Written by
Alan Seeger |
First, London, for its myriads; for its height,
Manhattan heaped in towering stalagmite;
But Paris for the smoothness of the paths
That lead the heart unto the heart's delight. . . .
Fair loiterer on the threshold of those days
When there's no lovelier prize the world displays
Than, having beauty and your twenty years,
You have the means to conquer and the ways,
And coming where the crossroads separate
And down each vista glories and wonders wait,
Crowning each path with pinnacles so fair
You know not which to choose, and hesitate --
Oh, go to Paris. . . . In the midday gloom
Of some old quarter take a little room
That looks off over Paris and its towers
From Saint Gervais round to the Emperor's Tomb, --
So high that you can hear a mating dove
Croon down the chimney from the roof above,
See Notre Dame and know how sweet it is
To wake between Our Lady and our love.
And have a little balcony to bring
Fair plants to fill with verdure and blossoming,
That sparrows seek, to feed from pretty hands,
And swallows circle over in the Spring.
There of an evening you shall sit at ease
In the sweet month of flowering chestnut-trees,
There with your little darling in your arms,
Your pretty dark-eyed Manon or Louise.
And looking out over the domes and towers
That chime the fleeting quarters and the hours,
While the bright clouds banked eastward back of them
Blush in the sunset, pink as hawthorn flowers,
You cannot fail to think, as I have done,
Some of life's ends attained, so you be one
Who measures life's attainment by the hours
That Joy has rescued from oblivion.
II
Come out into the evening streets. The green light lessens in the west.
The city laughs and liveliest her fervid pulse of pleasure beats.
The belfry on Saint Severin strikes eight across the smoking eaves:
Come out under the lights and leaves
to the Reine Blanche on Saint Germain. . . .
Now crowded diners fill the floor of brasserie and restaurant.
Shrill voices cry "L'Intransigeant," and corners echo "Paris-Sport."
Where rows of tables from the street are screened with shoots of box and bay,
The ragged minstrels sing and play and gather sous from those that eat.
And old men stand with menu-cards, inviting passers-by to dine
On the bright terraces that line the Latin Quarter boulevards. . . .
But, having drunk and eaten well, 'tis pleasant then to stroll along
And mingle with the merry throng that promenades on Saint Michel.
Here saunter types of every sort. The shoddy jostle with the chic:
Turk and Roumanian and Greek; student and officer and sport;
Slavs with their peasant, Christ-like heads,
and courtezans like powdered moths,
And peddlers from Algiers, with cloths
bright-hued and stitched with golden threads;
And painters with big, serious eyes go rapt in dreams, fantastic shapes
In corduroys and Spanish capes and locks uncut and flowing ties;
And lovers wander two by two, oblivious among the press,
And making one of them no less, all lovers shall be dear to you:
All laughing lips you move among, all happy hearts that, knowing what
Makes life worth while, have wasted not the sweet reprieve of being young.
"Comment ca va!" "Mon vieux!" "Mon cher!"
Friends greet and banter as they pass.
'Tis sweet to see among the mass comrades and lovers everywhere,
A law that's sane, a Love that's free, and men of every birth and blood
Allied in one great brotherhood of Art and Joy and Poverty. . . .
The open cafe-windows frame loungers at their liqueurs and beer,
And walking past them one can hear fragments of Tosca and Boheme.
And in the brilliant-lighted door of cinemas the barker calls,
And lurid posters paint the walls with scenes of Love and crime and war.
But follow past the flaming lights, borne onward with the stream of feet,
Where Bullier's further up the street is marvellous on Thursday nights.
Here all Bohemia flocks apace; you could not often find elsewhere
So many happy heads and fair assembled in one time and place.
Under the glare and noise and heat the galaxy of dancing whirls,
Smokers, with covered heads, and girls dressed in the costume of the street.
From tables packed around the wall the crowds that drink and frolic there
Spin serpentines into the air far out over the reeking hall,
That, settling where the coils unroll, tangle with pink and green and blue
The crowds that rag to "Hitchy-koo" and boston to the "Barcarole". . . .
Here Mimi ventures, at fifteen, to make her debut in romance,
And join her sisters in the dance and see the life that they have seen.
Her hair, a tight hat just allows to brush beneath the narrow brim,
Docked, in the model's present whim, `frise' and banged above the brows.
Uncorseted, her clinging dress with every step and turn betrays,
In pretty and provoking ways her adolescent loveliness,
As guiding Gaby or Lucile she dances, emulating them
In each disturbing stratagem and each lascivious appeal.
Each turn a challenge, every pose an invitation to compete,
Along the maze of whirling feet the grave-eyed little wanton goes,
And, flaunting all the hue that lies in childish cheeks and nubile waist,
She passes, charmingly unchaste, illumining ignoble eyes. . . .
But now the blood from every heart leaps madder through abounding veins
As first the fascinating strains of "El Irresistible" start.
Caught in the spell of pulsing sound, impatient elbows lift and yield
The scented softnesses they shield to arms that catch and close them round,
Surrender, swift to be possessed, the silken supple forms beneath
To all the bliss the measures breathe and all the madness they suggest.
Crowds congregate and make a ring. Four deep they stand and strain to see
The tango in its ecstasy of glowing lives that clasp and cling.
Lithe limbs relaxed, exalted eyes fastened on vacancy, they seem
To float upon the perfumed stream of some voluptuous Paradise,
Or, rapt in some Arabian Night, to rock there, cradled and subdued,
In a luxurious lassitude of rhythm and sensual delight.
And only when the measures cease and terminate the flowing dance
They waken from their magic trance and join the cries that clamor "Bis!" . . .
Midnight adjourns the festival. The couples climb the crowded stair,
And out into the warm night air go singing fragments of the ball.
Close-folded in desire they pass, or stop to drink and talk awhile
In the cafes along the mile from Bullier's back to Montparnasse:
The "Closerie" or "La Rotonde", where smoking, under lamplit trees,
Sit Art's enamored devotees, chatting across their `brune' and `blonde'. . . .
Make one of them and come to know sweet Paris -- not as many do,
Seeing but the folly of the few, the froth, the tinsel, and the show --
But taking some white proffered hand that from Earth's barren every day
Can lead you by the shortest way into Love's florid fairyland.
And that divine enchanted life that lurks under Life's common guise --
That city of romance that lies within the City's toil and strife --
Shall, knocking, open to your hands, for Love is all its golden key,
And one's name murmured tenderly the only magic it demands.
And when all else is gray and void in the vast gulf of memory,
Green islands of delight shall be all blessed moments so enjoyed:
When vaulted with the city skies, on its cathedral floors you stood,
And, priest of a bright brotherhood, performed the mystic sacrifice,
At Love's high altar fit to stand, with fire and incense aureoled,
The celebrant in cloth of gold with Spring and Youth on either hand.
III
Choral Song
Have ye gazed on its grandeur
Or stood where it stands
With opal and amber
Adorning the lands,
And orcharded domes
Of the hue of all flowers?
Sweet melody roams
Through its blossoming bowers,
Sweet bells usher in from its belfries the train of the honey-sweet hour.
A city resplendent,
Fulfilled of good things,
On its ramparts are pendent
The bucklers of kings.
Broad banners unfurled
Are afloat in its air.
The lords of the world
Look for harborage there.
None finds save he comes as a bridegroom, having roses and vine in his hair.
'Tis the city of Lovers,
There many paths meet.
Blessed he above others,
With faltering feet,
Who past its proud spires
Intends not nor hears
The noise of its lyres
Grow faint in his ears!
Men reach it through portals of triumph, but leave through a postern of tears.
It was thither, ambitious,
We came for Youth's right,
When our lips yearned for kisses
As moths for the light,
When our souls cried for Love
As for life-giving rain
Wan leaves of the grove,
Withered grass of the plain,
And our flesh ached for Love-flesh beside it with bitter, intolerable pain.
Under arbor and trellis,
Full of flutes, full of flowers,
What mad fortunes befell us,
What glad orgies were ours!
In the days of our youth,
In our festal attire,
When the sweet flesh was smooth,
When the swift blood was fire,
And all Earth paid in orange and purple to pavilion the bed of Desire!
|
Written by
Marge Piercy |
1.
The dark socket of the year
the pit, the cave where the sun lies down
and threatens never to rise,
when despair descends softly as the snow
covering all paths and choking roads:
then hawkfaced pain seized you
threw you so you fell with a sharp
cry, a knife tearing a bolt of silk.
My father heard the crash but paid
no mind, napping after lunch
yet fifteen hundred miles north
I heard and dropped a dish.
Your pain sunk talons in my skull
and crouched there cawing, heavy
as a great vessel filled with water,
oil or blood, till suddenly next day
the weight lifted and I knew your mind
had guttered out like the Chanukah
candles that burn so fast, weeping
veils of wax down the chanukiya.
Those candles were laid out,
friends invited, ingredients bought
for latkes and apple pancakes,
that holiday for liberation
and the winter solstice
when tops turn like little planets.
Shall you have all or nothing
take half or pass by untouched?
Nothing you got, Nun said the dreydl
as the room stopped spinning.
The angel folded you up like laundry
your body thin as an empty dress.
Your clothes were curtains
hanging on the window of what had
been your flesh and now was glass.
Outside in Florida shopping plazas
loudspeakers blared Christmas carols
and palm trees were decked with blinking
lights. Except by the tourist
hotels, the beaches were empty.
Pelicans with pregnant pouches
flapped overhead like pterodactyls.
In my mind I felt you die.
First the pain lifted and then
you flickered and went out.
2.
I walk through the rooms of memory.
Sometimes everything is shrouded in dropcloths,
every chair ghostly and muted.
Other times memory lights up from within
bustling scenes acted just the other side
of a scrim through which surely I could reach
my fingers tearing at the flimsy curtain
of time which is and isn't and will be
the stuff of which we're made and unmade.
In sleep the other night I met you, seventeen
your first nasty marriage just annulled,
thin from your abortion, clutching a book
against your cheek and trying to look
older, trying to took middle class,
trying for a job at Wanamaker's,
dressing for parties in cast off
stage costumes of your sisters. Your eyes
were hazy with dreams. You did not
notice me waving as you wandered
past and I saw your slip was showing.
You stood still while I fixed your clothes,
as if I were your mother. Remember me
combing your springy black hair, ringlets
that seemed metallic, glittering;
remember me dressing you, my seventy year
old mother who was my last dollbaby,
giving you too late what your youth had wanted.
3.
What is this mask of skin we wear,
what is this dress of flesh,
this coat of few colors and little hair?
This voluptuous seething heap of desires
and fears, squeaking mice turned up
in a steaming haystack with their babies?
This coat has been handed down, an heirloom
this coat of black hair and ample flesh,
this coat of pale slightly ruddy skin.
This set of hips and thighs, these buttocks
they provided cushioning for my grandmother
Hannah, for my mother Bert and for me
and we all sat on them in turn, those major
muscles on which we walk and walk and walk
over the earth in search of peace and plenty.
My mother is my mirror and I am hers.
What do we see? Our face grown young again,
our breasts grown firm, legs lean and elegant.
Our arms quivering with fat, eyes
set in the bark of wrinkles, hands puffy,
our belly seamed with childbearing,
Give me your dress that I might try it on.
Oh it will not fit you mother, you are too fat.
I will not fit you mother.
I will not be the bride you can dress,
the obedient dutiful daughter you would chew,
a dog's leather bone to sharpen your teeth.
You strike me sometimes just to hear the sound.
Loneliness turns your fingers into hooks
barbed and drawing blood with their caress.
My twin, my sister, my lost love,
I carry you in me like an embryo
as once you carried me.
4.
What is it we turn from, what is it we fear?
Did I truly think you could put me back inside?
Did I think I would fall into you as into a molten
furnace and be recast, that I would become you?
What did you fear in me, the child who wore
your hair, the woman who let that black hair
grow long as a banner of darkness, when you
a proper flapper wore yours cropped?
You pushed and you pulled on my rubbery
flesh, you kneaded me like a ball of dough.
Rise, rise, and then you pounded me flat.
Secretly the bones formed in the bread.
I became willful, private as a cat.
You never knew what alleys I had wandered.
You called me bad and I posed like a gutter
queen in a dress sewn of knives.
All I feared was being stuck in a box
with a lid. A good woman appeared to me
indistinguishable from a dead one
except that she worked all the time.
Your payday never came. Your dreams ran
with bright colors like Mexican cottons
that bled onto the drab sheets of the day
and would not bleach with scrubbing.
My dear, what you said was one thing
but what you sang was another, sweetly
subversive and dark as blackberries
and I became the daughter of your dream.
This body is your body, ashes now
and roses, but alive in my eyes, my breasts,
my throat, my thighs. You run in me
a tang of salt in the creek waters of my blood,
you sing in my mind like wine. What you
did not dare in your life you dare in mine.
|
Written by
Robert Desnos |
Far from me and like the stars, the sea and all the trappings of poetic myth,
Far from me but here all the same without your knowing,
Far from me and even more silent because I imagine you endlessly.
Far from me, my lovely mirage and eternal dream, you cannot know.
If you only knew.
Far from me and even farther yet from being unaware of me and still unaware.
Far from me because you undoubtedly do not love me or, what amounts to the
same thing, that I doubt you do.
Far from me because you consciously ignore my passionate desires.
Far from me because you are cruel.
If you only knew.
Far from me, joyful as a flower dancing in the river at the tip of its aquatic stem,
sad as seven p.m. in a mushroom bed.
Far from me yet silent in my presence and still joyful like a stork-shaped hour
falling from on high.
Far from me at the moment when the stills are singing, at the moment when the
silent and loud sea curls up on its white pillows.
If you only knew.
Far from me, o my ever-present torment, far from me in the magnificent noise of
oyster shells crushed by a night owl passing a restaurant at first light.
If you only knew.
Far from me, willed, physical mirage.
Far from me there's an island that turns aside when ships pass.
Far from me a calm herd of cattle takes the wrong path, pulls up stubbornly at the
edge of a steep cliff, far from me, cruel woman.
Far from me, a shooting star falls into the poet's nightly bottle.
He corks it right away and from then on watches the star enclosed in the glass, the
constellations born on its walls, far from me, you are so far from me.
If you only knew.
Far from me a house has just been built.
A bricklayer in white coveralls at the top of the scaffolding sings a very sad little
song and, suddenly, in the tray full of mortar, the future of the house appears:
lovers' kisses and double suicides nakedness in the bedrooms strange beautiful
women
and their midnight dreams, voluptuous secrets caught in the act by the parquet
floors.
Far from me, If you only knew.
If you only knew how I love you and, though you do not love me, how happy I
am, how strong and proud I am, with your image in my mind,
to leave the universe.
How happy I am to die for it.
If you only knew how the world has yielded to me.
And you, beautiful unyielding woman, how you too are my prisoner.
O you, far-from-me, who I yield to.
If you only knew.
|
Written by
Emma Lazarus |
Prelude
Blue storm-clouds in hot heavens of mid-July
Hung heavy, brooding over land and sea:
Our hearts, a-tremble, throbbed in harmony
With the wild, restless tone of air and sky.
Shall we not call im Prospero who held
In his enchanted hands the fateful key
Of that tempestuous hour's mystery,
And with controlling wand our spirits spelled,
With him to wander by a sun-bright shore,
To hear fine, fairy voices, and to fly
With disembodied Ariel once more
Above earth's wrack and ruin? Far and nigh
The laughter of the thunder echoed loud,
And harmless lightnings leapt from cloud to cloud.
I
Floating upon a swelling wave of sound,
We seemed to overlook an endless sea:
Poised 'twixt clear heavens and glittering surf were we.
We drank the air in flight: we knew no bound
To the audacious ventures of desire.
Nigh us the sun was dropping, drowned in gold;
Deep, deep below the burning billows rolled;
And all the sea sang like a smitten lyre.
Oh, the wild voices of those chanting waves!
The human faces glimpsed beneath the tide!
Familiar eyes gazed from profound sea-caves,
And we, exalted, were as we had died.
We knew the sea was Life, the harmonious cry
The blended discords of humanity.
II
Look deeper yet: mark 'midst the wave-blurred mass,
In lines distinct, in colors clear defined,
The typic groups and figures of mankind.
Behold within the cool and liquid glass
Bright child-folk sporting with smooth yellow shells,
Astride of dolphins, leaping up to kiss
Fair mother-faces. From the vast abyss
How joyously their thought-free laughter wells!
Some slumber in grim caverns unafraid,
Lulled by the overwhelming water's sound,
And some make mouths at dragons, undismayed.
Oh dauntless innocence! The gulfs profound
Reëcho strangely with their ringing glee,
And with wise mermaids' plaintive melody.
III
What do the sea-nymphs in that coral cave?
With wondering eyes their supple forms they bend
O'er something rarely beautiful. They lend
Their lithe white arms, and through the golden wave
They lift it tenderly. Oh blinding sight!
A naked, radiant goddess, tranced in sleep,
Full-limbed, voluptuous, 'neath the mantling sweep
Of auburn locks that kiss her ankles white!
Upward they bear her, chanting low and sweet:
The clinging waters part before their way,
Jewels of flame are dancing 'neath their feet.
Up in the sunshine, on soft foam, they lay
Their precious burden, and return forlorn.
Oh, bliss! oh, anguish! Mortals, Love is born!
IV
Hark! from unfathomable deeps a dirge
Swells sobbing through the melancholy air:
Where love has entered, Death is also there.
The wail outrings the chafed, tumultuous surge;
Ocean and earth, the illimitable skies,
Prolong one note, a mourning for the dead,
The cry of souls not to be comforted.
What piercing music! Funeral visions rise,
And send the hot tears raining down our cheek.
We see the silent grave upon the hill
With its lone lilac-bush. O heart, be still!
She will not rise, she will not stir nor speak.
Surely, the unreturning dead are blest.
Ring on, sweet dirge, and knell us to our rest!
V
Upon the silver beach the undines dance
With interlinking arms and flying hair;
Like polished marble gleam their limbs left bare;
Upon their virgin rites pale moonbeams glance.
Softer the music! for their foam-bright feet
Print not the moist floor where they trip their round:
Affrighted they will scatter at a sound,
Leap in their cool sea-chambers, nibly fleet,
And we shall doubt that we have ever seen,
While our sane eyes behold stray wreaths of mist,
Shot with faint colors by the moon-rays kissed,
Floating snow-soft, snow-white, where these had been.
Already, look! the wave-washed sands are bare,
And mocking laughter ripples through the air.
VI
Divided 'twixt the dream-world and the real,
We heard the waxing passion of the song
Soar as to scale the heavens on pinions strong.
Amidst the long-reverberant thunder-peal,
Against the rain-blurred square of light, the head
Of the pale poet at the lyric keys
Stood boldly cut, absorbed in reveries,
While over it keen-bladed lightnings played.
"Rage on, wild storm!" the music seemed to sing:
"Not all the thunders of thy wrath can move
The soul that's dedicate to worshipping
Eternal Beauty, everlasting Love."
No more! the song was ended, and behold,
A rainbow trembling on a sky of gold!
Epilogue
Forth in the sunlit, rain-bathed air we stepped,
Sweet with the dripping grass and flowering vine,
And saw through irised clouds the pale sun shine.
Back o'er the hills the rain-mist slowly crept
Like a transparent curtain's silvery sheen;
And fronting us the painted bow was arched,
Whereunder the majestic cloud-shapes marched:
In the wet, yellow light the dazzling green
Of lawn and bush and tree seemed stained with blue.
Our hearts o'erflowed with peace. With smiles we spake
Of partings in the past, of courage new,
Of high achievement, of the dreams that make
A wonder and a glory of our days,
And all life's music but a hymn of praise.
|
Written by
William Carlos (WCW) Williams |
The pure products of America
go crazy—
mountain folk from Kentucky
or the ribbed north end of
Jersey
with its isolate lakes and
valleys, its deaf-mutes, thieves
old names
and promiscuity between
devil-may-care men who have taken
to railroading
out of sheer lust of adventure—
and young slatterns, bathed
in filth
from Monday to Saturday
to be tricked out that night
with gauds
from imaginations which have no
peasant traditions to give them
character
but flutter and flaunt
sheer rags-succumbing without
emotion
save numbed terror
under some hedge of choke-cherry
or viburnum-
which they cannot express—
Unless it be that marriage
perhaps
with a dash of Indian blood
will throw up a girl so desolate
so hemmed round
with disease or murder
that she'll be rescued by an
agent—
reared by the state and
sent out at fifteen to work in
some hard-pressed
house in the suburbs—
some doctor's family, some Elsie—
voluptuous water
expressing with broken
brain the truth about us—
her great
ungainly hips and flopping breasts
addressed to cheap
jewelry
and rich young men with fine eyes
as if the earth under our feet
were
an excrement of some sky
and we degraded prisoners
destined
to hunger until we eat filth
while the imagination strains
after deer
going by fields of goldenrod in
the stifling heat of September
Somehow
it seems to destroy us
It is only in isolate flecks that
something
is given off
No one
to witness
and adjust, no one to drive the car
|
Written by
Friedrich von Schiller |
Hark where the bells toll, chiming, dull and steady,
The clock's slow hand hath reached the appointed time.
Well, be it so--prepare, my soul is ready,
Companions of the grave--the rest for crime!
Now take, O world! my last farewell--receiving
My parting kisses--in these tears they dwell!
Sweet are thy poisons while we taste believing,
Now we are quits--heart-poisoner, fare-thee-well!
Farewell, ye suns that once to joy invited,
Changed for the mould beneath the funeral shade;
Farewell, farewell, thou rosy time delighted,
Luring to soft desire the careless maid,
Pale gossamers of gold, farewell, sweet dreaming
Fancies--the children that an Eden bore!
Blossoms that died while dawn itself was gleaming,
Opening in happy sunlight never more.
Swanlike the robe which innocence bestowing,
Decked with the virgin favors, rosy fair,
In the gay time when many a young rose glowing,
Blushed through the loose train of the amber hair.
Woe, woe! as white the robe that decks me now--
The shroud-like robe hell's destined victim wears;
Still shall the fillet bind this burning brow--
That sable braid the Doomsman's hand prepares!
Weep ye, who never fell-for whom, unerring,
The soul's white lilies keep their virgin hue,
Ye who when thoughts so danger-sweet are stirring,
Take the stern strength that Nature gives the few!
Woe, for too human was this fond heart's feeling--
Feeling!--my sin's avenger doomed to be;
Woe--for the false man's arm around me stealing,
Stole the lulled virtue, charmed to sleep, from me.
Ah, he perhaps shall, round another sighing
(Forgot the serpents stinging at my breast),
Gayly, when I in the dumb grave am lying,
Pour the warm wish or speed the wanton jest,
Or play, perchance, with his new maiden's tresses,
Answer the kiss her lip enamored brings,
When the dread block the head he cradled presses,
And high the blood his kiss once fevered springs.
Thee, Francis, Francis, league on league, shall follow
The death-dirge of the Lucy once so dear;
From yonder steeple dismal, dull, and hollow,
Shall knell the warning horror on thy ear.
On thy fresh leman's lips when love is dawning,
And the lisped music glides from that sweet well--
Lo, in that breast a red wound shall be yawning,
And, in the midst of rapture, warn of hell!
Betrayer, what! thy soul relentless closing
To grief--the woman-shame no art can heal--
To that small life beneath my heart reposing!
Man, man, the wild beast for its young can feel!
Proud flew the sails--receding from the land,
I watched them waning from the wistful eye,
Round the gay maids on Seine's voluptuous strand,
Breathes the false incense of his fatal sigh.
And there the babe! there, on the mother's bosom,
Lulled in its sweet and golden rest it lay,
Fresh in life's morning as a rosy blossom,
It smiled, poor harmless one, my tears away.
Deathlike yet lovely, every feature speaking
In such dear calm and beauty to my sadness,
And cradled still the mother's heart, in breaking,
The softening love and the despairing madness.
"Woman, where is my father?" freezing through me,
Lisped the mute innocence with thunder-sound;
"Woman, where is thy husband?"--called unto me,
In every look, word, whisper, busying round!
Alas, for thee, there is no father's kiss;--
He fondleth other children on his knee.
How thou wilt curse our momentary bliss,
When bastard on thy name shall branded be!
Thy mother--oh, a hell her heart concealeth,
Lone-sitting, lone in social nature's all!
Thirsting for that glad fount thy love revealeth,
While still thy look the glad fount turns to gall.
In every infant cry my soul is hearkening,
The haunting happiness forever o'er,
And all the bitterness of death is darkening
The heavenly looks that smiled mine eyes before.
Hell, if my sight those looks a moment misses--
Hell, when my sight upon those looks is turned--
The avenging furies madden in thy kisses,
That slept in his what time my lips they burned.
Out from their graves his oaths spoke back in thunder!
The perjury stalked like murder in the sun--
Forever--God!--sense, reason, soul, sunk under--
The deed was done!
Francis, O Francis! league on league shall chase thee
The shadows hurrying grimly on thy flight--
Still with their icy arms they shall embrace thee,
And mutter thunder in thy dream's delight!
Down from the soft stars, in their tranquil glory,
Shall look thy dead child with a ghastly stare;
That shape shall haunt thee in its cerements gory,
And scourge thee back from heaven--its home is there!
Lifeless--how lifeless!--see, oh see, before me
It lies cold--stiff--O God!--and with that blood
I feel, as swoops the dizzy darkness o'er me
Mine own life mingled--ebbing in the flood--
Hark, at the door they knock--more loud within me--
More awful still--its sound the dread heart gave!
Gladly I welcome the cold arms that win me--
Fire, quench thy tortures in the icy grave!
Francis--a God that pardons dwells in heaven--
Francis, the sinner--yes--she pardons thee--
So let my wrongs unto the earth be given
Flame seize the wood!--it burns--it kindles--see!
There--there his letters cast--behold are ashes--
His vows--the conquering fire consumes them here
His kisses--see--see--all are only ashes--
All, all--the all that once on earth were dear!
Trust not the roses which your youth enjoyeth,
Sisters, to man's faith, changeful as the moon!
Beauty to me brought guilt--its bloom destroyeth
Lo, in the judgment court I curse the boon
Tears in the headsman's gaze--what tears?--'tis spoken!
Quick, bind mine eyes--all soon shall be forgot--
Doomsman--the lily hast thou never broken?
Pale Doomsman--tremble not!
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Written by
Charles Baudelaire |
LONG since, I lived beneath vast porticoes,
By many ocean-sunsets tinged and fired,
Where mighty pillars, in majestic rows,
Seemed like basaltic caves when day expired.
The rolling surge that mirrored all the skies
Mingled its music, turbulent and rich,
Solemn and mystic, with the colours which
The setting sun reflected in my eyes.
And there I lived amid voluptuous calms,
In splendours of blue sky and wandering wave,
Tended by many a naked, perfumed slave,
Who fanned my languid brow with waving palms.
They were my slaves--the only care they had
To know what secret grief had made me sad.
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Written by
John Keats |
Physician Nature! Let my spirit blood!
O ease my heart of verse and let me rest;
Throw me upon thy Tripod, till the flood
Of stifling numbers ebbs from my full breast.
A theme! a theme! great nature! give a theme;
Let me begin my dream.
I come -- I see thee, as thou standest there,
Beckon me not into the wintry air.
Ah! dearest love, sweet home of all my fears,
And hopes, and joys, and panting miseries, --
To-night, if I may guess, thy beauty wears
A smile of such delight,
As brilliant and as bright,
As when with ravished, aching, vassal eyes,
Lost in soft amaze,
I gaze, I gaze!
Who now, with greedy looks, eats up my feast?
What stare outfaces now my silver moon!
Ah! keep that hand unravished at the least;
Let, let, the amorous burn --
But pr'ythee, do not turn
The current of your heart from me so soon.
O! save, in charity,
The quickest pulse for me.
Save it for me, sweet love! though music breathe
Voluptuous visions into the warm air;
Though swimming through the dance's dangerous wreath,
Be like an April day,
Smiling and cold and gay,
A temperate lilly, temperate as fair;
Then, Heaven! there will be
A warmer June for me.
Why, this, you'll say, my Fanny! is not true:
Put your soft hand upon your snowy side,
Where the heart beats: confess -- 'tis nothing new --
Must not a woman be
A feather on the sea,
Sway'd to and fro by every wind and tide?
Of as uncertain speed
As blow-ball from the mead?
I know it -- and to know it is despair
To one who loves you as I love, sweet Fanny!
Whose heart goes fluttering for you every where,
Nor, when away you roam,
Dare keep its wretched home,
Love, love alone, his pains severe and many:
Then, loveliest! keep me free,
From torturing jealousy.
Ah! if you prize my subdued soul above
The poor, the fading, brief, pride of an hour;
Let none profane my Holy See of love,
Or with a rude hand break
The sacramental cake:
Let none else touch the just new-budded flower;
If not -- may my eyes close,
Love! on their lost repose.
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Written by
Sarojini Naidu |
EYES ravished with rapture, celestially panting, what passionate bosoms aflaming with fire
Drink deep of the hush of the hyacinth heavens that glimmer around them in fountains of light;
O wild and entrancing the strain of keen music that cleaveth the stars like a wail of desire,
And beautiful dancers with houri-like faces bewitch the voluptuous watches of night.
The scents of red roses and sandalwood flutter and die in the maze of their gem-tangled hair,
And smiles are entwining like magical serpents the poppies of lips that are opiate-sweet;
Their glittering garments of purple are burning like tremulous dawns in the quivering air,
And exquisite, subtle and slow are the tinkle and tread of their rhythmical, slumber-soft feet.
Now silent, now singing and swaying and swinging, like blossoms that bend to the breezes or showers,
Now wantonly winding, they flash, now they falter, and, lingering, languish in radiant choir;
Their jewel-girt arms and warm, wavering, lily-long fingers enchant through melodious hours,
Eyes ravished with rapture, celestially panting, what passionate bosoms aflaming with fire!
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Written by
Francesco Petrarch |
SONNET VII. La gola e 'l sonno e l' oziose piume. TO A FRIEND, ENCOURAGING HIM TO PURSUE POETRY. Torn is each virtue from its earthly throneBy sloth, intemperance, and voluptuous ease;E'en nature deviates from her wonted ways,Too much the slave of vicious custom grown.Far hence is every light celestial gone,That guides mankind through life's perplexing maze;And those, whom Helicon's sweet waters please,From mocking crowds receive contempt alone.Who now would laurel, myrtle-wreaths obtain?Let want, let shame, Philosophy attend!Cries the base world, intent on sordid gain.[Pg 7]What though thy favourite path be trod by few;Let it but urge thee more, dear gentle friend!Thy great design of glory to pursue. Anon. Intemperance, slumber, and the slothful downHave chased each virtue from this world away;Hence is our nature nearly led astrayFrom its due course, by habitude o'erthrown;Those kindly lights of heaven so dim are grown,Which shed o'er human life instruction's ray;That him with scornful wonder they survey,Who would draw forth the stream of Helicon."Whom doth the laurel please, or myrtle now?Naked and poor, Philosophy, art thou!"The worthless crowd, intent on lucre, cries.Few on thy chosen road will thee attend;Yet let it more incite thee, gentle friend,To prosecute thy high-conceived emprize. Nott.
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