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Tail Spin, Revised

This page shows my writing process and is part of Poetrysoup's first workshop. The workshop's intent is to reveal how revision strengthens a poem. Constructive feedback can be a gift. Should any journal editor provide suggestions to me, I'd eagerly listen. This 'reveal' will be archived, may be used as a teaching tool for newer poets. Thank you to all the workshop participants. You really put your heart into this project. Clammy palmed, heart amplifying a heavy metal gallop as if thick smoke fills the corridor, a face peers through the window; A pilot warns, we’re coming in rough. Like that first ear piercing, eyes crammed shut; Like Jamie Lee Curtis in the closet clutching a hanger, screaming to wake herself up. A memory of brakes failing on the highway, of an empty pantry, then getting that pink slip. Too much, too much, panic takes hold, a lockdown, a breakdown, a savage dog bite — when the cure was still a stab to the belly, Like you just saying to me I’m not sure if I love you, anymore. Version Two, May 7, 2015 ROLLERCOASTER RIDE, Clammy palmed, heart amplifying a heavy metal gallop as if thick smoke chokes the corridor, a face cracks the window or the pilot says, we’re coming in rough. Refrains, this'll hurt me more than it hurts you; Ma'am, three weeks til we get the results, a long dreamed pregnancy, sudden bleeding, mother in her coffin, ear to frigid wood. Like razors in an apple, like Jamie Lee Curtis in the closet clutching a hanger, screaming to wake herself up. A memory of brakes failing on the highway, of a skeletal pantry, of a bullet hole. Too much, too much, panic takes hold, a lockdown, a breakdown, a savage dog bite — when the cure was still a stab to the belly, Like you just saying to me I’m not sure if I love you, anymore. Version 3 -- tighter, more erratic, rapid fire. TAIL SPIN Clammy palmed, heart amplifying a heavy metal gallop as if smoke chokes corridors, a face cracks the window, the pilot yells, we’re coming in rough. Remember, soap in the mouth, Remember, you want somethin' to cry about. An awaited pregnancy, sudden bleeding, mother's coffin, ear to frigid wood. Like razors in apples, like Jamie Lee Curtis in a closet grappling that hanger, my parallel life, brakes failing on the highway, skeletal pantry, new bullet holes. too much, too much, panic takes hold, lockdown, breakdown, dog bite — when the cure was a stab to the belly like you just saying to me I’m not sure if I love you, anymore. Version 4 TAIL SPIN Remember, soap in mouth, I'll give you somethin' to cry about, clammy palmed, heart amplifying a heavy metal gallop, as if smoke choked corridors, a face cracked the window, the pilot's croak, we’re coming in rough, Mother's coffin, ear to frigid wood, pregnant, at last, then suddenly bleeding. Like one Halloween, a razor hid in my apple, shrapnel in our bedroom door, too much, panic takes hold, lockdown, breakdown, rabid bite — when the cure was a stab to the belly like you just saying to me I’m not sure if I love you, anymore. Revised: TAIL SPIN Remember, soap in mouth, I'll give you somethin' to cry about, clammy palmed, heart amplifying a heavy metal gallop, as if smoke choked corridors, a face rattled the window, the pilot croaked, we’re coming in rough, Mother's coffin, ear to finished wood, pregnant, at last, then suddenly bleeding. Like one Halloween a razor cored my apple, shrapnel in our bedroom door, too much, panic takes hold, lockdown, breakdown, rabid bite — when the cure was a stab to the belly like you just saying to me I’m not sure if I love you, anymore. Revised 6 TAIL SPIN Remember, soap in mouth, I'll give you somethin' to cry about, clammy palmed, heart amplified a heavy metal gallop, as if smoke choked corridors, a face rattled the window, turbulence, warnings, we’re coming in rough, Mother's coffin, ear to finished wood, pregnant, at last, then suddenly bleeding. Like one Halloween a razor cored my apple, shrapnel in our bedroom door, too much, panic takes hold, lockdown, breakdown, rabid bite — when the cure was a stab to the belly like you just saying to me I’m not sure if I love you anymore. Revised 7 -- I am happy with this one, finally... any more takers? LOL TAIL SPIN Remember, soap in mouth, I'll give you somethin' to cry about, clammy palmed, heart amplified a heavy metal gallop, as if smoke choked corridors, a face rattled the window, turbulence, warnings, we’re coming in rough, Mother's coffin, ear to finished wood, pregnant, at last, then suddenly bleeding. Like one Halloween a razor cored my apple, shrapnel in our bedroom door, too much, panic takes hold, lockdown, breakdown, rabid bite — when the cure was a stab to the belly like you just saying to me I’m not sure if I love you anymore. Revision 10 -- thank you EVERYONE TAIL SPIN Remember, soap in mouth, I'll give you somethin' to cry about, clammy palmed, heart amplified a heavy metal gallop, as if smoke choked corridors, a face rattled the window, turbulence, warnings, we’re coming in rough, Mother's coffin, ear to finished wood, pregnant, at last overjoyed — sudden blood. Like one unforgettable night a razor cored my apple, shrapnel pricked our bedroom door, too much, panic takes hold, lockdown, breakdown, rabid bite — when the cure was a stab to the belly like you just saying to me I’m not sure if I love you anymore.

Copyright © | Year Posted 2015




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Date: 7/2/2018 12:17:00 PM
Cyndi.. Congrats on being a featured poet this week. This poem is certainly worthy of that recognition. Blessings! Come see me...
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Date: 3/9/2016 8:38:00 AM
I enjoyed reading through your process.
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Date: 6/11/2015 12:10:00 PM
Cyndi, reading all the versions from the original to the final one put me on a tailspin too...lol! Seriously now, I see the whole process and I do appreciate the time, effort and concentration that this entailed. I really like the revised version. Kind of makes me fully understand the necessity of edits and tweaks. Hope to read the others later. Have to go back to mine and REALLY start working. hugs!
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Date: 5/12/2015 12:26:00 PM
What about "I'm not sure/if I'll ever love you again"
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Date: 5/10/2015 1:19:00 PM
looks like you have this polished down to the essence of the moment. Well done. Good choices.
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Date: 5/10/2015 12:31:00 PM
Hmmmm... seeing something... hmmm.... yes, I think... hmmmm
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Date: 5/10/2015 12:29:00 PM
Hey, did anyone know that a heavy metal gallop is a type of drum beat? It IS a term used by drummers? ;)
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Cyndi Macmillan
Date: 5/10/2015 12:36:00 PM
oh, yes. (oh, you hit this one... I winced, remembering, so you hit it right) Yes. sudden blood :( and :) gotta fly... 8 revisions, it'll be, I think!
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Mark Ackerson
Date: 5/10/2015 12:31:00 PM
I like this last one! It also has a good viual layout out the reader won't notice but subconsciously be drawn to. Still think bleeding is weak, maybe oh! the sudden blood
Date: 5/9/2015 9:21:00 PM
Okay, I always like resent tense for a poem like this, it's more immediate. in your face. Rabid bite is a good change. Croaked seems rather comical, maybe something like coughs. I'd also lose the if and coma in the last line - just blurt it out and hit hard. I'd think about something other tan gallop, just not pounding enough. I also want to feel the joy of pregnancy and the horror of bleeding. Lockdown, breakdown is nice rapid flow. Bedroom door shrapnel is vivid imagery.
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Cyndi Macmillan
Date: 5/10/2015 12:07:00 PM
YUPPERS!!! I may drop by your page later, ask you to take a peek, show you how one idea can spark another. I like what you sparked, very very much. I wonder what you'll think of this...
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Cyndi Macmillan
Date: 5/10/2015 12:03:00 PM
Hmmm... I like warning so much now, I may change that line to FORESHADOW... If you were here, I'd hug you! You may have just gave this some oomph!!!
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Cyndi Macmillan
Date: 5/10/2015 11:56:00 AM
I kept the if... if is a weak word with so much strength to me. A whole life can hang on an if... if's save, if's kill, if's are awful awful things. I did lose the comma, yup, you were bang on about that. The comma gave it a pause. Thanks again! You are good at feedback. GO! LOL.. go check out Rhonda's if you haven't yet.
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Cyndi Macmillan
Date: 5/10/2015 11:53:00 AM
I played with several words.. blurted, cried, yelled.. then it struck me that warned really works here. The wa wa wa of window/warned/we're... the off rhyme of war-ned, corr-idor, door and anymore... I like it. Also, the connotation now, the warnings! There were warnings!!! Thanks, all this because of ONE suggestion. :D
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Cyndi Macmillan
Date: 5/10/2015 2:40:00 AM
Present tense is good, very good, in most poems. This is about .. hmmm... those sharp images of the PAST that happen when something truly horrible is happening, like feeling you are about to die, those flashes TO the past... but certainly for many poems keeping the reader WITH you, present tense, is good.
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Cyndi Macmillan
Date: 5/10/2015 2:36:00 AM
coughed too near a rhyme with rough.. but I will see what I can come up with...
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Cyndi Macmillan
Date: 5/10/2015 2:33:00 AM
I'll definitely chew on the if and coma! Good insight there. Croaks! LOL... agreed, I'll rethink that one too. No on the pregnancy. Just a hint of the joy is what I'm trying to project. Lingering will slow down the crash to earth sensation I'm writing about. Thanks Mark. :)
Date: 5/9/2015 7:08:00 PM
I like the spin Cyndi... A couple of suggestions. Do you think amplified "works" better than amplifying? Also I was thinking a stab to the gut might be more raw than belly. I loved where you took the write...Tim
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Cyndi Macmillan
Date: 5/10/2015 12:00:00 PM
Yup to amplified!!! MUCH better. Thank you :D I will need to think of gut... gut is so internal... belly seems more, hmmm, all inclusive, the "fullness" of that area, skin and muscle and organ, while as gut feels more organ. Will think on this though! I may find another word ... that has more rawness than belly AND more of a span than gut..(Cyndi thinking... lol... again and again!)
Date: 5/8/2015 6:21:00 PM
Cyndi, seems it has been tweaked and tightened. Version 4 reads more like the out of control "Tail Spin" of panic taking hold.
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Date: 5/8/2015 5:29:00 PM
Ohhhh pretty grey lines around the comments... interesting.
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Date: 5/8/2015 4:30:00 PM
Perhaps in line 14, reworking it to have the razor as the seed of your apple. Eliminating 'hid', but still retaining the essence.
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Cyndi Macmillan
Date: 5/8/2015 6:28:00 PM
Will put up a link to yours tonight... later gotta run, and it occurred to me I'm overthinking. LOL. CORED!!
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Rob Carmack
Date: 5/8/2015 6:20:00 PM
Beatrice: I joined today. I entered a poem I wrote years ago. I think I need to totally rewrite it. And, I wouldn't want everyone to be friendly. I appreciate the variety of the smorgasbord, even the burnt and undercooked. Recently, 2 trays were pulled, down line I go. Maybe face still, as in facing it. Gored worth a try. Tone and flow are areas I need to further develop. Regards, Puck.
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Cyndi Macmillan
Date: 5/8/2015 5:48:00 PM
gored?
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Cyndi Macmillan
Date: 5/8/2015 5:26:00 PM
FIST! Not face, how did I not see it... a fist walloped the window. Yup. Face is creepy, but fist... less expected. Later!!!
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Cyndi Macmillan
Date: 5/8/2015 5:24:00 PM
Puck, when you joining the quilting bee/toga party? I figure you've been observing from your woods, for a bit, checking out the funny people and there strange ways. I can't say we are all friendly, not every one, but the majority truly do want to nurture. And we are all free to say, no, that idea isn't for me. There's more than one seat available ;) Sincerely, Beatrice.
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Cyndi Macmillan
Date: 5/8/2015 5:19:00 PM
Ha! Caught that did you :) EXACTLY! Yes, as I said to Paul, this isn't the final version. Now that I am comfortable with the lines, the breaks, the tone, I can get down into the nit-grit. A few words here and there must be sharpened. hid is wrong. seed, a good idea but wrong tone. Working on it tonight.
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Cyndi Macmillan
Date: 5/8/2015 5:19:00 PM
I might even have, "a face walloped the window" adds internal rhyme, alliteration, tone, uncommon word pairing...
Date: 5/8/2015 1:41:00 PM
Give me version 4 anytime. The fast heartbeat is there; the short staccato lines contributes to that. Good thing you eliminated the Jamie Lee Curtis reference; for those not in the know it was going to slow down the tempo.
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Cyndi Macmillan
Date: 5/8/2015 2:16:00 PM
:) There will be one more version (just one, I think, but with me? I can write 10, seriously.) The next one is just about word tweaks, a few here and there. Thanks for the comments and the time Paul! Appreciated!
Date: 5/7/2015 8:58:00 PM
I can relate to this version much better. The message is clear, poignant and crisp. The title works better for me as well. I've had many writes morph because the theme changed during the write.
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Date: 5/7/2015 8:17:00 PM
*All constructive feedback not only welcome, but encouraged. This poem is a part of a workshop which will be featured on the contests page, once the workshop has been filled. I look forward to discussion. Thank you.
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Date: 5/7/2015 8:10:00 PM
I have no idea what is going on with my page... I have edited a version four... hmm... will check back in fifteen minutes...grrrrr....
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Cyndi Macmillan
Date: 5/7/2015 8:16:00 PM
What the hey? Grrrr....
Date: 5/7/2015 6:22:00 PM
the jamie lee line in all three tended to slow my read..its a point of reference I don't relate to..I'm thinking its a scene from one of her movies...if you don't mind maybe.. a door knob turning slow.. at midnight when you're alone or the cold hollow eyes of hate..glaring from my an empty well ..just some thoughts..
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Cyndi Macmillan
Date: 5/7/2015 8:12:00 PM
CLOSE!!! I added a door and something hateful, yes. GOOD thoughts, Frederick. I finally took out the Jamie Lee Curtis reference. LOL... I had to let it go, for this one. The cool thing about writing is we never really toss anything away, we just store 'em up and use 'em somewhere else.
Date: 5/7/2015 5:02:00 PM
I see a need to hold a tight twisting mindset here. Too much information will slow the spin. Keep it simple keep it clean and let the words grip the reader. It's there don't muddy the waters. Oh sure I'm full of opinions ,lol. Thanks for the opportunity to give my 2 cents. :o)
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Cyndi Macmillan
Date: 5/7/2015 8:25:00 PM
PS-- This is like a quilting bee.. in a way, social... or ... lol... like a NASCAR team working side by side, just getting 'er done, boys, getting 'er done!
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Cyndi Macmillan
Date: 5/7/2015 8:15:00 PM
Your two cents was plenty helpful. I had a hard time shaking that image loose and will use it somewhere else, some other way. I think its because this isn't the poem I'd intended to write, it was the poem that insisted on being written. When I let go of my intentions and focused on what had "streamed" then I was able to edit myself easier.
Date: 5/7/2015 4:59:00 PM
I read " ,heart amplifying, a heavy metal gallop," as a current event. "as if smoke chokes corridors" reads to me as a premonition of an upcoming event.Option- "as in smoke chocked corridors"? I'm not sure what this is saying. line 6 lose the remember, add "despondent"; you want something... the double remember is ok but this is the only place your repeating words. I'd lose these 2 lines - like Jamie Lee Curtis in a closet & grappling that hanger, my parallel life. The stress is better.
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Date: 5/7/2015 4:21:00 PM
Soup is not working right for me grrr - You didn't say we had to follow the prompt right? hmmm On this one you know I think it would tumble even faster if you used rhyme to end then begin the laid out couplets as you did in smoke / choke-the maybe rough [tough treatment green soap on my tongue]- recalling "you want somethin' to cry about?"] [doubtfilled pregnancy, sudden bleeding]- wood/ hood-winked with razors in candy apples -- I don't think I've seen this done? just an idea?
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Cyndi Macmillan
Date: 5/7/2015 10:00:00 PM
I like the idea, but not for the acidic nature of this thought upheaval. BUT YES. I can see that somewhere else. Drat you. Your "enveloping" poem, japan at sea, version 1, has been jumping up and down on my head since noon. I want to do that. I want the camera lens to go big, closer, closer, zoom, extreme close up and then reverse, farther, farther, far far away.
Date: 5/7/2015 4:05:00 PM
LOL sooooooooooooo long!
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Date: 5/7/2015 7:56:00 AM
As to adding more punch to the work. I find the read a bit chaotic, a bit disjointed in their association. When I read the last 2 lines it all came together for me. This person has, Just, been told of loss of love. The mind went into a tail spin of similar emotional memory responses from the past. Fear, loss and pain. A bucket of panic has just been emptied on this person. I'd hate to see that aura disappear. If anything intensify the emotions.
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Cyndi Macmillan
Date: 5/7/2015 7:59:00 AM
:D working on the intensity.. and you're bang on about the title. I usually write the title LAST... I was aiming for fear, but this came out instead... Yes, the title should change!
Date: 5/7/2015 7:45:00 AM
I don't see this as a fear problem but a personal torment poem. My first recommendation is change the title. I continually looked for the roller coaster which I found distracting,trying to relate the message to a roller coaster. I offer the title "Breakdown" from line 11. Capitalization with and without periods and periods with and without capitals made for a disconcerting read as well. I totally love the last line so heart gripping and unifying to the body of the work.
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Date: 5/7/2015 6:22:00 AM
Thanks guys... I literally posted this without editing... I think I DOOOO need to up it a notch, for sure, I go from fire and a plane about to crash to...an ear piercing? Needs a bit more meat. Keith is right. I had "intended" to go for fear, terror and the last two lines are mostly as I want them. The rest needs to be more visceral, almost unbearable to read. I'm looking forward to attacking it on line. Later. Gotta fly. At my girl's school, this morning... Thank you both!!! Cyndi
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