Song of the Future
Read 'Song of the Future' by 'Andrew Barton Paterson' and provide your summary and literary analysis in the comments section below.
'Tis strange that in a land so strong
So strong and bold in mighty youth,
We have no poet's voice of truth
To sing for us a wondrous song.
Our chiefest singer yet has sung
In wild, sweet notes a passing strain,
All carelessly and sadly flung
To that dull world he thought so vain.
"I care for nothing, good nor bad,
My hopes are gone, my pleasures fled,
I am but sifting sand," he said:
What wonder Gordon's songs were sad!
And yet, not always sad and hard;
In cheerful mood and light of heart
He told the tale of Britomarte,
And wrote the Rhyme of Joyous Garde.
And some have said that Nature's face
To us is always sad; but these
Have never felt the smiling grace
Of waving grass and forest trees
On sunlit plains as wide as seas.
"A land where dull Despair is king
O'er scentless flowers and songless bird!"
But we have heard the bell-birds ring
Their silver bells at eventide,
Like fairies on the mountain side,
The sweetest note man ever heard.
The wild thrush lifts a note of mirth;
The bronzewing pigeons call and coo
Beside their nests the long day through;
The magpie warbles clear and strong
A joyous, glad, thanksgiving song,
For all God's mercies upon earth.
And many voices such as these
Are joyful sounds for those to tell,
Who know the Bush and love it well,
With all its hidden mysteries.
We cannot love the restless sea,
That rolls and tosses to and fro
Like some fierce creature in its glee;
For human weal or human woe
It has no touch of sympathy.
For us the bush is never sad:
Its myriad voices whisper low,
In tones the bushmen only know,
Its sympathy and welcome glad.
For us the roving breezes bring
From many a blossum-tufted tree --
Where wild bees murmur dreamily --
The honey-laden breath of Spring.
* * * *
We have our tales of other days,
Good tales the northern wanderers tell
When bushmen meet and camp-fires blaze,
And round the ring of dancing light
The great, dark bush with arms of night
Folds every hearer in its spell.
We have our songs -- not songs of strife
And hot blood spilt on sea and land;
But lilts that link achievement grand
To honest toil and valiant life.
Lift ye your faces to the sky
Ye barrier mountains in the west
Who lie so peacefully at rest
Enshrouded in a haze of blue;
'Tis hard to feel that years went by
Before the pioneers broke through
Your rocky heights and walls of stone,
And made your secrets all their own.
For years the fertile Western plains
Were hid behind your sullen walls,
Your cliffs and crags and waterfalls
All weatherworn with tropic rains.
Between the mountains and the sea
Like Israelites with staff in hand,
The people waited restlessly:
They looked towards the mountains old
And saw the sunsets come and go
With gorgeous golden afterglow,
That made the West a fairyland,
And marvelled what that West might be
Of which such wondrous tales were told.
For tales were told of inland seas
Like sullen oceans, salt and dead,
And sandy deserts, white and wan,
Where never trod the foot of man,
Nor bird went winging overhead,
Nor ever stirred a gracious breeze
To wake the silence with its breath --
A land of loneliness and death.
At length the hardy pioneers
By rock and crag found out the way,
And woke with voices of today
A silence kept for years and tears.
Upon the Western slope they stood
And saw -- a wide expanse of plain
As far as eye could stretch or see
Go rolling westward endlessly.
The native grasses, tall as grain,
Bowed, waved and rippled in the breeze;
From boughs of blossom-laden trees
The parrots answered back again.
They saw the land that it was good,
A land of fatness all untrod,
And gave their silent thanks to God.
The way is won! The way is won!
And straightway from the barren coast
There came a westward-marching host,
That aye and ever onward prest
With eager faces to the West,
Along the pathway of the sun.
The mountains saw them marching by:
They faced the all-consuming drought,
They would not rest in settled land:
But, taking each his life in hand,
Their faces ever westward bent
Beyond the farthest settlement,
Responding to the challenge cry
of "better country farther out".
And lo, a miracle! the land
But yesterday was all unknown,
The wild man's boomerang was thrown
Where now great busy cities stand.
It was not much, you say, that these
Should win their way where none withstood;
In sooth there was not much of blood --
No war was fought between the seas.
It was not much! but we who know
The strange capricious land they trod --
At times a stricken, parching sod,
At times with raging floods beset --
Through which they found their lonely way
Are quite content that you should say
It was not much, while we can feel
That nothing in the ages old,
In song or story written yet
On Grecian urn or Roman arch,
Though it should ring with clash of steel,
Could braver histories unfold
Than this bush story, yet untold --
The story of their westward march.
* * * *
But times are changed, and changes rung
From old to new -- the olden days,
The old bush life and all its ways,
Are passing from us all unsung.
The freedom, and the hopeful sense
Of toil that brought due recompense,
Of room for all, has passed away,
And lies forgotten with the dead.
Within our streets men cry for bread
In cities built but yesterday.
About us stretches wealth of land,
A boundless wealth of virgin soil
As yet unfruitful and untilled!
Our willing workmen, strong and skilled,
Within our cities idle stand,
And cry aloud for leave to toil.
The stunted children come and go
In squalid lanes and alleys black:
We follow but the beaten track
Of other nations, and we grow
In wealth for some -- for many, woe.
And it may be that we who live
In this new land apart, beyond
The hard old world grown fierce and fond
And bound by precedent and bond,
May read the riddle right, and give
New hope to those who dimly see
That all things yet shall be for good,
And teach the world at length to be
One vast united brotherhood.
* * * *
So may it be! and he who sings
In accents hopeful, clear, and strong,
The glories which that future brings
Shall sing, indeed, a wondrous song.
Song of the Future Summary and Analysis
Andrew Barton Paterson's poem moves from disappointment to prophecy. It begins by asking why a strong young nation has not yet found a great poetic voice, then answers its own question by turning to the landscape, the bush, and the people who have shaped the country. The poem honors bush life, the sounds of native birds, the hardships of pioneers, and the westward push that carried settlement across difficult terrain. In Paterson's hands, these become proof that Australia already possesses material fit for greatness, even if it has not yet fully found its defining song.
The poem's central movement is outward and forward-looking. After rejecting the idea that the land is merely sad or barren, it widens into a celebration of national history and then into a warning about the present. The old freedom of bush life is fading, cities are growing unevenly, and poverty appears alongside abundance. Yet the ending refuses despair: Paterson imagines a future in which the country's resources and social conditions may be used to create a fairer, more united society. The poem's deepest tension lies between pride in a pioneering past and anxiety about modern change, with hope held up as the only fitting response.
Tone in Song of the Future
Paterson's tone is proud, argumentative, and increasingly hopeful. He sounds determined to defend the value of Australian experience, even when he admits that the present falls short of the future he imagines. The mood shifts with the poem: it begins with a note of complaint, grows into exhilaration during the pioneer sections, and ends in an uplift that feels aspirational rather than naïve. Readers are left with a mix of admiration for the land and its people, and urgency about the unfinished work ahead.
This literary analysis was generated with AI and may contain interpretive differences. Provide your analysis in the comments section.
Themes in Song of the Future
- National identity - Paterson presents the poem as a search for a distinctly Australian voice, one rooted in landscape, labor, and shared experience rather than imitation of older nations.
- Bush life - The bush is portrayed as a living environment of sounds, moods, and companionship, not as a bleak wilderness, and it becomes the heart of the nation's character.
- Pioneering and expansion - The westward movement of settlers is cast as a heroic national story, with endurance and exploration given the dignity of epic achievement.
- Hope for the future - The poem ends by imagining a better social order, suggesting that Australia may become a model of fairness and unity.
- Social inequality - Paterson contrasts unused land and idle workers with urban poverty, exposing the costs of rapid development and imported social problems.
- Historical memory - The poem insists that ordinary Australian experience deserves to be remembered and sung, not overlooked in favor of older classical or European histories.
Literary Devices in Song of the Future
- Apostrophe - Paterson directly addresses mountains, the land, and the future, giving the poem the force of public speech and national invocation.
- Rhetorical question - The opening challenge about the absence of a poet's voice sets up the poem's argument and invites readers to reconsider what counts as poetry.
- Personification - The bush, the mountains, and the sea are given human-like presence and agency, helping the landscape feel active in national history.
- Imagery - Vivid pictures of plains, birds, campfires, drought, and flood make the country feel physically immediate and emotionally charged.
- Contrast - The poem repeatedly sets bush against city, hope against despair, and movement against stagnation to sharpen its political and emotional message.
- Epic tone - Paterson inflates pioneer settlement into a grand historical drama, borrowing the scale and seriousness of heroic narrative.
- Allusion - References to classical and biblical material place Australian experience in conversation with older traditions while also claiming equal value for it.
- Repetition - Phrases such as the repeated westward emphasis reinforce momentum and the sense of collective advance.
- Metaphor - The future is treated as something to be sung, making poetic voice itself a symbol of national possibility.
Symbolism in Song of the Future
- The bush - Symbolizes the living core of Australian identity, memory, and belonging.
- The west - Represents opportunity, expansion, and the unfinished promise of the nation.
- Birdsong - Suggests a native music that can stand for an authentic Australian cultural voice.
- Mountains - Symbolize obstacles overcome by pioneers and the barrier between known and unknown country.
- Campfires - Evoke fellowship, storytelling, and the making of communal tradition.
- Sea - Functions as a less sympathetic force than the bush, standing for danger, restlessness, and indifference.
- Broad plains - Symbolize abundance, openness, and the scale of national possibility.
Historical Context of Song of the Future
This poem belongs to the late nineteenth- and early twentieth-century search for a national literature in Australia, when writers were trying to define a cultural identity distinct from Britain. It reflects the period's strong interest in the bush, the pioneer, and the westward expansion of settlement, all central myths in Australian writing of the time.
It also reveals tensions common in that era: admiration for frontier endurance sits alongside concern about urban poverty, uneven development, and the social consequences of modernization. Paterson's poem fits within a broader nationalist tradition that treats the land itself as a source of moral meaning and artistic authority.
Poems Similar to Song of the Future