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Best Famous Respect Poems

Here is a collection of the all-time best famous Respect poems. This is a select list of the best famous Respect poetry. Reading, writing, and enjoying famous Respect poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of respect poems.

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Written by Marianne Moore | Create an image from this poem

Marriage

 This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman -- I have seen her when she was so handsome she gave me a start, able to write simultaneously in three languages -- English, German and French and talk in the meantime; equally positive in demanding a commotion and in stipulating quiet: "I should like to be alone;" to which the visitor replies, "I should like to be alone; why not be alone together?" Below the incandescent stars below the incandescent fruit, the strange experience of beauty; its existence is too much; it tears one to pieces and each fresh wave of consciousness is poison.
"See her, see her in this common world," the central flaw in that first crystal-fine experiment, this amalgamation which can never be more than an interesting possibility, describing it as "that strange paradise unlike flesh, gold, or stately buildings, the choicest piece of my life: the heart rising in its estate of peace as a boat rises with the rising of the water;" constrained in speaking of the serpent -- that shed snakeskin in the history of politeness not to be returned to again -- that invaluable accident exonerating Adam.
And he has beauty also; it's distressing -- the O thou to whom, from whom, without whom nothing -- Adam; "something feline, something colubrine" -- how true! a crouching mythological monster in that Persian miniature of emerald mines, raw silk -- ivory white, snow white, oyster white and six others -- that paddock full of leopards and giraffes -- long lemonyellow bodies sown with trapezoids of blue.
Alive with words, vibrating like a cymbal touched before it has been struck, he has prophesied correctly -- the industrious waterfall, "the speedy stream which violently bears all before it, at one time silent as the air and now as powerful as the wind.
" "Treading chasms on the uncertain footing of a spear," forgetting that there is in woman a quality of mind which is an instinctive manifestation is unsafe, he goes on speaking in a formal, customary strain of "past states," the present state, seals, promises, the evil one suffered, the good one enjoys, hell, heaven, everything convenient to promote one's joy.
" There is in him a state of mind by force of which, perceiving what it was not intended that he should, "he experiences a solemn joy in seeing that he has become an idol.
" Plagued by the nightingale in the new leaves, with its silence -- not its silence but its silences, he says of it: "It clothes me with a shirt of fire.
" "He dares not clap his hands to make it go on lest it should fly off; if he does nothing, it will sleep; if he cries out, it will not understand.
" Unnerved by the nightingale and dazzled by the apple, impelled by "the illusion of a fire effectual to extinguish fire," compared with which the shining of the earth is but deformity -- a fire "as high as deep as bright as broad as long as life itself," he stumbles over marriage, "a very trivial object indeed" to have destroyed the attitude in which he stood -- the ease of the philosopher unfathered by a woman.
Unhelpful Hymen! "a kind of overgrown cupid" reduced to insignificance by the mechanical advertising parading as involuntary comment, by that experiment of Adam's with ways out but no way in -- the ritual of marriage, augmenting all its lavishness; its fiddle-head ferns, lotus flowers, opuntias, white dromedaries, its hippopotamus -- nose and mouth combined in one magnificent hopper, "the crested screamer -- that huge bird almost a lizard," its snake and the potent apple.
He tells us that "for love that will gaze an eagle blind, that is like a Hercules climbing the trees in the garden of the Hesperides, from forty-five to seventy is the best age," commending it as a fine art, as an experiment, a duty or as merely recreation.
One must not call him ruffian nor friction a calamity -- the fight to be affectionate: "no truth can be fully known until it has been tried by the tooth of disputation.
" The blue panther with black eyes, the basalt panther with blue eyes, entirely graceful -- one must give them the path -- the black obsidian Diana who "darkeneth her countenance as a bear doth, causing her husband to sigh," the spiked hand that has an affection for one and proves it to the bone, impatient to assure you that impatience is the mark of independence not of bondage.
"Married people often look that way" -- "seldom and cold, up and down, mixed and malarial with a good day and bad.
" "When do we feed?" We occidentals are so unemotional, we quarrel as we feed; one's self is quite lost, the irony preserved in "the Ahasuerus t?te ? t?te banquet" with its "good monster, lead the way," with little laughter and munificence of humor in that quixotic atmosphere of frankness in which "Four o'clock does not exist but at five o'clock the ladies in their imperious humility are ready to receive you"; in which experience attests that men have power and sometimes one is made to feel it.
He says, "what monarch would not blush to have a wife with hair like a shaving-brush? The fact of woman is not `the sound of the flute but every poison.
'" She says, "`Men are monopolists of stars, garters, buttons and other shining baubles' -- unfit to be the guardians of another person's happiness.
" He says, "These mummies must be handled carefully -- `the crumbs from a lion's meal, a couple of shins and the bit of an ear'; turn to the letter M and you will find that `a wife is a coffin,' that severe object with the pleasing geometry stipulating space and not people, refusing to be buried and uniquely disappointing, revengefully wrought in the attitude of an adoring child to a distinguished parent.
" She says, "This butterfly, this waterfly, this nomad that has `proposed to settle on my hand for life.
' -- What can one do with it? There must have been more time in Shakespeare's day to sit and watch a play.
You know so many artists are fools.
" He says, "You know so many fools who are not artists.
" The fact forgot that "some have merely rights while some have obligations," he loves himself so much, he can permit himself no rival in that love.
She loves herself so much, she cannot see herself enough -- a statuette of ivory on ivory, the logical last touch to an expansive splendor earned as wages for work done: one is not rich but poor when one can always seem so right.
What can one do for them -- these savages condemned to disaffect all those who are not visionaries alert to undertake the silly task of making people noble? This model of petrine fidelity who "leaves her peaceful husband only because she has seen enough of him" -- that orator reminding you, "I am yours to command.
" "Everything to do with love is mystery; it is more than a day's work to investigate this science.
" One sees that it is rare -- that striking grasp of opposites opposed each to the other, not to unity, which in cycloid inclusiveness has dwarfed the demonstration of Columbus with the egg -- a triumph of simplicity -- that charitive Euroclydon of frightening disinterestedness which the world hates, admitting: "I am such a cow, if I had a sorrow, I should feel it a long time; I am not one of those who have a great sorrow in the morning and a great joy at noon;" which says: "I have encountered it among those unpretentious proteg?s of wisdom, where seeming to parade as the debater and the Roman, the statesmanship of an archaic Daniel Webster persists to their simplicity of temper as the essence of the matter: `Liberty and union now and forever;' the book on the writing-table; the hand in the breast-pocket.
"


Written by Langston Hughes | Create an image from this poem

The ***** Mother

 Children, I come back today 
To tell you a story of the long dark way 
That I had to climb, that I had to know 
In order that the race might live and grow.
Look at my face -- dark as the night -- Yet shining like the sun with love's true light.
I am the dark girl who crossed the red sea Carrying in my body the seed of the free.
I am the woman who worked in the field Bringing the cotton and the corn to yield.
I am the one who labored as a slave, Beaten and mistreated for the work that I gave -- Children sold away from me, I'm husband sold, too.
No safety , no love, no respect was I due.
Three hundred years in the deepest South: But God put a song and a prayer in my mouth .
God put a dream like steel in my soul.
Now, through my children, I'm reaching the goal.
Now, through my children, young and free, I realized the blessing deed to me.
I couldn't read then.
I couldn't write.
I had nothing, back there in the night.
Sometimes, the valley was filled with tears, But I kept trudging on through the lonely years.
Sometimes, the road was hot with the sun, But I had to keep on till my work was done: I had to keep on! No stopping for me -- I was the seed of the coming Free.
I nourished the dream that nothing could smother Deep in my breast -- the ***** mother.
I had only hope then , but now through you, Dark ones of today, my dreams must come true: All you dark children in the world out there, Remember my sweat, my pain, my despair.
Remember my years, heavy with sorrow -- And make of those years a torch for tomorrow.
Make of my pass a road to the light Out of the darkness, the ignorance, the night.
Lift high my banner out of the dust.
Stand like free men supporting my trust.
Believe in the right, let none push you back.
Remember the whip and the slaver's track.
Remember how the strong in struggle and strife Still bar you the way, and deny you life -- But march ever forward, breaking down bars.
Look ever upward at the sun and the stars.
Oh, my dark children, may my dreams and my prayers Impel you forever up the great stairs -- For I will be with you till no white brother Dares keep down the children of the ***** Mother.
Written by Kahlil Gibran | Create an image from this poem

A Poets Voice XV

 Part One


The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry.
My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty.
Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark.
I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire.
For I am a poet, and if I cannot give, I shall refuse to receive.
Humanity rages like a tempest, but I sigh in silence for I know the storm must pass away while a sigh goes to God.
Human kinds cling to earthly things, but I seek ever to embrace the torch of love so it will purify me by its fire and sear inhumanity from my heart.
Substantial things deaden a man without suffering; love awakens him with enlivening pains.
Humans are divided into different clans and tribes, and belong to countries and towns.
But I find myself a stranger to all communities and belong to no settlement.
The universe is my country and the human family is my tribe.
Men are weak, and it is sad that they divide amongst themselves.
The world is narrow and it is unwise to cleave it into kingdoms, empires, and provinces.
Human kinds unite themselves one to destroy the temples of the soul, and they join hands to build edifices for earthly bodies.
I stand alone listening to the voice of hope in my deep self saying, "As love enlivens a man's heart with pain, so ignorance teaches him the way of knowledge.
" Pain and ignorance lead to great joy and knowledge because the Supreme Being has created nothing vain under the sun.
Part Two I have a yearning for my beautiful country, and I love its people because of their misery.
But if my people rose, stimulated by plunder and motivated by what they call "patriotic spirit" to murder, and invaded my neighbor's country, then upon the committing of any human atrocity I would hate my people and my country.
I sing the praise of my birthplace and long to see the home of my children; but if the people in that home refused to shelter and feed the needy wayfarer, I would convert my praise into anger and my longing to forgetfulness.
My inner voice would say, "The house that does not comfort the need is worthy of naught by destruction.
" I love my native village with some of my love for my country; and I love my country with part of my love for the earth, all of which is my country; and I love the earth will all of myself because it is the haven of humanity, the manifest spirit of God.
Humanity is the spirit of the Supreme Being on earth, and that humanity is standing amidst ruins, hiding its nakedness behind tattered rags, shedding tears upon hollow cheeks, and calling for its children with pitiful voice.
But the children are busy singing their clan's anthem; they are busy sharpening the swords and cannot hear the cry of their mothers.
Humanity appeals to its people but they listen not.
Were one to listen, and console a mother by wiping her tears, other would say, "He is weak, affected by sentiment.
" Humanity is the spirit of the Supreme Being on earth, and that Supreme Being preaches love and good-will.
But the people ridicule such teachings.
The Nazarene Jesus listened, and crucifixion was his lot; Socrates heard the voice and followed it, and he too fell victim in body.
The followers of The Nazarene and Socrates are the followers of Deity, and since people will not kill them, they deride them, saying, "Ridicule is more bitter than killing.
" Jerusalem could not kill The Nazarene, nor Athens Socrates; they are living yet and shall live eternally.
Ridicule cannot triumph over the followers of Deity.
They live and grow forever.
Part Three Thou art my brother because you are a human, and we both are sons of one Holy Spirit; we are equal and made of the same earth.
You are here as my companion along the path of life, and my aid in understanding the meaning of hidden Truth.
You are a human, and, that fact sufficing, I love you as a brother.
You may speak of me as you choose, for Tomorrow shall take you away and will use your talk as evidence for his judgment, and you shall receive justice.
You may deprive me of whatever I possess, for my greed instigated the amassing of wealth and you are entitled to my lot if it will satisfy you.
You may do unto me whatever you wish, but you shall not be able to touch my Truth.
You may shed my blood and burn my body, but you cannot kill or hurt my spirit.
You may tie my hands with chains and my feet with shackles, and put me in the dark prison, but who shall not enslave my thinking, for it is free, like the breeze in the spacious sky.
You are my brother and I love you.
I love you worshipping in your church, kneeling in your temple, and praying in your mosque.
You and I and all are children of one religion, for the varied paths of religion are but the fingers of the loving hand of the Supreme Being, extended to all, offering completeness of spirit to all, anxious to receive all.
I love you for your Truth, derived from your knowledge; that Truth which I cannot see because of my ignorance.
But I respect it as a divine thing, for it is the deed of the spirit.
Your Truth shall meet my Truth in the coming world and blend together like the fragrance of flowers and becoming one whole and eternal Truth, perpetuating and living in the eternity of Love and Beauty.
I love you because you are weak before the strong oppressor, and poor before the greedy rich.
For these reasons I shed tears and comfort you; and from behind my tears I see you embraced in the arms of Justice, smiling and forgiving your persecutors.
You are my brother and I love you.
Part Four You are my brother, but why are you quarreling with me? Why do you invade my country and try to subjugate me for the sake of pleasing those who are seeking glory and authority? Why do you leave your wife and children and follow Death to the distant land for the sake of those who buy glory with your blood, and high honor with your mother's tears? Is it an honor for a man to kill his brother man? If you deem it an honor, let it be an act of worship, and erect a temple to Cain who slew his brother Abel.
Is self-preservation the first law of Nature? Why, then, does Greed urge you to self-sacrifice in order only to achieve his aim in hurting your brothers? Beware, my brother, of the leader who says, "Love of existence obliges us to deprive the people of their rights!" I say unto you but this: protecting others' rights is the noblest and most beautiful human act; if my existence requires that I kill others, then death is more honorable to me, and if I cannot find someone to kill me for the protection of my honor, I will not hesitate to take my life by my own hands for the sake of Eternity before Eternity comes.
Selfishness, my brother, is the cause of blind superiority, and superiority creates clanship, and clanship creates authority which leads to discord and subjugation.
The soul believes in the power of knowledge and justice over dark ignorance; it denies the authority that supplies the swords to defend and strengthen ignorance and oppression - that authority which destroyed Babylon and shook the foundation of Jerusalem and left Rome in ruins.
It is that which made people call criminals great mean; made writers respect their names; made historians relate the stories of their inhumanity in manner of praise.
The only authority I obey is the knowledge of guarding and acquiescing in the Natural Law of Justice.
What justice does authority display when it kills the killer? When it imprisons the robber? When it descends on a neighborhood country and slays its people? What does justice think of the authority under which a killer punishes the one who kills, and a thief sentences the one who steals? You are my brother, and I love you; and Love is justice with its full intensity and dignity.
If justice did not support my love for you, regardless of your tribe and community, I would be a deceiver concealing the ugliness of selfishness behind the outer garment of pure love.
Conclusion My soul is my friend who consoles me in misery and distress of life.
He who does not befriend his soul is an enemy of humanity, and he who does not find human guidance within himself will perish desperately.
Life emerges from within, and derives not from environs.
I came to say a word and I shall say it now.
But if death prevents its uttering, it will be said tomorrow, for tomorrow never leaves a secret in the book of eternity.
I came to live in the glory of love and the light of beauty, which are the reflections of God.
I am here living, and the people are unable to exile me from the domain of life for they know I will live in death.
If they pluck my eyes I will hearken to the murmers of love and the songs of beauty.
If they close my ears I will enjoy the touch of the breeze mixed with the incebse of love and the fragrance of beauty.
If they place me in a vacuum, I will live together with my soul, the child of love and beauty.
I came here to be for all and with all, and what I do today in my solitude will be echoed by tomorrow to the people.
What I say now with one heart will be said tomorrow by many hearts
Written by Tupac Shakur | Create an image from this poem

In The Depths of Solitude

i exist in the depths of solitude
pondering my true goal
trying 2 find peace of mind
and still preserve my soul
constantly yearning 2 be accepted
and from all receive respect
never comprising but sometimes risky
and that is my only regret
a young heart with an old soul
how can there be peace
how can i be in the depths of solitude
when there r 2 inside of me
this duo within me causes
the perfect oppurtunity
2 learn and live twice as fast
as those who accept simplicity
Written by G K Chesterton | Create an image from this poem

The Latest School

 See the flying French depart
Like the bees of Bonaparte,
Swarming up with a most venomous vitality.
Over Baden and Bavaria, And Brighton and Bulgaria, Thus violating Belgian neutrality.
And the injured Prussian may Not unreasonably say "Why, it cannot be so small a nationality Since Brixton and Batavia, Bolivia and Belgravia, Are bursting with the Belgian neutrality.
" By pure Alliteration You may trace this curious nation, And respect this somewhat scattered Principality; When you see a B in Both You may take your Bible oath You are violating Belgian neutrality.


Written by Robert Frost | Create an image from this poem

The Star-Splitter

 `You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains, And rising on his hands, he looks in on me Busy outdoors by lantern-light with something I should have done by daylight, and indeed, After the ground is frozen, I should have done Before it froze, and a gust flings a handful Of waste leaves at my smoky lantern chimney To make fun of my way of doing things, Or else fun of Orion's having caught me.
Has a man, I should like to ask, no rights These forces are obliged to pay respect to?' So Brad McLaughlin mingled reckless talk Of heavenly stars with hugger-mugger farming, Till having failed at hugger-mugger farming He burned his house down for the fire insurance And spent the proceeds on a telescope To satisfy a lifelong curiosity About our place among the infinities.
`What do you want with one of those blame things?' I asked him well beforehand.
`Don't you get one!' `Don't call it blamed; there isn't anything More blameless in the sense of being less A weapon in our human fight,' he said.
`I'll have one if I sell my farm to buy it.
' There where he moved the rocks to plow the ground And plowed between the rocks he couldn't move, Few farms changed hands; so rather than spend years Trying to sell his farm and then not selling, He burned his house down for the fire insurance And bought the telescope with what it came to.
He had been heard to say by several: `The best thing that we're put here for's to see; The strongest thing that's given us to see with's A telescope.
Someone in every town Seems to me owes it to the town to keep one.
In Littleton it might as well be me.
' After such loose talk it was no surprise When he did what he did and burned his house down.
Mean laughter went about the town that day To let him know we weren't the least imposed on, And he could wait---we'd see to him tomorrow.
But the first thing next morning we reflected If one by one we counted people out For the least sin, it wouldn't take us long To get so we had no one left to live with.
For to be social is to be forgiving.
Our thief, the one who does our stealing from us, We don't cut off from coming to church suppers, But what we miss we go to him and ask for.
He promptly gives it back, that is if still Uneaten, unworn out, or undisposed of.
It wouldn't do to be too hard on Brad About his telescope.
Beyond the age Of being given one for Christmas gift, He had to take the best way he knew how To find himself in one.
Well, all we said was He took a strange thing to be roguish over.
Some sympathy was wasted on the house, A good old-timer dating back along; But a house isn't sentient; the house Didn't feel anything.
And if it did, Why not regard it as a sacrifice, And an old-fashioned sacrifice by fire, Instead of a new-fashioned one at auction? Out of a house and so out of a farm At one stroke (of a match), Brad had to turn To earn a living on the Concord railroad, As under-ticket-agent at a station Where his job, when he wasn't selling tickets, Was setting out, up track and down, not plants As on a farm, but planets, evening stars That varied in their hue from red to green.
He got a good glass for six hundred dollars.
His new job gave him leisure for stargazing.
Often he bid me come and have a look Up the brass barrel, velvet black inside, At a star quaking in the other end.
I recollect a night of broken clouds And underfoot snow melted down to ice, And melting further in the wind to mud.
Bradford and I had out the telescope.
We spread our two legs as we spread its three, Pointed our thoughts the way we pointed it, And standing at our leisure till the day broke, Said some of the best things we ever said.
That telescope was christened the Star-Splitter, Because it didn't do a thing but split A star in two or three, the way you split A globule of quicksilver in your hand With one stroke of your finger in the middle.
It's a star-splitter if there ever was one, And ought to do some good if splitting stars 'Sa thing to be compared with splitting wood.
We've looked and looked, but after all where are we? Do we know any better where we are, And how it stands between the night tonight And a man with a smoky lantern chimney? How different from the way it ever stood?
Written by Pam Ayres | Create an image from this poem

Oh, I wish I’d looked after me teeth

Oh, I wish I’d looked after me teeth,
And spotted the dangers beneath
All the toffees I chewed,
And the sweet sticky food.
Oh, I wish I’d looked after me teeth.

I wish I’d been that much more willin’
When I had more tooth there than fillin’
To give up gobstoppers,
From respect to me choppers,
And to buy something else with me shillin’.

When I think of the lollies I licked
And the liquorice allsorts I picked,
Sherbet dabs, big and little,
All that hard peanut brittle,
My conscience gets horribly pricked.

My mother, she told me no end,
‘If you got a tooth, you got a friend.’
I was young then, and careless,
My toothbrush was hairless,
I never had much time to spend.

Oh I showed them the toothpaste all right,
I flashed it about late at night,
But up-and-down brushin’
And pokin’ and fussin’
Didn’t seem worth the time – I could bite!

If I’d known I was paving the way
To cavities, caps and decay,
The murder of fillin’s,
Injections and drillin’s,
I’d have thrown all me sherbet away.

So I lie in the old dentist’s chair,
And I gaze up his nose in despair,
And his drill it do whine
In these molars of mine.
‘Two amalgam,’ he’ll say, ‘for in there.’

How I laughed at my mother’s false teeth,
As they foamed in the waters beneath.
But now comes the reckonin’
It’s methey are beckonin’
Oh, I wish I’d looked after me teeth.

Taken from the The Works: The Classic Collection 2008.

© Pam Ayres 2012
Official Website
http://pamayres.com/
Written by Vladimir Mayakovsky | Create an image from this poem

At the Top of My voice

 My most respected
 comrades of posterity!
Rummaging among
 these days’ 
 petrified crap,
exploring the twilight of our times,
you,
 possibly,
 will inquire about me too.
And, possibly, your scholars will declare, with their erudition overwhelming a swarm of problems; once there lived a certain champion of boiled water, and inveterate enemy of raw water.
Professor, take off your bicycle glasses! I myself will expound those times and myself.
I, a latrine cleaner and water carrier, by the revolution mobilized and drafted, went off to the front from the aristocratic gardens of poetry - the capricious wench She planted a delicious garden, the daughter, cottage, pond and meadow.
Myself a garden I did plant, myself with water sprinkled it.
some pour their verse from water cans; others spit water from their mouth - the curly Macks, the clever jacks - but what the hell’s it all about! There’s no damming al this up - beneath the walls they mandoline: “Tara-tina, tara-tine, tw-a-n-g.
.
.
” It’s no great honor, then, for my monuments to rise from such roses above the public squares, where consumption coughs, where whores, hooligans and syphilis walk.
Agitprop sticks in my teeth too, and I’d rather compose romances for you - more profit in it and more charm.
But I subdued myself, setting my heel on the throat of my own song.
Listen, comrades of posterity, to the agitator the rabble-rouser.
Stifling the torrents of poetry, I’ll skip the volumes of lyrics; as one alive, I’ll address the living.
I’ll join you in the far communist future, I who am no Esenin super-hero.
My verse will reach you across the peaks of ages, over the heads of governments and poets.
My verse will reach you not as an arrow in a cupid-lyred chase, not as worn penny Reaches a numismatist, not as the light of dead stars reaches you.
My verse by labor will break the mountain chain of years, and will present itself ponderous, crude, tangible, as an aqueduct, by slaves of Rome constructed, enters into our days.
When in mounds of books, where verse lies buried, you discover by chance the iron filings of lines, touch them with respect, as you would some antique yet awesome weapon.
It’s no habit of mine to caress the ear with words; a maiden’s ear curly-ringed will not crimson when flicked by smut.
In parade deploying the armies of my pages, I shall inspect the regiments in line.
Heavy as lead, my verses at attention stand, ready for death and for immortal fame.
The poems are rigid, pressing muzzle to muzzle their gaping pointed titles.
The favorite of all the armed forces the cavalry of witticisms ready to launch a wild hallooing charge, reins its chargers still, raising the pointed lances of the rhymes.
and all these troops armed to the teeth, which have flashed by victoriously for twenty years, all these, to their very last page, I present to you, the planet’s proletarian.
The enemy of the massed working class is my enemy too inveterate and of long standing.
Years of trial and days of hunger ordered us to march under the red flag.
We opened each volume of Marx as we would open the shutters in our own house; but we did not have to read to make up our minds which side to join, which side to fight on.
Our dialectics were not learned from Hegel.
In the roar of battle it erupted into verse, when, under fire, the bourgeois decamped as once we ourselves had fled from them.
Let fame trudge after genius like an inconsolable widow to a funeral march - die then, my verse, die like a common soldier, like our men who nameless died attacking! I don’t care a spit for tons of bronze; I don’t care a spit for slimy marble.
We’re men of kind, we’ll come to terms about our fame; let our common monument be socialism built in battle.
Men of posterity examine the flotsam of dictionaries: out of Lethe will bob up the debris of such words as “prostitution,” “tuberculosis,” “blockade.
” For you, who are now healthy and agile, the poet with the rough tongue of his posters, has licked away consumptives’ spittle.
With the tail of my years behind me, I begin to resemble those monsters, excavated dinosaurs.
Comrade life, let us march faster, march faster through what’s left of the five-year plan.
My verse has brought me no rubles to spare: no craftsmen have made mahogany chairs for my house.
In all conscience, I need nothing except a freshly laundered shirt.
When I appear before the CCC of the coming bright years, by way of my Bolshevik party card, I’ll raise above the heads of a gang of self-seeking poets and rogues, all the hundred volumes of my communist-committed books.
Transcribed: by Mitch Abidor.
Written by Robert Frost | Create an image from this poem

Pauls Wife

 To drive Paul out of any lumber camp
All that was needed was to say to him,
"How is the wife, Paul?"--and he'd disappear.
Some said it was because be bad no wife, And hated to be twitted on the subject; Others because he'd come within a day Or so of having one, and then been Jilted; Others because he'd had one once, a good one, Who'd run away with someone else and left him; And others still because he had one now He only had to be reminded of-- He was all duty to her in a minute: He had to run right off to look her up, As if to say, "That's so, how is my wife? I hope she isn't getting into mischief.
" No one was anxious to get rid of Paul.
He'd been the hero of the mountain camps Ever since, just to show them, he bad slipped The bark of a whole tamarack off whole As clean as boys do off a willow twig To make a willow whistle on a Sunday April by subsiding meadow brooks.
They seemed to ask him just to see him go, "How is the wife, Paul?" and he always went.
He never stopped to murder anyone Who asked the question.
He just disappeared-- Nobody knew in what direction, Although it wasn't usually long Before they beard of him in some new camp, The same Paul at the same old feats of logging.
The question everywhere was why should Paul Object to being asked a civil question-- A man you could say almost anything to Short of a fighting word.
You have the answers.
And there was one more not so fair to Paul: That Paul had married a wife not his equal.
Paul was ashamed of her.
To match a hero She would have had to be a heroine; Instead of which she was some half-breed squaw.
But if the story Murphy told was true, She wasn't anything to be ashamed of.
You know Paul could do wonders.
Everyone's Heard how he thrashed the horses on a load That wouldn't budge, until they simply stretched Their rawhide harness from the load to camp.
Paul told the boss the load would be all right, "The sun will bring your load in"--and it did-- By shrinking the rawhide to natural length.
That's what is called a stretcher.
But I guess The one about his jumping so's to land With both his feet at once against the ceiling, And then land safely right side up again, Back on the floor, is fact or pretty near fact.
Well, this is such a yarn.
Paul sawed his wife Out of a white-pine log.
Murphy was there And, as you might say, saw the lady born.
Paul worked at anything in lumbering.
He'd been bard at it taking boards away For--I forget--the last ambitious sawyer To want to find out if he couldn't pile The lumber on Paul till Paul begged for mercy.
They'd sliced the first slab off a big butt log, And the sawyer had slammed the carriage back To slam end-on again against the saw teeth.
To judge them by the way they caught themselves When they saw what had happened to the log, They must have had a guilty expectation Something was going to go with their slambanging.
Something bad left a broad black streak of grease On the new wood the whole length of the log Except, perhaps, a foot at either end.
But when Paul put his finger in the grease, It wasn't grease at all, but a long slot.
The log was hollow.
They were sawing pine.
"First time I ever saw a hollow pine.
That comes of having Paul around the place.
Take it to bell for me," the sawyer said.
Everyone had to have a look at it And tell Paul what he ought to do about it.
(They treated it as his.
) "You take a jackknife, And spread the opening, and you've got a dugout All dug to go a-fishing in.
" To Paul The hollow looked too sound and clean and empty Ever to have housed birds or beasts or bees.
There was no entrance for them to get in by.
It looked to him like some new kind of hollow He thought he'd better take his jackknife to.
So after work that evening be came back And let enough light into it by cutting To see if it was empty.
He made out in there A slender length of pith, or was it pith? It might have been the skin a snake had cast And left stood up on end inside the tree The hundred years the tree must have been growing.
More cutting and he bad this in both hands, And looking from it to the pond nearby, Paul wondered how it would respond to water.
Not a breeze stirred, but just the breath of air He made in walking slowly to the beach Blew it once off his hands and almost broke it.
He laid it at the edge, where it could drink.
At the first drink it rustled and grew limp.
At the next drink it grew invisible.
Paul dragged the shallows for it with his fingers, And thought it must have melted.
It was gone.
And then beyond the open water, dim with midges, Where the log drive lay pressed against the boom, It slowly rose a person, rose a girl, Her wet hair heavy on her like a helmet, Who, leaning on a log, looked back at Paul.
And that made Paul in turn look back To see if it was anyone behind him That she was looking at instead of him.
(Murphy had been there watching all the time, But from a shed where neither of them could see him.
) There was a moment of suspense in birth When the girl seemed too waterlogged to live, Before she caught her first breath with a gasp And laughed.
Then she climbed slowly to her feet, And walked off, talking to herself or Paul, Across the logs like backs of alligators, Paul taking after her around the pond.
Next evening Murphy and some other fellows Got drunk, and tracked the pair up Catamount, From the bare top of which there is a view TO other hills across a kettle valley.
And there, well after dark, let Murphy tell it, They saw Paul and his creature keeping house.
It was the only glimpse that anyone Has had of Paul and her since Murphy saw them Falling in love across the twilight millpond.
More than a mile across the wilderness They sat together halfway up a cliff In a small niche let into it, the girl Brightly, as if a star played on the place, Paul darkly, like her shadow.
All the light Was from the girl herself, though, not from a star, As was apparent from what happened next.
All those great ruffians put their throats together, And let out a loud yell, and threw a bottle, As a brute tribute of respect to beauty.
Of course the bottle fell short by a mile, But the shout reached the girl and put her light out.
She went out like a firefly, and that was all.
So there were witnesses that Paul was married And not to anyone to be ashamed of Everyone had been wrong in judging Paul.
Murphy told me Paul put on all those airs About his wife to keep her to himself.
Paul was what's called a terrible possessor.
Owning a wife with him meant owning her.
She wasn't anybody else's business, Either to praise her or much as name her, And he'd thank people not to think of her.
Murphy's idea was that a man like Paul Wouldn't be spoken to about a wife In any way the world knew how to speak.
Written by Jonathan Swift | Create an image from this poem

The Beasts Confession

 To the Priest, on Observing how most Men mistake their own Talents
When beasts could speak (the learned say, 
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.
It happen'd, when a plague broke out (Which therefore made them more devout), The king of brutes (to make it plain, Of quadrupeds I only mean) By proclamation gave command, That ev'ry subject in the land Should to the priest confess their sins; And thus the pious wolf begins: "Good father, I must own with shame, That often I have been to blame: I must confess, on Friday last, Wretch that I was! I broke my fast: But I defy the basest tongue To prove I did my neighbour wrong; Or ever went to seek my food By rapine, theft, or thirst of blood.
" The ass, approaching next, confess'd That in his heart he lov'd a jest: A wag he was, he needs must own, And could not let a dunce alone: Sometimes his friend he would not spare, And might perhaps be too severe: But yet, the worst that could be said, He was a wit both born and bred; And, if it be a sin or shame, Nature alone must bear the blame: One fault he hath, is sorry for't, His ears are half a foot too short; Which could he to the standard bring, He'd show his face before the King: Then for his voice, there's none disputes That he's the nightingale of brutes.
The swine with contrite heart allow'd, His shape and beauty made him proud: In diet was perhaps too nice, But gluttony was ne'er his vice: In ev'ry turn of life content, And meekly took what fortune sent: Inquire through all the parish round, A better neighbour ne'er was found: His vigilance might some displease; 'Tis true he hated sloth like peas.
The mimic ape began his chatter, How evil tongues his life bespatter: Much of the cens'ring world complain'd, Who said, his gravity was feign'd: Indeed, the strictness of his morals Engag'd him in a hundred quarrels: He saw, and he was griev'd to see't, His zeal was sometimes indiscreet: He found his virtues too severe For our corrupted times to bear: Yet, such a lewd licentious age Might well excuse a Stoic's rage.
The goat advanc'd with decent pace; And first excus'd his youthful face; Forgiveness begg'd that he appear'd ('Twas nature's fault) without a beard.
'Tis true, he was not much inclin'd To fondness for the female kind; Not, as his enemies object, From chance, or natural defect; Not by his frigid constitution, But through a pious resolution; For he had made a holy vow Of chastity as monks do now; Which he resolv'd to keep for ever hence, As strictly too, as doth his Reverence.
Apply the tale, and you shall find, How just it suits with human kind.
Some faults we own: but, can you guess? Why?--virtues carried to excess, Wherewith our vanity endows us, Though neither foe nor friend allows us.
The lawyer swears, you may rely on't, He never squeez'd a needy client; And this he makes his constant rule, For which his brethren call him fool: His conscience always was so nice, He freely gave the poor advice; By which he lost, he may affirm, A hundred fees last Easter term.
While others of the learned robe Would break the patience of a Job; No pleader at the bar could match His diligence and quick dispatch; Ne'er kept a cause, he well may boast, Above a term or two at most.
The cringing knave, who seeks a place Without success, thus tells his case: Why should he longer mince the matter? He fail'd because he could not flatter; He had not learn'd to turn his coat, Nor for a party give his vote: His crime he quickly understood; Too zealous for the nation's good: He found the ministers resent it, Yet could not for his heart repent it.
The chaplain vows he cannot fawn, Though it would raise him to the lawn: He pass'd his hours among his books; You find it in his meagre looks: He might, if he were worldly wise, Preferment get and spare his eyes: But own'd he had a stubborn spirit, That made him trust alone in merit: Would rise by merit to promotion; Alas! a mere chimeric notion.
The doctor, if you will believe him, Confess'd a sin; and God forgive him! Call'd up at midnight, ran to save A blind old beggar from the grave: But see how Satan spreads his snares; He quite forgot to say his prayers.
He cannot help it for his heart Sometimes to act the parson's part: Quotes from the Bible many a sentence, That moves his patients to repentance: And, when his med'cines do no good, Supports their minds with heav'nly food, At which, however well intended, He hears the clergy are offended; And grown so bold behind his back, To call him hypocrite and quack.
In his own church he keeps a seat; Says grace before and after meat; And calls, without affecting airs, His household twice a day to prayers.
He shuns apothecaries' shops; And hates to cram the sick with slops: He scorns to make his art a trade; Nor bribes my lady's fav'rite maid.
Old nurse-keepers would never hire To recommend him to the squire; Which others, whom he will not name, Have often practis'd to their shame.
The statesman tells you with a sneer, His fault is to be too sincere; And, having no sinister ends, Is apt to disoblige his friends.
The nation's good, his master's glory, Without regard to Whig or Tory, Were all the schemes he had in view; Yet he was seconded by few: Though some had spread a hundred lies, 'Twas he defeated the Excise.
'Twas known, though he had borne aspersion, That standing troops were his aversion: His practice was, in ev'ry station, To serve the King, and please the nation.
Though hard to find in ev'ry case The fittest man to fill a place: His promises he ne'er forgot, But took memorials on the spot: His enemies, for want of charity, Said he affected popularity: 'Tis true, the people understood, That all he did was for their good; Their kind affections he has tried; No love is lost on either side.
He came to Court with fortune clear, Which now he runs out ev'ry year: Must, at the rate that he goes on, Inevitably be undone: Oh! if his Majesty would please To give him but a writ of ease, Would grant him licence to retire, As it hath long been his desire, By fair accounts it would be found, He's poorer by ten thousand pound.
He owns, and hopes it is no sin, He ne'er was partial to his kin; He thought it base for men in stations To crowd the Court with their relations; His country was his dearest mother, And ev'ry virtuous man his brother; Through modesty or awkward shame (For which he owns himself to blame), He found the wisest man he could, Without respect to friends or blood; Nor ever acts on private views, When he hath liberty to choose.
The sharper swore he hated play, Except to pass an hour away: And well he might; for, to his cost, By want of skill he always lost; He heard there was a club of cheats, Who had contriv'd a thousand feats; Could change the stock, or cog a die, And thus deceive the sharpest eye: Nor wonder how his fortune sunk, His brothers fleece him when he's drunk.
I own the moral not exact; Besides, the tale is false in fact; And so absurd, that could I raise up From fields Elysian fabling Aesop; I would accuse him to his face For libelling the four-foot race.
Creatures of ev'ry kind but ours Well comprehend their natural pow'rs; While we, whom reason ought to sway, Mistake our talents ev'ry day.
The ass was never known so stupid To act the part of Tray or Cupid; Nor leaps upon his master's lap, There to be strok'd, and fed with pap, As Aesop would the world persuade; He better understands his trade: Nor comes, whene'er his lady whistles; But carries loads, and feeds on thistles.
Our author's meaning, I presume, is A creature bipes et implumis; Wherein the moralist design'd A compliment on human kind: For here he owns, that now and then Beasts may degenerate into men.

Book: Reflection on the Important Things