Paris

Read 'Paris' by 'Alan Seeger' and provide your summary and literary analysis in the comments section below.

Paris by Alan Seeger

 First, London, for its myriads; for its height, 
Manhattan heaped in towering stalagmite; 
But Paris for the smoothness of the paths 
That lead the heart unto the heart's delight. . . . 


Fair loiterer on the threshold of those days 
When there's no lovelier prize the world displays 
Than, having beauty and your twenty years, 
You have the means to conquer and the ways, 


And coming where the crossroads separate 
And down each vista glories and wonders wait, 
Crowning each path with pinnacles so fair 
You know not which to choose, and hesitate -- 


Oh, go to Paris. . . . In the midday gloom 
Of some old quarter take a little room 
That looks off over Paris and its towers 
From Saint Gervais round to the Emperor's Tomb, -- 


So high that you can hear a mating dove 
Croon down the chimney from the roof above, 
See Notre Dame and know how sweet it is 
To wake between Our Lady and our love. 


And have a little balcony to bring 
Fair plants to fill with verdure and blossoming, 
That sparrows seek, to feed from pretty hands, 
And swallows circle over in the Spring. 


There of an evening you shall sit at ease 
In the sweet month of flowering chestnut-trees, 
There with your little darling in your arms, 
Your pretty dark-eyed Manon or Louise. 


And looking out over the domes and towers 
That chime the fleeting quarters and the hours, 
While the bright clouds banked eastward back of them 
Blush in the sunset, pink as hawthorn flowers, 


You cannot fail to think, as I have done, 
Some of life's ends attained, so you be one 
Who measures life's attainment by the hours 
That Joy has rescued from oblivion. 

II 


Come out into the evening streets. The green light lessens in the west. 
The city laughs and liveliest her fervid pulse of pleasure beats. 


The belfry on Saint Severin strikes eight across the smoking eaves: 
Come out under the lights and leaves 
to the Reine Blanche on Saint Germain. . . . 


Now crowded diners fill the floor of brasserie and restaurant. 
Shrill voices cry "L'Intransigeant," and corners echo "Paris-Sport." 


Where rows of tables from the street are screened with shoots of box and bay, 
The ragged minstrels sing and play and gather sous from those that eat. 


And old men stand with menu-cards, inviting passers-by to dine 
On the bright terraces that line the Latin Quarter boulevards. . . . 


But, having drunk and eaten well, 'tis pleasant then to stroll along 
And mingle with the merry throng that promenades on Saint Michel. 


Here saunter types of every sort. The shoddy jostle with the chic: 
Turk and Roumanian and Greek; student and officer and sport; 


Slavs with their peasant, Christ-like heads, 
and courtezans like powdered moths, 
And peddlers from Algiers, with cloths 
bright-hued and stitched with golden threads; 


And painters with big, serious eyes go rapt in dreams, fantastic shapes 
In corduroys and Spanish capes and locks uncut and flowing ties; 


And lovers wander two by two, oblivious among the press, 
And making one of them no less, all lovers shall be dear to you: 


All laughing lips you move among, all happy hearts that, knowing what 
Makes life worth while, have wasted not the sweet reprieve of being young. 


"Comment ca va!" "Mon vieux!" "Mon cher!" 
Friends greet and banter as they pass. 
'Tis sweet to see among the mass comrades and lovers everywhere, 


A law that's sane, a Love that's free, and men of every birth and blood 
Allied in one great brotherhood of Art and Joy and Poverty. . . . 


The open cafe-windows frame loungers at their liqueurs and beer, 
And walking past them one can hear fragments of Tosca and Boheme. 


And in the brilliant-lighted door of cinemas the barker calls, 
And lurid posters paint the walls with scenes of Love and crime and war. 


But follow past the flaming lights, borne onward with the stream of feet, 
Where Bullier's further up the street is marvellous on Thursday nights. 


Here all Bohemia flocks apace; you could not often find elsewhere 
So many happy heads and fair assembled in one time and place. 


Under the glare and noise and heat the galaxy of dancing whirls, 
Smokers, with covered heads, and girls dressed in the costume of the street. 


From tables packed around the wall the crowds that drink and frolic there 
Spin serpentines into the air far out over the reeking hall, 


That, settling where the coils unroll, tangle with pink and green and blue 
The crowds that rag to "Hitchy-koo" and boston to the "Barcarole". . . . 


Here Mimi ventures, at fifteen, to make her debut in romance, 
And join her sisters in the dance and see the life that they have seen. 


Her hair, a tight hat just allows to brush beneath the narrow brim, 
Docked, in the model's present whim, `frise' and banged above the brows. 


Uncorseted, her clinging dress with every step and turn betrays, 
In pretty and provoking ways her adolescent loveliness, 


As guiding Gaby or Lucile she dances, emulating them 
In each disturbing stratagem and each lascivious appeal. 


Each turn a challenge, every pose an invitation to compete, 
Along the maze of whirling feet the grave-eyed little wanton goes, 


And, flaunting all the hue that lies in childish cheeks and nubile waist, 
She passes, charmingly unchaste, illumining ignoble eyes. . . . 


But now the blood from every heart leaps madder through abounding veins 
As first the fascinating strains of "El Irresistible" start. 


Caught in the spell of pulsing sound, impatient elbows lift and yield 
The scented softnesses they shield to arms that catch and close them round, 


Surrender, swift to be possessed, the silken supple forms beneath 
To all the bliss the measures breathe and all the madness they suggest. 


Crowds congregate and make a ring. Four deep they stand and strain to see 
The tango in its ecstasy of glowing lives that clasp and cling. 


Lithe limbs relaxed, exalted eyes fastened on vacancy, they seem 
To float upon the perfumed stream of some voluptuous Paradise, 


Or, rapt in some Arabian Night, to rock there, cradled and subdued, 
In a luxurious lassitude of rhythm and sensual delight. 


And only when the measures cease and terminate the flowing dance 
They waken from their magic trance and join the cries that clamor "Bis!" . . . 


Midnight adjourns the festival. The couples climb the crowded stair, 
And out into the warm night air go singing fragments of the ball. 


Close-folded in desire they pass, or stop to drink and talk awhile 
In the cafes along the mile from Bullier's back to Montparnasse: 


The "Closerie" or "La Rotonde", where smoking, under lamplit trees, 
Sit Art's enamored devotees, chatting across their `brune' and `blonde'. . . . 


Make one of them and come to know sweet Paris -- not as many do, 
Seeing but the folly of the few, the froth, the tinsel, and the show -- 


But taking some white proffered hand that from Earth's barren every day 
Can lead you by the shortest way into Love's florid fairyland. 


And that divine enchanted life that lurks under Life's common guise -- 
That city of romance that lies within the City's toil and strife -- 


Shall, knocking, open to your hands, for Love is all its golden key, 
And one's name murmured tenderly the only magic it demands. 


And when all else is gray and void in the vast gulf of memory, 
Green islands of delight shall be all blessed moments so enjoyed: 


When vaulted with the city skies, on its cathedral floors you stood, 
And, priest of a bright brotherhood, performed the mystic sacrifice, 


At Love's high altar fit to stand, with fire and incense aureoled, 
The celebrant in cloth of gold with Spring and Youth on either hand. 

III 


Choral Song 


Have ye gazed on its grandeur 
Or stood where it stands 
With opal and amber 
Adorning the lands, 
And orcharded domes 
Of the hue of all flowers? 
Sweet melody roams 
Through its blossoming bowers, 
Sweet bells usher in from its belfries the train of the honey-sweet hour. 


A city resplendent, 
Fulfilled of good things, 
On its ramparts are pendent 
The bucklers of kings. 
Broad banners unfurled 
Are afloat in its air. 
The lords of the world 
Look for harborage there. 
None finds save he comes as a bridegroom, having roses and vine in his hair. 


'Tis the city of Lovers, 
There many paths meet. 
Blessed he above others, 
With faltering feet, 
Who past its proud spires 
Intends not nor hears 
The noise of its lyres 
Grow faint in his ears! 
Men reach it through portals of triumph, but leave through a postern of tears. 


It was thither, ambitious, 
We came for Youth's right, 
When our lips yearned for kisses 
As moths for the light, 
When our souls cried for Love 
As for life-giving rain 
Wan leaves of the grove, 
Withered grass of the plain, 
And our flesh ached for Love-flesh beside it with bitter, intolerable pain. 


Under arbor and trellis, 
Full of flutes, full of flowers, 
What mad fortunes befell us, 
What glad orgies were ours! 
In the days of our youth, 
In our festal attire, 
When the sweet flesh was smooth, 
When the swift blood was fire, 
And all Earth paid in orange and purple to pavilion the bed of Desire!

Form: Lyric Comments

Paris Summary and Analysis

Alan Seeger presents Paris as both a real city and an ideal of youthful possibility. The poem begins by comparing great cities, yet quickly makes Paris seem uniquely suited to romance, pleasure, art, and the education of the heart. In the first section, the city appears through elevated views, quiet rooms, balconies, and evening light, all framed as the setting for a young life that has not yet settled into routine. The emphasis is less on sightseeing than on a way of living: to be young in Paris is to be placed near beauty, companionship, and the chance to feel life intensely.

The poem then moves downward into the streets, cafés, and dance halls, where Paris becomes crowded, noisy, mixed, and modern. Seeger lingers over students, artists, lovers, workers, and revelers, treating their diversity as part of the city's charm and as evidence of a freer social world. Yet there is a tension beneath the celebration: the poem knowingly notices fashion, sensuality, and performance, but tries to redeem these surfaces by insisting that they open onto something deeper, a kind of "Love's florid fairyland." The final choral section broadens the vision into a ceremonial tribute, turning Paris into a symbolic city of desire, memory, and initiation, where youthful longing is transformed into an almost sacred experience.

Tone in Paris

Seeger's tone is celebratory, affectionate, and deliberately seductive, as if he wants the reader to fall in love with the city alongside him. The mood, however, is more layered than simple exuberance: the brightness of lamps, music, flowers, and dance carries an undertone of fleetingness, reminding the reader that these pleasures are temporary and must be seized while they last. The result is a poem that feels at once festive and wistful, with admiration always shadowed by the awareness that memory will outlive the moment.

This literary analysis was generated with AI and may contain interpretive differences. Provide your analysis in the comments section.

Themes in Paris

  • Youth and possibility - Paris is imagined as the place where youth can turn beauty, freedom, and ambition into memorable experience before life hardens into habit.
  • Love as a form of revelation - The poem treats romance not simply as private feeling but as a doorway into a larger, more radiant understanding of existence.
  • City life and modern pleasure - Cafés, dances, streets, and crowds create a lively urban world where art, fashion, and appetite blend together.
  • Art and bohemian community - Paris is portrayed as a gathering place for painters, students, musicians, and lovers, suggesting a culture that values creative and unconventional life.
  • Surface and depth - The poem repeatedly acknowledges spectacle, fashion, and social performance, yet argues that these visible things can still shelter authentic feeling.
  • Memory and longing - The closing movement turns the city into a recollection of intense moments that survive long after the experience itself has passed.

Literary Devices in Paris

  • Apostrophe - The poem directly addresses the reader and invites them into Paris, making the city feel immediate and personally available.
  • Imagery - Seeger builds Paris through visual, auditory, and tactile detail, from rooftops and balconies to music, lights, and dancing bodies.
  • Cataloging - Lists of streets, social types, cafés, and activities create a crowded impression of urban abundance and variety.
  • Metaphor - Paris is figured as a kind of fairyland, altar, and city of lovers, lifting ordinary urban life into symbolic significance.
  • Contrast - The poem shifts between high views and street-level bustle, between innocence and sensuality, and between beauty and commerce.
  • Repetition - Recurring references to love, youth, and delight reinforce the poem's insistence on emotional intensity as the city's true value.
  • Enjambment - The flowing lines help mimic the movement of strolling, dancing, and drifting through Parisian spaces.
  • Musical allusion - References to songs, opera, and choral voice give the poem a social rhythm that matches its festive atmosphere.

Symbolism in Paris

  • Paris - The city stands for romantic experience, artistic freedom, and the promise of a fuller life.
  • Balcony - The balcony suggests an elevated vantage point from which private feeling and public beauty can meet.
  • Notre Dame - The cathedral helps link love with spiritual grandeur, making the city feel almost consecrated.
  • Tango - The dance symbolizes sensual abandon and the contagious force of desire.
  • Cafés and brasseries - These gathering places represent modern sociability, conversation, and the mingling of classes and tastes.
  • Spring and chestnut blossoms - Seasonal bloom symbolizes youth, renewal, and the brief brilliance of pleasure.

Historical Context of Paris

Paris has long held a special place in modern literature as a center of art, pleasure, and cosmopolitan life, especially for writers and artists drawn to cafés, bohemian culture, and the freedoms of the city. Seeger's poem reflects that tradition, presenting Paris as a meeting ground for diverse classes, nationalities, and creative temperaments. Its attention to nightlife, dance halls, and urban spectacle also fits the broad early twentieth-century fascination with modern city life.

The poem's elevated, musical diction belongs to a tradition of lyric celebration that transforms a contemporary setting into something emblematic. Rather than documenting Paris in a strictly realistic way, the poem filters it through a romantic and idealizing lens, turning the city into a symbol of youthful aspiration and emotional awakening.

Poems Similar to Paris

  • The Love Song of J. Alfred Prufrock - T. S. Eliot
  • Ode to a Nightingale - John Keats
  • A Birthday - Christina Rossetti
  • Song of the Wandering Aengus - W. B. Yeats
  • Under the Viaduct - Claude McKay

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