Best Modern English Poems


Modern English Most

Modern English Most

Do use modern English most these days
If poems wanted to receive much praise
So of the game what must be the quirk?
Answer is Poetry Soup having a network.

Another secret will surely want to share
Two identical things are a perfect pair
Both flow together on natural course
And at same time each other reinforce.

When joined they are steady and sure
And at same Trump they can endure
Being ahead and not falling behind
Those two together blow your mind.

Sure and certain successful will be in end
Absolutely knowing what they do intend
Preside as perfect pair in White House soon
Not Trump who is a goon and a baboon.

Trump does have has Twitty Bird lips 
And his hair in wax he always dips.
With color orange hair will adorn
Way it was when he had been born.

This was meant to match with all of his
child like behaviour. Can you imagine him
Eleven hours before the Benghazi committee
explaining all of his bankruptcies and lies.
The Benghazi attack was Three PM EDT
Eastern Daylight Time not Three AM.
Hillary was wide awake. It was Trump 
who was taking his afternoon nap. 

Think about it.

Jim Horn
© James Horn  Create an image from this poem.

Ode To My Love (Modern English Version)

What wondrous beauty lies within these eyes 
Fairest creature in face and gracious form 
Your vision lovelier than summer skies 
In you, my true happiness now reborn 
Lay with your loving hand upon my heart 
Breath of love whispered soft upon my cheek 
Please fear not, that we shall be torn apart 
For our love is strong, not shallow or weak
Hold my love close, keep it forever near 
Clasped in your sweet beauty, your shining light
Draw upon its strength, to silence your fear
To guide you through shadows in darkened night 
  Oh beauty, until you are mine once more 
  Remember my love is steadfast and pure

Goethe and Schiller translations

These are modern English translations of the "Xenia" epigrams written in collaboration by the German poets Johann Wolfgang von Goethe and Friedrich Schiller, plus an elegy Goethe wrote for Schiller...

These are selected XENIA epigrams with all translations by Michael R. Burch...

#2 - Verse versus Kiss

She says an epigram’s too terse
to reveal her tender heart in verse ...
but really, darling, ain’t the thrill
of a kiss much shorter still?

#5 - Criticism

Why don’t I openly criticize the man? Because he’s a friend;
thus I reproach him in silence, as I do my own heart.

#11 - Highest Holiness

What is holiest? This heart-felt love
binding spirits together, now and forever.

#12 - Love versus Desire

You love what you have, and desire what you lack
because a rich nature expands, while a poor one retracts.

#19 - Nymph and Satyr

As shy as the trembling doe your horn frightens from the woods,
she flees the huntsman, fainting, uncertain of love.

#20 - Desire

What stirs the virgin’s heaving breasts to sighs?
What causes your bold gaze to brim with tears?

#23 - The Apex I

Everywhere women yield to men, but only at the apex
do the manliest men surrender to femininity.

#24 - The Apex II

What do we mean by the highest? The crystalline clarity of triumph
as it shines from the brow of a woman, from the brow of a goddess.

#25 -Human Life

Young sailors brave the sea beneath ten thousand sails
while old men drift ashore on any bark that avails.

#35 - Dead Ahead

What’s the hardest thing of all to do?
To see clearly with your own eyes what’s ahead of you.

#36 - Unexpected Consequence

Friends, before you utter the deepest, starkest truth, please pause,
because straight away people will blame you for its cause.

#41 - Earth versus Heaven

By doing good, you nurture humanity;
but by creating beauty, you scatter the seeds of divinity.

Keyword/Tags: Goethe, Schiller, German, Germany, translation, modern English translations, epitaph, epigram, love, kiss, friendship, desire, holy, holiness, earth, heaven, beauty, god, divinity, nature, spirit


Waldere modern English translation by Michael R Burch

WALDERE: MODERN ENGLISH TRANSLATION

“Waldere” is an ancient Old English (i.e., Anglo-Saxon) poem that recounts the exploits of Walter of Aquitaine, a legendary king of the Visigoths. In the poem Waldere and Hildeguth or Hildegyth flee the court of Attila the Hun, where they were being held hostage, for Aquitaine. The poem mentions names that appear in “Deor’s Lament,” such as Theodric, Widia and Beadohild. Unfortunately, only 63 lines of “Waldere” survived, in two fragments of around 30 lines each.

Waldere Excerpt
Old English poem circa 1000 AD
loose translation/interpretation by Michael R. Burch

Thus Hildeguth spoke, heartening him:
“Surely the work of Wayland shall never fail,
the savage sword Mimming, when held by a man
who bolsters its blade. Felled, the fiercest fighters
lie broken, bleeding profusely from terrible wounds,
lords and aethelings laid low on the battlefield,
heirs of grim war-graves.
Son of Aelfhere, right hand of Attila,
best and boldest of his warlords,
don’t let your heart faint, nor your courage wilt.
The time has come to summon all your daring,
to gain glory or give up living for a long doom.”
…

Keywords/Tags: Waldere, translation, Hildeguth, Wayland, sword Mimming, man, men, fighters, war, battle, battlefield, grave, graves, Attila the Hun, heart, courage, time, glory, life, living, death, doom

Alfred the Great modern English translations by Michael R Burch

KING ALFRED THE GREAT MODERN ENGLISH TRANSLATIONS

King Alfred the Great (c. 849-899), arguably the first great king of England,  may have done more to lay the groundwork for English literacy and literature than any other English monarch. And he was quite the scholar himself, although there is no consensus that the following translations were primarily Alfred’s work. He could have done the translations himself; he could have overseen the work; or he may have commissioned the translations. No one really knows.

Alfred the Great undertook to translate “the most needful works for all men to know.” He wanted to succeed “both in war and in wisdom.” Alfred has also been credited with helping to develop a new English prose style.



The Meters of Boethius: Prelude or Verse Preface
attributed to King Alfred the Great, circa 880 AD
loose translation/interpretation by Michael R. Burch

Thus begin the tales King Alfred taught us.
The great West Saxon ruler, in his cunning,
Understood the art of all songmen,
Revealed his great skill as a poet.
Keenly he longed for Saxons to craft such songs,
To make men merry with manifold amusements,
To ward away world-weariness with pleasing poems.
Alfred loved poetry for its art and power,
Longed for it to free men from both boredom and pride.
But the arrogant man, in his self-importance,
Pays little heed to wise words. Still I must speak,
Begin my singing, weave tales well-known
For attentive mortals. Hear me, if you will.



Boethius Lay I: The Goths
from King Alfred the Great's Meters of Boethius, circa 880 AD
loose translation/interpretation by Michael R. Burch

Long ago the Goths left Scythia,
swarms of shieldmen streaming from the east,
two savage tribes tramping southward,
both growing in greatness year by year.
Under the rule of two remarkable kings,
Raedgod and Aleric, their people prospered.
Many Goths made it across the Alps,
intent on conquest, raging with war-lust.
Braying brazen battle-boasts, eager to attack
the awaiting Romans, their armor flashing,
stout shieldmen descended, waving war-banners
and slashing swords.
They intended to overrun Italy...

Keywords/Tags: Alfred the Great, Old English, Anglo-Saxon English, Boethius Translations, West Saxon, poet, poetry, art, power, pride, wise, wisdom, king, kings, leadership, war, battle, England, literature, words

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