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Best Famous Rural Poems

Here is a collection of the all-time best famous Rural poems. This is a select list of the best famous Rural poetry. Reading, writing, and enjoying famous Rural poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of rural poems.

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Written by William Cullen Bryant | Create an image from this poem

November

 The landscape sleeps in mist from morn till noon;
And, if the sun looks through, 'tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be, Nor mark a patch of sky— blindfold they trace, The plains, that seem without a bush or tree, Whistling aloud by guess, to flocks they cannot see.
The timid hare seems half its fears to lose, Crouching and sleeping 'neath its grassy lair, And scarcely startles, tho' the shepherd goes Close by its home, and dogs are barking there; The wild colt only turns around to stare At passer by, then knaps his hide again; And moody crows beside the road forbear To fly, tho' pelted by the passing swain; Thus day seems turn'd to night, and tries to wake in vain.
The owlet leaves her hiding-place at noon, And flaps her grey wings in the doubling light; The hoarse jay screams to see her out so soon, And small birds chirp and startle with affright; Much doth it scare the superstitious wight, Who dreams of sorry luck, and sore dismay; While cow-boys think the day a dream of night, And oft grow fearful on their lonely way, Fancying that ghosts may wake, and leave their graves by day.
Yet but awhile the slumbering weather flings Its murky prison round— then winds wake loud; With sudden stir the startled forest sings Winter's returning song— cloud races cloud, And the horizon throws away its shroud, Sweeping a stretching circle from the eye; Storms upon storms in quick succession crowd, And o'er the sameness of the purple sky Heaven paints, with hurried hand, wild hues of every dye.
At length it comes along the forest oaks, With sobbing ebbs, and uproar gathering high; The scared, hoarse raven on its cradle croaks, And stockdove-flocks in hurried terrors fly, While the blue hawk hangs o'er them in the sky.
— The hedger hastens from the storm begun, To seek a shelter that may keep him dry; And foresters low bent, the wind to shun, Scarce hear amid the strife the poacher's muttering gun.
The ploughman hears its humming rage begin, And hies for shelter from his naked toil; Buttoning his doublet closer to his chin, He bends and scampers o'er the elting soil, While clouds above him in wild fury boil, And winds drive heavily the beating rain; He turns his back to catch his breath awhile, Then ekes his speed and faces it again, To seek the shepherd's hut beside the rushy plain.
The boy, that scareth from the spiry wheat The melancholy crow—in hurry weaves, Beneath an ivied tree, his sheltering seat, Of rushy flags and sedges tied in sheaves, Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain His eyes with marking the storm-driven leaves; Oft spying nests where he spring eggs had ta'en, And wishing in his heart 'twas summer-time again.
Thus wears the month along, in checker'd moods, Sunshine and shadows, tempests loud, and calms; One hour dies silent o'er the sleepy woods, The next wakes loud with unexpected storms; A dreary nakedness the field deforms— Yet many a rural sound, and rural sight, Lives in the village still about the farms, Where toil's rude uproar hums from morn till night Noises, in which the ears of Industry delight.
At length the stir of rural labour's still, And Industry her care awhile forgoes; When Winter comes in earnest to fulfil His yearly task, at bleak November's close, And stops the plough, and hides the field in snows; When frost locks up the stream in chill delay, And mellows on the hedge the jetty sloes, For little birds—then Toil hath time for play, And nought but threshers' flails awake the dreary day.


Written by George (Lord) Byron | Create an image from this poem

The Tear

 When Friendship or Love
Our sympathies move;
When Truth, in a glance, should appear,
The lips may beguile,
With a dimple or smile,
But the test of affection's a Tear:

Too oft is a smile
But the hypocrite's wile,
To mask detestation, or fear;
Give me the soft sigh,
Whilst the soultelling eye
Is dimm'd, for a time, with a Tear:

Mild Charity's glow,
To us mortals below,
Shows the soul from barbarity clear;
Compassion will melt,
Where this virtue is felt,
And its dew is diffused in a Tear:

The man, doom'd to sail
With the blast of the gale,
Through billows Atlantic to steer,
As he bends o'er the wave
Which may soon be his grave,
The green sparkles bright with a Tear;

The Soldier braves death
For a fanciful wreath
In Glory's romantic career;
But he raises the foe
When in battle laid low,
And bathes every wound with a Tear.
If, with high-bounding pride, He return to his bride! Renouncing the gore-crimson'd spear; All his toils are repaid When, embracing the maid, From her eyelid he kisses the Tear.
Sweet scene of my youth! Seat of Friendship and Truth, Where Love chas'd each fast-fleeting year Loth to leave thee, I mourn'd, For a last look I turn'd, But thy spire was scarce seen through a Tear: Though my vows I can pour, To my Mary no more, My Mary, to Love once so dear, In the shade of her bow'r, I remember the hour, She rewarded those vows with a Tear.
By another possest, May she live ever blest! Her name still my heart must revere: With a sigh I resign, What I once thought was mine, And forgive her deceit with a Tear.
Ye friends of my heart, Ere from you I depart, This hope to my breast is most near: If again we shall meet, In this rural retreat, May we meet, as we part, with a Tear.
When my soul wings her flight To the regions of night, And my corse shall recline on its bier; As ye pass by the tomb, Where my ashes consume, Oh! moisten their dust with a Tear.
Written by John Greenleaf Whittier | Create an image from this poem

The Sycamores

 In the outskirts of the village 
On the river's winding shores 
Stand the Occidental plane-trees, 
Stand the ancient sycamores.
One long century hath been numbered, And another half-way told Since the rustic Irish gleeman Broke for them the virgin mould.
Deftly set to Celtic music At his violin's sound they grew, Through the moonlit eves of summer, Making Amphion's fable true.
Rise again, thou poor Hugh Tallant! Pass in erkin green along With thy eyes brim full of laughter, And thy mouth as full of song.
Pioneer of Erin's outcasts With his fiddle and his pack- Little dreamed the village Saxons Of the myriads at his back.
How he wrought with spade and fiddle, Delved by day and sang by night, With a hand that never wearied And a heart forever light,--- Still the gay tradition mingles With a record grave and drear Like the rollic air of Cluny With the solemn march of Mear.
When the box-tree, white with blossoms, Made the sweet May woodlands glad, And the Aronia by the river Lighted up the swarming shad, And the bulging nets swept shoreward With their silver-sided haul, Midst the shouts of dripping fishers, He was merriest of them all.
When, among the jovial huskers Love stole in at Labor's side With the lusty airs of England Soft his Celtic measures vied.
Songs of love and wailing lyke-wake And the merry fair's carouse; Of the wild Red Fox of Erin And the Woman of Three Cows, By the blazing hearths of winter Pleasant seemed his simple tales, Midst the grimmer Yorkshire legends And the mountain myths of Wales.
How the souls in Purgatory Scrambled up from fate forlorn On St.
Keven's sackcloth ladder Slyly hitched to Satan's horn.
Of the fiddler who at Tara Played all night to ghosts of kings; Of the brown dwarfs, and the fairies Dancing in their moorland rings! Jolliest of our birds of singing Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies! Hear the little folks in drink!" Merry-faced, with spade and fiddle, Singing through the ancient town, Only this, of poor Hugh Tallant Hath Tradtion handed down.
Not a stone his grave discloses; But if yet his spirit walks Tis beneath the trees he planted And when Bob-o-Lincoln talks.
Green memorials of the gleeman! Linking still the river-shores, With their shadows cast by sunset Stand Hugh Tallant's sycamores! When the Father of his Country Through the north-land riding came And the roofs were starred with banners, And the steeples rang acclaim,--- When each war-scarred Continental Leaving smithy, mill,.
and farm, Waved his rusted sword in welcome, And shot off his old king's-arm,--- Slowly passed that august Presence Down the thronged and shouting street; Village girls as white as angels Scattering flowers around his feet.
Midway, where the plane-tree's shadow Deepest fell, his rein he drew: On his stately head, uncovered, Cool and soft the west-wind blew.
And he stood up in his stirrups, Looking up and looking down On the hills of Gold and Silver Rimming round the little town,--- On the river, full of sunshine, To the lap of greenest vales Winding down from wooded headlands, Willow-skirted, white with sails.
And he said, the landscape sweeping Slowly with his ungloved hand "I have seen no prospect fairer In this goodly Eastern land.
" Then the bugles of his escort Stirred to life the cavalcade: And that head, so bare and stately Vanished down the depths of shade.
Ever since, in town and farm-house, Life has had its ebb and flow; Thrice hath passed the human harvest To its garner green and low.
But the trees the gleeman planted, Through the changes, changeless stand; As the marble calm of Tadmor Mocks the deserts shifting sand.
Still the level moon at rising Silvers o'er each stately shaft; Still beneath them, half in shadow, Singing, glides the pleasure craft; Still beneath them, arm-enfolded, Love and Youth together stray; While, as heart to heart beats faster, More and more their feet delay.
Where the ancient cobbler, Keezar, On the open hillside justice wrought, Singing, as he drew his stitches, Songs his German masters taught.
Singing, with his gray hair floating Round a rosy ample face,--- Now a thousand Saxon craftsmen Stitch and hammer in his place.
All the pastoral lanes so grassy Now are Traffic's dusty streets; From the village, grown a city, Fast the rural grace retreats.
But, still green and tall and stately, On the river's winding shores, Stand the occidental plane-trees, Stand Hugh Tallant's sycamores.
Written by Ogden Nash | Create an image from this poem

Look What You Did Christopher!

 In fourteen hundred and ninety-two,
Someone sailed the ocean blue.
Somebody borrowed the fare in Spain For a business trip on the bounding main, And to prove to the people, by actual test, You could get to the East by sailing West.
Somebody said, Sail on! Sail on! And studied China and China's lingo, And cried from the bow, There's China now! And promptly bumped into San Domingo.
Somebody murmured, Oh dear, oh dear! I've discovered the Western Hemisphere.
And that, you may think, my friends, was that.
But it wasn't.
Not by a fireman's hat.
Well enough wasn't left alone, And Columbus was only a cornerstone.
There came the Spaniards, There came the Greeks, There came the Pilgrims in leather breeks.
There came the Dutch, And the Poles and Swedes, The Persians, too, And perhaps the Medes, The Letts, the Lapps, and the Lithuanians, Regal Russians, and ripe Roumanians.
There came the French And there came the Finns, And the Japanese With their formal grins.
The Tartars came, And the Terrible Turks - In a word, humanity shot the works.
And the country that should have been Cathay Decided to be The U.
S.
A.
And that, you may think, my friends, was that.
But it wasn't.
Not by a fireman's hat.
Christopher C.
was the cornerstone, And well enough wasn't left alone.
For those who followed When he was through, They burned to discover something, too.
Somebody, bored with rural scenery, Went to work and invented machinery, While a couple of other mental giants Got together And thought up Science.
Platinum blondes (They were once peroxide), Peruvian bonds And carbon monoxide, Tax evaders And Vitamin A, Vice crusaders, And tattletale gray - These, with many another phobia, We owe to that famous Twelfth of Octobia.
O misery, misery, mumble and moan! Someone invented the telephone, And interrupted a nation's slumbers, Ringing wrong but similar numbers.
Someone devised the silver screen And the intimate Hollywood magazine, And life is a Hades Of clicking cameras, And foreign ladies Behaving amorous.
Gags have erased Amusing dialog, As gas has replaced The crackling firelog.
All that glitters is sold as gold, And our daily diet grows odder and odder, And breakfast foods are dusty and cold - It's a wise child That knows its fodder.
Someone invented the automobile, And good Americans took the wheel To view American rivers and rills And justly famous forests and hills - But someone equally enterprising Had invented billboard advertising.
You linger at home In dark despair, And wistfully try the electric air.
You hope against hope for a quiz imperial, And what do they give you? A doctor serial.
Oh, Columbus was only a cornerstone, And well enough wasn't left alone, For the Inquisition was less tyrannical Than the iron rules of an age mechanical, Which, because of an error in '92, Are clamped like corsets on me and you, While Children of Nature we'd be today If San Domingo Had been Cathay.
And that, you may think, my friends, is that.
But it isn't - not by a fireman's hat.
The American people, With grins jocose, Always survive the fatal dose.
And though our systems are slightly wobbly, We'll fool the doctor this time, probly.
Written by Walt Whitman | Create an image from this poem

Give me the Splendid Silent Sun

 1
GIVE me the splendid silent sun, with all his beams full-dazzling; 
Give me juicy autumnal fruit, ripe and red from the orchard; 
Give me a field where the unmow’d grass grows; 
Give me an arbor, give me the trellis’d grape; 
Give me fresh corn and wheat—give me serene-moving animals, teaching content;
Give me nights perfectly quiet, as on high plateaus west of the Mississippi, and I looking
 up
 at the
 stars; 
Give me odorous at sunrise a garden of beautiful flowers, where I can walk
 undisturb’d; 
Give me for marriage a sweet-breath’d woman, of whom I should never tire; 
Give me a perfect child—give me, away, aside from the noise of the world, a rural,
 domestic
 life; 
Give me to warble spontaneous songs, reliev’d, recluse by myself, for my own ears
 only;
Give me solitude—give me Nature—give me again, O Nature, your primal sanities! 
—These, demanding to have them, (tired with ceaseless excitement, and rack’d by
 the
 war-strife;) 
These to procure, incessantly asking, rising in cries from my heart, 
While yet incessantly asking, still I adhere to my city; 
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchain’d a certain time, refusing to give me up; 
Yet giving to make me glutted, enrich’d of soul—you give me forever faces; 
(O I see what I sought to escape, confronting, reversing my cries; 
I see my own soul trampling down what it ask’d for.
) 2 Keep your splendid, silent sun; Keep your woods, O Nature, and the quiet places by the woods; Keep your fields of clover and timothy, and your corn-fields and orchards; Keep the blossoming buckwheat fields, where the Ninth-month bees hum; Give me faces and streets! give me these phantoms incessant and endless along the trottoirs! Give me interminable eyes! give me women! give me comrades and lovers by the thousand! Let me see new ones every day! let me hold new ones by the hand every day! Give me such shows! give me the streets of Manhattan! Give me Broadway, with the soldiers marching—give me the sound of the trumpets and drums! (The soldiers in companies or regiments—some, starting away, flush’d and reckless; Some, their time up, returning, with thinn’d ranks—young, yet very old, worn, marching, noticing nothing;) —Give me the shores and the wharves heavy-fringed with the black ships! O such for me! O an intense life! O full to repletion, and varied! The life of the theatre, bar-room, huge hotel, for me! The saloon of the steamer! the crowded excursion for me! the torch-light procession! The dense brigade, bound for the war, with high piled military wagons following; People, endless, streaming, with strong voices, passions, pageants; Manhattan streets, with their powerful throbs, with the beating drums, as now; The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the wounded;) Manhattan crowds, with their turbulent musical chorus—with varied chorus, and light of the sparkling eyes; Manhattan faces and eyes forever for me.


Written by Robert Burns | Create an image from this poem

102. To a Mountain Daisy

 WEE, modest crimson-tippèd flow’r,
Thou’s met me in an evil hour;
For I maun crush amang the stoure
 Thy slender stem:
To spare thee now is past my pow’r,
 Thou bonie gem.
Alas! it’s no thy neibor sweet, The bonie lark, companion meet, Bending thee ’mang the dewy weet, Wi’ spreckl’d breast! When upward-springing, blythe, to greet The purpling east.
Cauld blew the bitter-biting north Upon thy early, humble birth; Yet cheerfully thou glinted forth Amid the storm, Scarce rear’d above the parent-earth Thy tender form.
The flaunting flow’rs our gardens yield, High shelt’ring woods and wa’s maun shield; But thou, beneath the random bield O’ clod or stane, Adorns the histie stibble field, Unseen, alane.
There, in thy scanty mantle clad, Thy snawie bosom sun-ward spread, Thou lifts thy unassuming head In humble guise; But now the share uptears thy bed, And low thou lies! Such is the fate of artless maid, Sweet flow’ret of the rural shade! By love’s simplicity betray’d, And guileless trust; Till she, like thee, all soil’d, is laid Low i’ the dust.
Such is the fate of simple bard, On life’s rough ocean luckless starr’d! Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o’er! Such fate to suffering worth is giv’n, Who long with wants and woes has striv’n, By human pride or cunning driv’n To mis’ry’s brink; Till wrench’d of ev’ry stay but Heav’n, He, ruin’d, sink! Ev’n thou who mourn’st the Daisy’s fate, That fate is thine—no distant date; Stern Ruin’s plough-share drives elate, Full on thy bloom, Till crush’d beneath the furrow’s weight, Shall be thy doom!
Written by John Keats | Create an image from this poem

Epistle To My Brother George

 Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.
But there are times, when those that love the bay, Fly from all sorrowing far, far away; A sudden glow comes on them, nought they see In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it, (For knightly Spenser to Libertas told it,) That when a Poet is in such a trance, In air her sees white coursers paw, and prance, Bestridden of gay knights, in gay apparel, Who at each other tilt in playful quarrel, And what we, ignorantly, sheet-lightning call, Is the swift opening of their wide portal, When the bright warder blows his trumpet clear, Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide, And through the light the horsemen swiftly glide, The Poet's eye can reach those golden halls, And view the glory of their festivals: Their ladies fair, that in the distance seem Fit for the silv'ring of a seraph's dream; Their rich brimmed goblets, that incessant run Like the bright spots that move about the sun; And, when upheld, the wine from each bright jar Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers, Of which, no mortal eye can reach the flowers; And 'tis right just, for well Apollo knows 'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses Is the clear fountains' interchanging kisses, As gracefully descending, light and thin, Like silver streaks across a dolphin's fin, When he upswimmeth from the coral caves, And sports with half his tail above the waves.
These wonders strange he sees, and many more, Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare With forehead to the soothing breezes bare, Would he nought see but the dark, silent blue With all its diamonds trembling through and through? Or the coy moon, when in the waviness Of whitest clouds she does her beauty dress, And staidly paces higher up, and higher, Like a sweet nun in holy-day attire? Ah, yes! much more would start into his sight— The revelries and mysteries of night: And should I ever see them, I will tell you Such tales as needs must with amazement spell you.
These are the living pleasures of the bard: But richer far posterity's reward.
What does he murmur with his latest breath, While his proud eye looks though the film of death? "What though I leave this dull and earthly mould, Yet shall my spirit lofty converse hold With after times.
—The patriot shall feel My stern alarum, and unsheath his steel; Or, in the senate thunder out my numbers To startle princes from their easy slumbers.
The sage will mingle with each moral theme My happy thoughts sententious; he will teem With lofty periods when my verses fire him, And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight That maids will sing them on their bridal night.
Gay villagers, upon a morn of May, When they have tired their gentle limbs with play And formed a snowy circle on the grass, And placed in midst of all that lovely lass Who chosen is their queen,—with her fine head Crowned with flowers purple, white, and red: For there the lily, and the musk-rose, sighing, Are emblems true of hapless lovers dying: Between her breasts, that never yet felt trouble, A bunch of violets full blown, and double, Serenely sleep:—she from a casket takes A little book,—and then a joy awakes About each youthful heart,—with stifled cries, And rubbing of white hands, and sparkling eyes: For she's to read a tale of hopes, and fears; One that I fostered in my youthful years: The pearls, that on each glist'ning circlet sleep, Must ever and anon with silent creep, Lured by the innocent dimples.
To sweet rest Shall the dear babe, upon its mother's breast, Be lulled with songs of mine.
Fair world, adieu! Thy dales, and hills, are fading from my view: Swiftly I mount, upon wide spreading pinions, Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air, That my soft verse will charm thy daughters fair, And warm thy sons!" Ah, my dear friend and brother, Could I, at once, my mad ambition smother, For tasting joys like these, sure I should be Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain When some bright thought has darted through my brain: Through all that day I've felt a greater pleasure Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them, I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment, Stretched on the grass at my best loved employment Of scribbling lines for you.
These things I thought While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers That crowns a lofty clift, which proudly towers Above the ocean-waves, The stalks, and blades, Chequer my tablet with their quivering shades.
On one side is a field of drooping oats, Through which the poppies show their scarlet coats; So pert and useless, that they bring to mind The scarlet coats that pester human-kind.
And on the other side, outspread, is seen Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest, And the broad winged sea-gull never at rest; For when no more he spreads his feathers free, His breast is dancing on the restless sea.
Now I direct my eyes into the west, Which at this moment is in sunbeams drest: Why westward turn? 'Twas but to say adieu! 'Twas but to kiss my hand, dear George, to you!
Written by William Blake | Create an image from this poem

Reeds of Innocence

PIPING down the valleys wild  
Piping songs of pleasant glee  
On a cloud I saw a child  
And he laughing said to me: 

'Pipe a song about a Lamb!' 5 
So I piped with merry cheer.
'Piper pipe that song again;' So I piped: he wept to hear.
'Drop thy pipe thy happy pipe; Sing thy songs of happy cheer!' 10 So I sung the same again While he wept with joy to hear.
'Piper sit thee down and write In a book that all may read.
' So he vanish'd from my sight; 15 And I pluck'd a hollow reed And I made a rural pen And I stain'd the water clear And I wrote my happy songs Every child may joy to hear.
20
Written by John Greenleaf Whittier | Create an image from this poem

Massachusetts To Virginia

 The blast from Freedom's Northern hills, upon its Southern way,
Bears greeting to Virginia from Massachusetts Bay:
No word of haughty challenging, nor battle bugle's peal,
Nor steady tread of marching files, nor clang of horsemen's steel,

No trains of deep-mouthed cannon along our highways go;
Around our silent arsenals untrodden lies the snow;
And to the land-breeze of our ports, upon their errands far,
A thousand sails of commerce swell, but none are spread for war.
We hear thy threats, Virginia! thy stormy words and high Swell harshly on the Southern winds which melt along our sky; Yet not one brown, hard hand foregoes its honest labor here, No hewer of our mountain oaks suspends his axe in fear.
Wild are the waves which lash the reefs along St.
George's bank; Cold on the shores of Labrador the fog lies white and dank; Through storm, and wave, and blinding mist, stout are the hearts which man The fishing-smacks of Marblehead, the sea-boats of Cape Ann.
The cold north light and wintry sun glare on their icy forms, Bent grimly o'er their straining lines or wrestling with the storms; Free as the winds they drive before, rough as the waves they roam, They laugh to scorn the slaver's threat against their rocky home.
What means the Old Dominion? Hath she forgot the day When o'er her conquered valleys swept the Briton's steel array? How, side by side with sons of hers, the Massachusetts men Encountered Tarleton's charge of fire, and stout Cornwallis, then? Forgets she how the Bay State, in answer to the call Of her old House of Burgesses, spoke out from Faneuil Hall? When, echoing back her Henry's cry, came pulsing on each breath Of Northern winds the thrilling sounds of 'Liberty or Death!' What asks the Old Dominion? If now her sons have proved False to their fathers' memory, false to the faith they loved; If she can scoff at Freedom, and its great charter spurn, Must we of Massachusetts from truth and duty turn? We hunt your bondmen, flying from Slavery's hateful hell; Our voices, at your bidding, take up the bloodhound's yell; We gather, at your summons, above our fathers' graves, From Freedom's holy altar-horns to tear your wretched slaves! Thank God! not yet so vilely can Massachusetts bow; The spirit of her early time is with her even now; Dream not because her Pilgrim blood moves slow and calm and cool, She thus can stoop her chainless neck, a sister's slave and tool! All that a sister State should do, all that a free State may, Heart, hand, and purse we proffer, as in our early day; But that one dark loathsome burden ye must stagger with alone, And reap the bitter harvest which ye yourselves have sown! Hold, while ye may, your struggling slaves, and burden God's free air With woman's shriek beneath the lash, and manhood's wild despair; Cling closer to the 'cleaving curse' that writes upon your plains The blasting of Almighty wrath against a land of chains.
Still shame your gallant ancestry, the cavaliers of old, By watching round the shambles where human flesh is sold; Gloat o'er the new-born child, and count his market value, when The maddened mother's cry of woe shall pierce the slaver's den! Lower than plummet soundeth, sink the Virginia name; Plant, if ye will, your fathers' graves with rankest weeds of shame; Be, if ye will, the scandal of God's fair universe; We wash our hands forever of your sin and shame and curse.
A voice from lips whereon the coal from Freedom's shrine hath been, Thrilled, as but yesterday, the hearts of Berkshire's mountain men: The echoes of that solemn voice are sadly lingering still In all our sunny valleys, on every wind-swept hill.
And when the prowling man-thief came hunting for his prey Beneath the very shadow of Bunker's shaft of gray, How, through the free lips of the son, the father's warning spoke; How, from its bonds of trade and sect, the Pilgrim city broke! A hundred thousand right arms were lifted up on high, A hundred thousand voices sent back their loud reply; Through the thronged towns of Essex the startling summons rang, And up from bench and loom and wheel her young mechanics sprang! The voice of free, broad Middlesex, of thousands as of one, The shaft of Bunker calling to that Lexington; From Norfolk's ancient villages, from Plymouth's rocky bound To where Nantucket feels the arms of ocean close to her round; From rich and rural Worcester, where through the calm repose Of cultured vales and fringing woods the gentle Nashua flows, To where Wachuset's wintry blasts the mountain larches stir, Swelled up to Heaven the thrilling cry of 'God save Latimer!' And sandy Barnstable rose up, wet with the salt sea spray; And Bristol sent her answering shout down Narragansett Bay! Along the broad Connecticut old Hampden felt the thrill, And the cheer of Hampshire's woodmen swept down from Holyoke Hill.
The voice of Massachusetts! Of her free sons and daughters, Deep calling unto deep aloud, the sound of many waters! Against the burden of that voice what tyrant power shall stand? No fetters in the Bay State! No slave upon her land! Look to it well, Virginians! In calmness we have borne, In answer to our faith and trust, your insult and your scorn; You've spurned our kindest counsels; you've hunted for our lives; And shaken round our hearths and homes your manacles and gyves! We wage no war, we lift no arm, we fling no torch within The fire-damps of the quaking mine beneath your soil of sin; We leave ye with your bondmen, to wrestle, while ye can, With the strong upward tendencies and God-like soul of man! But for us and for our children, the vow which we have given For freedom and humanity is registered in heaven; No slave-hunt in our borders, - no pirate on our strand! No fetters in the Bay State, - no slave upon our land!
Written by Robert Burns | Create an image from this poem

87. The Twa Dogs

 ’TWAS 1 in that place o’ Scotland’s isle,
That bears the name o’ auld King Coil,
Upon a bonie day in June,
When wearin’ thro’ the afternoon,
Twa dogs, that were na thrang at hame,
Forgather’d ance upon a time.
The first I’ll name, they ca’d him Caesar, Was keepit for His Honor’s pleasure: His hair, his size, his mouth, his lugs, Shew’d he was nane o’ Scotland’s dogs; But whalpit some place far abroad, Whare sailors gang to fish for cod.
His locked, letter’d, braw brass collar Shew’d him the gentleman an’ scholar; But though he was o’ high degree, The fient a pride, nae pride had he; But wad hae spent an hour caressin, Ev’n wi’ al tinkler-gipsy’s messin: At kirk or market, mill or smiddie, Nae tawted tyke, tho’ e’er sae duddie, But he wad stan’t, as glad to see him, An’ stroan’t on stanes an’ hillocks wi’ him.
The tither was a ploughman’s collie— A rhyming, ranting, raving billie, Wha for his friend an’ comrade had him, And in freak had Luath ca’d him, After some dog in Highland Sang, 2 Was made lang syne,—Lord knows how lang.
He was a gash an’ faithfu’ tyke, As ever lap a sheugh or dyke.
His honest, sonsie, baws’nt face Aye gat him friends in ilka place; His breast was white, his touzie back Weel clad wi’ coat o’ glossy black; His gawsie tail, wi’ upward curl, Hung owre his hurdie’s wi’ a swirl.
Nae doubt but they were fain o’ ither, And unco pack an’ thick thegither; Wi’ social nose whiles snuff’d an’ snowkit; Whiles mice an’ moudieworts they howkit; Whiles scour’d awa’ in lang excursion, An’ worry’d ither in diversion; Until wi’ daffin’ weary grown Upon a knowe they set them down.
An’ there began a lang digression.
About the “lords o’ the creation.
” CÆSAR I’ve aften wonder’d, honest Luath, What sort o’ life poor dogs like you have; An’ when the gentry’s life I saw, What way poor bodies liv’d ava.
Our laird gets in his racked rents, His coals, his kane, an’ a’ his stents: He rises when he likes himsel’; His flunkies answer at the bell; He ca’s his coach; he ca’s his horse; He draws a bonie silken purse, As lang’s my tail, where, thro’ the steeks, The yellow letter’d Geordie keeks.
Frae morn to e’en, it’s nought but toiling At baking, roasting, frying, boiling; An’ tho’ the gentry first are stechin, Yet ev’n the ha’ folk fill their pechan Wi’ sauce, ragouts, an’ sic like trashtrie, That’s little short o’ downright wastrie.
Our whipper-in, wee, blasted wonner, Poor, worthless elf, it eats a dinner, Better than ony tenant-man His Honour has in a’ the lan’: An’ what poor cot-folk pit their painch in, I own it’s past my comprehension.
LUATH Trowth, C&æsar, whiles they’re fash’t eneugh: A cottar howkin in a sheugh, Wi’ dirty stanes biggin a dyke, Baring a quarry, an’ sic like; Himsel’, a wife, he thus sustains, A smytrie o’ wee duddie weans, An’ nought but his han’-daurk, to keep Them right an’ tight in thack an’ rape.
An’ when they meet wi’ sair disasters, Like loss o’ health or want o’ masters, Ye maist wad think, a wee touch langer, An’ they maun starve o’ cauld an’ hunger: But how it comes, I never kent yet, They’re maistly wonderfu’ contented; An’ buirdly chiels, an’ clever hizzies, Are bred in sic a way as this is.
CÆSAR But then to see how ye’re negleckit, How huff’d, an’ cuff’d, an’ disrespeckit! Lord man, our gentry care as little For delvers, ditchers, an’ sic cattle; They gang as saucy by poor folk, As I wad by a stinkin brock.
I’ve notic’d, on our laird’s court-day,— An’ mony a time my heart’s been wae,— Poor tenant bodies, scant o’cash, How they maun thole a factor’s snash; He’ll stamp an’ threaten, curse an’ swear He’ll apprehend them, poind their gear; While they maun stan’, wi’ aspect humble, An’ hear it a’, an’ fear an’ tremble! I see how folk live that hae riches; But surely poor-folk maun be wretches! LUATH They’re no sae wretched’s ane wad think.
Tho’ constantly on poortith’s brink, They’re sae accustom’d wi’ the sight, The view o’t gives them little fright.
Then chance and fortune are sae guided, They’re aye in less or mair provided: An’ tho’ fatigued wi’ close employment, A blink o’ rest’s a sweet enjoyment.
The dearest comfort o’ their lives, Their grushie weans an’ faithfu’ wives; The prattling things are just their pride, That sweetens a’ their fire-side.
An’ whiles twalpennie worth o’ nappy Can mak the bodies unco happy: They lay aside their private cares, To mind the Kirk and State affairs; They’ll talk o’ patronage an’ priests, Wi’ kindling fury i’ their breasts, Or tell what new taxation’s comin, An’ ferlie at the folk in Lon’on.
As bleak-fac’d Hallowmass returns, They get the jovial, rantin kirns, When rural life, of ev’ry station, Unite in common recreation; Love blinks, Wit slaps, an’ social Mirth Forgets there’s Care upo’ the earth.
That merry day the year begins, They bar the door on frosty win’s; The nappy reeks wi’ mantling ream, An’ sheds a heart-inspiring steam; The luntin pipe, an’ sneeshin mill, Are handed round wi’ right guid will; The cantie auld folks crackin crouse, The young anes rantin thro’ the house— My heart has been sae fain to see them, That I for joy hae barkit wi’ them.
Still it’s owre true that ye hae said, Sic game is now owre aften play’d; There’s mony a creditable stock O’ decent, honest, fawsont folk, Are riven out baith root an’ branch, Some rascal’s pridefu’ greed to quench, Wha thinks to knit himsel the faster In favour wi’ some gentle master, Wha, aiblins, thrang a parliamentin, For Britain’s guid his saul indentin— CÆSAR Haith, lad, ye little ken about it: For Britain’s guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him: An’ saying ay or no’s they bid him: At operas an’ plays parading, Mortgaging, gambling, masquerading: Or maybe, in a frolic daft, To Hague or Calais takes a waft, To mak a tour an’ tak a whirl, To learn bon ton, an’ see the worl’.
There, at Vienna, or Versailles, He rives his father’s auld entails; Or by Madrid he takes the rout, To thrum guitars an’ fecht wi’ nowt; Or down Italian vista startles, Wh-re-hunting amang groves o’ myrtles: Then bowses drumlie German-water, To mak himsel look fair an’ fatter, An’ clear the consequential sorrows, Love-gifts of Carnival signoras.
For Britain’s guid! for her destruction! Wi’ dissipation, feud, an’ faction.
LUATH Hech, man! dear sirs! is that the gate They waste sae mony a braw estate! Are we sae foughten an’ harass’d For gear to gang that gate at last? O would they stay aback frae courts, An’ please themsels wi’ country sports, It wad for ev’ry ane be better, The laird, the tenant, an’ the cotter! For thae frank, rantin, ramblin billies, Feint haet o’ them’s ill-hearted fellows; Except for breakin o’ their timmer, Or speakin lightly o’ their limmer, Or shootin of a hare or moor-cock, The ne’er-a-bit they’re ill to poor folk, But will ye tell me, Master C&æsar, Sure great folk’s life’s a life o’ pleasure? Nae cauld nor hunger e’er can steer them, The very thought o’t need na fear them.
CÆSAR L—d, man, were ye but whiles whare I am, The gentles, ye wad ne’er envy them! It’s true, they need na starve or sweat, Thro’ winter’s cauld, or simmer’s heat: They’ve nae sair wark to craze their banes, An’ fill auld age wi’ grips an’ granes: But human bodies are sic fools, For a’ their colleges an’ schools, That when nae real ills perplex them, They mak enow themsel’s to vex them; An’ aye the less they hae to sturt them, In like proportion, less will hurt them.
A country fellow at the pleugh, His acre’s till’d, he’s right eneugh; A country girl at her wheel, Her dizzen’s dune, she’s unco weel; But gentlemen, an’ ladies warst, Wi’ ev’n-down want o’ wark are curst.
They loiter, lounging, lank an’ lazy; Tho’ deil-haet ails them, yet uneasy; Their days insipid, dull, an’ tasteless; Their nights unquiet, lang, an’ restless.
An’ev’n their sports, their balls an’ races, Their galloping through public places, There’s sic parade, sic pomp, an’ art, The joy can scarcely reach the heart.
The men cast out in party-matches, Then sowther a’ in deep debauches.
Ae night they’re mad wi’ drink an’ whoring, Niest day their life is past enduring.
The ladies arm-in-arm in clusters, As great an’ gracious a’ as sisters; But hear their absent thoughts o’ ither, They’re a’ run-deils an’ jads thegither.
Whiles, owre the wee bit cup an’ platie, They sip the scandal-potion pretty; Or lee-lang nights, wi’ crabbit leuks Pore owre the devil’s pictur’d beuks; Stake on a chance a farmer’s stackyard, An’ cheat like ony unhanged blackguard.
There’s some exceptions, man an’ woman; But this is gentry’s life in common.
By this, the sun was out of sight, An’ darker gloamin brought the night; The bum-clock humm’d wi’ lazy drone; The kye stood rowtin i’ the loan; When up they gat an’ shook their lugs, Rejoic’d they werena men but dogs; An’ each took aff his several way, Resolv’d to meet some ither day.
Note 1.
Luath was Burns’ own dog.
[back] Note 2.
Cuchullin’s dog in Ossian’s “Fingal.
”—R.
B.
[back]

Book: Shattered Sighs