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Best Famous Unsure Poems

Here is a collection of the all-time best famous Unsure poems. This is a select list of the best famous Unsure poetry. Reading, writing, and enjoying famous Unsure poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of unsure poems.

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Written by Philip Levine | Create an image from this poem

The Negatives

 On March 1, 1958, four deserters from the French Army of North Africa, 
August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a 
government pay station at Orleansville.
Because of the subsequent confession of Dauville the other three were captured or shot.
Dauville was given his freedom and returned to the land of his birth, the U.
S.
A.
AUGUST REIN: from a last camp near St.
Remy I dig in the soft earth all afternoon, spacing the holes a foot or so from the wall.
Tonight we eat potatoes, tomorrow rice and carrots.
The earth here is like the earth nowhere, ancient with wood rot.
How can anything come forth, I wonder; and the days are all alike, if there is more than one day.
If there is more of this I will not endure.
I have grown so used to being watched I can no longer sleep without my watcher.
The thing I fought against, the dark cape, crimsoned with terror that I so hated comforts me now.
Thomas is dead; insanity, prison, cowardice, or slow inner capitulation has found us all, and all men turn from us, knowing our pain is not theirs or caused by them.
HENRI BRUETTE: from a hospital in Algiers Dear Suzanne: this letter will not reach you because I can't write it; I have no pencil, no paper, only the blunt end of my anger.
My dear, if I had words how could I report the imperfect failure for which I began to die? I might begin by saying that it was for clarity, though I did not find it in terror: dubiously entered each act, unsure of who I was and what I did, touching my face for fear I was another inside my head I played back pictures of my childhood, of my wife even, for it was in her I found myself beaten, safe, and furthest from the present.
It is her face I see now though all I say is meant for you, her face in the slow agony of sexual release.
I cannot see you.
The dark wall ribbed with spittle on which I play my childhood brings me to this bed, mastered by what I was, betrayed by those I trusted.
The one word my mouth must open to is why.
JACK DAUVILLE: from a hotel in Tampa, Florida From Orleansville we drove south until we reached the hills, then east until the road stopped.
I was nervous and couldn't eat.
Thomas took over, told us when to think and when to ****.
We turned north and reached Blida by first dawn and the City by morning, having dumped our weapons beside an empty road.
We were free.
We parted, and to this hour I haven't seen them, except in photographs: the black hair and torn features of Thomas Delain captured a moment before his death on the pages of the world, smeared in the act.
I tortured myself with their betrayal: alone I hurled them into freedom, inner freedom which I can't find nor ever will until they are dead.
In my mind Delain stands against the wall precise in detail, steadied for the betrayal.
"La France C'Est Moi," he cried, but the irony was lost.
Since I returned to the U.
S.
nothing goes well.
I stay up too late, don't sleep, and am losing weight.
Thomas, I say, is dead, but what use telling myself what I won't believe.
The hotel quiets early at night, the aged brace themselves for another sleep, and offshore the sea quickens its pace.
I am suddenly old, caught in a strange country for which no man would die.
THOMAS DELAIN: from a journal found on his person At night wakened by the freight trains boring through the suburbs of Lyon, I watched first light corrode the darkness, disturb what little wildlife was left in the alleys: birds moved from branch to branch, and the dogs leapt at the garbage.
Winter numbed even the hearts of the young who had only their hearts.
We heard the war coming; the long wait was over, and we moved along the crowded roads south not looking for what lost loves fell by the roadsides.
To flee at all cost, that was my youth.
Here in the African night wakened by what I do not know and shivering in the heat, listen as the men fight with sleep.
Loosed from their weapons they cry out, frightened and young, who have never been children.
Once merely to be strong, to live, was moral.
Within these uniforms we accept the evil we were chosen to deliver, and no act human or benign can free us from ourselves.
Wait, sleep, blind soldiers of a blind will, and listen for that old command dreaming of authority.


Written by William Shakespeare | Create an image from this poem

Carpe Diem

 O mistress mine, where are you roaming? 
O stay and hear! your true-love's coming 
That can sing both high and low; 
Trip no further, pretty sweeting, 
Journey's end in lovers' meeting-- 
Every wise man's son doth know.
What is love? 'tis not hereafter; Present mirth hath present laughter; What's to come is still unsure: In delay there lies no plenty,-- Then come kiss me, Sweet and twenty, Youth's a stuff will not endure.
Written by Ogden Nash | Create an image from this poem

I Do I Will I Have

 How wise I am to have instructed the butler
to instruct the first footman to instruct the second
footman to instruct the doorman to order my carriage;
I am about to volunteer a definition of marriage.
Just as I know that there are two Hagens, Walter and Copen, I know that marriage is a legal and religious alliance entered into by a man who can't sleep with the window shut and a woman who can't sleep with the window open.
Moreover, just as I am unsure of the difference between flora and fauna and flotsam and jetsam, I am quite sure that marriage is the alliance of two people one of whom never remembers birthdays and the other never forgetsam, And he refuses to believe there is a leak in the water pipe or the gas pipe and she is convinced she is about to asphyxiate or drown, And she says Quick get up and get my hairbrushes off the windowsill, it's raining in, and he replies Oh they're all right, it's only raining straight down.
That is why marriage is so much more interesting than divorce, Because it's the only known example of the happy meeting of the immovable object and the irresistible force.
So I hope husbands and wives will continue to debate and combat over everything debatable and combatable, Because I believe a little incompatibility is the spice of life, particularly if he has income and she is pattable.
Written by Wendell Berry | Create an image from this poem

Testament

 1.
Dear relatives and friends, when my last breath Grows large and free in air, don't call it death -- A word to enrich the undertaker and inspire His surly art of imitating life; conspire Against him.
Say that my body cannot now Be improved upon; it has no fault to show To the sly cosmetician.
Say that my flesh Has a perfect compliance with the grass Truer than any it could have striven for.
You will recognize the earth in me, as before I wished to know it in myself: my earth That has been my care and faithful charge from birth, And toward which all my sorrows were surely bound, And all my hopes.
Say that I have found A good solution, and am on my way To the roots.
And say I have left my native clay At last, to be a traveler; that too will be so.
Traveler to where? Say you don't know.
2.
But do not let your ignorance Of my spirit's whereabouts dismay You, or overwhelm your thoughts.
Be careful not to say Anything too final.
Whatever Is unsure is possible, and life is bigger Than flesh.
Beyond reach of thought Let imagination figure Your hope.
That will be generous To me and to yourselves.
Why settle For some know-it-all's despair When the dead may dance to the fiddle Hereafter, for all anybody knows? And remember that the Heavenly soil Need not be too rich to please One who was happy in Port Royal.
I may be already heading back, A new and better man, toward That town.
The thought's unreasonable, But so is life, thank the Lord! 3.
So treat me, even dead, As a man who has a place To go, and something to do.
Don't muck up my face With wax and powder and rouge As one would prettify An unalterable fact To give bitterness the lie.
Admit the native earth My body is and will be, Admit its freedom and Its changeability.
Dress me in the clothes I wore in the day's round.
Lay me in a wooden box.
Put the box in the ground.
4.
Beneath this stone a Berry is planted In his home land, as he wanted.
He has come to the gathering of his kin, Among whom some were worthy men, Farmers mostly, who lived by hand, But one was a cobbler from Ireland, Another played the eternal fool By riding on a circus mule To be remembered in grateful laughter Longer than the rest.
After Doing that they had to do They are at ease here.
Let all of you Who yet for pain find force and voice Look on their peace, and rejoice.
Written by Robert Browning | Create an image from this poem

Rabbi Ben Ezra

 Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'

Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'

Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.
Poor vaunt of life indeed, Were man but formed to feed On joy, to solely seek and find and feast: Such feasting ended, then As sure an end to men; Irks care the crop-full bird? Frets doubt the maw-crammed beast? Rejoice we are allied To That which doth provide And not partake, effect and not receive! A spark disturbs our clod; Nearer we hold of God Who gives, than of His tribes that take, I must believe.
Then, welcome each rebuff That turns earth's smoothness rough, Each sting that bids nor sit nor stand but go! Be our joys three-parts pain! Strive, and hold cheap the strain; Learn, nor account the pang; dare, never grudge the throe! For thence,--a paradox Which comforts while it mocks,-- Shall life succeed in that it seems to fail: What I aspired to be, And was not, comforts me: A brute I might have been, but would not sink i' the scale.
What is he but a brute Whose flesh has soul to suit, Whose spirit works lest arms and legs want play? To man, propose this test-- Thy body at its best, How far can that project thy soul on its lone way? Yet gifts should prove their use: I own the Past profuse Of power each side, perfection every turn: Eyes, ears took in their dole, Brain treasured up the whole; Should not the heart beat once 'How good to live and learn?' Not once beat 'Praise be Thine! I see the whole design, I, who saw power, see now love perfect too: Perfect I call Thy plan: Thanks that I was a man! Maker, remake, complete,--I trust what Thou shalt do!' For pleasant is this flesh; Our soul, in its rose-mesh Pulled ever to the earth, still yearns for rest; Would we some prize might hold To match those manifold Possessions of the brute,--gain most, as we did best! Let us not always say, 'Spite of this flesh to-day I strove, made head, gained ground upon the whole!' As the bird wings and sings, Let us cry 'All good things Are ours, nor soul helps flesh more, now, than flesh helps soul!' Therefore I summon age To grant youth's heritage, Life's struggle having so far reached its term: Thence shall I pass, approved A man, for aye removed From the developed brute; a god though in the germ.
And I shall thereupon Take rest, ere I be gone Once more on my adventure brave and new: Fearless and unperplexed, When I wage battle next, What weapons to select, what armour to indue.
Youth ended, I shall try My gain or loss thereby; Leave the fire ashes, what survives is gold: And I shall weigh the same, Give life its praise or blame: Young, all lay in dispute; I shall know, being old.
For note, when evening shuts, A certain moment cuts The deed off, calls the glory from the grey: A whisper from the west Shoots--'Add this to the rest, Take it and try its worth: here dies another day.
' So, still within this life, Though lifted o'er its strife, Let me discern, compare, pronounce at last, This rage was right i' the main, That acquiescence vain: The Future I may face now I have proved the Past.
' For more is not reserved To man, with soul just nerved To act to-morrow what he learns to-day: Here, work enough to watch The Master work, and catch Hints of the proper craft, tricks of the tool's true play.
As it was better, youth Should strive, through acts uncouth, Toward making, than repose on aught found made: So, better, age, exempt From strife, should know, than tempt Further.
Thou waitedst age: wait death nor be afraid! Enough now, if the Right And Good and Infinite Be named here, as thou callest thy hand thine own With knowledge absolute, Subject to no dispute From fools that crowded youth, nor let thee feel alone.
Be there, for once and all, Severed great minds from small, Announced to each his station in the Past! Was I, the world arraigned, Were they, my soul disdained, Right? Let age speak the truth and give us peace at last! Now, who shall arbitrate? Ten men love what I hate, Shun what I follow, slight what I receive; Ten, who in ears and eyes Match me: we all surmise, They this thing, and I that: whom shall my soul believe? Not on the vulgar mass Called 'work,' must sentence pass, Things done, that took the eye and had the price; O'er which, from level stand, The low world laid its hand, Found straightway to its mind, could value in a trice: But all, the world's coarse thumb And finger failed to plumb, So passed in making up the main account; All instincts immature, All purposes unsure, That weighed not as his work, yet swelled the man's amount: Thoughts hardly to be packed Into a narrow act, Fancies that broke through language and escaped; All I could never be, All, men ignored in me, This, I was worth to God, whose wheel the pitcher shaped.
Ay, note that Potter's wheel, That metaphor! and feel Why time spins fast, why passive lies our clay,-- Thou, to whom fools propound, When the wine makes its round, 'Since life fleets, all is change; the Past gone, seize to-day!' Fool! All that is, at all, Lasts ever, past recall; Earth changes, but thy soul and God stand sure: What entered into thee, That was, is, and shall be: Time's wheel runs back or stops: Potter and clay endure.
He fixed thee mid this dance Of plastic circumstance, This Present, thou, forsooth, wouldst fain arrest: Machinery just meant To give thy soul its bent, Try thee and turn thee forth, sufficiently impressed.
What though the earlier grooves, Which ran the laughing loves Around thy base, no longer pause and press? What though, about thy rim, Skull-things in order grim Grow out, in graver mood, obey the sterner stress? Look not thou down but up! To uses of a cup, The festal board, lamp's flash and trumpet's peal, The new wine's foaming flow, The Master's lips a-glow! Thou, heaven's consummate cup, what need'st thou with earth's wheel? But I need, now as then, Thee, God, who mouldest men; And since, not even while the whirl was worst, Did I,--to the wheel of life With shapes and colours rife, Bound dizzily,--mistake my end, to slake Thy thirst: So, take and use Thy work: Amend what flaws may lurk, What strain o' the stuff, what warpings past the aim! My times be in Thy hand! Perfect the cup as planned! Let age approve of youth, and death complete the same!


Written by Denise Duhamel | Create an image from this poem

Kinky

 They decide to exchange heads.
Barbie squeezes the small opening under her chin over Ken's bulging neck socket.
His wide jaw line jostles atop his girlfriend's body, loosely, like one of those novelty dogs destined to gaze from the back windows of cars.
The two dolls chase each other around the orange Country Camper unsure what they'll do when they're within touching distance.
Ken wants to feel Barbie's toes between his lips, take off one of her legs and force his whole arm inside her.
With only the vaguest suggestion of genitals, all the alluring qualities they possess as fashion dolls, up until now, have done neither of them much good.
But suddenly Barbie is excited looking at her own body under the weight of Ken's face.
He is part circus freak, part thwarted hermaphrodite.
And she is imagining she is somebody else-- maybe somebody middle class and ordinary, maybe another teenage model being caught in a scandal.
The night had begun with Barbie getting angry at finding Ken's blow up doll, folded and stuffed under the couch.
He was defensive and ashamed, especially about not having the breath to inflate her.
But after a round of pretend-tears, Barbie and Ken vowed to try to make their relationship work.
With their good memories as sustaining as good food, they listened to late-night radio talk shows, one featuring Doctor Ruth.
When all else fails, just hold each other, the small sex therapist crooned.
Barbie and Ken, on cue, groped in the dark, their interchangeable skin glowing, the color of Band-Aids.
Then, they let themselves go-- Soon Barbie was begging Ken to try on her spandex miniskirt.
She showed him how to pivot as though he was on a runway.
Ken begged to tie Barbie onto his yellow surfboard and spin her on the kitcen table until she grew dizzy.
Anything, anything, they both said to the other's requests, their mirrored desires bubbling from the most unlikely places.
Written by William Shakespeare | Create an image from this poem

Sweet-and-Twenty

 O MISTRESS mine, where are you roaming? 
O, stay and hear! your true love 's coming, 
 That can sing both high and low: 
Trip no further, pretty sweeting; 
Journeys end in lovers meeting, 
 Every wise man's son doth know.
What is love? 'tis not hereafter; Present mirth hath present laughter; What 's to come is still unsure: In delay there lies no plenty; Then come kiss me, sweet-and-twenty! Youth 's a stuff will not endure.
Written by Charles Simic | Create an image from this poem

Clouds Gathering

 It seemed the kind of life we wanted.
Wild strawberries and cream in the morning.
Sunlight in every room.
The two of us walking by the sea naked.
Some evenings, however, we found ourselves Unsure of what comes next.
Like tragic actors in a theater on fire, With birds circling over our heads, The dark pines strangely still, Each rock we stepped on bloodied by the sunset.
We were back on our terrace sipping wine.
Why always this hint of an unhappy ending? Clouds of almost human appearance Gathering on the horizon, but the rest lovely With the air so mild and the sea untroubled.
The night suddenly upon us, a starless night.
You lighting a candle, carrying it naked Into our bedroom and blowing it out quickly.
The dark pines and grasses strangely still.
Written by Ezra Pound | Create an image from this poem

La Regina Avrillouse

 Lady of rich allure, 
Queen of the spring's embrace, 
Your arms are long like boughs of ash, 
Mid laugh-broken streams, spirit of rain unsure, 
Breath of the poppy flower, 
All the wood thy bower 
And the hills thy dwelling-place.
This will I no more dream; Warm is thy arm's allure, Warm is the gust of breath That ere thy lips meet mine Kisseth my cheek and saith: "This is the joy of earth, Here is the wine of mirth Drain ye one goblet sure, Take ye the honey cup The honied song raise up, Drink of the spring's allure, April and dew and rain; Brown of the earth sing sure, Cheeks and lips and hair And soft breath that kisseth where Thy lips have come not yet to drink.
" Moss and the mold of earth, These be thy couch of mirth, Long arms thy boughs of shade April-alluring, as the blade Of grass doth catch the dew And make it crown to hold the sun.
Banner be you Above my head, Glory to all wold display'd, April-alluring, glory-bold.
Written by Hafez | Create an image from this poem

She hath not beauty, that ill-fortun'd gem

She hath not beauty, that ill-fortun’d gem
Wherewith may women dazzle men’s meek eyes
Ere they enslave, un-man & slaughter them.

Nor doth she vaunt afar her heart’s hid prize,
Nor with wide-lavish’d scent of hope allure
Ere men behold her, nor with rich disguise.

Nor hath she wit, that sword wherewith to smart
Delicate souls, with flashing stroke unsure
Of sharp misprise, wounding some gentle heart.

Yet not unlovely she, my silent rose,
That only may to true love’s eyes unclose,
Nor yet doth stintingly her smiles impart;

—But should bold evil venture, O what proud
Pitilessness hath she then, what anger loud!



Book: Shattered Sighs