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Best Famous Skim Poems

Here is a collection of the all-time best famous Skim poems. This is a select list of the best famous Skim poetry. Reading, writing, and enjoying famous Skim poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of skim poems.

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Written by Mary Darby Robinson | Create an image from this poem

Ode to the Muse

 O, let me seize thy pen sublime
That paints, in melting dulcet rhyme, 
The glowing pow'r, the magic art, 
Th' extatic raptures of the Heart; 
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien; 
The sweet descriptive tale to trace; 
To picture Nature's winning grace;
To steal the tear from Pity's eye; 
To catch the sympathetic sigh; 
O teach me, with swift light'nings force
To watch wild passion's varying course; 
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings.
SWEET Nymph, enchanting Poetry! I dedicate my mind to Thee.
Oh! from thy bright Parnassian bow'rs Descend, to bless my sombre hours; Bend to the earth thy eagle wing, And on its glowing plumage bring Blithe FANCY, from whose burning eye The young ideas sparkling fly; O, come, and let us fondly stray, Where rosy Health shall lead the way, And soft FAVONIUS lightly spread A perfum'd carpet as we tread; Ah! let us from the world remove, The calm forgetfulness to prove, Which at the still of evening's close, Lulls the tir'd peasant to repose; Repose, whose balmy joys o'er-pay The sultry labours of the day.
And when the blue-ey'd dawn appears, Just peeping thro' her veil of tears; Or blushing opes her silver gate, And on its threshold, stands elate, And flings her rosy mantle far O'er every loit'ring dewy star; And calls the wanton breezes forth, And sprinkles diamonds o'er the earth; While in the green-wood's shade profound, The insect race, with buzzing sound Flit o'er the rill,­a glitt'ring train, Or swarm along the sultry plain.
Then in sweet converse let us rove, Where in the thyme-embroider'd grove, The musky air its fragrance pours Upon the silv'ry scatter'd show'rs; To hail soft Zephyr, as she goes To fan the dew-drop from the rose; To shelter from the scorching beam, And muse beside the rippling stream.
Or when, at twilight's placid hour, We stroll to some sequester'd bow'r; And watch the haughty Sun retire Beneath his canopy of fire; While slow the dusky clouds enfold Day's crimson curtains fring'd with gold; And o'er the meadows faintly fly Pale shadows of the purpling sky: While softly o'er the pearl-deck'd plain, Cold Dian leads the sylvan train; In mazy dance and sportive glee, SWEET MUSE, I'll fondly turn to thee; And thou shalt deck my couch with flow'rs, And wing with joy my silent hours.
When Sleep, with downy hand, shall spread A wreath of poppies round my head; Then, FANCY, on her wing sublime, Shall waft me to the sacred clime Where my enlighten'd sense shall view, Thro' ether realms of azure hue, That flame, where SHAKESPEARE us'd to fill, With matchless fire, his "golden quill.
" While, from its point bright Genius caught The wit supreme, the glowing thought, The magic tone, that sweetly hung About the music of his tongue.
Then will I skim the floating air, On a light couch of gossamer, While with my wonder-aching eye, I contemplate the spangled sky, And hear the vaulted roof repeat The song of Inspiration sweet; While round the winged cherub train, Shall iterate the aëry strain: Swift, thro' my quiv'ring nerves shall float The tremours of each thrilling note; And every eager sense confess Extatic transport's wild excess: 'Till, waking from the glorious dream, I hail the morn's refulgent beam.
DEAR Maid! of ever-varying mien, Exulting, pensive, gay, serene, Now, in transcendent pathos drest, Now, gentle as the turtle's breast; Where'er thy feath'ry steps shall lead, To side-long hill, or flow'ry mead; To sorrow's coldest, darkest cell, Or where, by Cynthia's glimm'ring ray, The dapper fairies frisk and play About some cowslip's golden bell; And, in their wanton frolic mirth, Pluck the young daisies from the earth, To canopy their tiny heads, And decorate their verdant beds; While to the grass-hopper's shrill tune, They quaff libations to the moon, From acorn goblets, amply fill'd With dew, from op'ning flow'rs distill'd.
Or when the lurid tempest pours, From its dark urn, impetuous show'rs, Or from its brow's terrific frown, Hurls the pale murd'rous lightnings down; To thy enchanting breast I'll spring, And shield me with thy golden wing.
Or when amidst ethereal fire, Thou strik'st thy DELLA CRUSCAN lyre, While round, to catch the heavenly song, Myriads of wond'ring seraphs throng: Whether thy harp's empassioned strain Pours forth an OVID's tender pain; Or in PINDARIC flights sublime, Re-echoes thro' the starry clime; Thee I'll adore; transcendent guest, And woe thee to my burning breast.
But, if thy magic pow'rs impart One soft sensation to the heart, If thy warm precepts can dispense One thrilling transport o'er my sense; Oh! keep thy gifts, and let me fly, In APATHY's cold arms to die.


Written by Hart Crane | Create an image from this poem

To Brooklyn Bridge

 How many dawns, chill from his rippling rest
The seagull's wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty--

Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
--Till elevators drop us from our day .
.
.
I think of cinemas, panoramic sleights With multitudes bent toward some flashing scene Never disclosed, but hastened to again, Foretold to other eyes on the same screen; And Thee, across the harbor, silver-paced As though the sun took step of thee, yet left Some motion ever unspent in thy stride,-- Implicitly thy freedom staying thee! Out of some subway scuttle, cell or loft A bedlamite speeds to thy parapets, Tilting there momently, shrill shirt ballooning, A jest falls from the speechless caravan.
Down Wall, from girder into street noon leaks, A rip-tooth of the sky's acetylene; All afternoon the cloud-flown derricks turn .
.
.
Thy cables breathe the North Atlantic still.
And obscure as that heaven of the Jews, Thy guerdon .
.
.
Accolade thou dost bestow Of anonymity time cannot raise: Vibrant reprieve and pardon thou dost show.
O harp and altar, of the fury fused, (How could mere toil align thy choiring strings!) Terrific threshold of the prophet's pledge, Prayer of pariah, and the lover's cry,-- Again the traffic lights that skim thy swift Unfractioned idiom, immaculate sigh of stars, Beading thy path--condense eternity: And we have seen night lifted in thine arms.
Under thy shadow by the piers I waited; Only in darkness is thy shadow clear.
The City's fiery parcels all undone, Already snow submerges an iron year .
.
.
O Sleepless as the river under thee, Vaulting the sea, the prairies' dreaming sod, Unto us lowliest sometime sweep, descend And of the curveship lend a myth to God.
Written by William Cullen Bryant | Create an image from this poem

November

 Yet one smile more, departing, distant sun! 
One mellow smile through the soft vapoury air, 
Ere, o'er the frozen earth, the loud winds ran, 
Or snows are sifted o'er the meadows bare.
One smile on the brown hills and naked trees, And the dark rocks whose summer wreaths are cast, And the blue Gentian flower, that, in the breeze, Nods lonely, of her beauteous race the last.
Yet a few sunny days, in which the bee Shall murmur by the hedge that skim the way, The cricket chirp upon the russet lea, And man delight to linger in thy ray.
Yet one rich smile, and we will try to bear The piercing winter frost, and winds, and darkened air.
Written by Ogden Nash | Create an image from this poem

Peekabo I Almost See You

 Middle-aged life is merry, and I love to
lead it,
But there comes a day when your eyes
are all right but your arm isn't long
enough
to hold the telephone book where you can read it,
And your friends get jocular, so you go
to the oculist,
And of all your friends he is the joculist,
So over his facetiousness let us skim,
Only noting that he has been waiting for you ever since
you said Good evening to his grandfather clock under
the impression that it was him,
And you look at his chart and it says SHRDLU QWERTYOP,
and you say Well, why SHRDNTLU QWERTYOP? and he
says one set of glasses won't do.
You need two.
One for reading Erle Stanley Gardner's Perry Mason and Keats's "Endymion" with, And the other for walking around without saying Hello to strange wymion with.
So you spend your time taking off your seeing glasses to put on your reading glasses, and then remembering that your reading glasses are upstairs or in the car, And then you can't find your seeing glasses again because without them on you can't see where they are.
Enough of such mishaps, they would try the patience of an ox, I prefer to forget both pairs of glasses and pass my declining years saluting strange women and grandfather clocks.
Written by Friedrich von Schiller | Create an image from this poem

The Dance

 See how, like lightest waves at play, the airy dancers fleet;
And scarcely feels the floor the wings of those harmonious feet.
Ob, are they flying shadows from their native forms set free? Or phantoms in the fairy ring that summer moonbeams see? As, by the gentle zephyr blown, some light mist flees in air, As skiffs that skim adown the tide, when silver waves are fair, So sports the docile footstep to the heave of that sweet measure, As music wafts the form aloft at its melodious pleasure, Now breaking through the woven chain of the entangled dance, From where the ranks the thickest press, a bolder pair advance, The path they leave behind them lost--wide open the path beyond, The way unfolds or closes up as by a magic wand.
See now, they vanish from the gaze in wild confusion blended; All, in sweet chaos whirled again, that gentle world is ended! No!--disentangled glides the knot, the gay disorder ranges-- The only system ruling here, a grace that ever changes.
For ay destroyed--for ay renewed, whirls on that fair creation; And yet one peaceful law can still pervade in each mutation.
And what can to the reeling maze breathe harmony and vigor, And give an order and repose to every gliding figure? That each a ruler to himself doth but himself obey, Yet through the hurrying course still keeps his own appointed way.
What, would'st thou know? It is in truth the mighty power of tune, A power that every step obeys, as tides obey the moon; That threadeth with a golden clue the intricate employment, Curbs bounding strength to tranquil grace, and tames the wild enjoyment.
And comes the world's wide harmony in vain upon thine ears? The stream of music borne aloft from yonder choral spheres? And feel'st thou not the measure which eternal Nature keeps? The whirling dance forever held in yonder azure deeps? The suns that wheel in varying maze?--That music thou discernest? No! Thou canst honor that in sport which thou forgettest in earnest.


Written by Thomas Gray | Create an image from this poem

Ode On The Spring

 Lo! where the rosy-bosomed Hours,
Fair Venus' train, appear,
Disclose the long-expecting flowers,
And wake the purple year!
The Attic warbler pours her throat,
Responsive to the cuckoo's note,
The untaught harmony of spring:
While, whisp'ring pleasure as they fly,
Cool Zephyrs thro' the clear blue sky
Their gathered fragrance fling.
Where'er the oak's thick branches stretch A broader browner shade, Where'er the rude and moss-grown beech O'er-canopies the glade, Beside some water's rushy brink With me the Muse shall sit, and think (At ease reclined in rustic state) How vain the ardour of the Crowd, How low, how little are the Proud, How indigent the Great! Still is the toiling hand of Care; The panting herds repose: Yet hark, how through the peopled air The busy murmur glows! The insect-youth are on the wing, Eager to taste the honied spring And float amid the liquid noon: Some lightly o'er the current skim, Some show their gayly-gilded trim Quick-glancing to the sun.
To Contemplation's sober eye Such is the race of Man: And they that creep, and they that fly, Shall end where they began.
Alike the Busy and the Gay But flutter thro' life's little day, In Fortune's varying colours drest: Brushed by the hand of rough Mischance, Or chilled by Age, their airy dance They leave, in dust to rest.
Methinks I hear, in accents low, The sportive kind reply: Poor moralist! and what art thou? A solitary fly! Thy joys no glittering female meets, No hive hast thou of hoarded sweets, No painted plumage to display: On hasty wings thy youth is flown; Thy sun is set, thy spring is gone— We frolic while 'tis May.
Written by Jean Ingelow | Create an image from this poem

HONORS - PART I

A Scholar is musing on his want of success.)

To strive—and fail. Yes, I did strive and fail;
  I set mine eyes upon a certain night
To find a certain star—and could not hail
      With them its deep-set light.
Fool that I was! I will rehearse my fault:
  I, wingless, thought myself on high to lift
Among the winged—I set these feet that halt
      To run against the swift.
And yet this man, that loved me so, can write—
  That loves me, I would say, can let me see;
Or fain would have me think he counts but light
      These Honors lost to me.
         (The letter of his friend.)
"What are they? that old house of yours which gave
  Such welcome oft to me, the sunbeams fall
Yet, down the squares of blue and white which pave
      Its hospitable hall.
"A brave old house! a garden full of bees,
  Large dropping poppies, and Queen hollyhocks,
With butterflies for crowns—tree peonies
      And pinks and goldilocks.
"Go, when the shadow of your house is long
  Upon the garden—when some new-waked bird.
Pecking and fluttering, chirps a sudden song,
      And not a leaf is stirred;
"But every one drops dew from either edge
  Upon its fellow, while an amber ray
Slants up among the tree-tops like a wedge
      Of liquid gold—to play
"Over and under them, and so to fall
  Upon that lane of water lying below—
That piece of sky let in, that you do call
      A pond, but which I know
"To be a deep and wondrous world; for I
  Have seen the trees within it—marvellous things
So thick no bird betwixt their leaves could fly
      But she would smite her wings;—
"Go there, I say; stand at the water's brink,
  And shoals of spotted barbel you shall see
Basking between the shadows—look, and think
      'This beauty is for me;
"'For me this freshness in the morning hours,
  For me the water's clear tranquillity;
For me the soft descent of chestnut flowers;
      The cushat's cry for me.
"'The lovely laughter of the wind-swayed wheat
  The easy slope of yonder pastoral hill;
The sedgy brook whereby the red kine meet
      And wade and drink their fill.'
"Then saunter down that terrace whence the sea
  All fair with wing-like sails you may discern;
Be glad, and say 'This beauty is for me—
      A thing to love and learn.
"'For me the bounding in of tides; for me
  The laying bare of sands when they retreat;
The purple flush of calms, the sparkling glee
      When waves and sunshine meet.'
"So, after gazing, homeward turn, and mount
  To that long chamber in the roof; there tell
Your heart the laid-up lore it holds to count
      And prize and ponder well.
"The lookings onward of the race before
  It had a past to make it look behind;
Its reverent wonder, and its doubting sore,
      Its adoration blind.
"The thunder of its war-songs, and the glow
  Of chants to freedom by the old world sung;
The sweet love cadences that long ago
      Dropped from the old-world tongue.
"And then this new-world lore that takes account
  Of tangled star-dust; maps the triple whirl
Of blue and red and argent worlds that mount
      And greet the IRISH EARL;
"Or float across the tube that HERSCHEL sways,
  Like pale-rose chaplets, or like sapphire mist;
Or hang or droop along the heavenly ways,
      Like scarves of amethyst.
"O strange it is and wide the new-world lore,
  For next it treateth of our native dust!
Must dig out buried monsters, and explore
      The green earth's fruitful crust;
"Must write the story of her seething youth—
  How lizards paddled in her lukewarm seas;
Must show the cones she ripened, and forsooth
      Count seasons on her trees;
"Must know her weight, and pry into her age,
  Count her old beach lines by their tidal swell;
Her sunken mountains name, her craters gauge,
      Her cold volcanoes tell;
"And treat her as a ball, that one might pass
  From this hand to the other—such a ball
As he could measure with a blade of grass,
      And say it was but small!
"Honors! O friend, I pray you bear with me:
  The grass hath time to grow in meadow lands,
And leisurely the opal murmuring sea
      Breaks on her yellow sands;
"And leisurely the ring-dove on her nest
  Broods till her tender chick will peck the shell
And leisurely down fall from ferny crest
      The dew-drops on the well;
"And leisurely your life and spirit grew,
  With yet the time to grow and ripen free:
No judgment past withdraws that boon from you,
      Nor granteth it to me.
"Still must I plod, and still in cities moil;
  From precious leisure, learned leisure far,
Dull my best self with handling common soil;
      Yet mine those honors are.
"Mine they are called; they are a name which means,
  'This man had steady pulses, tranquil nerves:
Here, as in other fields, the most he gleans
      Who works and never swerves.
"We measure not his mind; we cannot tell
  What lieth under, over, or beside
The test we put him to; he doth excel,
    We know, where he is tried;
"But, if he boast some farther excellence—
  Mind to create as well as to attain;
To sway his peers by golden eloquence,
    As wind doth shift a fane;
"'To sing among the poets—we are nought:
  We cannot drop a line into that sea
And read its fathoms off, nor gauge a thought,
    Nor map a simile.
"'It may be of all voices sublunar
  The only one he echoes we did try;
We may have come upon the only star
    That twinkles in his sky,'
"And so it was with me."
                         O false my friend!
  False, false, a random charge, a blame undue;
Wrest not fair reasoning to a crooked end:
    False, false, as you are true!
But I read on: "And so it was with me;
  Your golden constellations lying apart
They neither hailed nor greeted heartily,
    Nor noted on their chart.
"And yet to you and not to me belong
  Those finer instincts that, like second sight
And hearing, catch creation's undersong,
      And see by inner light.
"You are a well, whereon I, gazing, see
  Reflections of the upper heavens—a well
From whence come deep, deep echoes up to me—
      Some underwave's low swell.
"I cannot soar into the heights you show,
  Nor dive among the deeps that you reveal;
But it is much that high things ARE to know,
      That deep things ARE to feel.
"'Tis yours, not mine, to pluck out of your breast
  Some human truth, whose workings recondite
Were unattired in words, and manifest
      And hold it forth to light
"And cry, 'Behold this thing that I have found,'
  And though they knew not of it till that day,
Nor should have done with no man to expound
      Its meaning, yet they say,
"'We do accept it: lower than the shoals
  We skim, this diver went, nor did create,
But find it for us deeper in our souls
      Than we can penetrate.'
"You were to me the world's interpreter,
  The man that taught me Nature's unknown tongue,
And to the notes of her wild dulcimer
      First set sweet words, and sung.
"And what am I to you? A steady hand
  To hold, a steadfast heart to trust withal;
Merely a man that loves you, and will stand
      By you, whatever befall.
"But need we praise his tendance tutelar
  Who feeds a flame that warms him? Yet 'tis true
I love you for the sake of what you are,
      And not of what you do:—
"As heaven's high twins, whereof in Tyrian blue
  The one revolveth: through his course immense
Might love his fellow of the damask hue,
      For like, and difference.
"For different pathways evermore decreed
  To intersect, but not to interfere;
For common goal, two aspects, and one speed,
      One centre and one year;
"For deep affinities, for drawings strong,
  That by their nature each must needs exert;
For loved alliance, and for union long,
      That stands before desert.
"And yet desert makes brighter not the less,
  For nearest his own star he shall not fail
To think those rays unmatched for nobleness,
      That distance counts but pale.
"Be pale afar, since still to me you shine,
  And must while Nature's eldest law shall hold;"—
Ah, there's the thought which makes his random line
      Dear as refinèd gold!
Then shall I drink this draft of oxymel,
  Part sweet, part sharp? Myself o'erprized to know
Is sharp; the cause is sweet, and truth to tell
      Few would that cause forego,
Which is, that this of all the men on earth
  Doth love me well enough to count me great—
To think my soul and his of equal girth—
      O liberal estimate!
And yet it is so; he is bound to me,
  For human love makes aliens near of kin;
By it I rise, there is equality:
      I rise to thee, my twin.
"Take courage"—courage! ay, my purple peer
  I will take courage; for thy Tyrian rays
Refresh me to the heart, and strangely dear
      And healing is thy praise.
"Take courage," quoth he, "and respect the mind
  Your Maker gave, for good your fate fulfil;
The fate round many hearts your own to wind."
      Twin soul, I will! I will!
Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 01: 06: Over the darkened city the city of towers

 Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea, And dreams in white at the city's feet; On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea And sails toward the far-off city, that seems Like one vague tower.
The dark bow plunges to foam on blue-black waves, And shrill rain seethes like a ghostly music about him In a quiet shower.
Rain with a shrill sings on the lapsing waves; Rain thrills over the roofs again; Like a shadow of shifting silver it crosses the city; The lamps in the streets are streamed with rain; And sparrows complain beneath deep eaves, And among whirled leaves The sea-gulls, blowing from tower to lower tower, From wall to remoter wall, Skim with the driven rain to the rising sea-sound And close grey wings and fall .
.
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.
.
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Hearing great rain above me, I now remember A girl who stood by the door and shut her eyes: Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly .
.
.
Voices about me rise .
.
.
Voices clear and silvery, voices of raindrops,— 'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies .
.
.
' A chorus of elfin voices blowing about me Weaves to a babel of sound.
Each cries a secret.
I run among them, reach out vain hands, and drown.
'I am the one who stood beside you and smiled, Thinking your face so strangely young .
.
.
' 'I am the one who loved you but did not dare.
' 'I am the one you followed through crowded streets, The one who escaped you, the one with red-gleamed hair.
' 'I am the one you saw to-day, who fell Senseless before you, hearing a certain bell: A bell that broke great memories in my brain.
' 'I am the one who passed unnoticed before you, Invisible, in a cloud of secret pain.
' 'I am the one who suddenly cried, beholding The face of a certain man on the dazzling screen.
They wrote me that he was dead.
It was long ago.
I walked in the streets for a long while, hearing nothing, And returned to see it again.
And it was so.
' Weave, weave, weave, you streaks of rain! I am dissolved and woven again .
.
.
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking At a dazzle of golden lights.
Tempests of music swept me: I was thinking Of the gorgeous promise of certain nights: Of the woman who suddenly smiled at me this day, Smiled in a certain delicious sidelong way, And turned, as she reached the door, To smile once more .
.
.
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter, Her eyes are strange as the stealth of the moon On a night in June .
.
.
She runs among whistling leaves; I hurry after; She dances in dreams over white-waved water; Her body is white and fragrant and cool, Magnolia petals that float on a white-starred pool .
.
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I have dreamed of her, dreaming for many nights Of a broken music and golden lights, Of broken webs of silver, heavily falling Between my hands and their white desire: And dark-leaved boughs, edged with a golden radiance, Dipping to screen a fire .
.
.
I dream that I walk with her beneath high trees, But as I lean to kiss her face, She is blown aloft on wind, I catch at leaves, And run in a moonless place; And I hear a crashing of terrible rocks flung down, And shattering trees and cracking walls, And a net of intense white flame roars over the town, And someone cries; and darkness falls .
.
.
But now she has leaned and smiled at me, My veins are afire with music, Her eyes have kissed me, my body is turned to light; I shall dream to her secret heart tonight .
.
.
' He rises and moves away, he says no word, He folds his evening paper and turns away; I rush through the dark with rows of lamplit faces; Fire bells peal, and some of us turn to listen, And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts, Streams down the windows in waves and ripples of lustre; The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain .
.
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rain .
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rain .
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we are buried in rain, It will rain forever, the swift wheels hiss through water, Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed, Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals; These hands have touched her head.
'I bound her to me in all soft ways, I bound her to me in a net of days, Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you? There is no use: we cry: and are not heard.
'They cover a body with roses .
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I shall not see it .
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Must one return to the lifeless walls of a city Whose soul is charred by fire? .
.
.
' His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.
He yields us our desire.
'No, do not stare so—he is weak with grief, He cannot face you, he turns his eyes aside; He is confused with pain.
I suffered this.
I know.
It was long ago .
.
.
He closes his eyes and drowns in death again.
' The wind hurls blows at the rain-starred glistening windows, The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying; And at last a silence falls.
Written by Mary Darby Robinson | Create an image from this poem

Poor Marguerite

 Swift, o'er the wild and dreary waste
A NUT-BROWN GIRL was seen to haste;
Wide waving was her unbound hair,
And sun-scorch'd was her bosom bare;
For Summer's noon had shed its beams
While she lay wrapp'd in fev'rish dreams;
While, on the wither'd hedge-row's side,
By turns she slept, by turns she cried,
"Ah ! where lies hid the balsam sweet,
"To heal the wounds of MARGUERITE?"

Dark was her large and sunken eye
Which wildly gaz'd upon the sky;
And swiftly down her freckled face
The chilling dews began to pace:
For she was lorn, and many a day,
Had, all alone, been doom'd to stray,
And, many a night, her bosom warm,
Had throbb'd, beneath the pelting storm,
And still she cried, "the rain falls sweet,
"It bathes the wounds of MARGUERITE.
" Her garments were by briars torn, And on them hung full many a thorn; A thistle crown, she mutt'ring twin'd, Now darted on,--now look'd behind-- And here, and there, her arm was seen Bleeding the tatter'd folds between; Yet, on her breast she oft display'd A faded branch, that breast to shade: For though her senses were astray, She felt the burning beams of day: She felt the wintry blast of night, And smil'd to see the morning light, For then she cried, "I soon shall meet "The plighted love of MARGUERITE.
" Across the waste of printless snow, All day the NUT-BROWN GIRL would go; And when the winter moon had shed Its pale beams on the mountain's head, She on a broomy pillow lay Singing the lonely hours away; While the cold breath of dawnlight flew Across the fields of glitt'ring dew:-- Swift o'er the frozen lake she past Unmindful of the driving blast, And then she cried "the air is sweet-- "It fans the breast of MARGUERITE.
" The weedy lane she Iov'd to tread When stars their twinkling lustre shed; While from the lone and silent Cot The watchful Cur assail'd her not, Though at the beggar he would fly, And fright the Trav'ller passing by: But she, so kind and gentle seem'd, Such sorrow in her dark eyes beam'd, That savage fierceness could not greet With less than love,--POOR MARGUERITE! Oft, by the splashy brook she stood And sung her Song to the waving wood; The waving wood, in murmurs low, Fill'd up the pause of weary woe; Oft, to the Forest tripp'd along And inly humm'd her frantic Song; Oft danc'd mid shadows Ev'ning spread Along the whisp'ring willow-bed.
And wild was her groan, When she climb'd, alone-- The rough rock's side, While the foaming tide, Dash'd rudely against the sandy shore, And the lightning flash'd mid the thunder's roar.
And many a time she chac'd the fly, And mock'd the Beetle, humming by; And then, with loud fantastic tone She sang her wild strain, sad--alone.
And if a stranger wander'd near Or paus'd the frantic Song to hear, The burthen she would soft repeat, "Who comes to soothe POOR MARGUERITE? And why did she with sun-burnt breast, So wander, and so scorn to rest? Why did the NUT-BROWN MAIDEN go O'er burning plains and wastes of snow? What bade her fev'rish bosom sigh, And dimm'd her large and hazle eye? What taught her o'er the hills to stray Fearless by night, and wild by day? What stole the hour of slumber sweet-- From the scorch'd brain of MARGUERITE.
Soon shalt thou know; for see how lorn She climbs the steep of shaggy thorn-- Now on the jutting cliff she stands, And clasps her cold,--but snow-white hands.
And now aloud she chaunts her strain While fiercely roars the troublous main.
Now the white breakers curling shew The dread abyss that yawns below, And still she sighs, "the sound is sweet, "It seems to say, POOR MARGUERITE!" "Here will I build a rocky shed, "And here I'll make my sea-weed bed; "Here gather, with unwearied hands-- "The orient shells that deck the sands.
"And here will I skim o'er the billows so high, "And laugh at the moon and the dark frowning sky.
"And the Sea-birds, that hover across the wide main, "Shall sweep with their pinions, the white bounding plain.
-- "And the shivering sail shall the fierce tempest meet, "Like the storm, in the bosom of POOR MARGUERITE! "The setting Sun, with golden ray, "Shall warm my breast, and make me gay.
"The clamours of the roaring Sea "My midnight serenade shall be! "The Cliff that like a Tyrant stands "Exulting o'er the wave lash'd sands, "With its weedy crown, and its flinty crest, "Shall, on its hard bosom, rock me to rest; "And I'll watch for the Eagle's unfledg'd brood, "And I'll scatter their nest, and I'll drink their blood; "And under the crag I will kneel and pray "And silver my robe, with the moony ray: "And who shall scorn the lone retreat "Which Heaven has chose, for MARGUERITE? "Here, did the exil'd HENRY stray "Forc'd from his native land, away; "Here, here upon a foreign shore, "His parents, lost, awhile deplore; "Here find, that pity's holy tear "Could not an alien wand'rer chear; "And now, in fancy, he would view, "Shouting aloud, the rabble crew-- "The rabble crew, whose impious hands "Tore asunder nature's bands!-- "I see him still,--He waves me on! "And now to the dark abyss he's gone-- "He calls--I hear his voice, so sweet,-- "It seems to say--POOR MARGUERITE!" Thus, wild she sung! when on the sand She saw her long lost HENRY, stand: Pale was his cheek, and on his breast His icy hand he, silent, prest; And now the Twilight shadows spread Around the tall cliff's weedy head; Far o'er the main the moon shone bright, She mark'd the quiv'ring stream of light-- It danc'd upon the murm'ring wave It danc'd upon--her HENRY'S Grave! It mark'd his visage, deathly pale,-- His white shroud floating in the gale; His speaking eyes--his smile so sweet That won the love--of MARGUERITE! And now he beckon'd her along The curling moonlight waves among; No footsteps mark'd the slanting sand Where she had seen her HENRY stand! She saw him o'er the billows go-- She heard the rising breezes blow; She shriek'd aloud ! The echoing steep Frown'd darkness on the troubled deep; The moon in cloudy veil was seen, And louder howl'd the night blast keen!-- And when the morn, in splendour dress'd, Blush'd radiance on the Eagle's nest, That radiant blush was doom'd to greet-- The lifeless form --of MARGUERITE!
Written by Richard Aldington | Create an image from this poem

At the British Museum

 I turn the page and read: 
"I dream of silent verses where the rhyme 
Glides noiseless as an oar.
" The heavy musty air, the black desks, The bent heads and the rustling noises In the great dome Vanish .
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And The sun hangs in the cobalt-blue sky, The boat drifts over the lake shallows, The fishes skim like umber shades through the undulating weeds, The oleanders drop their rosy petals on the lawns, And the swallows dive and swirl and whistle About the cleft battlements of Can Grande's castle.
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Book: Shattered Sighs