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Best Famous Replaced Poems

Here is a collection of the all-time best famous Replaced poems. This is a select list of the best famous Replaced poetry. Reading, writing, and enjoying famous Replaced poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of replaced poems.

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Written by Ogden Nash | Create an image from this poem

Look What You Did Christopher!

 In fourteen hundred and ninety-two,
Someone sailed the ocean blue.
Somebody borrowed the fare in Spain
For a business trip on the bounding main,
And to prove to the people, by actual test,
You could get to the East by sailing West.
Somebody said, Sail on! Sail on!
And studied China and China's lingo,
And cried from the bow, There's China now!
And promptly bumped into San Domingo.
Somebody murmured, Oh dear, oh dear!
I've discovered the Western Hemisphere.

And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Well enough wasn't left alone,
And Columbus was only a cornerstone.
There came the Spaniards,
There came the Greeks,
There came the Pilgrims in leather breeks.
There came the Dutch,
And the Poles and Swedes,
The Persians, too,
And perhaps the Medes,
The Letts, the Lapps, and the Lithuanians,
Regal Russians, and ripe Roumanians.
There came the French
And there came the Finns,
And the Japanese
With their formal grins.
The Tartars came,
And the Terrible Turks -
In a word, humanity shot the works.
And the country that should have been Cathay
Decided to be
The U.S.A.

And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Christopher C. was the cornerstone,
And well enough wasn't left alone.
For those who followed
When he was through,
They burned to discover something, too.
Somebody, bored with rural scenery,
Went to work and invented machinery,
While a couple of other mental giants
Got together
And thought up Science.
Platinum blondes
(They were once peroxide),
Peruvian bonds
And carbon monoxide,
Tax evaders
And Vitamin A,
Vice crusaders,
And tattletale gray -
These, with many another phobia,
We owe to that famous Twelfth of Octobia.
O misery, misery, mumble and moan!
Someone invented the telephone,
And interrupted a nation's slumbers,
Ringing wrong but similar numbers.
Someone devised the silver screen
And the intimate Hollywood magazine,
And life is a Hades
Of clicking cameras,
And foreign ladies
Behaving amorous.
Gags have erased
Amusing dialog,
As gas has replaced
The crackling firelog.
All that glitters is sold as gold,
And our daily diet grows odder and odder,
And breakfast foods are dusty and cold -
It's a wise child
That knows its fodder.
Someone invented the automobile,
And good Americans took the wheel
To view American rivers and rills
And justly famous forests and hills -
But someone equally enterprising
Had invented billboard advertising.
You linger at home
In dark despair,
And wistfully try the electric air.
You hope against hope for a quiz imperial,
And what do they give you?
A doctor serial.
Oh, Columbus was only a cornerstone,
And well enough wasn't left alone,
For the Inquisition was less tyrannical
Than the iron rules of an age mechanical,
Which, because of an error in '92,
Are clamped like corsets on me and you,
While Children of Nature we'd be today
If San Domingo
Had been Cathay.

And that, you may think, my friends, is that.
But it isn't - not by a fireman's hat.
The American people,
With grins jocose,
Always survive the fatal dose.
And though our systems are slightly wobbly,
We'll fool the doctor this time, probly.


Written by Tristan Tzara | Create an image from this poem

Proclamation Without Pretension

 Art is going to sleep for a new world to be born
"ART"-parrot word-replaced by DADA,
PLESIOSAURUS, or handkerchief

The talent THAT CAN BE LEARNED makes the
poet a druggist TODAY the criticism
of balances no longer challenges with resemblances

Hypertrophic painters hyperaes-
theticized and hypnotized by the hyacinths
of the hypocritical-looking muezzins

CONSOLIDATE THE HARVEST OF EX-
ACT CALCULATIONS

Hypodrome of immortal guarantees: there is
no such thing as importance there is no transparence 
or appearance

MUSICIANS SMASH YOUR INSTRUMENTS 
BLIND MEN take the stage

THE SYRINGE is only for my understanding. I write because it is
natural exactly the way I piss the way I'm sick

ART NEEDS AN OPERATION

Art is a PRETENSION warmed by the
TIMIDITY of the urinary basin, the hysteria born
in THE STUDIO

We are in search of
the force that is direct pure sober 
UNIQUE we are in search of NOTHING
we affirm the VITALITY of every IN-
STANT

the anti-philosophy of spontaneous acrobatics

At this moment I hate the man who whispers
before the intermission-eau de cologne-
sour theatre. THE JOYOUS WIND

If each man says the opposite it is because he is
right

Get ready for the action of the geyser of our blood 
-submarine formation of transchromatic aero-
planes, cellular metals numbered in
the flight of images

above the rules of the
and its control

BEAUTIFUL

It is not for the sawed-off imps
who still worship their navel
Written by Thomas Lux | Create an image from this poem

Refrigerator 1957

 More like a vault -- you pull the handle out
and on the shelves: not a lot,
and what there is (a boiled potato
in a bag, a chicken carcass
under foil) looking dispirited,
drained, mugged. This is not
a place to go in hope or hunger.
But, just to the right of the middle
of the middle door shelf, on fire, a lit-from-within red,
heart red, sexual red, wet neon red,
shining red in their liquid, exotic,
aloof, slumming
in such company: a jar
of maraschino cherries. Three-quarters
full, fiery globes, like strippers
at a church social. Maraschino cherries, maraschino,
the only foreign word I knew. Not once
did I see these cherries employed: not
in a drink, nor on top
of a glob of ice cream,
or just pop one in your mouth. Not once.
The same jar there through an entire
childhood of dull dinners -- bald meat,
pocked peas and, see above,
boiled potatoes. Maybe
they came over from the old country,
family heirlooms, or were status symbols
bought with a piece of the first paycheck
from a sweatshop,
which beat the pig farm in Bohemia,
handed down from my grandparents
to my parents
to be someday mine,
then my child's?
They were beautiful
and, if I never ate one,
it was because I knew it might be missed
or because I knew it would not be replaced
and because you do not eat
that which rips your heart with joy.
Written by Emily Dickinson | Create an image from this poem

A Drop Fell on the Apple Tree --

 A Drop Fell on the Apple Tree --
Another -- on the Roof --
A Half a Dozen kissed the Eaves --
And made the Gables laugh --

A few went out to help the Brook
That went to help the Sea --
Myself Conjectured were they Pearls --
What Necklace could be --

The Dust replaced, in Hoisted Roads --
The Birds jocoser sung --
The Sunshine threw his Hat away --
The Bushes -- spangles flung --

The Breezes brought dejected Lutes --
And bathed them in the Glee --
Then Orient showed a single Flag,
And signed the Fete away --
Written by Andre Breton | Create an image from this poem

Less Time

 Less time than it takes to say it, less tears than it takes to die; I've taken account of everything,
there you have it. I've made a census of the stones, they are as numerous as my fingers and some
others; I've distributed some pamphlets to the plants, but not all were willing to accept them. I've
kept company with music for a second only and now I no longer know what to think of suicide, for
if I ever want to part from myself, the exit is on this side and, I add mischievously, the entrance, the
re-entrance is on the other. You see what you still have to do. Hours, grief, I don't keep a
reasonable account of them; I'm alone, I look out of the window; there is no passerby, or rather no
one passes (underline passes). You don't know this man? It's Mr. Same. May I introduce Madam
Madam? And their children. Then I turn back on my steps, my steps turn back too, but I don't
know exactly what they turn back on. I consult a schedule; the names of the towns have been
replaced by the names of people who have been quite close to me. Shall I go to A, return to B,
change at X? Yes, of course I'll change at X. Provided I don't miss the connection with boredom!
There we are: boredom, beautiful parallels, ah! how beautiful the parallels are under God's
perpendicular.


Written by Russell Edson | Create an image from this poem

The Family Monkey

 We bought an electric monkey, experimenting rather 
recklessly with funds carefully gathered since 
grandfather's time for the purchase of a steam monkey. 

We had either, by this time, the choice of an electric 
or gas monkey. 

The steam monkey is no longer being made, said the monkey 
merchant. 

But the family always planned on a steam monkey. 

Well, said the monkey merchant, just as the wind-up monkey 
gave way to the steam monkey, the steam monkey has given way 
to the gas and electric monkeys. 

Is that like the grandfather clock being replaced by the 
grandchild clock? 

Sort of, said the monkey merchant. 

So we bought the electric monkey, and plugged its umbilical 
cord into the wall. 

The smoke coming out of its fur told us something was wrong. 

We had electrocuted the family monkey.
Written by Rainer Maria Rilke | Create an image from this poem

Early Spring

 Harshness vanished. A sudden softness
has replaced the meadows' wintry grey.
Little rivulets of water changed
their singing accents. Tendernesses,

hesitantly, reach toward the earth
from space, and country lanes are showing
these unexpected subtle risings
that find expression in the empty trees.
Written by Chris Tusa | Create an image from this poem

Ode to Gumbo

 after Sue Owen

Born from flour anointed with oil, 
from a roux dark and mean as a horse’s breath, 
you remind me of some strange, mystical stew 
spawned from a muddy version of Macbeth.
Only someone’s replaced the spells with spices, 
the witches with a Cajun chef.

Maybe you’re a recipe torn from Satan’s Cookbook, 
a kind of dumb-downed devil’s brew
where evil stirs its wicked spoon
in a swampy sacrificial hue.
Maybe God damned the okra that thickens
your soup, the muddy bones that haunt your stew.

Maybe this is why, when we smell the cayenne, 
we’re struck dumb as a moth.
Maybe this is why everything that crawls or flies
seems to find its way into your swampy broth.
Written by Marriott Edgar | Create an image from this poem

Sams Christmas Pudding

 It was Christmas Day in the trenches
In Spain in Penninsular War,
And Sam Small were cleaning his musket
A thing as he'd ne're done before.

They'd had 'em inspected that morning
And Sam had got into disgrace,
For when sergeant had looked down the barrel
A sparrow flew out in his face.

The sergeant reported the matter
To Lieutenant Bird then and there.
Said Lieutenant 'How very disgusting'
The Duke must be told of this 'ere.'

The Duke were upset when he heard
He said, 'I'm astonished, I am.
I must make a most drastic example
There'll be no Christmas pudding for Sam.'

When Sam were informed of his sentence
Surprise, rooted him to the spot.
'Twas much worse than he had expected,
He though as he'd only be shot.

And so he sat cleaning his musket
And polishing barrel and butt.
While the pudding his mother had sent him,
Lay there in the mud at his foot.

Now the centre that Sam's lot were holding
Ran around a place called Badajoz.
Where the Spaniards had put up a bastion
And ooh...! what a bastion it was.

They pounded away all the morning
With canister, grape shot and ball.
But the face of the bastion defied them,
They made no impression at all.

They started again after dinner
Bombarding as hard as they could.
And the Duke brought his own private cannon
But that weren't a ha'pence o' good.

The Duke said, 'Sam, put down thy musket
And help me lay this gun true.'
Sam answered, 'You'd best ask your favours
From them as you give pudding to.'

The Duke looked at Sam so reproachful
'And don't take it that way,' said he.
'Us Generals have got to be ruthless
It hurts me more than it did thee.'

Sam sniffed at these words kind of sceptic,
Then looked down the Duke's private gun.
And said 'We'd best put in two charges,
We'll never bust bastion with one.'

He tipped cannon ball out of muzzle
He took out the wadding and all.
He filled barrel chock full of powder,
Then picked up and replaced the ball.

He took a good aim at the bastion
Then said 'Right-o, Duke, let her fly.'
The cannon nigh jumped off her trunnions,
And up went the bastion, sky high.

The Duke, he weren't 'alf elated
He danced around trench full of glee.
And said, 'Sam, for this gallant action.
You can hot up your pudding for tea.'

Sam looked 'round to pick up his pudding
But it wasn't there, nowhere about.
In the place where he thought he had left it,
Lay the cannon ball he'd just tipped out.

Sam saw in a flash what 'ad happened:
By an unprecedented mishap.
The pudding his mother had sent him,
Had blown Badajoz off map.

That's why fuisilliers wear to this moment
A badge which they think's a grenade.
But they're wrong... it's a brass reproduction,
Of the pudding Sam's mother once made.
Written by Richard Brautigan | Create an image from this poem

Less Time

 Less time than it takes to say it, less tears than it takes to die; I've taken account
of everything, there you have it. I've made a census of the stones, they are as numerous
as my fingers and some others; I've distributed some pamphelts to the plants, but not all
were willing to accpet them. I've kept company with music for a second only and now I no
longer know what to think of suicide, for if I ever want to part from myself, the exit is
on this side and, I add mischievously, the entrance, the re-entrance is on the other. You
see what you still have to do. Hours, grief, I don't keep a reasonable account of them;
I'm alone, I look out of the window; there is no passerby, or rather no one passes
(underline passes). You don't know this man? It's Mr. Same.
May I introduce Madam Madam? And their children. Then I turn back on my steps, my steps
turn back too, but I don't know exactly what they turn back on. I consult a schedule; the
names of the towns have been replaced by the names of people who have been quite close to
me. Shall I go to A, return to B, change at X? Yes, of course I'll change at X. Provided I
don't miss the connection with boredom! There we are: boredom, beautiful parallels, ah!
how beautiful the parallels are under God's perpendicular.

Book: Radiant Verses: A Journey Through Inspiring Poetry