Written by
Rudyard Kipling |
When Julius Fabricius, Sub-Prefect of the Weald,
In the days of Diocletian owned our Lower River-field,
He called to him Hobdenius-a Briton of the Clay,
Saying: "What about that River-piece for layin'' in to hay?"
And the aged Hobden answered: "I remember as a lad
My father told your father that she wanted dreenin' bad.
An' the more that you neeglect her the less you'll get her clean.
Have it jest as you've a mind to, but, if I was you, I'd dreen."
So they drained it long and crossways in the lavish Roman style--
Still we find among the river-drift their flakes of ancient tile,
And in drouthy middle August, when the bones of meadows
show,
We can trace the lines they followed sixteen hundred years ago.
Then Julius Fabricius died as even Prefects do,
And after certain centuries, Imperial Rome died too.
Then did robbers enter Britain from across the Northern main
And our Lower River-field was won by Ogier the Dane.
Well could Ogier work his war-boat --well could Ogier wield his
brand--
Much he knew of foaming waters--not so much of farming land.
So he called to him a Hobden of the old unaltered blood,
Saying: "What about that River-piece; she doesn't look no good?"
And that aged Hobden answered "'Tain't for me not interfere.
But I've known that bit o' meadow now for five and fifty year.
Have it jest as you've a mind to, but I've proved it time on ' time,
If you want to change her nature you have got to give her lime!"
Ogier sent his wains to Lewes, twenty hours' solemn walk,
And drew back great abundance of the cool, grey, healing chalk.
And old Hobden spread it broadcast, never heeding what was
in't.--
Which is why in cleaning ditches, now and then we find a flint.
Ogier died. His sons grew English-Anglo-Saxon was their name--
Till out of blossomed Normandy another pirate came;
For Duke William conquered England and divided with his men,
And our Lower River-field he gave to William of Warenne.
But the Brook (you know her habit) rose one rainy autumn night
And tore down sodden flitches of the bank to left and right.
So, said William to his Bailiff as they rode their dripping rounds:
"Hob, what about that River-bit--the Brook's got up no bounds? "
And that aged Hobden answered: "'Tain't my business to advise,
But ye might ha' known 'twould happen from the way the valley
lies.
Where ye can't hold back the water you must try and save the
sile.
Hev it jest as you've a mind to, but, if I was you, I'd spile!"
They spiled along the water-course with trunks of willow-trees,
And planks of elms behind 'em and immortal oaken knees.
And when the spates of Autumn whirl the gravel-beds away
You can see their faithful fragments, iron-hard in iron clay.
. . . . . . . . . .
Georgii Quinti Anno Sexto, I, who own the River-field,
Am fortified with title-deeds, attested, signed and sealed,
Guaranteeing me, my assigns, my executors and heirs
All sorts of powers and profits which-are neither mine nor theirs,
I have rights of chase and warren, as my dignity requires.
I can fish-but Hobden tickles--I can shoot--but Hobden wires.
I repair, but he reopens, certain gaps which, men allege,
Have been used by every Hobden since a Hobden swapped a
hedge.
Shall I dog his morning progress o'er the track-betraying dew?
Demand his dinner-basket into which my pheasant flew?
Confiscate his evening ****** under which my conies ran,
And summons him to judgment? I would sooner summons Pan.
His dead are in the churchyard--thirty generations laid.
Their names were old in history when Domesday Book was made;
And the passion and the piety and prowess of his line
Have seeded, rooted, fruited in some land the Law calls mine.
Not for any beast that burrows, not for any bird that flies,
Would I lose his large sound council, miss his keen amending
eyes.
He is bailiff, woodman, wheelwright, field-surveyor, engineer,
And if flagrantly a poacher--'tain't for me to interfere.
"Hob, what about that River-bit?" I turn to him again,
With Fabricius and Ogier and William of Warenne.
"Hev it jest as you've a mind to, but"-and here he takes com-
mand.
For whoever pays the taxes old Mus' Hobden owns the land.
|
Written by
Dylan Thomas |
If I were tickled by the rub of love,
A rooking girl who stole me for her side,
Broke through her straws, breaking my bandaged string,
If the red tickle as the cattle calve
Still set to scratch a laughter from my lung,
I would not fear the apple nor the flood
Nor the bad blood of spring.
Shall it be male or female? say the cells,
And drop the plum like fire from the flesh.
If I were tickled by the hatching hair,
The winging bone that sprouted in the heels,
The itch of man upon the baby's thigh,
I would not fear the gallows nor the axe
Nor the crossed sticks of war.
Shall it be male or female? say the fingers
That chalk the walls with greet girls and their men.
I would not fear the muscling-in of love
If I were tickled by the urchin hungers
Rehearsing heat upon a raw-edged nerve.
I would not fear the devil in the loin
Nor the outspoken grave.
If I were tickled by the lovers' rub
That wipes away not crow's-foot nor the lock
Of sick old manhood on the fallen jaws,
Time and the crabs and the sweethearting crib
Would leave me cold as butter for the flies
The sea of scums could drown me as it broke
Dead on the sweethearts' toes.
This world is half the devil's and my own,
Daft with the drug that's smoking in a girl
And curling round the bud that forks her eye.
An old man's shank one-marrowed with my bone,
And all the herrings smelling in the sea,
I sit and watch the worm beneath my nail
Wearing the quick away.
And that's the rub, the only rub that tickles.
The knobbly ape that swings along his sex
From damp love-darkness and the nurse's twist
Can never raise the midnight of a chuckle,
Nor when he finds a beauty in the breast
Of lover, mother, lovers, or his six
Feet in the rubbing dust.
And what's the rub? Death's feather on the nerve?
Your mouth, my love, the thistle in the kiss?
My Jack of Christ born thorny on the tree?
The words of death are dryer than his stiff,
My wordy wounds are printed with your hair.
I would be tickled by the rub that is:
Man be my metaphor.
|
Written by
Robert Frost |
When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy's been swinging them.
But swinging doesn't bend them down to stay.
Ice-storms do that. Often you must have seen them
Loaded with ice a sunny winter morning
After a rain. They click upon themselves
As the breeze rises, and turn many-coloured
As the stir cracks and crazes their enamel.
Soon the sun's warmth makes them shed crystal shells
Shattering and avalanching on the snow-crust
Such heaps of broken glass to sweep away
You'd think the inner dome of heaven had fallen.
They are dragged to the withered bracken by the load,
And they seem not to break; though once they are bowed
So low for long, they never right themselves:
You may see their trunks arching in the woods
Years afterwards, trailing their leaves on the ground,
Like girls on hands and knees that throw their hair
Before them over their heads to dry in the sun.
But I was going to say when Truth broke in
With all her matter-of-fact about the ice-storm,
I should prefer to have some boy bend them
As he went out and in to fetch the cows--
Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.
One by one he subdued his father's trees
By riding them down over and over again
Until he took the stiffness out of them,
And not one but hung limp, not one was left
For him to conquer. He learned all there was
To learn about not launching out too soon
And so not carrying the tree away
Clear to the ground. He always kept his poise
To the top branches, climbing carefully
With the same pains you use to fill a cup
Up to the brim, and even above the brim.
Then he flung outward, feet first, with a swish,
Kicking his way down through the air to the ground.
So was I once myself a swinger of birches.
And so I dream of going back to be.
It's when I'm weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig's having lashed across it open.
I'd like to get away from earth awhile
And then come back to it and begin over.
May no fate wilfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth's the right place for love:
I don't know where it's likely to go better.
I'd like to go by climbing a birch tree~
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a swinger of birches.
|
Written by
Les Murray |
In my aunt's house, the milk jug's beaded crochet cover
tickles the ear. We've eaten boiled things with butter.
Pie spiced like islands, dissolving in cream, is now
dissolving in us. We've reached the teapot of calm.
The table we sit at is fashioned of three immense
beech boards out of England. The minute widths of the year
have been refined in the wood by daughters' daughters.
In the year of Nelson, I notice, the winter was mild.
But our talk is cattle and cricket. My quiet uncle
has spent the whole forenoon sailing a stump-ridden field
of blady-grass and Pleistocene clay never ploughed
since the world's beginning. The Georgic furrow lengthens
in ever more intimate country. But we're talking bails,
stray cattle, brands. In the village of Merchandise Creek
there's a post in a ruined blacksmith shop that bears
a charred-in black-letter script of iron characters,
hooks, bars, conjoined letters, a weird bush syllabary.
It is the language of property seared into skin
but descends beyond speech into the muscles of cattle,
the world of feed as it shimmers in cattle minds.
My uncle, nodding, identifies the owners
(I gather M-bar was mourned by thousands of head).
It has its roots in meadows deeper than Gaelic,
my uncle's knowledge. Farmers longest in heaven
share slyly with him in my aunt's grave mischievous smile
that shines out of every object in my sight
in these loved timber rooms at the threshold of grass.
The depth in this marriage will heal the twentieth century.
|
Written by
Frank O'Hara |
He waits and it is not without
a great deal of trouble that he tickles
a nightingale with his guitar.
He would like to cry Andiamo!
but alas! no one has arrived
yet although the dew is perfect
for adieux. How bitterly he beats
his hairy chest! because he is
a man sitting out an indignity.
The mean moon is like a nasty
little lemon above the ubiquitous
snivelling fir trees and if there's
a swan within a radius of
twelve square miles let's
throttle it. We too are worried.
He is a man like us erect
in the cold dark night. Silence
handles his guitar as clumsily
as a wet pair of dungarees.
The grass if full of snakespit.
He alone is hot admist the stars.
If no one is racing towards him
down intriguingly hung stairways
towards the firm lamp of his thighs
we are indeed in trouble sprawling
feet upwards to the sun our faces
growing smaller in the colossal dark.
|
Written by
Carl Sandburg |
IT’S a jazz affair, drum crashes and cornet razzes
The trombone pony neighs and the tuba jackass snorts.
The banjo tickles and titters too awful.
The chippies talk about the funnies in the papers.
The cartoonists weep in their beer.
Ship riveters talk with their feet
To the feet of floozies under the tables.
A quartet of white hopes mourn with interspersed snickers:
“I got the blues.
I got the blues.
I got the blues.”
And … as we said earlier:
The cartoonists weep in their beer.
|
Written by
Johann Wolfgang von Goethe |
[Goethe describes this much-admired Poem, which
he wrote in honour of his love Lily, as being "designed to change
his surrender of her into despair, by drolly-fretful images."]
THERE'S no menagerie, I vow,
Excels my Lily's at this minute;
She keeps the strangest creatures in it,
And catches them, she knows not how.
Oh, how they hop, and run, and rave,
And their clipp'd pinions wildly wave,--
Poor princes, who must all endure
The pangs of love that nought can cure.
What is the fairy's name?--Is't Lily?--Ask not me!
Give thanks to Heaven if she's unknown to thee.
Oh what a cackling, what a shrieking,
When near the door she takes her stand,
With her food-basket in her hand!
Oh what a croaking, what a squeaking!
Alive all the trees and the bushes appear,
While to her feet whole troops draw near;
The very fish within, the water clear
Splash with impatience and their heads protrude;
And then she throws around the food
With such a look!--the very gods delighting
(To say nought of beasts). There begins, then, a biting,
A picking, a pecking, a sipping,
And each o'er the legs of another is tripping,
And pushing, and pressing, and flapping,
And chasing, and fuming, and snapping,
And all for one small piece of bread,
To which, though dry, her fair hands give a taste,
As though it in ambrosia had been plac'd.
And then her look! the tone
With which she calls: Pipi! Pipi!
Would draw Jove's eagle from his throne;
Yes, Venus' turtle doves, I wean,
And the vain peacock e'en,
Would come, I swear,
Soon as that tone had reach'd them through the air.
E'en from a forest dark had she
Enticed a bear, unlick'd, ill-bred,
And, by her wiles alluring, led
To join the gentle company,
Until as tame as they was he:
(Up to a certain point, be't understood!)
How fair, and, ah, how good
She seem'd to be! I would have drain'd my blood
To water e'en her flow'rets sweet.
"Thou sayest: I! Who? How? And where?"--
Well, to be plain, good Sirs--I am the bear;
In a net-apron, caught, alas!
Chain'd by a silk-thread at her feet.
But how this wonder came to pass
I'll tell some day, if ye are curious;
Just now, my temper's much too furious.
Ah, when I'm in the corner plac'd,
And hear afar the creatures snapping,
And see the flipping and the flapping,
I turn around
With growling sound,
And backward run a step in haste,
And look around
With growling sound.
Then run again a step in haste,
And to my former post go round.
But suddenly my anger grows,
A mighty spirit fills my nose,
My inward feelings all revolt.
A creature such as thou! a dolt!
Pipi, a squirrel able nuts to crack!
I bristle up my shaggy back
Unused a slave to be.
I'm laughed at by each trim and upstart tree
To scorn. The bowling-green I fly,
With neatly-mown and well-kept grass:
The box makes faces as I pass,--
Into the darkest thicket hasten I,
Hoping to 'scape from the ring,
Over the palings to spring!
Vainly I leap and climb;
I feel a leaden spell.
That pinions me as well,
And when I'm fully wearied out in time,
I lay me down beside some mock-cascade,
And roll myself half dead, and foam, and cry,
And, ah! no Oreads hear my sigh,
Excepting those of china made!
But, ah, with sudden power
In all my members blissful feelings reign!
'Tis she who singeth yonder in her bower!
I hear that darling, darling voice again.
The air is warm, and teems with fragrance clear,
Sings she perchance for me alone to hear?
I haste, and trample down the shrubs amain;
The trees make way, the bushes all retreat,
And so--the beast is lying at her feet.
She looks at him: "The monster's droll enough!
He's, for a bear, too mild,
Yet, for a dog, too wild,
So shaggy, clumsy, rough!"
Upon his back she gently strokes her foot;
He thinks himself in Paradise.
What feelings through his seven senses shoot!
But she looks on with careless eyes.
I lick her soles, and kiss her shoes,
As gently as a bear well may;
Softly I rise, and with a clever ruse
Leap on her knee.--On a propitious day
She suffers it; my ears then tickles she,
And hits me a hard blow in wanton play;
I growl with new-born ecstasy;
Then speaks she in a sweet vain jest, I wot
"Allons lout doux! eh! la menotte!
Et faites serviteur
Comme un joli seigneur."
Thus she proceeds with sport and glee;
Hope fills the oft-deluded beast;
Yet if one moment he would lazy be,
Her fondness all at once hath ceas'd.
She doth a flask of balsam-fire possess,
Sweeter than honey bees can make,
One drop of which she'll on her finger take,
When soften'd by his love and faithfulness,
Wherewith her monster's raging thirst to slake;
Then leaves me to myself, and flies at last,
And I, unbound, yet prison'd fast
By magic, follow in her train,
Seek for her, tremble, fly again.
The hapless creature thus tormenteth she,
Regardless of his pleasure or his woe;
Ha! oft half-open'd does she leave the door for me,
And sideways looks to learn if I will fly or no.
And I--Oh gods! your hands alone
Can end the spell that's o'er me thrown;
Free me, and gratitude my heart will fill;
And yet from heaven ye send me down no aid--
Not quite in vain doth life my limbs pervade:
I feel it! Strength is left me still.
1775.
|
Written by
Amy Lowell |
The nursery fire burns brightly, crackling in cheerful
little explosions
and trails of sparks up the back of the chimney. Miniature
rockets
peppering the black bricks with golden stars, as though a gala
flamed a night of victorious wars.
The nodding mandarin on the bookcase moves his
head forward and back, slowly,
and looks into the air with his blue-green eyes. He stares
into the air
and nods -- forward and back. The red rose in his hand
is a crimson splash
on his yellow coat. Forward and back, and his blue-green
eyes stare
into the air, and he nods -- nods.
Tommy's soldiers march to battle,
Trumpets flare and snare-drums rattle.
Bayonets flash, and sabres glance --
How the horses snort and prance!
Cannon drawn up in a line
Glitter in the dizzy shine
Of the morning sunlight. Flags
Ripple colours in great jags.
Red blows out, then blue, then green,
Then all three -- a weaving sheen
Of prismed patriotism. March
Tommy's soldiers, stiff and starch,
Boldly stepping to the rattle
Of the drums, they go to battle.
Tommy lies on his stomach on the floor and directs his columns.
He puts his infantry in front, and before them ambles a mounted
band.
Their instruments make a strand of gold before the scarlet-tunicked
soldiers,
and they take very long steps on their little green platforms,
and from the ranks bursts the song of Tommy's soldiers marching
to battle.
The song jolts a little as the green platforms stick on the thick
carpet.
Tommy wheels his guns round the edge of a box of blocks, and places
a squad of cavalry on the commanding eminence of a footstool.
The fire snaps pleasantly, and the old Chinaman nods -- nods. The
fire makes
the red rose in his hand glow and twist. Hist! That
is a bold song
Tommy's soldiers sing as they march along to battle.
Crack! Rattle! The sparks
fly up the chimney.
Tommy's army's off to war --
Not a soldier knows what for.
But he knows about his rifle,
How to shoot it, and a trifle
Of the proper thing to do
When it's he who is shot through.
Like a cleverly trained flea,
He can follow instantly
Orders, and some quick commands
Really make severe demands
On a mind that's none too rapid,
Leaden brains tend to the vapid.
But how beautifully dressed
Is this army! How impressed
Tommy is when at his heel
All his baggage wagons wheel
About the patterned carpet, and
Moving up his heavy guns
He sees them glow with diamond suns
Flashing all along each barrel.
And the gold and blue apparel
Of his gunners is a joy.
Tommy is a lucky boy.
Boom! Boom! Ta-ra!
The old mandarin nods under his purple umbrella. The
rose in his hand
shoots its petals up in thin quills of crimson. Then
they collapse
and shrivel like red embers. The fire sizzles.
Tommy is galloping his cavalry, two by two, over the floor. They
must pass
the open terror of the door and gain the enemy encamped under the
wash-stand.
The mounted band is very grand, playing allegro and leading the
infantry on
at the double quick. The tassel of the hearth-rug has
flung down
the bass-drum, and he and his dapple-grey horse lie overtripped,
slipped out of line, with the little lead drumsticks glistening
to the fire's shine.
The fire burns and crackles, and tickles the tripped
bass-drum
with its sparkles.
The marching army hitches its little green platforms
valiantly, and steadily
approaches the door. The overturned bass-drummer, lying
on the hearth-rug,
melting in the heat, softens and sheds tears. The song
jeers
at his impotence, and flaunts the glory of the martial and still
upstanding,
vaunting the deeds it will do. For are not Tommy's soldiers
all bright and new?
Tommy's leaden soldiers we,
Glittering with efficiency.
Not a button's out of place,
Tons and tons of golden lace
Wind about our officers.
Every manly bosom stirs
At the thought of killing -- killing!
Tommy's dearest wish fulfilling.
We are gaudy, savage, strong,
And our loins so ripe we long
First to kill, then procreate,
Doubling so the laws of Fate.
On their women we have sworn
To graft our sons. And overborne
They'll rear us younger soldiers, so
Shall our race endure and grow,
Waxing greater in the wombs
Borrowed of them, while damp tombs
Rot their men. O Glorious War!
Goad us with your points, Great Star!
The china mandarin on the bookcase nods slowly, forward and back
--
forward and back -- and the red rose writhes and wriggles,
thrusting its flaming petals under and over one another like tortured
snakes.
The fire strokes them with its dartles, and purrs
at them,
and the old man nods.
Tommy does not hear the song. He only sees the beautiful,
new,
gaily-coloured lead soldiers. They belong to him, and
he is very proud
and happy. He shouts his orders aloud, and gallops his
cavalry past the door
to the wash-stand. He creeps over the floor on his hands
and knees
to one battalion and another, but he sees only the bright colours
of his soldiers and the beautiful precision of their gestures.
He is a lucky boy to have such fine lead soldiers to enjoy.
Tommy catches his toe in the leg of the wash-stand, and jars the
pitcher.
He snatches at it with his hands, but it is too late. The
pitcher falls,
and as it goes, he sees the white water flow over its lip. It
slips
between his fingers and crashes to the floor. But it
is not water which oozes
to the door. The stain is glutinous and dark, a spark
from the firelight
heads it to red. In and out, between the fine, new soldiers,
licking over the carpet, squirms the stream of blood, lapping at
the little green platforms, and flapping itself against the painted
uniforms.
The nodding mandarin moves his head slowly, forward and back.
The rose is broken, and where it fell is black blood. The
old mandarin leers
under his purple umbrella, and nods -- forward and back, staring
into the air
with blue-green eyes. Every time his head comes forward
a rosebud pushes
between his lips, rushes into full bloom, and drips to the ground
with a splashing sound. The pool of black blood grows
and grows,
with each dropped rose, and spreads out to join the stream from
the wash-stand. The beautiful army of lead soldiers steps
boldly forward,
but the little green platforms are covered in the rising stream
of blood.
The nursery fire burns brightly and flings fan-bursts of stars up
the chimney,
as though a gala flamed a night of victorious wars.
|
Written by
Robert William Service |
Oh Maggie, do you mind the day
We went to school together,
And as we stoppit by the way
I rolled you in the heather?
My! but you were the bonny lass
And we were awfu' late for class.
Your locks are now as white as snow,
And you are ripe and wrinkled,
A grandmother ten times or so,
Yet how your blue eyes twinkled
At me above your spectacles,
Recalling naughty neck-tickles!
It must be fifty years today
I left you for the Yukon;
You haven't changed - your just as gay
And just as sweet to look on.
But can you see in this old fool
The lad who made you late for school?
Oh Maggie, ask me in to tea
And we can talk things over,
And contemplate the nuptial state,
For I am still your lover:
And though the bell be slow to chime
We'll no be grudgin' o' the time
|
Written by
Carl Sandburg |
LET it go on; let the love of this hour be poured out till all the answers are made, the last dollar spent and the last blood gone.
Time runs with an ax and a hammer, time slides down the hallways with a pass-key and a master-key, and time gets by, time wins.
Let the love of this hour go on; let all the oaths and children and people of this love be clean as a washed stone under a waterfall in the sun.
Time is a young man with ballplayer legs, time runs a winning race against life and the clocks, time tickles with rust and spots.
Let love go on; the heartbeats are measured out with a measuring glass, so many apiece to gamble with, to use and spend and reckon; let love go on.
|