Famous Long Sympathy Poems

Famous Long Sympathy Poems. Long Sympathy Poetry by Famous Poets. A collection of the all-time best Sympathy long poems

See also: Long Member Poems

 White handkerchiefs wave from the short black pier 
As we glide to the grand old sea -- 
But the song of my heart is for none to hear 
If one of them waves for me. 
A roving, roaming life is mine, 
Ever by field or flood -- 
For not far back in my father's line 
Was a dash of the Gipsy blood. 

Flax and tussock and fern, 
Gum and mulga and sand, 
Reef and palm -- but my fancies turn 
Ever away from land; 
Strange wild cities in ancient state, 
Range and river and tree, 
Snow and ice. But my star of fate 
Is ever across the sea. 

A god-like ride on a thundering sea, 
When all but the stars are blind -- 
A desperate race from Eternity 
With a gale-and-a-half behind. 
A jovial spree in the cabin at night, 
A song on the rolling deck, 
A lark ashore with the ships in sight, 
Till -- a wreck goes down with a wreck. 

A smoke and a yarn on the deck by day, 
When life is a waking dream, 
And care and trouble so far away 
That out of your life they seem. 
A roving spirit in sympathy, 
Who...
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 'Twas on a Monday morning, and in the year of 1884,
That a fire broke out in Bailie Bradford's store,
Which contained bales of jute and large quantities of waste,
Which the brave firemen ran to extinguish in great haste. 

They left their wives that morning without any dread,
Never thinking, at the burning pile, they would be killed dead
By the falling of the rickety and insecure walls;
When I think of it, kind Christians, my heart it appals! 

Because it has caused widows and their families to shed briny tears,
For there hasn't been such a destructive fire for many years;
Whereby four brave firemen have perished in the fire,
And for better fathers or husbands no family could desire. 

'Twas about five o'clock in the morning the fire did break out,
While one of the workmen was inspecting the premises round about--
Luckily before any one had begun their work for the day--
So he instantly gave the alarm without delay. 

At that time only a few persons were gathered on the spot,
But in a few minutes some hundreds were got,
Who came flying in all directions, and in great dismay;
So they help'd to put out the fire without delay. 

But the spreading flames, within the second flats, soon...
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 'Twas in the year of 1898, ond on the 21st of June,
The launching of the Battleship Albion caused a great gloom,
Amongst the relatives of many persons who were drowned in the River Thames,
Which their relatives will remember while life remains. 

The vessel was christened by the Duchess of York,
And the spectators' hearts felt light as cork
As the Duchess cut the cord that was holding the fine ship,
Then the spectators loudly cheered as the vessel slid down the slip. 

The launching of the vessel was very well carried out,
While the guests on the stands cheered without any doubt,
Under the impression that everything would go well;
But, alas! instantaneously a bridge and staging fell.


Oh! little did the Duchess of York think that day
That so many lives would be taken away
At the launching of the good ship Albion,
But when she heard of the catastrophe she felt woebegone. 

But accidents will happen without any doubt,
And often the cause thereof is hard to find out;
And according to report, I've heard people say,
'Twas the great crowd on the bridge caused it to give way. 

Just as the vessel entered the water the bridge and staging gave way,
Immersing some three hundred people which caused great dismay
Amongst the...
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 `You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of waste leaves at my smoky lantern chimney
To make fun of my way of doing things,
Or else fun of Orion's having caught me.
Has a man, I should like to ask, no rights
These forces are obliged to pay respect to?'
So Brad McLaughlin mingled reckless talk
Of heavenly stars with hugger-mugger farming,
Till having failed at hugger-mugger farming
He burned his house down for the fire insurance
And spent the proceeds on a telescope
To satisfy a lifelong curiosity
About our place among the infinities.

`What do you want with one of those blame things?'
I asked him well beforehand. `Don't you get one!'

`Don't call it blamed; there isn't anything
More blameless in the sense of being less
A weapon in our human fight,' he said.
`I'll have one if I sell my farm to buy it.'
There where he moved the rocks to plow the ground
And plowed between the rocks he couldn't move,
Few farms changed hands; so rather than spend years
Trying...
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SONNET XLII. Zefiro torna, e 'l bel tempo rimena. RETURNING SPRING BRINGS TO HIM ONLY INCREASE OF GRIEF.  Zephyr returns; and in his jocund trainBrings verdure, flowers, and days serenely clear;Brings Progne's twitter, Philomel's lorn strain,With every bloom that paints the vernal year;Cloudless the skies, and smiling every plain;With joyance flush'd, Jove views his daughter dear;Love's genial power pervades earth, air, and main;All beings join'd in fond accord appear.But nought to me returns save sorrowing sighs,Forced from my inmost heart by her who boreThose keys which govern'd it unto the skies:The blossom'd meads, the choristers of air,Sweet courteous damsels can delight no more;Each face looks savage, and each prospect drear. Nott.  [Pg 267] The spring returns, with all her smiling train;The wanton Zephyrs breathe along the bowers,The glistening dew-drops hang on bending flowers,And tender green light-shadows o'er the plain:And thou, sweet Philomel, renew'st thy strain,Breathing thy wild notes to the midnight grove:All nature feels the kindling fire of love,The vital force of spring's returning reign.
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 The morn arrived; his footstep quickly scared

The gentle sleep that round my senses clung,
And I, awak'ning, from my cottage fared,

And up the mountain side with light heart sprung;
At every step I felt my gaze ensnared

By new-born flow'rs that full of dew-drops hung;
The youthful day awoke with ecstacy,
And all things quicken'd were, to quicken me.

And as I mounted, from the valley rose

A streaky mist, that upward slowly spread,
Then bent, as though my form it would enclose,

Then, as on pinions, soar'd above my head:
My gaze could now on no fair view repose,

in mournful veil conceal'd, the world seem'd dead;
The clouds soon closed around me, as a tomb,
And I was left alone in twilight gloom.

At once the sun his lustre seem'd to pour,

And through the mist was seen a radiant light;
Here sank it gently to the ground once more,

There parted it, and climb'd o'er wood and height.
How did I yearn to greet him as of yore,

After the darkness waxing doubly bright!
The airy conflict ofttimes was renew'd,
Then blinded by a dazzling glow I stood.

Ere long an inward impulse prompted me

A hasty glance with boldness round to throw;
At first mine eyes had scarcely strength to see,

For all around appear'd to burn and glow.
Then saw...
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 Thou hast committed—
Fornication: but that was in another country,
And besides, the wench is dead.

The Jew of Malta.


I

AMONG the smoke and fog of a December afternoon
You have the scene arrange itself—as it will seem to do—
With “I have saved this afternoon for you”;
And four wax candles in the darkened room,
Four rings of light upon the ceiling overhead,
An atmosphere of Juliet’s tomb
Prepared for all the things to be said, or left unsaid.
We have been, let us say, to hear the latest Pole
Transmit the Preludes, through his hair and fingertips.
“So intimate, this Chopin, that I think his soul
Should be resurrected only among friends
Some two or three, who will not touch the bloom
That is rubbed and questioned in the concert room.”
—And so the conversation slips
Among velleities and carefully caught regrets
Through attenuated tones of violins
Mingled with remote cornets
And begins.

“You do not know how much they mean to me, my friends,
And how, how rare and strange it is, to find
In a life composed so much, so much of odds and ends,
[For indeed I do not love it ... you knew? you are not blind!
How keen you are!]
To find a friend who has these qualities,
Who has, and gives
Those qualities upon which friendship lives.
How much it means...
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 Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.

Seekest thou on earth the life of gods to share,
Safe in the realm of death?--beware
To pluck the fruits that glitter to thine eye;
Content thyself with gazing on their glow--
Short are the joys possession can bestow,
And in possession sweet desire will die.
'Twas not the ninefold chain of waves that bound
Thy daughter, Ceres, to the Stygian river--
She plucked the fruit of the unholy ground,
And so--was hell's forever!
The weavers of the web--the fates--but sway
The matter and the things of clay;
Safe from change that time to matter gives,
Nature's blest playmate, free at will to stray
With gods a god, amidst the fields of day,
The form, the archetype [39], serenely lives.
Would'st thou soar heavenward on its joyous wing?
Cast from thee, earth, the bitter and the real,
High from this cramped and dungeon being, spring
Into the realm of the ideal!

Here, bathed, perfection, in thy purest ray,
Free from the clogs and taints...
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 Thou dear and well-loved haunt of happy hours,
How often in some distant gallery,
Gained by a little painful spiral stair,
Far from the halls and corridors where throng
The crowd of casual readers, have I passed
Long, peaceful hours seated on the floor
Of some retired nook, all lined with books,
Where reverie and quiet reign supreme!
Above, below, on every side, high shelved
From careless grasp of transient interest,
Stand books we can but dimly see, their charm
Much greater that their titles are unread;
While on a level with the dusty floor
Others are ranged in orderly confusion,
And we must stoop in painful posture while
We read their names and learn their histories.
The little gallery winds round about
The middle of a most secluded room,
Midway between the ceiling and the floor.
A type of those high thoughts, which while we read
Hover between the earth and furthest heaven
As fancy wills, leaving the printed page;
For books but give the theme, our hearts the rest,
Enriching simple words with unguessed harmony
And overtones of thought we only know.
And as we sit long hours quietly,
Reading at times, and at times simply dreaming,
The very room itself becomes a friend,
The confidant of intimate hopes and fears;
A place where are engendered pleasant thoughts,
And possibilities before unguessed
Come to fruition born of sympathy.
And...
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 'Tis strange that in a land so strong 
So strong and bold in mighty youth, 
We have no poet's voice of truth 
To sing for us a wondrous song. 
Our chiefest singer yet has sung 
In wild, sweet notes a passing strain, 
All carelessly and sadly flung 
To that dull world he thought so vain. 

"I care for nothing, good nor bad, 
My hopes are gone, my pleasures fled, 
I am but sifting sand," he said: 
What wonder Gordon's songs were sad! 

And yet, not always sad and hard; 
In cheerful mood and light of heart 
He told the tale of Britomarte, 
And wrote the Rhyme of Joyous Garde. 

And some have said that Nature's face 
To us is always sad; but these 
Have never felt the smiling grace 
Of waving grass and forest trees 
On sunlit plains as wide as seas. 

"A land where dull Despair is king 
O'er scentless flowers and songless bird!" 
But we have heard the bell-birds ring 
Their silver bells at eventide, 
Like fairies on the mountain side, 
The sweetest note man ever heard. 

The wild thrush lifts a note of mirth; 
The bronzewing pigeons call and coo 
Beside their nests the long day...
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 He's the man from Eldorado, and he's just arrived in town,
 In moccasins and oily buckskin shirt.
He's gaunt as any Indian, and pretty nigh as brown;
 He's greasy, and he smells of sweat and dirt.
He sports a crop of whiskers that would shame a healthy hog;
 Hard work has racked his joints and stooped his back;
He slops along the sidewalk followed by his yellow dog,
 But he's got a bunch of gold-dust in his sack.

He seems a little wistful as he blinks at all the lights,
 And maybe he is thinking of his claim
And the dark and dwarfish cabin where he lay and dreamed at nights,
 (Thank God, he'll never see the place again!)
Where he lived on tinned tomatoes, beef embalmed and sourdough bread,
 On rusty beans and bacon furred with mould;
His stomach's out of kilter and his system full of lead,
 But it's over, and his poke is full of gold.

He has panted at the windlass, he has loaded in the drift,
 He has pounded at the face of oozy clay;
He has taxed himself to sickness, dark and damp and double shift,
 He has labored like a demon night and day.
And now, praise God, it's over, and he...
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 RESPONDEZ! Respondez! 
(The war is completed—the price is paid—the title is settled beyond recall;) 
Let every one answer! let those who sleep be waked! let none evade! 
Must we still go on with our affectations and sneaking? 
Let me bring this to a close—I pronounce openly for a new distribution of roles;
Let that which stood in front go behind! and let that which was behind advance to the
 front and
 speak; 
Let murderers, bigots, fools, unclean persons, offer new propositions! 
Let the old propositions be postponed! 
Let faces and theories be turn’d inside out! let meanings be freely criminal, as well
 as
 results! 
Let there be no suggestion above the suggestion of drudgery!
Let none be pointed toward his destination! (Say! do you know your destination?) 
Let men and women be mock’d with bodies and mock’d with Souls! 
Let the love that waits in them, wait! let it die, or pass stillborn to other spheres! 
Let the sympathy that waits in every man, wait! or let it also pass, a dwarf, to other
 spheres!

Let contradictions prevail! let one thing contradict another! and let one line of my poems
 contradict another!
Let the people sprawl with yearning, aimless hands! let their tongues...
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 Dear child! how radiant on thy mother's knee,
With merry-making eyes and jocund smiles,
Thou gazest at the painted tiles,
Whose figures grace,
With many a grotesque form and face.
The ancient chimney of thy nursery!
The lady with the gay macaw,
The dancing girl, the grave bashaw
With bearded lip and chin;
And, leaning idly o'er his gate,
Beneath the imperial fan of state,
The Chinese mandarin.

With what a look of proud command
Thou shakest in thy little hand
The coral rattle with its silver bells,
Making a merry tune!
Thousands of years in Indian seas
That coral grew, by slow degrees,
Until some deadly and wild monsoon
Dashed it on Coromandel's sand!
Those silver bells
Reposed of yore,
As shapeless ore,
Far down in the deep-sunken wells
Of darksome mines,
In some obscure and sunless place,
Beneath huge Chimborazo's base,
Or Potosi's o'erhanging pines
And thus for thee, O little child,
Through many a danger and escape,
The tall ships passed the stormy cape;
For thee in foreign lands remote,
Beneath a burning, tropic clime,
The Indian peasant, chasing the wild goat,
Himself as swift and wild,
In falling, clutched the frail arbute,
The fibres of whose shallow root,
Uplifted from the soil, betrayed
The silver veins beneath it laid,
The buried treasures of the miser, Time.

But, lo! thy door is left ajar!
Thou hearest footsteps from afar!
And, at the sound,
Thou turnest round
With quick and questioning...
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 A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--

"We artists live ideally:
We breed our firmest facts of air;
We make our own reality--
We dream a thing and it is so.
The fairest scenes we ever see
Are mirages of memory;
The sweetest thoughts we ever know
We plagiarize from Long Ago:
And as the girl on canvas there
Is marvelously rare and fair,
'Tis only inasmuch as she
Is dumb and may not speak to me!"
He tapped me with his mahlstick--then
The picture,--and went on again:

"Orlie Wilde, the fisher's child--
I see her yet, as fair and mild
As ever nursling summer day
Dreamed on the bosom of the bay:
For I was twenty then, and went
Alone and long-haired--all content
With promises of sounding name
And fantasies of future fame,
And thoughts that now my mind discards
As editor a fledgling bard's.

"At evening once I chanced to go,
With pencil and portfolio,
Adown the street of silver sand
That winds beneath this craggy land,
To make a...
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 There is a power whose inspiration fills 
Nature's fair fabric, sun- and star-inwrought, 
Like airy dew ere any drop distils, 
Like perfume in the laden flower, like aught 
Unseen which interfused throughout the whole 
Becomes its quickening pulse and principle and soul. 
Now when, the drift of old desire renewing, 
Warm tides flow northward over valley and field, 
When half-forgotten sound and scent are wooing 
From their deep-chambered recesses long sealed 
Such memories as breathe once more 
Of childhood and the happy hues it wore, 
Now, with a fervor that has never been 
In years gone by, it stirs me to respond, -- 
Not as a force whose fountains are within 
The faculties of the percipient mind, 
Subject with them to darkness and decay, 
But something absolute, something beyond, 
Oft met like tender orbs that seem to peer 
From pale horizons, luminous behind 
Some fringe of tinted cloud at close of day; 
And in this flood of the reviving year, 
When to the loiterer by sylvan streams, 
Deep in those cares that make Youth loveliest, 
Nature in every common aspect seems 
To comment on the burden in his breast -- 
The joys he covets and the dreams he dreams...
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