Written by
Kahlil Gibran |
As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley.
When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass. I took heed and saw a young couple approaching my arbor. The say under a tree where I could see them without being seen.
After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us.
"My soul is warning me of the doubt in your heart, for doubt in love is a sin. "Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands.
"Smile, my beloved, like the gold smiles from my father's coffers.
"My heart refuses to deny you its secret. Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes.
"All these things I will do for you; will you be satisfied?"
In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor. As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart.
Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age!
I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place.
After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience. Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation. I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life.
"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude. Good-bye, my beloved; I must leave before the heartening moon vanishes."
A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved."
They separated, and the elegy to their union was smothered by the wails of my crying heart.
I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase. Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy.
It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.
|
Written by
Aleister Crowley |
[Dedicated to General J.C.F. Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.
He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.
So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.
Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
- Hush, my child, and come aloft
Where the stars are velvet soft!
|
Written by
Mark Twain |
The Bombola faints in the hot Bowral tree,
Where fierce Mullengudgery's smothering fires
Far from the breezes of Coolgardie
Burn ghastly and blue as the day expires;
And Murriwillumba complaineth in song
For the garlanded bowers of Woolloomooloo,
And the Ballarat Fly and the lone Wollongong
They dream of the gardens of Jamberoo;
The wallabi sighs for the Murrubidgee,
For the velvety sod of the Munno Parah,
Where the waters of healing from Muloowurtie
Flow dim in the gloaming by Yaranyackah;
The Koppio sorrows for lost Wolloway,
And sigheth in secret for Murrurundi,
The Whangeroo wombat lamenteth the day
That made him an exile from Jerrilderie;
The Teawamute Tumut from Wirrega's glade,
The Nangkita swallow, the Wallaroo swan,
They long for the peace of the Timaru shade
And thy balmy soft airs, O sweet Mittagong!
The Kooringa buffalo pants in the sun,
The Kondoparinga lies gaping for breath,
The Kongorong Camaum to the shadow has won,
But the Goomeroo sinks in the slumber of death;
In the weltering hell of the Moorooroo plain
The Yatala Wangary withers and dies,
And the Worrow Wanilla, demented with pain,
To the Woolgoolga woodlands despairingly flies;
Sweet Nangwarry's desolate, Coonamble wails,
And Tungkillo Kuito in sables is drest,
For the Whangerei winds fall asleep in the sails
And the Booleroo life-breeze is dead in the west.
Mypongo, Kapunda, O slumber no more
Yankalilla, Parawirra, be warned
There's death in the air!
Killanoola, wherefore
Shall the prayer of Penola be scorned?
Cootamundra, and Takee, and Wakatipu,
Toowoomba, Kaikoura are lost
From Onkaparinga to far Oamaru
All burn in this hell's holocaust!
Paramatta and Binnum are gone to their rest
In the vale of Tapanni Taroom,
Kawakawa, Deniliquin - all that was best
In the earth are but graves and a tomb!
Narrandera mourns, Cameron answers not
When the roll of the scathless we cry
Tongariro, Goondiwindi, Woolundunga, the spot
Is mute and forlorn where ye lie.
|
Written by
Katherine Mansfield |
I will think no more of the sea! Of the big green waves And the hollowed
shore, Of the brown rock caves No more, no more Of the swell and the weed
And the bubbling foam. Memory dwells in my far away home, She has nothing
to do with me. She is old and bent With a pack On her back. Her tears all
spent, Her voice, just a crack. With an old thorn stick She hobbles along,
And a crazy song Now slow, now quick, Wheeks in her throat. And every day
While there's light on the shore She searches for something; Her withered
claw Tumbles the seaweed; She pokes in each shell Groping and mumbling
Until the night Deepens and darkens, And covers her quite, And bids her be
silent, And bids her be still. The ghostly feet Of the whispery waves
Tiptoe beside her. They follow, follow To the rocky caves In the white
beach hollow... She hugs her hands, She sobs, she shrills, And the echoes
shriek In the rocky hills. She moans: "It is lost! Let it be! Let it be! I
am old. I'm too cold. I am frightened... the sea Is too loud... it is lost,
It is gone..." Memory Wails in my far away home. 1913
|
Written by
William Allingham |
Now Autumn's fire burns slowly along the woods,
And day by day the dead leaves fall and melt,
And night by night the monitory blast
Wails in the key-hold, telling how it pass'd
O'er empty fields, or upland solitudes,
Or grim wide wave; and now the power is felt
Of melancholy, tenderer in its moods
Than any joy indulgent summer dealt.
Dear friends, together in the glimmering eve,
Pensive and glad, with tones that recognise
The soft invisible dew in each one's eyes,
It may be, somewhat thus we shall have leave
To walk with memory,--when distant lies
Poor Earth, where we were wont to live and grieve.
|
Written by
Amy Lowell |
A bullet through his heart at dawn. On
the table a letter signed
with a woman's name. A wind that goes howling round the
house,
and weeping as in shame. Cold November dawn peeping through
the windows,
cold dawn creeping over the floor, creeping up his cold legs,
creeping over his cold body, creeping across his cold face.
A glaze of thin yellow sunlight on the staring eyes. Wind
howling
through bent branches. A wind which never dies down. Howling,
wailing.
The gazing eyes glitter in the sunlight. The lids are
frozen open
and the eyes glitter.
The thudding of a pick on hard earth. A spade grinding
and crunching.
Overhead, branches writhing, winding, interlacing, unwinding, scattering;
tortured twinings, tossings, creakings. Wind flinging
branches apart,
drawing them together, whispering and whining among them. A
waning,
lobsided moon cutting through black clouds. A stream
of pebbles and earth
and the empty spade gleams clear in the moonlight, then is rammed
again
into the black earth. Tramping of feet. Men
and horses.
Squeaking of wheels.
"Whoa! Ready, Jim?"
"All ready."
Something falls, settles, is still. Suicides
have no coffin.
"Give us the stake, Jim. Now."
Pound! Pound!
"He'll never walk. Nailed to the ground."
An ash stick pierces his heart, if it buds the
roots will hold him.
He is a part of the earth now, clay to clay. Overhead
the branches sway,
and writhe, and twist in the wind. He'll never walk with
a bullet
in his heart, and an ash stick nailing him to the cold, black ground.
Six months he lay still. Six months. And the
water welled up in his body,
and soft blue spots chequered it. He lay still, for the
ash stick
held him in place. Six months! Then her face
came out of a mist of green.
Pink and white and frail like Dresden china, lilies-of-the-valley
at her breast, puce-coloured silk sheening about her. Under
the young
green leaves, the horse at a foot-pace, the high yellow wheels of
the chaise
scarcely turning, her face, rippling like grain a-blowing,
under her puce-coloured bonnet; and burning beside her, flaming
within
his correct blue coat and brass buttons, is someone. What
has dimmed the sun?
The horse steps on a rolling stone; a wind in the branches makes
a moan.
The little leaves tremble and shake, turn and quake, over and over,
tearing their stems. There is a shower of young leaves,
and a sudden-sprung gale wails in the trees.
The yellow-wheeled chaise is rocking -- rocking,
and all the branches
are knocking -- knocking. The sun in the sky is a flat,
red plate,
the branches creak and grate. She screams and cowers,
for the green foliage
is a lowering wave surging to smother her. But she sees
nothing.
The stake holds firm. The body writhes, the body squirms.
The blue spots widen, the flesh tears, but the stake wears well
in the deep, black ground. It holds the body in the still,
black ground.
Two years! The body has been in the ground two years. It
is worn away;
it is clay to clay. Where the heart moulders, a greenish
dust, the stake
is thrust. Late August it is, and night; a night flauntingly
jewelled
with stars, a night of shooting stars and loud insect noises.
Down the road to Tilbury, silence -- and the slow flapping of large
leaves.
Down the road to Sutton, silence -- and the darkness of heavy-foliaged
trees.
Down the road to Wayfleet, silence -- and the whirring scrape of
insects
in the branches. Down the road to Edgarstown, silence
-- and stars like
stepping-stones in a pathway overhead. It is very quiet
at the cross-roads,
and the sign-board points the way down the four roads, endlessly
points
the way where nobody wishes to go.
A horse is galloping, galloping up from Sutton. Shaking
the wide,
still leaves as he goes under them. Striking sparks with
his iron shoes;
silencing the katydids. Dr. Morgan riding to a child-birth
over Tilbury way;
riding to deliver a woman of her first-born son. One
o'clock from
Wayfleet bell tower, what a shower of shooting stars! And
a breeze
all of a sudden, jarring the big leaves and making them jerk up
and down.
Dr. Morgan's hat is blown from his head, the horse swerves, and
curves away
from the sign-post. An oath -- spurs -- a blurring of
grey mist.
A quick left twist, and the gelding is snorting and racing
down the Tilbury road with the wind dropping away behind him.
The stake has wrenched, the stake has started,
the body, flesh from flesh,
has parted. But the bones hold tight, socket and ball,
and clamping them down
in the hard, black ground is the stake, wedged through ribs and
spine.
The bones may twist, and heave, and twine, but the stake holds them
still
in line. The breeze goes down, and the round stars shine,
for the stake
holds the fleshless bones in line.
Twenty years now! Twenty long years! The body
has powdered itself away;
it is clay to clay. It is brown earth mingled with brown
earth. Only flaky
bones remain, lain together so long they fit, although not one bone
is knit
to another. The stake is there too, rotted through, but
upright still,
and still piercing down between ribs and spine in a straight line.
Yellow stillness is on the cross-roads, yellow
stillness is on the trees.
The leaves hang drooping, wan. The four roads point four
yellow ways,
saffron and gamboge ribbons to the gaze. A little swirl
of dust
blows up Tilbury road, the wind which fans it has not strength to
do more;
it ceases, and the dust settles down. A little whirl
of wind
comes up Tilbury road. It brings a sound of wheels and
feet.
The wind reels a moment and faints to nothing under the sign-post.
Wind again, wheels and feet louder. Wind again -- again
-- again.
A drop of rain, flat into the dust. Drop! -- Drop! Thick
heavy raindrops,
and a shrieking wind bending the great trees and wrenching off their
leaves.
Under the black sky, bowed and dripping with rain,
up Tilbury road,
comes the procession. A funeral procession, bound for
the graveyard
at Wayfleet. Feet and wheels -- feet and wheels. And
among them
one who is carried.
The bones in the deep, still earth shiver and pull. There
is a quiver
through the rotted stake. Then stake and bones fall together
in a little puffing of dust.
Like meshes of linked steel the rain shuts down
behind the procession,
now well along the Wayfleet road.
He wavers like smoke in the buffeting wind. His
fingers blow out like smoke,
his head ripples in the gale. Under the sign-post, in
the pouring rain,
he stands, and watches another quavering figure drifting down
the Wayfleet road. Then swiftly he streams after it. It
flickers
among the trees. He licks out and winds about them. Over,
under,
blown, contorted. Spindrift after spindrift; smoke following
smoke.
There is a wailing through the trees, a wailing of fear,
and after it laughter -- laughter -- laughter, skirling up to the
black sky.
Lightning jags over the funeral procession. A heavy clap
of thunder.
Then darkness and rain, and the sound of feet and wheels.
|
Written by
Emile Verhaeren |
Crossing the infinite length of the moorland,
Here comes the wind,
The wind with his trumpet that Heralds November;
Endless and infinite, crossing the downs,
Here comes the wind
That teareth himself and doth fiercely dismember;
Which heavy breaths turbulent smiting the towns,
The savage wind comes, the fierce wind of November!
Each bucket of iron at the wells of the farmyards,
Each bucket and pulley, it creaks and it wails;
By cisterns of farmyards, the pulleys and pails
They creak and they cry,
The whole of sad death in their melancholy.
The wind, it sends scudding dead leaves from the birches
Along o'er the water, the wind of November,
The savage, fierce wind;
The boughs of the trees for the birds' nests it searches,
To bite them and grind.
The wind, as though rasping down iron, grates past,
And, furious and fast, from afar combs the cold
And white avalanches of winter the old.
The savage wind combs them so furious and fast.
The wind of November.
From each miserable shed
The patched garret-windows wave wild overhead
Their foolish, poor tatters of paper and glass.
As the savage, fierce wind of November doth pass!
And there on its hill
Of dingy and dun-coloured turf, the black mill,
Swift up from below, through the empty air slashing,
Swift down from above, like a lightning-stroke flashing,
The black mill so sinister moweth the wind.
The savage, fierce wind of November!
The old, ragged thatches that squat round their steeple,
Are raised on their roof-poles, and fall with a clap,
In the wind the old thatches and pent-houses flap,
In the wind of November, so savage and hard.
The crosses—and they are the arms of dead people—
The crosses that stand in the narrow churchyard
Fall prone on the sod
Like some great flight of black, in the acre of God.
The wind of November!
Have you met him, the savage wind, do you remember?
Did he pass you so fleet,
—Where, yon at the cross, the three hundred roads meet—
With distressfulness panting, and wailing with cold?
Yea, he who breeds fears and puts all things to flight,
Did you see him, that night
When the moon he o'erthrew—when the villages, old
In their rot and decay, past endurance and spent,
Cried, wailing like beasts, 'neath the hurricane bent?
Here comes the wind howling, that heralds dark weather,
The wind blowing infinite over the heather.
The wind with his trumpet that heralds November!
|
Written by
J R R Tolkien |
He chanted a song of wizardry,
Of piercing, opening, of treachery,
Revealing, uncovering, betraying.
Then sudden Felagund there swaying
Sang in answer a song of staying,
Resisting, battling against power,
Of secrets kept, strength like a tower,
And trust unbroken, freedom, escape;
Of changing and of shifting shape
Of snares eluded, broken traps,
The prison opening, the chain that snaps.
Backwards and forwards swayed their song.
Reeling and foundering, as ever more strong
The chanting swelled, Felagund fought,
And all the magic and might he brought
Of Elvenesse into his words.
Softly in the gloom they heard the birds
Singing afar in Nargothrond,
The sighing of the Sea beyond,
Beyond the western world, on sand,
On sand of pearls in Elvenland.
Then the gloom gathered; darkness growing
In Valinor, the red blood flowing
Beside the Sea, where the Noldor slew
The Foamriders, and stealing drew
Their white ships with their white sails
From lamplit havens. The wind wails,
The wolf howls. The ravens flee.
The ice mutters in the mouths of the Sea.
The captives sad in Angband mourn.
Thunder rumbles, the fires burn ---
And Finrod fell before the throne.
|
Written by
Lewis Carroll |
Blow, blow your trumpets till they crack,
Ye little men of little souls!
And bid them huddle at your back -
Gold-sucking leeches, shoals on shoals!
Fill all the air with hungry wails -
"Reward us, ere we think or write!
Without your Gold mere Knowledge fails
To sate the swinish appetite!"
And, where great Plato paced serene,
Or Newton paused with wistful eye,
Rush to the chace with hoofs unclean
And Babel-clamour of the sty
Be yours the pay: be theirs the praise:
We will not rob them of their due,
Nor vex the ghosts of other days
By naming them along with you.
They sought and found undying fame:
They toiled not for reward nor thanks:
Their cheeks are hot with honest shame
For you, the modern mountebanks!
Who preach of Justice - plead with tears
That Love and Mercy should abound -
While marking with complacent ears
The moaning of some tortured hound:
Who prate of Wisdom - nay, forbear,
Lest Wisdom turn on you in wrath,
Trampling, with heel that will not spare,
The vermin that beset her path!
Go, throng each other's drawing-rooms,
Ye idols of a petty clique:
Strut your brief hour in borrowed plumes,
And make your penny-trumpets squeak.
Deck your dull talk with pilfered shreds
Of learning from a nobler time,
And oil each other's little heads
With mutual Flattery's golden slime:
And when the topmost height ye gain,
And stand in Glory's ether clear,
And grasp the prize of all your pain -
So many hundred pounds a year -
Then let Fame's banner be unfurled!
Sing Paeans for a victory won!
Ye tapers, that would light the world,
And cast a shadow on the Sun -
Who still shall pour His rays sublime,
One crystal flood, from East to West,
When YE have burned your little time
And feebly flickered into rest!
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Written by
Ogden Nash |
Oh, "rorty" was a mid-Victorian word
Which meant "fine, splendid, jolly,"
And often to me it has reoccurred
In moments melancholy.
For instance, children, I think it rorty
To be with people over forty.
I can't say which, come eventide,
More tedious I find;
Competing with the juvenile stride,
Or meeting the juvenile mind.
So I think it rorty, yes, and nifty,
To be with people over fifty.
The pidgin talk the youthful use
Bypasses conversation.
I can't believe the code they choose
Is a means of communication.
Oh to be with people over sixty
Despite their tendency to prolixty!
The hours a working parent keeps
Mean less than Latin to them,
Wherefore they disappear in jeeps
Till three and four A.M.
Oh, to be with people you pour a cup for
Instead of people you have to wait up for!
I've tried to read young mumbling lips
Till I've developed a slant-eye,
And my hearing fails at the constant wails
Of, If I can't, why can't I?
Oh, to be beside a septuagenarian,
Silent upon a peak in Darien!
They don't know Hagen from Bobby Jones,
They never heard of Al Smith,
Even Red Grange is beyond their range,
And Dempsey is a myth.
Oh golly, to gabble upon the shoulder
Of someone my own age, or even older!
I'm tired of defining hadn't oughts.
To opposition mulish,
The thoughts of youth are long long thoughts,
And Jingo! Aren't they foolish!
All which is why, in case you've wondered
I'd like a companion aged one hundred.
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