salt wavewashed his swarthy cheek. What shall I say, brave Admiral, say, If we sight naught but seas at dawn? Why, you shall say at break of day, 'Sail on! sail on! sail on! and on!' They sailed. They sailed. Then spake the Mate; This mad sea shows its teeth tonight. He curls his lip, he lies in wait, With lifted teeth, as if to bite! Brave Admiral, say but one good word; What shall we do when hope is gone? The words leapt like a leaping sword; Sail on! sail on! sail on! and on! Then, pale and worn, he kept his deck And peered through darkness. Ah! that night Of all dark nights! And then a speck -- A light! A light! A light! A light! It grew, a starlit flag unfurled! It grew to be Time's burst of dawn. He gained a world; he gave that world Its greatest lesson: On! sail on!
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Man has a fund of emotional energy which is not all occupied with his self-preservation. This surplus seeks its outlet in the creation of art, for man's civilization is built upon his surplus... In everyday life, when we are mostly moved by our habit
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There was no exaggeration in Marian's definition of Flintcomb-Ash farm as a starve-acre place. The single fat thing on the soil was Marian herself; and she was an importation. Of the three classes of village, the village cared for by its lord, the village cared for by itself, and the village uncared for either by itself or by its lord (in other words, the village of a resident squires's tenantry, the village of free or copy-holders, and the absentee-owner's village, farmed with the land) this place, Flintcomb-Ash, was the third. But Tess set to work. Patience, that blending of moral courage with physical timidity, was now no longer a minor feature in Mrs Angel Clare; and it sustained her.
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English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren't invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren't sweet, are meat.
We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don't fing, grocers don't groce and hammers don't ham? If the plural of tooth is teeth, why isn't the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it?
If teachers taught, why didn't preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? Sometimes I think all the English speakers should be committed to an asylum for the verbally insane. In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites?
Have you noticed that we talk about certain things only when they are absent? Have you ever seen a horsefull carriage or a strapfull gown? Met a sung hero or experienced requited love? Have you ever run into someone who was combobulated, gruntled, ruly or peccable? And where are all those people who ARE spring chickens or who would actually hurt a fly?
You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on.
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I am here because there is no refuge, Finally, from myself, Until I confront myself in the eyes And hearts of others, I am running. Until I suffer them to share my secrets, I have no safety from them. Afraid to be known, I can know neither myself Nor any others; I will be alone. Where else but on this common ground, Can I find such a mirror? Here, together, I can at last appear Clearly to myself, Not as the giant of my dreams, Not the dwarf of my fears, But as a person, part of a whole, With my share in its purpose. In this ground, I can take root and grow. Not alone anymore, as in death, But alive, to my self and to others.
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To be nobody but yourself, in a world which is doing its best, night and day, to make you everybody else, means to fight the hardest battle which any human being can fight; and never stop fighting.
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In the mountain, stillness surges up to explore its own height In the lake, movement stands still to contemplate its own depth.
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I have found that among its other benefits, giving liberates the soul of the giver.
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I spent millons of years in the world of inorganic things as a star, as a rock... Then I died and became a plant-- Forgetting my former existence because of its otherness Then I died and became an animal-- Forgetting my life as a plant except for inclinations in the season of spring and sweet herbs-- like the inclination of babes toward their mother's breast Then I died and became a human My intelligence ripened, awakening from greed and self-seeking to become wise and knowing I behold a hundred thousand intelligences most marvelous and remember my former states and inclinations And when I die again I will soar past the angels to places I cannot imagine Now, what have I ever lost by dying?
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Time is but the stream I go a-fishing in. I drink at it; but while I drink, I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish fill the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born.
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Once on a yellow piece of paper with green lines he wrote a poem And he called if 'Chops' because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it 'Autumn' because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it Once on a paper torn from his notebook he wrote a poem And he called it 'Innocence: A Question' because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it 'Absolutely Nothing' Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen
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Reading it aloud – poetry is, after all, just written down speech – allow the poem to have a moment to exist. The reader has to put as much care into the reading of the poem as the poet has into writing it. In the relationship between poet, poem and reader, every element has to pull its weight.
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And I, Mr. Knightley, am equally stout in my confidence of its not doing them any harm. With all dear Emma's little faults, she is an excellent creature. Where shall we see a better daughter, or a kinder sister, or a truer friend? No, no; she has qualities which may be trusted; she will never lead any one really wrong; she will make no lasting blunder; where Emma errs once, she is in the right a hundred times.
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I have learned not to worry about love but to honor its coming with all my heart.
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Each body has its art, its precious prescribed Pose, that even in passion's droll contortions, waltzes,...
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Existence, as we know it, is full of sorrow. To mention only one minor point every man is a condemned criminal, only he does not know the date of his execution. This is unpleasant for every man. Consequently every man does everything possible to postpone the date, and would sacrifice anything that he has if he could reverse the sentence. Practically all religions and all philosophies have started thus crudely, by promising their adherents some such reward as immortality. No religion has failed hitherto by not promising enough the present breaking up of all religions is due to the fact that people have asked to see the securities. Men have even renounced the important material advantages which a well-organized religion may confer upon a State, rather than acquiesce in fraud or falsehood, or even in any system which, if not proved guilty, is at least unable to demonstrate its innocence. Being more or less bankrupt, the best thing that we can do is to attack the problem afresh without preconceived ideas. Let us begin by doubting every statement. Let us find a way of subjecting every statement to the test of experiment. Is there any truth at all in the claims of various religions Let us examine the question.
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To be nobody but yourself, in a world which is doing its best, night and day, to make you everybody else, means to fight the hardest battle which any human being can fight; and never stop fighting.
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I live in the Managerial Age, in a world of "Admin." The greatest evil is not now done in those sordid "dens of crime" that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern.
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The genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges, or churches, or parlors, nor even in its newspapers or inventors, but always most in the common people.
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Under the general name of Commodity, I rank all those advantages which our senses owe to nature. This, of course, is a benefit which is temporary and mediate, not ultimate, like its service to the soul. Yet although low, it is perfect in its kind, and is the only use of nature which all men apprehend. The misery of man appears like childish petulance, when we explore the steady and prodigal provision that has been made for his support and delight on this green ball which floats him through the heavens. What angels invented these splendid ornaments, these rich conveniences, this ocean of air above, this ocean of water beneath, this firmament of earth between? this zodiac of lights, this tent of dropping clouds, this striped coat of climates, this fourfold year? Beasts, fire, water, stones, and corn serve him. The field is at once his floor, his work-yard, his play-ground, his garden, and his bed.
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