Written by
Sara Teasdale |
I am alone, in spite of love,
In spite of all I take and give—
In spite of all your tenderness,
Sometimes I am not glad to live.
I am alone, as though I stood
On the highest peak of the tired gray world,
About me only swirling snow,
Above me, endless space unfurled;
With earth hidden and heaven hidden,
And only my own spirit's pride
To keep me from the peace of those
Who are not lonely, having died.
|
Written by
Pam Ayres |
Dad took me to our local pub in 1953,
They had a television set, the first I’d ever see,
To watch a Coronation! I knew it sounded grand,
Although at six years old, the word was hard to understand.
But little kids like me, and others all around the world,
We saw the magic crown; we saw magnificence unfurled,
A brand new Queen created, the emergence and the birth,
And the Abbey seemed a place between the Heavens and the Earth.
Certain pictures linger when considering the reign,
Hauntingly in black and white, a platform and a train,
The saddest thing I ever saw, more sharp than any other,
Prince Charles. The little boy who had to shake hands with his mother.
I will stand up and be counted; I am for the monarchy,
And if they make mistakes, well they are frail like you and me,
I would not choose a president to posture and to preen,
Live in a republic? I would rather have the Queen.
A thousand boats are sailing, little ships among the large,
Close beside the splendour that bedecks the Royal Barge,
And as the pageant passes, I can see an image clear
Of the Royal Yacht Britannia; she should surely have been here.
I wish our Queen a genuinely joyful Jubilee,
Secure in the affection of the mute majority,
I hope she hears our voices as we thank her now as one,
Sixty years a Queen. A job immaculately done.
© Pam Ayres 2012
Official Website
http://pamayres.com/
|
Written by
Alan Seeger |
First, London, for its myriads; for its height,
Manhattan heaped in towering stalagmite;
But Paris for the smoothness of the paths
That lead the heart unto the heart's delight.
.
.
.
Fair loiterer on the threshold of those days
When there's no lovelier prize the world displays
Than, having beauty and your twenty years,
You have the means to conquer and the ways,
And coming where the crossroads separate
And down each vista glories and wonders wait,
Crowning each path with pinnacles so fair
You know not which to choose, and hesitate --
Oh, go to Paris.
.
.
.
In the midday gloom
Of some old quarter take a little room
That looks off over Paris and its towers
From Saint Gervais round to the Emperor's Tomb, --
So high that you can hear a mating dove
Croon down the chimney from the roof above,
See Notre Dame and know how sweet it is
To wake between Our Lady and our love.
And have a little balcony to bring
Fair plants to fill with verdure and blossoming,
That sparrows seek, to feed from pretty hands,
And swallows circle over in the Spring.
There of an evening you shall sit at ease
In the sweet month of flowering chestnut-trees,
There with your little darling in your arms,
Your pretty dark-eyed Manon or Louise.
And looking out over the domes and towers
That chime the fleeting quarters and the hours,
While the bright clouds banked eastward back of them
Blush in the sunset, pink as hawthorn flowers,
You cannot fail to think, as I have done,
Some of life's ends attained, so you be one
Who measures life's attainment by the hours
That Joy has rescued from oblivion.
II
Come out into the evening streets.
The green light lessens in the west.
The city laughs and liveliest her fervid pulse of pleasure beats.
The belfry on Saint Severin strikes eight across the smoking eaves:
Come out under the lights and leaves
to the Reine Blanche on Saint Germain.
.
.
.
Now crowded diners fill the floor of brasserie and restaurant.
Shrill voices cry "L'Intransigeant," and corners echo "Paris-Sport.
"
Where rows of tables from the street are screened with shoots of box and bay,
The ragged minstrels sing and play and gather sous from those that eat.
And old men stand with menu-cards, inviting passers-by to dine
On the bright terraces that line the Latin Quarter boulevards.
.
.
.
But, having drunk and eaten well, 'tis pleasant then to stroll along
And mingle with the merry throng that promenades on Saint Michel.
Here saunter types of every sort.
The shoddy jostle with the chic:
Turk and Roumanian and Greek; student and officer and sport;
Slavs with their peasant, Christ-like heads,
and courtezans like powdered moths,
And peddlers from Algiers, with cloths
bright-hued and stitched with golden threads;
And painters with big, serious eyes go rapt in dreams, fantastic shapes
In corduroys and Spanish capes and locks uncut and flowing ties;
And lovers wander two by two, oblivious among the press,
And making one of them no less, all lovers shall be dear to you:
All laughing lips you move among, all happy hearts that, knowing what
Makes life worth while, have wasted not the sweet reprieve of being young.
"Comment ca va!" "Mon vieux!" "Mon cher!"
Friends greet and banter as they pass.
'Tis sweet to see among the mass comrades and lovers everywhere,
A law that's sane, a Love that's free, and men of every birth and blood
Allied in one great brotherhood of Art and Joy and Poverty.
.
.
.
The open cafe-windows frame loungers at their liqueurs and beer,
And walking past them one can hear fragments of Tosca and Boheme.
And in the brilliant-lighted door of cinemas the barker calls,
And lurid posters paint the walls with scenes of Love and crime and war.
But follow past the flaming lights, borne onward with the stream of feet,
Where Bullier's further up the street is marvellous on Thursday nights.
Here all Bohemia flocks apace; you could not often find elsewhere
So many happy heads and fair assembled in one time and place.
Under the glare and noise and heat the galaxy of dancing whirls,
Smokers, with covered heads, and girls dressed in the costume of the street.
From tables packed around the wall the crowds that drink and frolic there
Spin serpentines into the air far out over the reeking hall,
That, settling where the coils unroll, tangle with pink and green and blue
The crowds that rag to "Hitchy-koo" and boston to the "Barcarole".
.
.
.
Here Mimi ventures, at fifteen, to make her debut in romance,
And join her sisters in the dance and see the life that they have seen.
Her hair, a tight hat just allows to brush beneath the narrow brim,
Docked, in the model's present whim, `frise' and banged above the brows.
Uncorseted, her clinging dress with every step and turn betrays,
In pretty and provoking ways her adolescent loveliness,
As guiding Gaby or Lucile she dances, emulating them
In each disturbing stratagem and each lascivious appeal.
Each turn a challenge, every pose an invitation to compete,
Along the maze of whirling feet the grave-eyed little wanton goes,
And, flaunting all the hue that lies in childish cheeks and nubile waist,
She passes, charmingly unchaste, illumining ignoble eyes.
.
.
.
But now the blood from every heart leaps madder through abounding veins
As first the fascinating strains of "El Irresistible" start.
Caught in the spell of pulsing sound, impatient elbows lift and yield
The scented softnesses they shield to arms that catch and close them round,
Surrender, swift to be possessed, the silken supple forms beneath
To all the bliss the measures breathe and all the madness they suggest.
Crowds congregate and make a ring.
Four deep they stand and strain to see
The tango in its ecstasy of glowing lives that clasp and cling.
Lithe limbs relaxed, exalted eyes fastened on vacancy, they seem
To float upon the perfumed stream of some voluptuous Paradise,
Or, rapt in some Arabian Night, to rock there, cradled and subdued,
In a luxurious lassitude of rhythm and sensual delight.
And only when the measures cease and terminate the flowing dance
They waken from their magic trance and join the cries that clamor "Bis!" .
.
.
Midnight adjourns the festival.
The couples climb the crowded stair,
And out into the warm night air go singing fragments of the ball.
Close-folded in desire they pass, or stop to drink and talk awhile
In the cafes along the mile from Bullier's back to Montparnasse:
The "Closerie" or "La Rotonde", where smoking, under lamplit trees,
Sit Art's enamored devotees, chatting across their `brune' and `blonde'.
.
.
.
Make one of them and come to know sweet Paris -- not as many do,
Seeing but the folly of the few, the froth, the tinsel, and the show --
But taking some white proffered hand that from Earth's barren every day
Can lead you by the shortest way into Love's florid fairyland.
And that divine enchanted life that lurks under Life's common guise --
That city of romance that lies within the City's toil and strife --
Shall, knocking, open to your hands, for Love is all its golden key,
And one's name murmured tenderly the only magic it demands.
And when all else is gray and void in the vast gulf of memory,
Green islands of delight shall be all blessed moments so enjoyed:
When vaulted with the city skies, on its cathedral floors you stood,
And, priest of a bright brotherhood, performed the mystic sacrifice,
At Love's high altar fit to stand, with fire and incense aureoled,
The celebrant in cloth of gold with Spring and Youth on either hand.
III
Choral Song
Have ye gazed on its grandeur
Or stood where it stands
With opal and amber
Adorning the lands,
And orcharded domes
Of the hue of all flowers?
Sweet melody roams
Through its blossoming bowers,
Sweet bells usher in from its belfries the train of the honey-sweet hour.
A city resplendent,
Fulfilled of good things,
On its ramparts are pendent
The bucklers of kings.
Broad banners unfurled
Are afloat in its air.
The lords of the world
Look for harborage there.
None finds save he comes as a bridegroom, having roses and vine in his hair.
'Tis the city of Lovers,
There many paths meet.
Blessed he above others,
With faltering feet,
Who past its proud spires
Intends not nor hears
The noise of its lyres
Grow faint in his ears!
Men reach it through portals of triumph, but leave through a postern of tears.
It was thither, ambitious,
We came for Youth's right,
When our lips yearned for kisses
As moths for the light,
When our souls cried for Love
As for life-giving rain
Wan leaves of the grove,
Withered grass of the plain,
And our flesh ached for Love-flesh beside it with bitter, intolerable pain.
Under arbor and trellis,
Full of flutes, full of flowers,
What mad fortunes befell us,
What glad orgies were ours!
In the days of our youth,
In our festal attire,
When the sweet flesh was smooth,
When the swift blood was fire,
And all Earth paid in orange and purple to pavilion the bed of Desire!
|
Written by
Philip Levine |
Some days I catch a rhythm, almost a song
in my own breath.
I'm alone here
in Brooklyn Heights, late morning, the sky
above the St.
George Hotel clear, clear
for New York, that is.
The radio playing
"Bird Flight," Parker in his California
tragic voice fifty years ago, his faltering
"Lover Man" just before he crashed into chaos.
I would guess that outside the recording studio
in Burbank the sun was high above the jacarandas,
it was late March, the worst of yesterday's rain
had come and gone, the sky washed blue.
Bird
could have seen for miles if he'd looked, but what
he saw was so foreign he clenched his eyes,
shook his head, and barked like a dog--just once--
and then Howard McGhee took his arm and assured him
he'd be OK.
I know this because Howard told me
years later that he thought Bird could
lie down in the hotel room they shared, sleep
for an hour or more, and waken as himself.
The perfect sunlight angles into my little room
above Willow Street.
I listen to my breath
come and go and try to catch its curious taste,
part milk, part iron, part blood, as it passes
from me into the world.
This is not me,
this is automatic, this entering and exiting,
my body's essential occupation without which
I am a thing.
The whole process has a name,
a word I don't know, an elegant word not
in English or Yiddish or Spanish, a word
that means nothing to me.
Howard truly believed
what he said that day when he steered
Parker into a cab and drove the silent miles
beside him while the bright world
unfurled around them: filling stations, stands
of fruits and vegetables, a kiosk selling trinkets
from Mexico and the Philippines.
It was all
so actual and Western, it was a new creation
coming into being, like the music of Charlie Parker
someone later called "glad," though that day
I would have said silent, "the silent music
of Charlie Parker.
" Howard said nothing.
He paid the driver and helped Bird up two flights
to their room, got his boots off, and went out
to let him sleep as the afternoon entered
the history of darkness.
I'm not judging
Howard, he did better than I could have
now or then.
Then I was 19, working
on the loading docks at Railway Express
coming day by day into the damaged body
of a man while I sang into the filthy air
the Yiddish drinking songs my Zadie taught me
before his breath failed.
Now Howard is gone,
eleven long years gone, the sweet voice silenced.
"The subtle bridge between Eldridge and Navarro,"
they later wrote, all that rising passion
a footnote to others.
I remember in '85
walking the halls of Cass Tech, the high school
where he taught after his performing days,
when suddenly he took my left hand in his
two hands to tell me it all worked out
for the best.
Maybe he'd gotten religion,
maybe he knew how little time was left,
maybe that day he was just worn down
by my questions about Parker.
To him Bird
was truly Charlie Parker, a man, a silent note
going out forever on the breath of genius
which now I hear soaring above my own breath
as this bright morning fades into afternoon.
Music, I'll call it music.
It's what we need
as the sun staggers behind the low gray clouds
blowing relentlessly in from that nameless ocean,
the calm and endless one I've still to cross.
|
Written by
Ralph Waldo Emerson |
By the rude bridge that arched the flood,
Their flag to April's breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.
The foe long since in silence slept;
Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
Down the dark stream which seaward creeps.
On this green bank, by this soft stream,
We set to-day a votive stone;
That memory may their deed redeem,
When, like our sires, our sons are gone.
Spirit, that made those heroes dare
To die, and leave their children free,
Bid Time and Nature gently spare
The shaft we raise to them and thee.
|
Written by
Christina Rossetti |
I sat beneath a willow tree,
Where water falls and calls;
While fancies upon fancies solaced me,
Some true, and some were false.
Who set their heart upon a hope
That never comes to pass,
Droop in the end like fading heliotrope
The sun's wan looking-glass.
Who set their will upon a whim
Clung to through good and ill,
Are wrecked alike whether they sink or swim,
Or hit or miss their will.
All things are vain that wax and wane,
For which we waste our breath;
Love only doth not wane and is not vain,
Love only outlives death.
A singing lark rose toward the sky,
Circling he sang amain;
He sang, a speck scarce visible sky-high,
And then he sank again.
A second like a sunlit spark
Flashed singing up his track;
But never overtook that foremost lark,
And songless fluttered back.
A hovering melody of birds
Haunted the air above;
They clearly sang contentment without words,
And youth and joy and love.
O silvery weeping willow tree
With all leaves shivering,
Have you no purpose but to shadow me
Beside this rippled spring?
On this first fleeting day of Spring,
For Winter is gone by,
And every bird on every quivering wing
Floats in a sunny sky;
On this first Summer-like soft day,
While sunshine steeps the air,
And every cloud has gat itself away,
And birds sing everywhere.
Have you no purpose in the world
But thus to shadow me
With all your tender drooping twigs unfurled,
O weeping willow tree?
With all your tremulous leaves outspread
Betwixt me and the sun,
While here I loiter on a mossy bed
With half my work undone;
My work undone, that should be done
At once with all my might;
For after the long day and lingering sun
Comes the unworking night.
This day is lapsing on its way,
Is lapsing out of sight;
And after all the chances of the day
Comes the resourceless night.
The weeping willow shook its head
And stretched its shadow long;
The west grew crimson, the sun smoldered red,
The birds forbore a song.
Slow wind sighed through the willow leaves,
The ripple made a moan,
The world drooped murmuring like a thing that grieves;
And then I felt alone.
I rose to go, and felt the chill,
And shivered as I went;
Yet shivering wondered, and I wonder still,
What more that willow meant;
That silvery weeping willow tree
With all leaves shivering,
Which spent one long day overshadowing me
Beside a spring in Spring.
|
Written by
Percy Bysshe Shelley |
(Lines written in the Vale of Chamouni)
1
The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark - now glittering - now reflecting gloom -
Now lending splendor, where from secret springs
The source of human thought its tribute brings
Of waters, - with a sound but half its own,
Such as a feeble brook will oft assume
In the wild woods, amon the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.
2
Thus thou, Ravine of Arve - dark, deep Ravine-
Thou many-colored, many voiced vale,
Over whose pines, and crags, and caverns sail
Fast cloud-shadows and sunbeams: awful scene,
Where Power in likeness of the Arve comes down
From the ice-gulfs that gird his secret throne,
Bursting through these dark mountains like the flame
Of lightning through the tempest; -thou dost lie,
Thy giant brood of pines around thee clinging,
Children of elder time, in whose devotion
The chainless winds still come and ever came
To drink their odors, and their mighty swinging
To hear - an old and solemn harmony;
Thine earthly rainbows stretched across the sweep
Of the ethereal waterfall, whose veil
Robes some unsculptured image; the strange sleep
Which when the voices of the desert fail
Wraps all in its own deep eternity;-
Thy caverns echoing to the Arve's commotion,
A loud, lone sound no other sound can tame;
Thou art pervaded with that ceaseless motion,
Thou art the path of that unresting sound-
Dizzy Ravine! and when I gaze on thee
I seem as in a trance sublime and strange
To muse on my own separate fantasy,
My own, my human mind, which passively
Now renders and receives fast influencings,
Holding an unremitting interchange
With the clear universe of things around;
One legion of wild thoughts, whose wandering wings
Now float above thy darkness, and now rest
Where that or thou art no unbidden guest,
In the still cave of the witch Poesy,
Seeking among the shadows that pass by
Ghosts of all things that are, some shade of thee,
Some phantom, some faint image; till the breast
From which they fled recalls them, thou art there!
3
Some say that gleams of a remoter world
Visit the soul in sleep,-that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live.
-I look on high;
Has some unknown omnipotence unfurled
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far and round and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes amon the viewless gales!
Far, far above, piercing the infinite sky,
Mont Blanc appears,-still snowy and serene-
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
Blue as the overhanging heaven, that spread
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter's bone,
And the wolf tracks her there - how hideously
Its shapes are heaped around! rude, bare, and high,
Ghastly, and scarred, and riven.
-Is this the scene
Where the old Earthquake-demon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply - all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with nature reconciled;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.
4
The fields, the lakes, the forests, and the streams,
Ocean, and all the living things that dwell
Within the daedal earth; lightning, and rain,
Earthquake, and fiery flood, and hurricane,
The torpor of the year when feeble dreams
Visit the hidden buds, or dreamless sleep
Holds every future leaf and flower; -the bound
With which from that detested trance they leap;
The works and ways of man, their death and birth,
And that of him, and all that his may be;
All things that move and breathe with toil and sound
Are born and die; revolve, subside, and swell.
Power dwells apart in its tranquility,
Remote, serene, and inaccessible:
And this, the naked countenance of earth,
On which I gaze, even these primeval mountains
Teach the adverting mind.
The glaciers creep
Like snakes that watch their prey, from their far fountains,
Slow rolling on; there, many a precipice,
Frost and the Sun in scorn of mortal power
Have piled: dome, pyramid, and pinnacle,
A city of death, distinct with many a tower
And wall impregnable of beaming ice.
Yet not a city, but a flood of ruin
Is there, that from the boundaries of the sky
Rolls its perpetual stream; vast pines are strewing
Its destined path, or in the mangled soil
Branchless and shattered stand; the rocks, drawn down
From yon remotest waste, have overthrown
The limits of the dead and living world,
Never to be reclaimed.
The dwelling-place
Of insects, beasts, and birds, becomes its spoil
Their food and their retreat for ever gone,
So much of life and joy is lost.
The race
Of man flies far in dread; his work and dwelling
Vanish, like smoke before the tempest's stream,
And their place is not known.
Below, vast caves
Shine in the rushing torrents' restless gleam,
Which from those secret chasms in tumult welling
Meet in the vale, and one majestic River,
The breath and blood of distant lands , for ever
Rolls its loud waters to the ocean-waves,
Breathes its swift vapors to the circling air.
5
Mont Blanc yet gleams on high:-the power is there,
The still and solemn power of many sights,
And many sounds, and much of life and death.
In the calm darkness of the moonless nights,
In the lone glare of day, the snows descend
Upon that mountain; none beholds them there,
Nor when the flakes burn in the sinking sun,
Or the star-beams dart through them:-Winds contend
Silently there, and heap the snow with breath
Rapid and strong, but silently! Its home
The voiceless lightning in these solitudes
Keeps innocently, and like vapor broods
Over the snow.
The secret Strength of things
Which governs thought, and to the infinite dome
Of Heaven is as a law, inhabits thee!
And what were thou, and earth, and stars, and sea,
If to the human mind's imaginings
Silence and solitude were vacancy?
|
Written by
Jorie Graham |
All this was written on the next day's list.
On which the busyness unfurled its cursive roots,
pale but effective,
and the long stem of the necessary, the sum of events,
built-up its tiniest cathedral.
.
.
(Or is it the sum of what takes place? )
If I lean down, to whisper, to them,
down into their gravitational field, there where they head busily on
into the woods, laying the gifts out one by one, onto the path,
hoping to be on the air,
hoping to please the children --
(and some gifts overwrapped and some not wrapped at all) -- if
I stir the wintered ground-leaves
up from the paths, nimbly, into a sheet of sun,
into an escape-route-width of sun, mildly gelatinous where wet, though mostly
crisp,
fluffing them up a bit, and up, as if to choke the singularity of sun
with this jubilation of manyness, all through and round these passers-by --
just leaves, nothing that can vaporize into a thought,
no, a burning bush's worth of spidery, up-ratcheting, tender-cling leaves,
oh if -- the list gripped hard by the left hand of one,
the busyness buried so deep into the puffed-up greenish mind of one,
the hurried mind hovering over its rankings,
the heart -- there at the core of the drafting leaves -- wet and warm at the
zero of
the bright mock-stairwaying-up of the posthumous leaves -- the heart,
formulating its alleyways of discovery,
fussing about the integrity of the whole,
the heart trying to make time and place seem small,
sliding its slim tears into the deep wallet of each new event
on the list
then checking it off -- oh the satisfaction -- each check a small kiss,
an echo of the previous one, off off it goes the dry high-ceilinged
obligation,
checked-off by the fingertips, by the small gust called done that swipes
the unfinishable's gold hem aside, revealing
what might have been, peeling away what should .
.
.
There are flowerpots at their feet.
There is fortune-telling in the air they breathe.
It filters-in with its flashlight-beam, its holy-water-tinted air,
down into the open eyes, the lampblack open mouth.
Oh listen to these words I'm spitting out for you.
My distance from you makes them louder.
Are we all waiting for the phone to ring?
Who should it be? What fountain is expected to
thrash forth mysteries of morning joy? What quail-like giant tail of
promises, pleiades, psalters, plane-trees,
what parapets petalling-forth the invisible
into the world of things,
turning the list into its spatial-form at last,
into its archival many-headed, many-legged colony .
.
.
Oh look at you.
What is it you hold back? What piece of time is it the list
won't cover? You down there, in the theater of
operations -- you, throat of the world -- so diacritical --
(are we all waiting for the phone to ring?) --
(what will you say? are you home? are you expected soon?) --
oh wanderer back from break, all your attention focused
-- as if the thinking were an oar, this ship the last of some
original fleet, the captains gone but some of us
who saw the plan drawn-out
still here -- who saw the thinking clot-up in the bodies of the greater men,
who saw them sit in silence while the voices in the other room
lit-up with passion, itchings, dreams of landings,
while the solitary ones,
heads in their hands, so still,
the idea barely forming
at the base of that stillness,
the idea like a homesickness starting just to fold and pleat and knot-itself
out of the manyness -- the plan -- before it's thought,
before it's a done deal or the name-you're-known-by --
the men of x, the outcomes of y -- before --
the mind still gripped hard by the hands
that would hold the skull even stiller if they could,
that nothing distract, that nothing but the possible be let to filter
through,
the possible and then the finely filamented hope, the filigree,
without the distractions of wonder --
oh tiny golden spore just filtering-in to touch the good idea,
which taking-form begins to twist,
coursing for bottom-footing, palpating for edge-hold, limit,
now finally about to
rise, about to go into the other room -- and yet
not having done so yet, not yet -- the
intake -- before the credo, before the plan --
right at the homesickness -- before this list you hold
in your exhausted hand.
Oh put it down.
|
Written by
Henry Lawson |
You ask me to be gay and glad
While lurid clouds of danger loom,
And vain and bad and gambling mad,
Australia races to her doom.
You bid me sing the light and fair,
The dance, the glance on pleasure's wings –
While you have wives who will not bear,
And beer to drown the fear of things.
A war with reason you would wage
To be amused for your short span,
Until your children's heritage
Is claimed for China by Japan.
The football match, the cricket score,
The "scraps", the tote, the mad'ning Cup –
You drunken fools that evermore
"To-morrow morning" sober up!
I see again with haggard eyes,
The thirsty land, the wasted flood;
Unpeopled plains beyond the skies,
And precious streams that run to mud;
The ruined health, the wasted wealth,
In our mad cities by the seas,
The black race suicide by stealth,
The starved and murdered industries!
You bid me make a farce of day,
And make a mockery of death;
While not five thousand miles away
The yellow millions pant for breath!
But heed me now, nor ask me this –
Lest you too late should wake to find
That hopeless patriotism is
The strongest passion in mankind!
You'd think the seer sees, perhaps,
While staring on from days like these,
Politeness in the conquering Japs,
Or mercy in the banned Chinese!
I mind the days when parents stood,
And spake no word, while children ran
From Christian lanes and deemed it good
To stone a helpless Chinaman.
I see the stricken city fall,
The fathers murdered at their doors,
The sack, the massacre of all
Save healthy slaves and paramours –
The wounded hero at the stake,
The pure girl to the leper's kiss –
God, give us faith, for Christ's own sake
To kill our womankind ere this.
I see the Bushman from Out Back,
From mountain range and rolling downs,
And carts race on each rough bush track
With food and rifles from the towns;
I see my Bushmen fight and die
Amongst the torn blood-spattered trees,
And hear all night the wounded cry
For men! More men and batteries!
I see the brown and yellow rule
The southern lands and southern waves,
White children in the heathen school,
And black and white together slaves;
I see the colour-line so drawn
(I see it plain and speak I must),
That our brown masters of the dawn
Might, aye, have fair girls for their lusts!
With land and life and race at stake –
No matter which race wronged, or how –
Let all and one Australia make
A superhuman effort now.
Clear out the blasting parasites,
The paid-for-one-thing manifold,
And curb the goggled "social-lights"
That "scorch" to nowhere with our gold.
Store guns and ammunition first,
Build forts and warlike factories,
Sink bores and tanks where drought is worst,
Give over time to industries.
The outpost of the white man's race,
Where next his flag shall be unfurled,
Make clean the place! Make strong the place!
Call white men in from all the world!
|
Written by
Charles Kingsley |
I GO down from the hills half in gladness, and half with a pain I depart,
Where the Mother with gentlest breathing made music on lip and in heart;
For I know that my childhood is over: a call comes out of the vast,
And the love that I had in the old time, like beauty in twilight, is past.
I am fired by a Danaan whisper of battles afar in the world,
And my thought is no longer of peace, for the banners in dream are unfurled,
And I pass from the council of stars and of hills to a life that is new:
And I bid to you stars and you mountains a tremulous long adieu.
I will come once again as a master, who played here as child in my dawn
I will enter the heart of the hills where the gods of the old world are gone.
And will war like the bright Hound of Ulla with princes of earth and of sky.
For my dream is to conquer the heavens and battle for kingship on high.
|