I took a deep breath and listened to the old bray of my heart. I am. I am. I am.
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I am not a teacher, but an awakener.
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I am Suleiman the Magnificent. I AM the Ottoman Empire.
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Everything has its wonders, even darkness and silence, and I learn, whatever state I am in, therein to be content.
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Though I am young and cannot tell Either what death or love is well,...
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My skin is kind of sort of brownish Pinkish yellowish white. My eyes are greyish blueish green, But I'm told they look orange in the night. My hair is reddish blondish brown, But it's silver when it's wet. And all the colors I am inside Have not been invented yet.
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I exist as I am, that is enough.
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The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world. The last scud of the day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre for your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.
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I am not afraid of storms, for I am learning how to sail my ship.
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'I cry'
Sometimes when I'm alone I Cry, Cause I am on my own. The tears I cry are bitter and warm. They flow with life but take no form I Cry because my heart is torn. I find it difficult to carry on. If I had an ear to confiding, I would cry among my treasured friend, but who do you know that stops that long, to help another carry on. The world moves fast and it would rather pass by. Then to stop and see what makes one cry, so painful and sad. And sometimes... I Cry and no one cares about why.
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Like dear St. Francis of Assisi I am wedded to Poverty: but in my case the marriage is not a success.
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I carry your heart with me (I carry it in my heart) I am never without it (anywhere I go you go, my dear; and whatever is done by only me is your doing, my darling) I fear no fate (for you are my fate, my sweet) I want no world (for beautiful you are my world, my true) and it's you are whatever a moon has always meant and whatever a sun will always sing is you. Here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than the soul can hope or mind can hide) and this is the wonder that's keeping the stars apart. I carry your heart (I carry it in my heart).
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When you remember me, it means that you have carried something of who I am with you, that I have left some mark of who I am on who you are. It means that you can summon me back to your mind even though countless years and miles may stand between us. It means that if we meet again, you will know me. It means that even after I die, you can still see my face and hear my voice and speak to me in your heart. For as long as you remember me, I am never entirely lost. When I'm feeling most ghost-like, it is your remembering me that helps remind me that I actually exist. When I'm feeling sad, it's my consolation. When I'm feeling happy, it's part of why I feel that way. If you forget me, one of the ways I remember who I am will be gone. If you forget, part of who I am will be gone. Jesus, remember me when you come into your kingdom. the good thief said from his cross (Luke 23:42). There are perhaps no more human words in all of Scripture, no prayer we can pray so well.
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I am certain of nothing but the holiness of the heart's affections and the truth of imagination. What the imagination seizes as beauty must be truth - whether it existed before or not.
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Nature has no mercy at all. Nature says, I'm going to snow. If you have on a bikini and no snowshoes, that's tough. I am going to snow anyway.
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I am as bad as the worst, but, thank God, I am as good as the best.
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I am the Turquoise Woman's Son, On top of Belted Mountain beautiful horses--slim like a weasel! My horse with a hoof like a striped agate, with his fetlock like a fine eagle plume: my horse whose legs are like quick lightning whose body is an eagle-plumed arrow: my horse whose tail is like a trailing black cloud. The Little Holy Wind blows through his hair. My horse with a mane made of short rainbows. My horse with ears made of round corn. My horse with eyes made of big starts. My horse with a head made of mixed waters. My horse with teeth made of white shell. The long rainbow is in his mouth for a bridle and with it I guide him.
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I am here because there is no refuge, Finally, from myself, Until I confront myself in the eyes And hearts of others, I am running. Until I suffer them to share my secrets, I have no safety from them. Afraid to be known, I can know neither myself Nor any others; I will be alone. Where else but on this common ground, Can I find such a mirror? Here, together, I can at last appear Clearly to myself, Not as the giant of my dreams, Not the dwarf of my fears, But as a person, part of a whole, With my share in its purpose. In this ground, I can take root and grow. Not alone anymore, as in death, But alive, to my self and to others.
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I am not afraid of storms, for I am learning to sail my ship.
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I am certain of nothing but the holiness of the heart's affection and the truth of imagination.
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A woman is the only thing I am afraid of that I know will not hurt me.
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As we talked of freedom and justice one day for all, we sat down to steaks. I am eating misery, I thought, as I took the first bite. And spit it out.
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Here I am, inspired to write only because I'm pissed off.
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The sight of a Black nun strikes their sentimentality; and, as I am unalterably rooted in native ground, they consider me a work of primitive art, housed in a magical color; the incarnation of civilized, anti-heathenism, and the fruit of a triumphing idea.
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Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)
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Dear Signore Direttore,
Now I am a-tella you a story wot I was a-treated at your hotella.
I am a-comma from Roma as tourist to London an stay as a-younga cristan man at your hotella.
When I comma in my room I see there is no shit in my bed - how can I sleep whit no shit i my bed? So I calla down to the receptione and tella: 'I wanta shit'. They tella me: 'Go to toilet'. I say: 'No,no I wanta shit in my bed'. They say: 'You better not shit in your bed, you sonna-wa-bitch'. What is sonna-wa-bitch?
I go down for breakfast into restorante. I order bacon and egga and two pissis of toast. I getta only one piss of toast. I tella waitress, and point at toast: 'I wanta piss'. She tella me: 'Go to toilet'. I say: 'I wata piss on my plate'. She then say to me: 'You'd bloody not piss on the plate, you sonna-wa-bitch'.
That is the second person who do not even know me calla me 'sonna-wa-bitch', an why is your staff replying 'Go to toilet', is that a modern tella? I do no understand, Please tella me!
Later I go for dinner in your restorante. Spoon and knife is laid out, but no fock. I tella waitress: 'I wanta fock'. And she tella me: 'Sure, everyone wanta fock'. I say: 'No,no you dont understanda me, I wanta fock on the table'. She tella me: So you sonna-wa-bitch wanta fock on the table? Get your ass out of here!
How comma this cristian hotel tella the guest in such bad manner?
So I go to receptioneand ask for bill, I no wanta stay in this hotel no more. When I have paid the a-billa the portier say to me: 'Thank you and piss on you'. I say: 'Piss on you too, you sonna-wa-bitch, I go back to Italy'.
Direttore, I never gonna stay in your hotella no more, you sonna-wa-bitch.
Sincerely
Dicci Elgre
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For a hundred years I breathe and live, the flower of beauty and the bread of kindness. I am your friendly shade in the noonday heat of summer, and I stand pencilled against the winter twilight, a silhouette for dreams. At dawning in the spring I am filled with song, the host to a thousand birds, and I decorate the autumn with pageantry and colour. Then comes the woodsman with his axe. And still I serve. I am the timber that builds your boat; the rafters of your cathedrals; the choirstalls of your church enriched by the magic of the carver's fingers. I am the beam that holds your house; the door of your homestead, and the lintel too. I am the handle of your hoe; the wood of your cradle; the bed on which you lie; the board of your table and the board for your bread. When I am living, harm me not. When I am dead, respect me and use me kindly.
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I am a part of all I have seen.
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I Am the arrow,...
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Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adults themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence.... When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man, I put away childish things, including the fear of childishness and the desire to be very grown up.
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