Singing and Dancing In Balance
What I care about
and what I am working
and even playing hard with
is better understanding what and how
we and Earth
communicate to and with each other,
regenerating mindbody health sometimes,
and yet degenerating pathological climates and subclimates,
gestalts,
ecopolitical chemistry puzzles and games,
systemic syndromes articulating wu wei
Tipping Points of MultiCultural ReGenerate Enthymemes.
Only up to half of effective human communication,
whether you talk or listen,
write or read,
or sing or dance or draw or sculpt or design or recreate,
or preferably all of the above,
is about word choice and language,
dialectal articulation
and successful transfer of accurately informing verbal messages
from a voice source to one or more ecosystemic receptors,
ears to linguistically and culturally hear
health v pathology of climatic autonomic feelings,
thoughts,
insights,
concerns,
prayers,
hopes and fears,
loves and angry-paranoid hates
and all complexities in-between these dipolarities of thinking/feeling.
The other half, or more, of communication and all that ecopolitical jazz
of dance and song,
is all about non-verbal context,
or/and natural climate,
or/and academic climate,
or/and political climate,
or/and economic climate,
or/and ecologically healthy historic-cultural climate,
or/and environment,
or/and medium of nature's most regenerate messages
as positive over double-negative
double-binding eco-cosmological
Right-timeless/Left-EternalYangTime.
In communications theory,
we often focus on sight,
on what we can see of speakers speaking
and listeners listening and watching and feeling and caring, or not;
smiles and frowns
ups and downs,
happy-health and pathological down messages,
positives and negatives,
and even humors of oxymoronic double-binding not-nots
within time's naturally unfolding logic
with analogical ego's aesthetic mindbody live-function/evil-dysfunction,
Evilive is when light-filled healthy
and dualdark equipoise equivalently balance co-arising Tipping Points
of bicamerally balanced ecoconsciousness
transforming into a deeper, more resonate, climate potential
of and for rich-dense-harmonic-octaved positives,
as physical/metaphysical long-term trending regenerate multicultural health.
Yet communication,
as Thich Nhat Hanh observes,
is a function of nutrition and health,
and/or malnourishment and pathology,
so optimized messages
are not only redundantly heard and seen,
but also sometimes smelled and tasted and remembered
and touched
and felt
ecoconsciously and/or autonomically,
intuitively in reverse-deductive time's enthymematic reweaving deja vu,
back to matriarchal loving womb's non-paranoid DNA-inspired compost,
as portentious of good and bad to follow,
especially lensed-framed-calculated-climatized-hypnotized-actively hopeful for future anthro-bicameral
post-millennial
polypathic regenerations of peaceful multiculturing love.
As Earth's clouds of unknowing
predict rains of water and light's fertile nurturance,
predict trees with organically networking ecopolitical health-development roots,
predict an anthrocentric world of paper
predicting Earth cloud's most viral DNA-sympathetic, non-paranoid, messages,
predicting more loving health
and less hating pathologically trending climates of devolving change,
through lack of full-enthymematic octave-optimized timelessly classic communication on our Golden Rule Tribe's part,
especially as song and tribal 4-step danced
and hopefully as analogical/ecologically balanced nutritional poetry.
I so hope
you can and will write and sing and dance this enlightenment poem
back to me
in any polypathic dialect
we could all ecologically comprehend
as another great rich message out to fellow Earth Tribes,
We know we made this mess,
and feel really really bad about it,
but we sing and dance and ecopoliticize cooperatively
and hope to get better with this Golden Rule
of light's regenerative fertility
through stronger yet more flexible harmonic co-arising balance.
How do you follow your ecopolitical light,
and learn from our dualdark TippingPoint shadows?
Copyright © Gerald Dillenbeck | Year Posted 2016
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