Long Bangla Poems
Long Bangla Poems. Below are the most popular long Bangla by PoetrySoup Members. You can search for long Bangla poems by poem length and keyword.
Chanting vibes in Bangla, I sing
Bengali, words confluence in lyrical verse
O glory be! I envision thee in inner me
I caress thee in remotest pristine Bangla waterfalls.
Chanting vibes in Bangla, I sing
Bengali, words confluence in lyrical verse
O glory be! I envision thee in inner me
I caress thee in remotest pristine Bangla waterfalls.
Chanting vibes in Bangla, I sing
Bangla, words confluence in lyrical verse
I vision in Bengali, as my melody flows in her
Affection cradles me, while roaming this far.
Bengali speaks in Subtle poems, Jibanananda resonates in soul within
My yearning is quenched in thirst, as your face solace reason.
I ponder once in her tranquil face
I ponder there for incessant times.
I speak in my Bangla,
I speak for my Bangla
Submerged in Bangla,
I smile. Weave in verse,
and verse reflects in sense.
I speak in my Bangla,
I speak for my Bangla
Submerged in Bangla,
I smile. Weave in verse,
and verse reflects in sense.
I rejoice in Bengali. With all my exclamations
I mourn for the fallen, along the way, forgotten.
I cringe in silent cry, mourn as Bangla surges
Intellect fosters, too much helpless a situation.
I ponder once in her tranquil face
I ponder there for incessant times
Bangla is my resilient oath,
The sharpest aim in arrows in flights.
I ponder once in her tranquil face
I ponder there for incessant times
Bangla is my resilient oath,
The sharpest aim in arrows in flights.
I ponder once in her tranquil face
I ponder there for incessant times.
I love thee. My verses, Bangla, an eloquent evocation
I love along my Bangla , one silent simpering resonance
Bangla. O my utterance in my truest may!
I hold thy grace, with my earnest hands,
and boldly tell the world, say!
I love thee. My verses, Bangla, eloquent evocation
I love along my Bangla , one silent simpering resonance
Bangla. O my utterance in my truest may!
I hold thy grace, with my earnest hands,
and boldly tell the world, say!
I greeted her, on a generous moment
with grace and courage. Humility.
Where the Seven Oceans and merging rivers
churns in the ballads of the Ganges and the ever-enchanting Padma.
Bangla quenches my inner thirst
The boldest droplet that lasts for long,
I ponder once in her tranquil face
I ponder there for incessant times
And cherish for my evergreen murmurs of a Bangla song.
Your most recent interest in observational truth in laptop monitor
Gave you an ultimatum today.
He , as she, in he, as she again, grabbed you in all kinds of tree ,
remnant there before serenity
What is poetry, in the end?
Thinkable pedagogy, is , for the most bizarre reason, telling you
That this is comparable prepositions, with positionality
And the fruit of loom, or something relatable, there.
I felt a bang , and got a downsizing pounding sound,
Between, Jerusalem, Nazareth and prepaid Jesus to pay
More and more for a daycare say.
For a sip from the cup of the finest exported loose leaf tea
Are you a mere sip there, or you started to travel there, onsite
Creating all kinds of copyright issues, as the illegibility
Never declared you anywhere, in norms, in mother’s winter coat
Exactly how much was fatherly charm there, and how much there was a mere setting warmth
As people learn to happen in alibi as there is no straightforward way to find a definition or vision
Your cat was unthinkably your budget failure key, as they mew and sigh
But they were there, truly, with your most delicate caring try.
I think it is a joking endowment
As it will be a mere lump some .
Your rides and ride share with the knight rider storyteller
Only comparable to Little Red Riding hood
Changing the destined persona too, irreversible and altogether
I do not blame , judge , or juxtapose, there, I never pity too
But Bangla, and exactly 21 years long stay on this territory, with often heavy Bangla
I think I dreamt you last night, where you , as a soul and Clover, in a body
Did happen as the most charismatic duo! With a Zulkarnine monitor truth in!
Licking on the other side for hours and hours in longer duration
Will lead nowhere , exactly nowhere , other than, this, mortal life
Is a conscious choice between claim, proclaim and proclamation
I am a reluctant reader there, trying to look through, even beyond allegory and alighieri
You do not hold them accountable for your compositional hype for a dirge
That does not act linearly with your issue room, tissue room, and culture vulture too!
All you can say should stay there, for ever.
Do not send help reaching out there, never there
Simply a one liner truth for falling short from a papyrus poem, anyway
As this must be helping to internalize, more than anything than that.
Heavy and eerie silence reigned therein,
The dark rooms looking as sullen as mean,
As if they had taken serious offence
Against me who had failed in their esteem,
My heart feeling contrite was heaving tense,
To have halfway deserted my fond dream.
No one was there my inner thoughts to share,
None who so some forgiveness to me spare,
Aimless I wandered into my blank mind,
And wished I could that royal guitar find
To inveigle my heavy heart to sing:
O Fire, this poor moth that in vain wished once
To fly away, hast returned broken wing
To thee, forgive him just this one instance,
Burn away both his wings and make him lame,
Nay, consume him in thy red scorching flame.
As I wailed clue-less, my soul sinking low,
Two warm teardrops fell from above on brow.
Dark and deep clouds hung overcast on hills
That day, the gloomy woods and bare river
Awaiting in suspense with monsoon drills,
An ominous calm prevailed all over.
And soon it all shivered— land along sky,
A wild tempest blew forth O howling by,
Through pathless woods glaring its lightning teeth,
Like a raving maniac snapping chain,
Wishing to unleash hell, terrible pain
To whoso there’s on hills, whoso beneath!
And not a soul around was in the camp
To wipe dark of my heart, nor light a lamp,
I could sense: a woman lying on face—
On a carpet below the bed, clasping
Her wounded heart, and pulling hair in stress,
Blood trickling down, in utter pain, laughing
Still, bursting into a hard wringing wail,
Now, rend her bodice, now beat breasts gone frail,
And from nowhere winds roared in from windows,
The pouring rains soaked further her sorrows.
Through night the storm never did cease to rage,
Nor did my fair lady's passionate cry,
I wandered from room to room, a blind man,
Unremitting sorrows my companion,
And yet none there who could have consoled me,
As I heard the cry: ‘stay back, all is false',
Maher Ali the mad was there, no doubt,
The old tenant of this odd wailing house,
‘Tell me what’s false?' I could not help but ask,
Waiving me off was how he responded,
Repeating, ‘stay back, stay back, all is false'.
_____________________________________________
Narrative |01.04.2024|
Note: A poetic translation of Rabindranath Tagore’s story in Bengali, Kshudhaarto Paashaana.
From Nabob of Junagarh, of Nizam—
Collecting tax on cotton and the kind,
The taxing job having strained of my calm,
I’d stayed at a quiet place, though haunted
And scary, a lovely place no less still,
Deserted now, it was a grand retreat—
River Suista telling in many ways
Babbling tales through every single pebble,
Leaping like a skillful dancing damsel,
What unforgettable and fateful days!
I still recall that flight of a plenum
Of hundred fifty steps to that river,
A solitary marble palace, plumb
Along the river, and etched as ever
In my mind, ah amid sprawling foothills,
No soul around to whisper of its ills!
The palace, two and half centuries old,
And built by a ruler of Muslim mould,
For private pleasures, luxuries enrolled:
Jets of rose water from fountains spurting
To cool rooms amply made of marbles cold,
Young Persian nymphets there entertaining,
Mohammad the Emperor, too tired, blasé,
Arab maids disheveled before bathing,
Their soft naked feet ‘pon water splashing,
Singing, trying to please him in odd ways,
Whilst wine poured forth as ample as water,
Afar, tears poured forth from a lost daughter.
Fountains no more now found, songs too have ceased,
Nor snow white feet, ever gracefully step
Upon the white marbles that remain cold,
The vast halls filled are with cess collectors,
And men like me oppressed with solitude,
Deprived of warmth o that be womanhood,
My old office clerk had me amply warned,
‘Pass days should you so like, but never nights
if you care', I’d waved him off with a laugh.
Servants agreed to work only till dark,
Which, I ignored, a tusk as a dog's bark.
The house of ill repute spared was by thieves
Like a nightmare, I sneezed at that as well,
And worked hard on long hours till lights grew grey,
Returning at night too jaded and tired,
Sinking deep into bed unto sleep mired.
_____________________________________________
Narrative |01.04.2024|
Note: A poetic translation of Rabindranath Tagore’s story in Bengali: Kshudhaarto Paashaana,
divided in I to XIII parts, largely in blank verse that lapses into rhymes along with its twists and turns. The story is known to have happened during Tagore’s stay at Shaahibaug palace in Ahmadabad, the nearby river Sabarmati becoming river Suista in the story.
The Rebel(1922).
Original Bangla : Kazi Nazrul Islam, Translation : Sajed kamal
Proclaim, Hero,
proclaim: I raise my head high!
Before me bows down the Himalayan peaks!
Proclaim, Hero,
proclaim: rending through the sky,
surpassing the moon, the sun,
the planets, the stars,
piercing through the earth,
the heavens, the cosmos
and the Almighty's throne,
have I risen?I, the eternal wonder
of the Creator of the universe.
The furious Shiva shines on my forehead
like a royal medallion of victory!
Proclaim, Hero,
proclaim: My head is ever held high!
I'm ever indomitable, arrogant and cruel,
I'm the Dance-king of the Day of the Doom,
I'm the cyclone, the destruction!
I'm the great terror, I'm the curse of the world.
I'm unstoppable,
I smash everything into pieces!
I'm unruly and lawless.
I crush under my feet
all the bonds, rules and disciplines!
I don't obey any laws.
I sink cargo-laden boats?I'm the torpedo,
I'm the dreadful floating mine.
I'm the destructive Dhurjati,
the sudden tempest of the summer.
I'm the Rebel, the Rebel son
of the Creator of the universe!
Proclaim, Hero,
proclaim: My head is ever held high!
I'm the tempest, I'm the cyclone,
I destroy everything I find in my path.
I'm the dance-loving rhythm,
I dance to my own beats.
I'm the delight of a life of freedom.
I'm Hambeer, Chhayanat, Hindol.
I move like a flash of lightning
with turns and twists.
I swing, I leap and frolic!
I do whatever my heart desires.
I embrace my enemy and wrestle with death.
I'm untamed, I'm the tempest!
I'm pestilence, dread to the earth,
I'm the terminator of all reigns of terror,
I'm ever full of burning restlessness.
A baby gorilla's bedtime is a harmonic period when the bananas line up with little leaf rattles to softly croon to slumber the furry ball. Priceless is the process of pacification and pacifications are not prevalent in the pacific, the polar regions, nor do they play with piñatas in Paraguay. It is to be said that a tortoise shell footstool can rotate at great speeds do cast iron boots must be worn if placing one's feet upon the tapestry printed square form. The chime of lime is very very noisy but not as noisy as the incessant chatter and chuckling from the bowl of sugar cubes. Sugars state signalling shaped saying stuff silkily and silly too. But a mild mannered oxon could take a heifer to a ballroom but only if properly attired in a beach towel, sun glasses, three piece suit and a gown. Then an entrance can be made. With a thud. And a bellow. Brass bands made of cream donuts can entertain at this dance and the hall is quite packed with skimming skirts, scantily clad pea women, and the tidal spore has come dressed as a ringmaster but no whip for whips are for the underground stations and platforms of legs. Legality leaves legs lingering liberally. Akin to sprinkling a fine spray of salt across a plate of the towering vegetables. Piled high. Architectural really. Very mesmerising is the mist of a fine diner whose aroma lifts the air surrounding with a unjust uniquely identifiable stench. And stench drenched can be a wench, a bench but never a welk. For welk belong in tree houses and tree houses are not tables and not talking ash trays either. Ash trays do not modify a month of moon shaped mammoths. And a tree semi formed can bite so always walk very very very briskly when passing a thicket. Zoom then. Go on zoom. A zoom in a room. How rather entertaining and entertainment is equal to a climbing plant pot scaling a sky scraper. How great. Such feat with no feet. And how deserving of the medal at the Olympics of Oscar fish in an oceanographic weave of seafood cocktail with melon jus. Haha the wide mouthed octopi are singing gospel tunes to a small party of crabs. Ha the divinatory dogs diving definition digging dreams. Ha the musical mustard jar moving in time to the fish fork forte. Xxxxxx reciprocal z z z zzz. At ten loaves to forty seven slices of butter cake. Z z z z z z. 57294894907398%. Z
Form:
Branches of beans wave most predominantly in stormy weather but heavily prevalent are the many climbing chimps whose antics please the spotted cloud and cause a clap in the sky. But half a cup of mildew in a snow covered dome is neither a doorstep nor is it a milked out heifer in a four poster bed. Recline no reaches. Reach no radiuses'. And surely then a bean pole could adequately carry over forty-six washing baskets full to the brim, nineteen plates of roast dinner, ten puddings and a very large crystal chandelier. How rather marvellous. And how talented too. Recreation receiving rather real room radii. And the ratio of a dandelion could be said to be equal to a sponge in orbit. Wow. Mere waste of a tongue to be taking a meal off an iron suitcase. With or without gravy it is quite irrelevant to savour such a lead. But beading on a skirting board can often be very amusing and comical as it tells the best jokes to rugs and doesn't like the carpet as it gets very dirty very quickly. All rise then. Make sure you glide around the floors in the house. Levitate if you can to avoid foot sweat on fabric and wood but mot on marble. Here the sweat is procreating playing poker. Large high belted heavyweights. Piccolo putty in a jellied eel frame talks with great seasoning to a bull via a wireless hookless contraption that cannot be seen by aerial prowlers. Nor cannot it be photographed. But photographers put painted pain plums onto paper. Always see within the tight fitting frying pan for the handle is not to be adjusted at this time. Make way for the herds of pancakes are clamouring together to catch a glimpse of the latest spawned factory product. When hair is not a hare. That is too natural and wild plus it is very clever too. Cleverness is unwelcome in steel framed prison planets and areas of true freedom and safety are yet to be exact and as yet have not been to a zoo. Multifunctional zoo on wheels racing against a circus, a football game, a badminton match and an opera. Produce no pollen from a hypocritical hippo whose hidden house halves then heaves. But ni leaves. For they are only for the waiting skirts and shirts with heels and glasses chinking in a bystanders glance at a freeform rabbit dance. Haha mealworm arriving. Hahah plate of combustible prawns. Xxxxx morphology Z z z z z
Form:
Just let go! Let it flow! Let it flow! Let it flow!
Everything’s gonna work out right you know.
I’m looking for a better day. You’re still looking at my yesterday.
You’re playing the same old lame games that I used to play.
So lame witches, what do you have to say?
I lost all behind a man who didn’t want me publicly.
Yes in turn he lost all. Every night he calls my name.
His wife calls my work, church, and all spots I go.
I can’t help that she didn’t earn the title that she no longer has.
Oh Lord, she did nothing to be the wife of the assistant attorney general.
On him I worked hard and nothing about that work was mediocre or trivial.
So lame witches, who don’t love your husbands or give them a peaceful place to lay his head,
Don’t tread or dread my existence because that part of my life is dead.
La dah dah dah dah dah! Let it flow! La dah dah dah dah! Let it flow! Let it flow, baby!
His eyes are no longer from me lazy.
His wife that sat at her job bragging on the darts that she threw me Are driving her crazy.
Her unfruitful lies only crashed my sense of family,
sense of community, and sense of spirituality really did nothing to me,
But made me more of a stronger woman than she already was.
I’ve regained those senses that I lost because she never paid honor to her given boss.
Her senses are gone. I’m home away from home. Yes I am because they just let go and,
Let it flow! Let it flow! Let it flow!
The realness of how I was banished from the boot and the place of my youth.
Yes indeed I tell the truth. Everything’s gonna work out right you know.
My work still flows not on him but on the world. You can’t stop an intelligent hood girl.
Let it flow! Let it flow! Let it flow!
I’m straight up reppin the Southside of Monroe to the fullest everywhere I go.
Where in the hell is the work of that stupid wife and the lame assed pros?
I’ll tell you it is locked up in a vault or behind closed doors.
Mine is on his TV, and in books that are in millions of global online stores.
I’m doing much more. I’m not a belligerent, hostile, whore.
I lived that life because people behind closed doors wanted me to remain poor.
One day I’ll say hurray to my letting it flow and that it did work out right you know.
I
As things do return home like a refrain,
On way back from a country tour were we,
A leisurely long trip—my kin and me,
And met a quaint character on the train,
As I recall, in his late life, nigh vain,
His dress and demeanour indicative,
And we at sea the way he seemed to talk,
His deportment and dialogue of proud cock,
Who discoursed on any a theme on earth,
A Muslim sure from far, not a native,
Listening to him was, not his tale’s worth,
Yea, something sure was there that was not sane.
The Goddess of Learning and Destiny
Seemed to have blessed him— of ports so many,
Who said, forces were at work in the world
Far too secretly, underground, unheard:
Russians, say, have advanced closer to us,
Brit policies have been inauspicious,
Feuds among our leaders have come to head,
Confused and suspicious who see things red.
And flourished our newly formed friend in train
With phony smile: What might cause further pain—
More things happen under and ‘pon this earth
Than reported are as the news of worth.
The home-bound birds like us that had not seen
The world he had, struck were dumb with wonder,
What with his quotes on science, his comments
On Vedas, verses of Persian poets.
Our young ears, untutored to this knowledge,
Caused our admiring bone to turn attuned,
Sure, a magnet, occult power, an astral
Body some sort doubtless has him inspired,
We listened to him with keenest of ears,
Devout mind, he’d our heart all enraptured.
The train reaching a railhead, we waited
In a retiring room, tired and jaded,
As change of train weighed when heavy on eyes.
‘Train's running late', when someone made us wise,
Our wise man then set out a tale to spin,
And our sleep said goodbye with a wry grin!
____________________________________________
Narrative |01.04.2024|
Note: A poetic translation of Rabindranath Tagore’s story in Bengali: Kshudhaarto Paashaana, divided in I to XIII parts, largely in blank verse that lapses into rhymes along with its twists and turns. The story is known to have happened during Tagore’s stay at Shaahibaug palace in Ahmadabad, the nearby river Sabarmati becoming river Suista in the story.
Poem- Salt
Poet- Aditya Aneek
Reciter- Shimul Mustapha
In a book fair, theater, cafe, on the first day of Bangla calendar, around the festive Valentine day
An ordinary boy is he, if one overlooks his insinuating efforts to catch a glimpse of her attention
She, as per beauty and diva goes hand in hand to fashion and attire, fits entirely an adjective
In a flock of Butterflies, among a group of youngsters, The boy is an utter misfit, an outlier
Even though he, a lion heart, approached her one day at last, “Will we have tea together?”
With his brave proposal in, utterly astonished she pondered for a while,then surmised, “let’s go.”
Sitting with her, face to face, he had a butterfly in his stomach
With his dry mouth, he sipped his cup of tea and then, “Waiter, please salt, here.”
With astonishment in her face, she asked, “ Will you have salt in your tea?”
The boy answered, “Yes, I was born around the seashore, along the salty foamy sea waves.
Once I have a sip through the salty tea, I see my village, picturesque
And the faces of my parents, floating around with the salty foamy sea, floating far.”
Silent a soul, she, heard the boy, and then replied
"I have never been to the sea, my home lies there in the mountaintop."
There, the subtle clouds touch there in the gentle most surreal, as a feather of a bird
The mountain and the sea, closely knitted there, day by day, a story , dense in heartfelt warmth
Then a marriage, a nest, at last a duo, aged through the grace of time passed.
The old man, before dying, handed the old lady a letter to request, “Open once I‘m gone.”
Once he died, the old lady, opened the letter, It had this written there
"I never could take tea with salt, ever
A startled one, I, stumbled in mumbling then , with salt, to ask sugar in stead
And then had an immediate cover up story of that type, to en wrap.
And so, had the forty years follow through with cups of tea with a pinch of salt.
The salt tea made by you is sweet."
The old lady went to her neighbors one day. They served her tea.
She asked, “ A bit of salt, please.”
Astonished, the neighbor asked, “Will you take salt in your tea?”
She replied, “Yes. The tea with salt is sweet.”