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Best Famous Shad Poems

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by John Greenleaf Whittier | Create an image from this poem

The Sycamores

 In the outskirts of the village 
On the river's winding shores 
Stand the Occidental plane-trees, 
Stand the ancient sycamores. 

One long century hath been numbered, 
And another half-way told 
Since the rustic Irish gleeman 
Broke for them the virgin mould. 

Deftly set to Celtic music 
At his violin's sound they grew, 
Through the moonlit eves of summer, 
Making Amphion's fable true. 

Rise again, thou poor Hugh Tallant! 
Pass in erkin green along 
With thy eyes brim full of laughter, 
And thy mouth as full of song. 

Pioneer of Erin's outcasts 
With his fiddle and his pack- 
Little dreamed the village Saxons 
Of the myriads at his back. 

How he wrought with spade and fiddle, 
Delved by day and sang by night, 
With a hand that never wearied 
And a heart forever light,--- 

Still the gay tradition mingles 
With a record grave and drear 
Like the rollic air of Cluny 
With the solemn march of Mear. 

When the box-tree, white with blossoms, 
Made the sweet May woodlands glad, 
And the Aronia by the river 
Lighted up the swarming shad, 

And the bulging nets swept shoreward 
With their silver-sided haul, 
Midst the shouts of dripping fishers, 
He was merriest of them all. 

When, among the jovial huskers 
Love stole in at Labor's side 
With the lusty airs of England 
Soft his Celtic measures vied. 

Songs of love and wailing lyke-wake 
And the merry fair's carouse; 
Of the wild Red Fox of Erin 
And the Woman of Three Cows, 

By the blazing hearths of winter 
Pleasant seemed his simple tales, 
Midst the grimmer Yorkshire legends 
And the mountain myths of Wales. 

How the souls in Purgatory 
Scrambled up from fate forlorn 
On St. Keven's sackcloth ladder 
Slyly hitched to Satan's horn. 

Of the fiddler who at Tara 
Played all night to ghosts of kings; 
Of the brown dwarfs, and the fairies 
Dancing in their moorland rings! 

Jolliest of our birds of singing 
Best he loved the Bob-o-link. 
"Hush!" he'd say, "the tipsy fairies! 
Hear the little folks in drink!" 

Merry-faced, with spade and fiddle, 
Singing through the ancient town, 
Only this, of poor Hugh Tallant 
Hath Tradtion handed down. 

Not a stone his grave discloses; 
But if yet his spirit walks 
Tis beneath the trees he planted 
And when Bob-o-Lincoln talks. 

Green memorials of the gleeman! 
Linking still the river-shores, 
With their shadows cast by sunset 
Stand Hugh Tallant's sycamores! 

When the Father of his Country 
Through the north-land riding came 
And the roofs were starred with banners, 
And the steeples rang acclaim,--- 

When each war-scarred Continental 
Leaving smithy, mill,.and farm, 
Waved his rusted sword in welcome, 
And shot off his old king's-arm,--- 

Slowly passed that august Presence 
Down the thronged and shouting street; 
Village girls as white as angels 
Scattering flowers around his feet. 

Midway, where the plane-tree's shadow 
Deepest fell, his rein he drew: 
On his stately head, uncovered, 
Cool and soft the west-wind blew. 

And he stood up in his stirrups, 
Looking up and looking down 
On the hills of Gold and Silver 
Rimming round the little town,--- 

On the river, full of sunshine, 
To the lap of greenest vales 
Winding down from wooded headlands, 
Willow-skirted, white with sails. 

And he said, the landscape sweeping 
Slowly with his ungloved hand 
"I have seen no prospect fairer 
In this goodly Eastern land." 

Then the bugles of his escort 
Stirred to life the cavalcade: 
And that head, so bare and stately 
Vanished down the depths of shade. 

Ever since, in town and farm-house, 
Life has had its ebb and flow; 
Thrice hath passed the human harvest 
To its garner green and low. 

But the trees the gleeman planted, 
Through the changes, changeless stand; 
As the marble calm of Tadmor 
Mocks the deserts shifting sand. 

Still the level moon at rising 
Silvers o'er each stately shaft; 
Still beneath them, half in shadow, 
Singing, glides the pleasure craft; 

Still beneath them, arm-enfolded, 
Love and Youth together stray; 
While, as heart to heart beats faster, 
More and more their feet delay. 

Where the ancient cobbler, Keezar, 
On the open hillside justice wrought, 
Singing, as he drew his stitches, 
Songs his German masters taught. 

Singing, with his gray hair floating 
Round a rosy ample face,--- 
Now a thousand Saxon craftsmen 
Stitch and hammer in his place. 

All the pastoral lanes so grassy 
Now are Traffic's dusty streets; 
From the village, grown a city, 
Fast the rural grace retreats. 

But, still green and tall and stately, 
On the river's winding shores, 
Stand the occidental plane-trees, 
Stand Hugh Tallant's sycamores.
Written by Ogden Nash | Create an image from this poem

Pretty Halcyon Days

 How pleasant to sit on the beach,
On the beach, on the sand, in the sun,
With ocean galore within reach,
And nothing at all to be done!
 No letters to answer,
 No bills to be burned,
 No work to be shirked,
 No cash to be earned,
It is pleasant to sit on the beach
With nothing at all to be done!

How pleasant to look at the ocean,
Democratic and damp; indiscriminate;
It fills me with noble emotion
To think I am able to swim in it.
 To lave in the wave,
 Majestic and chilly,
 Tomorrow I crave;
 But today it is silly.
It is pleasant to look at the ocean;
Tomorrow, perhaps, I shall swim in it.

How pleasant to gaze at the sailors
As their sailboats they manfully sail
With the vigor of vikings and whalers
In the days of the vikings and whale.
 They sport on the brink
 Of the shad and the shark;
 If it’s windy, they sink;
 If it isn’t, they park.
It is pleasant to gaze at the sailors,
To gaze without having to sail.

How pleasant the salt anesthetic
Of the air and the sand and the sun;
Leave the earth to the strong and athletic,
And the sea to adventure upon.
 But the sun and the sand
 No contractor can copy;
 We lie in the land
 Of the lotus and poppy;
We vegetate, calm and aesthetic,
On the beach, on the sand, in the sun.
Written by Linda Pastan | Create an image from this poem

Shadblow

 Because the shad
are swimming
in our waters now,

breaching the skin
of the river with their
tarnished silvery fins,

heading upstream
straight for our tables
where already

knives and forks gleam
in anticipation, these trees
in the woods break

into flower--small, white
flags surrendering
to the season.
Written by William Carlos (WCW) Williams | Create an image from this poem

Light Hearted Author

 The birches are mad with green points 
the wood's edge is burning with their green, 
burning, seething—No, no, no. 
The birches are opening their leaves one 
by one. Their delicate leaves unfold cold 
and separate, one by one. Slender tassels 
hang swaying from the delicate branch tips— 
Oh, I cannot say it. There is no word. 
Black is split at once into flowers. In 
every bog and ditch, flares of 
small fire, white flowers!—Agh, 
the birches are mad, mad with their green.
The world is gone, torn into shreds 
with this blessing. What have I left undone 
that I should have undertaken? 
O my brother, you redfaced, living man 
ignorant, stupid whose feet are upon 
this same dirt that I touch—and eat. 
We are alone in this terror, alone, 
face to face on this road, you and I, 
wrapped by this flame! 
Let the polished plows stay idle, 
their gloss already on the black soil.
But that face of yours—! 
Answer me. I will clutch you. I
will hug you, grip you. I will poke my face
into your face and force you to see me. 
Take me in your arms, tell me the commonest 
thing that is in your mind to say, 
say anything. I will understand you—! 
It is the madness of the birch leaves opening
cold, one by one. 

My rooms will receive me. But my rooms 
are no longer sweet spaces where comfort 
is ready to wait on me with its crumbs. 
A darkness has brushed them. The mass 
of yellow tulips in the bowl is shrunken. 
Every familiar object is changed and dwarfed. 
I am shaken, broken against a might 
that splits comfort, blows apart 
my careful partitions, crushes my house
and leaves me—with shrinking heart 
and startled, empty eyes—peering out 
into a cold world. 

In the spring I would be drunk! In the spring 
I would be drunk and lie forgetting all things. 
Your face! Give me your face, Yang Kue Fei! 
your hands, your lips to drink! 
Give me your wrists to drink— 
I drag you, I am drowned in you, you
overwhelm me! Drink! 
Save me! The shad bush is in the edge 
of the clearing. The yards in a fury 
of lilac blossoms are driving me mad with terror. 
Drink and lie forgetting the world. 

And coldly the birch leaves are opening one by one. 
Coldly I observe them and wait for the end. 
And it ends.


Written by Eugene Field | Create an image from this poem

Madge: Ye Hoyden

 At Madge, ye hoyden, gossips scofft,
Ffor that a romping wench was shee--
"Now marke this rede," they bade her oft,
"Forsooken sholde your folly bee!"
But Madge, ye hoyden, laught & cried,
"Oho, oho," in girlish glee,
And noe thing mo replied.

II

No griffe she had nor knew no care,
But gayly rompit all daies long,
And, like ye brooke that everywhere
Goes jinking with a gladsome song,
Shee danct and songe from morn till night,--
Her gentil harte did know no wrong,
Nor did she none despight.

III

Sir Tomas from his noblesse halle
Did trend his path a somer's daye,
And to ye hoyden he did call
And these ffull evill words did say:
"O wolde you weare a silken gown
And binde your haire with ribands gay?
Then come with me to town!"

IV

But Madge, ye hoyden, shoke her head,--
"I'le be no lemman unto thee
For all your golde and gownes," shee said,
"ffor Robin hath bespoken mee."
Then ben Sir Tomas sore despight,
And back unto his hall went hee
With face as ashen white.

V

"O Robin, wilt thou wed this girl,
Whenas she is so vaine a sprite?"
So spak ffull many an envious churle
Unto that curteyse countrie wight.
But Robin did not pay no heede;
And they ben wed a somer night
& danct upon ye meade.

VI

Then scarse ben past a yeare & daye
Whan Robin toke unto his bed,
And long, long time therein he lay,
Nor colde not work to earn his bread;
in soche an houre, whan times ben sore,
Sr. Tomas came with haughtie tread
& knockit at ye doore.

VII

Saies: "Madge, ye hoyden, do you know
how that you once despighted me?
But He forgiff an you will go
my swete harte lady ffor to bee!"
But Madge, ye hoyden, heard noe more,--
straightway upon her heele turnt shee,
& shote ye cottage doore.

VIII

Soe Madge, ye hoyden, did her parte
whiles that ye years did come and go;
't was somer allwais in her harte,
tho' winter strewed her head with snowe.
She toilt and span thro' all those years
nor bid repine that it ben soe,
nor never shad noe teares.

IX

Whiles Robin lay within his bed,
A divell came and whispered lowe,--
"Giff you will doe my will," he said,
"None more of sickness you shall knowe!"
Ye which gave joy to Robin's soul--
Saies Robin: "Divell, be it soe,
an that you make me whoale!"

X

That day, upp rising ffrom his bed,
Quoth Robin: "I am well again!"
& backe he came as from ye dead,
& he ben mickle blithe as when
he wooed his doxy long ago;
& Madge did make ado & then
Her teares ffor joy did flowe.

XI

Then came that hell-born cloven thing--
Saies: "Robin, I do claim your life,
and I hencefoorth shall be your king,
and you shall do my evill strife.
Look round about and you shall see
sr. Tomas' young and ffoolish wiffe--
a comely dame is shee!"

XII

Ye divell had him in his power,
and not colde Robin say thereto:
Soe Robin from that very houre
did what that divell bade him do;
He wooed and dipt, and on a daye
Sr. Tomas' wife and Robin flewe
a many leagues away.

XIII

Sir Tomas ben wood wroth and swore,
And sometime strode thro' leaf & brake
and knockit at ye cottage door
and thus to Madge, ye hoyden, spake:
Saies, "I wolde have you ffor mine own,
So come with mee & bee my make,
syn tother birds ben flown."

XIV

But Madge, ye hoyden, bade him noe;
Saies: "Robin is my swete harte still,
And, tho' he doth despight me soe,
I mean to do him good for ill.
So goe, Sir Tomas, goe your way;
ffor whiles I bee on live I will
ffor Robin's coming pray!"

XV

Soe Madge, ye hoyden, kneelt & prayed
that Godde sholde send her Robin backe.
And tho' ye folke vast scoffing made,
and tho' ye worlde ben colde and blacke,
And tho', as moneths dragged away,
ye hoyden's harte ben like to crack
With griff, she still did praye.

XVI

Sicke of that divell's damnèd charmes,
Aback did Robin come at last,
And Madge, ye hoyden, sprad her arms
and gave a cry and held him fast;
And as she clong to him and cried,
her patient harte with joy did brast,
& Madge, ye hoyden, died.

Book: Radiant Verses: A Journey Through Inspiring Poetry